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ORAL HISTORY WORKSHOP FOR TEACHERS
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IV. AFTER THE INTERVIEW
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AFTER THE INTERVIEW
Ensure long-term preservation of recordings by entrusting them to a local library or archives, where other researchers can access them as primary resources for years to come.
Preserve the recordings.
o Label them carefully.
o Duplicate originals and store them
safely.
o Use the copies for further
processing.
o Keep a file for permission forms,
interview notes, photographs,
research notes, etc.
Why preserve student recordings?o The student’s interview may be the only preserved
recording with a particular interviewee on a particular
topic of interest to historians now or in the future.
o Teachers may use the recordings with later classes to
provide a primary source for student learning on a
selected curriculum topic.
o To motivate students to obtain high-quality recordings
and interviews.
o To allow students to do the complete oral history
process, just like career oral historians.
o To provide students the satisfaction of creating
lasting historical documents.
o To honor the interviewees who share their stories with
students.
o To give the larger community as well as future scholars
access to the stories gathered and lessons learned from
the student’s oral history interview.
Will you transcribe?
Transcribing is time-consuming.
Transcribing distorts what actually went on
in the interview.
Oral history is a sound recording. Shouldn’t
it be heard rather than read?
– Yes Students practice language skills.
Narrators can review and correct.
Transcripts can be indexed.
Reading the transcript takes less time than
listening to the audio.
– No
AFTER THE INTERVIEW
If you transcribe ...
o adopt a style manual. Most historians use
Turabian or the Chicago Manual of Style.
o adopt a dictionary.
o download the transcribing style guide
furnished online by the Baylor University
Institute for Oral History.
Style Guide
If you transcribe ...
o Be accurate. Resist the urge to correct
and tidy grammar and word choice.
o Have another person listen to the
recording while checking/correcting the
first transcription.
o Send transcripts to the interviewees for
editing. Make changes they request.
o Deposit the transcripts with the
recordings in the library or archives for
preservation.
Create a time-subject log.
AFTER THE INTERVIEW
Indexing the recording by time and subject makes information on recordings more accessible and allows the researcher to provide correct spellings of names and terms used in the interview for future users or transcribers.
o Index soon after the interview.
o For tapes, use a stopwatch rather than the
counter on the recorder for greater accuracy.
o Digital playback software usually provides a
time log.
o Index by obvious breaks in the topic or by time
(every five minutes or less).
o The more details in the index, the more useful
it will be.
Sample of a time-subject log:
Name: Arthur Louis Santos
Date of interview: January 15, 2008
Location: Santos home, 2222 West Drive, Waco, Texas
Interviewer: John Sutcliffe
Project: Waco History Coalition: Sandtown
Recording no. 0778; compact disc
H/M/S Topic
00:00:03 Introduction
00:01:05 Description: between Brazos River and South 1st, below Clay St.
to city dump; shotgun houses mixed with frame structures;
railroad tracks; meat packing plants; unpaved streets
00:08:08 Name origin: not sure; speculates it is from sandy, unpaved
streets
00:09:25 Came when he was a baby (born in 1930); family moved from
Coahuila, Mexico, because several uncles lived here;
names of family members: father, Juan Reyes Santos; mother:
María Zapata Lopez Santos; uncles, Julio and Ernesto Lopez
00:15:33 Childhood games, fishing and swimming in river, walking past
city square to attend Sunday mass at St. Francis Catholic
Church
Analyze the content by asking
o What are the most important points made in this interview?
o What patterns, key phrases, themes emerge from the stories
told?
o How does the interviewee express his/her feelings about
the topic?
o What do these stories teach me about the topic?
o How are the interviewee’s stories like/unlike written
versions of the topic? Why?
o What does this interview tell me that the written sources
left out?
o What other questions might this interviewee be able to
answer about the topic?
o Based on what this interview uncovers, what additional
research do I need to do to learn more about the topic or
verify these stories?
AFTER THE INTERVIEW
Evaluate the quality.
THE RECORDING
Is the technical quality of this recording good?
audio clear? volume strong? Is there background
noise? internal machine noise?
THE TECHNIQUE
Did I ask open-ended questions? good follow up
questions? Did I interrupt? Did I listen well?
ASK YOURSELF
What did I learn about doing interviews from
this experience?
What should I do differently next time?
AFTER THE INTERVIEW
Write and publish
stories
poems
plays
monologues
readers theater
AFTER THE INTERVIEW
essays
Share the outcome.
Create
maps
cartoons
posters
brochures
media shows
Web sites
history fair projects
art
music
dance
AFTER THE INTERVIEW
Share the outcome.
o Collect artifacts, incorporate stories from the
oral histories, and hold an exhibition.
o Lead tours of the neighborhood and tell stories
from the oral histories.
o Teach peers or younger students what you have
learned.
o Host a gathering for the interviewees and display
the students’ work. For example, view photos of
students and their interviewees and project
displays at the annual St. Andrews Episcopal
School “Oral History Night.”
Make it an event.
AFTER THE INTERVIEW
Share the outcome.
See, for example, student assessments of what they learned about the Great Depression from an oral history project in Richfield, Utah, at Sevier County Oral History Project.
Encourage self-assessment through
student portfolios.
AFTER THE INTERVIEW
Assess student learning.
o What did I set out to learn?
o What did I learn?
o What did I learn about myself as a
learner?
o What are my strengths and weaknesses as
a learner?
o What do I still want to learn?
o How do I plan to go about learning more?
o How do I plan to continue assessing my
learning?
Self-assessment questions
Assigning grades
Assignment Points possible
Interview completed 20
on time 5
quality 5
Transcript completed 20
on time 5
quality 5
Final project completed 20
on time 5
quality 5
Student conduct 10
Total points 100
For grading purposes, some teachers use the following point system:
ORAL HISTORY WORKSHOP FOR TEACHERS
You have completed AFTER THE INTERVIEW and you
have seen how students can evaluate and use their
oral histories in creative ways.
Now return to the
Workshop for Teachers
and test your knowledge of oral history with the
Teacher’s Quiz.
Visit the Workshop for Students.