world premiere at 2017 tribeca film festival when god …€¦ · world premiere at 2017 tribeca...
TRANSCRIPT
World Premiere at 2017 Tribeca Film Festival
WHEN GOD SLEEPS A LOVE STORY IN THE AGE OF TERROR
A DOCUMENTARY
Featuring Shahin Najafi
Written and Directed by
Till Schauder
Producers Sara Nodjoumi & Till Schauder
Executive Producers
Lisa Kleiner Chanoff & Bonni Cohen, Julie Goldman & Chris Clements, Abigail Disney & Gini Reticker, Sally Jo Fifer
Presented by
Partner Pictures In association with Catapult Film Fund, Fork Films, Motto Pictures
In co-production with ITVS and WDR
Website: whengodsleepsfilm.com | Facebook: facebook.com/WhenGodSleeps | Twitter: @PartnerPictures
Publicity Contact: Michelle DiMartino | [email protected]
SHORT SYNOPSIS
"My songs didn't make me famous. The fatwa did." And so we embark on the journey of rapper Shahin Najafi, whose bold style and transgressive lyrics put him in the crosshairs of religious clerics in his native Iran. When God Sleeps tells the story of this tireless artist-activist against the backdrop of the 2015 Paris terrorist attacks and the global right-wing backlash against Middle Eastern refugees. Shahin’s escape leads to an impossible romance when he falls in love with the granddaughter of the first Prime Minister of the Islamic Republic of Iran. With such family backgrounds, Shahin and Leili become a modern day Romeo & Juliet, caught in the storm of Europe’s refugee crisis, rising Trumpism and global anxiety about the increasingly violent clash between art and religion. (Tribeca Film Festival) LONG SYNOPSIS In 2012 Iranian singer Shahin Najafi, 37, released a satirical rap song that triggered thousands to rally in a campaign for his assassination. Hardline clerics issued a death fatwa against him and placed a $100,000 bounty on his head. The song makes irreverent remarks about Ali al-Naghi, one of twelve imams revered by Shia Muslims. From the New York Times, to the Guardian to SPIEGEL, Shahin’s case drew international attention. German journalist Günter Wallraff, who gave refuge to Salman Rushdie after his death fatwa, now offers shelter to Shahin too. But refusing to go the way of Rushdie who spent a decade in hiding, Shahin says, “Rushdie could sit at home and write. I’m a musician. I have to perform.” What follows is a frantic escape across sharp religious lines. Shahin’s getaway leads to an impossible romance when he falls in love with Leili Bazargan. She is the granddaughter of Mehdi Bazargan, the first Prime Minister of post-revolutionary Iran – a man who was handpicked for the job by none other than Ayatollah Khomeini. Shahin now faces a personal dilemma: how does an apostate deemed worthy of execution establish a life with a woman whose family is deeply religious? The film follows the twists and turns of this dramatic situation, which coincides with Europe’s growing refugee crisis. Though Shahin no longer shares the refugees’ faith, he feels connected to them culturally and has renewed energy to be a voice for the countless victims of war flooding into Germany. Frustrated with the increasingly xenophobic and anti-Muslim sentiment throughout Europe and with the rise of Trumpism, Shahin is determined to push back. As Shahin puts his life on the line each time he steps on a stage, the anxiety surrounding his death fatwa never stops. “Fear is a part of me.” Shahin could live to be a father, like his friend Majid, or pay for his convictions with his life any day.
FROM THE DIRECTOR
Shahin Najafi contributed two rap songs to the soundtrack of my previous film, The Iran Job. When that film opened I wanted to invite Shahin to the premiere party. But I couldn’t reach him. Not by phone, not by E-mail or social media, not even through mutual acquaintances. He had disappeared. Finally my wife Sara, who is also the producer of the film, told me to check the news. That’s when I learned that Shahin was hiding. The Times labeled him “Rushdie of Rap” after hardline clerics had issued a death fatwa against him for publishing a rap song deemed blasphemous. When I finally reached Shahin he was exhausted: “I fear for my life.” My father-in-law, Nicky Nodjoumi, is a painter known for his political and often satirical work. He had to abruptly escape from his home country, Iran, in 1980 – the year Shahin was born. In the days before Nicky’s escape religious extremists burned down a retrospective of his satirical paintings at Tehran’s Museum of Modern Art. Since then Nicky has lived in exile. He had to endure the death of his mother from afar – a fate that Shahin shares with him. They have other similarities. Both are refugee artists who had to adopt to their respective host countries while struggling to maintain a sense of identity. And like my father-in-law, who was once the hope of his local clergy but became an artist unflinchingly critical of Iran’s religious regime, Shahin once considered pursuing the path of a devout cleric before choosing art over religion. Such biographies fascinate me. They require courage and conviction while shedding light on the religious, cultural and political fissures between the West and the Muslim world. When God Sleeps aims to understand a controversial artist and his journey from paralyzing fear to a remanence of freedom. In doing so it hopes to raise questions about free speech, religious and political extremism and artistic integrity. Beneath these global issues lies a very personal story of religious exploration. Asked if God exists Shahin says: ”If he exists he’s sleeping.” In light of the worldwide conflicts over religion, political oppression, refugees and integration this seems to be the right time to tell Shahin’s story. I feel honored that Shahin gave me the exclusive right and access to tell his extraordinary story - a prerequisite for trying to represent all facets of his personality, which can be provocative, courageous, restless, maddening, contradictory and endearing. Till Schauder
ABOUT THE FILMMAKERS
TILL SCHAUDER (Writer and Director) Schauder got his start in Germany where he received his MA at the Munich University of Television and Film. His U.S. debut, SANTA SMOKES won several international awards, among them Best Director at the Tokyo International Film Festival and the Studio Hamburg Newcomer Award. In 2012, Schauder completed his first documentary, the critically acclaimed THE IRAN JOB, which was released theatrically in several countries and shortlisted for a German Academy Award. In 2014 he was awarded the prestigious Gerd-Ruge-Stipendium by Medienstiftung NRW, Germany’s largest federal film fund, to develop WHEN GOD SLEEPS. In 2016 he won the “ARD Top of the Docs” Award to shoot HASSAN AGAINST THE WORLD, a feature documentary about Iraqi refuges in Germany combating ISIS through performance arts. Schauder teaches film classes at NYU and Vermont College of Fine Arts where he is a founding faculty of the Film Masters Program. He lives in Brooklyn with his wife and producing partner, Sara Nodjoumi, and their two kids. SARA NODJOUMI (Producer) Nodjoumi is a film producer and film festival programmer. She produced the feature documentary THE IRAN JOB, which was released theatrically and on Netflix worldwide. In Germany, the film was shortlisted for a German Academy Award. For THE IRAN JOB Nodjoumi managed two of the most successful Kickstarter campaigns of all time. She co-produced and co-directed I CALL MYSELF PERSIAN: IRANIANS IN AMERICA, which aired on PBS and premiered at the MoMA Documentary Fortnight. Nodjoumi joined director Till Schauder, as an Associate Producer on his feature films SANTA SMOKES and DUKE’S HOUSE. Their collaboration continues with the feature documentary THE REGGAE BOYZ, which is currently in post-production, and WHEN GOD SLEEPS, co-produced by ITVS and supported by numerous foundations including the Sundance Institute, Catapult Film Fund, Fork Film, the Jerome Foundation, and NYSCA. From 2004-2009, Nodjoumi worked at the Tribeca Film Festival as an Associate Programmer and is currently the Artistic Director of the New York Sephardic Film Festival. In 2016, she was invited to attend the Sundance Creative Producer’s Summit.
ABOUT THE CAST SHAHIN NAJAFI Shahin Najafi is a musician, poet, singer, and social activist. He was born in 1980 to a middle-class family in Bandar-e Anzali, Iran, the youngest of eight children. He started writing poetry and learning to play classical and flamenco guitar in his teens. He turned to rock music, often performing as an underground musician. As a young activist, Shahin's lyrics often conveyed strong and controversial messages about Iranian society. This attracted the disapproval of Iranian authorities and in 2004, the threat of persecution forced him to leave Iran. In 2005, Shahin moved to Germany. Dubbed the "angry bard", he continued to write and perform music that was critical of conditions in Iran: poverty, oppression of women, homophobia, censorship, ideological dogmas, violence and cultural taboos. For a time, his career veered into rap and hip hop, bringing him fame among young fans back in Iran. These days, Shahin's music fuses rock, jazz, and blues with lyrics that demand change. (From Shahin Najafi’s official website: shahinnajafimusic.com) LEILI BAZARGAN Leili Bazargan is the granddaughter of Mehdi Bazargan, the first Prime Minister of post-revolutionary Iran, who was handpicked for the job by the late Ayatollah Khomeini. After her grandfather, a devout Muslim, had a falling out with Khomeini over the Iran hostage crisis the family emigrated to Southern California, where Ms. Bazargan grew up in a conservative Muslim community and started a career in journalism and political activism. GÜNTER WALLRAFF Günter Wallraff is a German writer and undercover journalist. Wallraff came to prominence thanks to his striking journalistic research methods and several major books on lower class working conditions. This style of research is based on what the reporter experiences personally after covertly becoming part of the subgroup under investigation. In the 1990s Wallraff temporarily gave shelter to British novelist Salman Rushdie after Ayatollah Khomeini declared a fatwa against Rushdie for his novel “The Satanic Verses.” More than a decade later Wallraff would provide shelter to another persecuted artist: singer songwriter Shahin Najafi who landed in the crosshairs of radical clerics for his controversial lyrics.
CREDITS
WRITTEN and DIRECTED BY Till Schauder
PRODUCED BY
Sara Nodjoumi and Till Schauder
EXECUTIVE PRODUCERS
Lisa Kleiner Chanoff and Bonni Cohen
Julie Goldman and Chris Clements
Abigail Disney and Gini Reticker
Sally Jo Fifer
PHOTOGRAPHED BY
Till Schauder and Gerardo Milsztein
EDITOR
Tina Grapenthin
CONSULTING EDITOR
Mark Becker
COMMISSIONING EDITOR ITVS
Noland Walker
SUPERVISING PRODUCER FOR ITVS
Michael Ehrenzweig
COMMISSIONING EDITOR WDR
Jutta Krug
ORIGINAL SCORE BY
Max Avery Lichtenstein
SONGS BY
Shahin Najafi and Majid Kazemi
ADDITIONAL PHOTOGRAPHY
Henning Brümmer
Till Vielrose
Hajo Schomerus
ASSISTANT EDITOR
Aron Koszeg
CO-PRODUCER GERMANY
Till Schauder Filmproduktion
CONSULTING PRODUCER GERMANY
Corso Film
Erik Winker
Martin Roelly
Florian Fimpel
ASSISTANT TO THE PRODUCERS
Victoria Hazebrouck
Saoli Nguyen
Josh Powell
PRODUCTION SOUND
Michael Geck
Rene Niklas
Mattis Hanspach
Alexander Yaker
Jule Buerjes
Frank Bubenzer
RESEARCHERS
Melissa Imasuen
Victoria Hazebrouck
POST PRODUCTION SUPERVISOR
Mark Steele
DIGITAL INTERMEDIATE
Final Frame
DIGITAL INTERMEDIATE COLORIST
Will Cox
DIGITAL INTERMEDIATE ONLINE EDITOR
Kevin Caby
DIGITAL INTERMEDIATE PRODUCER
Caitlin Tartaro
RE-RECORDING MIXER
Mike Frank
SUPERVISING SOUND EDITOR
Mike Frank
DIALOGUE & SOUND EDITOR
Arjun Sheth
ASSISTANT SOUND EDITORS
Matt Orlando
David V. Britton
Alex Barnhart
VFX ARTIST
Casey Friedman
TITLES & GRAPHICS
Erik Buckingham / Palaceworks
TRANSLATORS / TRANSCRIPTION
Marie Nehles
Shekhar Gahlot
Kenneth Crab
John Howard
Oldouz Deghan
One Language Communications
Braudry Translation Services
Adina Schöpp Victoria Hazebrouck
Melissa Imasuen
Saskia Jell
Elaheh Tagvaei
Matthias Kreuter
Melissa Oskouie
Ilias Stanois
Petra Zahnhausen
PRODUCTION COUNSEL
Gray Krauss Stratford Sandler Des Rochers LLP
Jonathan Gray, Esq.
FAIR USE OPINION Donaldson & Calif / Chris Perez
BOOKKEEPER
Ameena Din / Big Picture Finance & Accounting
SPECIAL THANKS Shahin Najafi
Leili Bazargan
Shahriyar and Zary Ahadi
Majid Kazemi
Michael Krol
Ben Trawinsky
Niko Stallmann
Simon Shieble
Augusto Stahlke
Günter Wallraff
THANKS Nahid Hagigat
Nicky Nodjoumi
Kat Vecchio
Juli Kobayashi
Caroline Hepburn
Kristin Feeley
Rahdi Taylor
Tabitha Jackson
Enrique Radraza
Caroline Libresco
David Teague
Geoff Richman
Cara Cusumano
Loren Hammonds
Alexandra Cantin
Jannette Bovino
Oliver Schmid
Jose Rodriguez
Andrew Catauro
Leah Giblin
Jenny Raskin & Kelsey Koenig
Winnie Wong
Jim Browne
Hava Pasha & Paul Noordam
Myra Cohen Karen Dillon
Marshall & Elizabeth Curry Silvia Schauder
Wiebke Helmchen
Götz Schauder
Jennifer Battat
Robert Byrd
Alessandro d’Ansembourg
Amir Farman-Farmaian
Sarah Masters
Laura Healy
Megan Gelstein
Richard Massey
Dan Schrecker
Richard O'Conner
Pooya Abbasian
Marjan Farsad
Setare Arashloo
Tina Grapenthin’s family
Lucy Hamachek
Elke, Peter and Hella Grapenthin
Laura van Schendel
Laura Colella
Stephen Pite
Michael Negroponte
Malik Vitthal Amanda Brokaw
Amy Colavita
Milton Tabbot
Paola Mattura
Bebe Negar Nodjomi
Dorota Lecht
Brigid O’Shea
Ineke Hagedorn
Christoph Menardi
Omid Memarian
Hadi Ghaemi
Mamad Menbari
Lori Cheatle
Jessica Vaiana
Nazy Kaviani
Jasmin Tabatabei
Susanne Heinz
Paul Sturtz
David Wilson
Catapult - True/False Rough Cut Retreat &
The Calistoga "Hot Tub" Gang
Donna Kozloskie
Pedro Kos
Sigrid Wolfram
Claudia Haj Ali
Lili Török
Julide Tanriverdi
Kiara Walker
ADDITIONAL MATERIAL BY
Shahin Najafi
Amin Khelghat
Yunus Balcik
Zary Ahadi
Shahriyar Ahadi
BBC / BBC News
Shia TV
Deutsche Welle English
Lenziran
NDR / Das!
Ina.fr
Taraneh Enterprise
VOA Persian Ofogh nasrtv.com
Jan van Bekkum
Associated Press
New York Times
Tagesschau
CNN
ARD
Compact TV
Pyramide Media
Adventurism
Imran’s Photography / Shutterstock
tmbstudio / Shutterstock
Bendaly Family
SONGS
“A Ranandegi Dar Masti ”
Written and performed by: Shahin Najafi
Music arrangements and production by: Majid Kazemi
Published by: Shahin Najafi
Courtesy of Shahin Najafi
“Too Halgham”
Written by: Shahin Najafi
Performed by Shahin Najafi and Majid Kazemi
Music arrangements and production by: Majid Kazemi
Published By: Shahin Najafi
Courtesy of Shahin Najafi
“Naghi ”
Written by: Shahin Najafi
Performed by Shahin Najafi and Majid Kazemi; Shahin Najafi
and band
Music arrangements and production by: Majid Kazemi
Published by: Shahin Najafi
Courtesy of Shahin Najafi
“Salam”
Written by: Shahin Najafi
Performed by Shahin Najafi and band
Music arrangements and production by: Majid Kazemi
Published by: Shahin Najafi
Courtesy of Shahin Najafi
“Mammad Nobari”
Written by: Shahin Najafi
Performed by Shahin Najafi and band
Music arrangements and production by: Majid Kazemi
Published by: Shahin Najafi
Courtesy of Shahin Najafi
“BBBBC”
Written and performed by: Shahin Najafi
Music arrangements and production by: Majid Kazemi
Published by: Shahin Najafi
Courtesy of Shahin Najafi
“Ghazi”
Written by: Shahin Najafi
Performed by Shahin Najafi and band
Music arrangements and production by: Majid Kazemi
Published by: Shahin Najafi
Courtesy of Shahin Najafi
“Sade ”
Written by: Shahin Najafi
Music arrangements and production by: Majid Kazemi
Published by: Shahin Najafi
Courtesy of Shahin Najafi
“Aureliano”
Written by: Shahin Najafi
Performed by Shahin Najafi and Majid Kazemi
Music arrangements and production by: Majid Kazemi
Published By: Shahin Najafi
Courtesy of Shahin Najafi
GRADITUDE The producers extend their gratitude to Kiepenheuer &
Witsch Verlag for allowing us to use the title of Shahin
Najafi’s book “Wenn Gott Schläft“
FUNDED IN PART BY
ITVS
Catapult Film Fund
Fork Films
FFA - German Federal Film Board
Medienstiftung NRW - Gerd Ruge Stipendium
Jenerosity Foundation
Sundance Institute Documentary Film Program with support
from Open Society Foundations
Jerome Foundation
Hartley Film Foundation
Flora Family Foundation
With the support of The Independent Film Project,
Dok Leipzig and HotDocs Forum
PRODUCTION When God Sleeps is a co-production of Partner Pictures and
the Independent Television Service (ITVS) and Westdeutscher
Rundfunk (WDR),
with funding provided by the Corporation for Public
Broadcasting
This program was produced by Partner Pictures who is solely
responsible for its content