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What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters Feature Menu

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Page 1: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

What Characters Tell Us

Direct Characterization

Indirect Characterization

Dramatic Monologue and Soliloquy

Flat, Round, and Stock Characters

Practice

Characters

Feature Menu

Page 2: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

What can we learn from fictional characters?

What Characters Tell Us

We can learn about

• encounters with discrimination

• conflicts between old and new traditions

• struggles for independence and acceptance

• triumphs, fears, and love

Page 3: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Characters are the actors in a story. When they behave in convincing ways, they make us believe in them and draw us into their fictional worlds.

What Characters Tell Us

[End of Section]

By reading about their struggles, we often learn something about ourselves.

Page 4: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Direct Characterization

Direct Characterization—The writer tells readers directly what a character is like.

[End of Section]

. . . he was a simple, good-natured man; he was moreover a kind neighbor and an obedient, henpecked husband.

from “Rip Van Winkle” by Washington Irving

Page 5: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Indirect Characterization

Indirect Characterization—The writer reveals characters’ traits through

• appearance

• dialogue

• private thoughts

• actions

• effects on others

Page 6: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Appearance

The way writers describe characters’ appearance—physical features, clothing, and general demeanor—provides insight into their personalities.

Indirect Characterization

(After his twenty-year nap)

The appearance of Rip, with his long grizzled beard, his rusty fowling piece, his uncouth dress, . . . soon attracted the attention of the tavern politicians.

from “Rip Van Winkle” by Washington Irving

Page 7: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Dialogue

Dialogue can reveal a lot about characters. Pay attention not only to what characters say but also how they say it.

Indirect Characterization

(Entering the village after his twenty-year nap)

“God knows,” exclaimed [Rip] . . ., “I’m not myself.—I’m somebody else—that’s me yonder—no—that’s somebody else got into my shoes—I was myself last night; but I fell asleep on the mountain—and they’ve changed my gun—and everything’s changed—and I’m changed—and I can’t tell what’s my name, or who I am!”

from “Rip Van Winkle” by Washington Irving

Page 8: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Private Thoughts

Characters’ private thoughts can reveal what they think, feel, want, or fear.

Indirect Characterization

(Rip learns that friends have passed away in his absence)

Rip’s heart died away, at hearing of these sad changes in his home and his friends, and finding himself thus alone in the world . . . he had no courage to ask after any more friends, but cried out in despair, “Does nobody here know Rip Van Winkle?”

from “Rip Van Winkle” by Washington Irving

Page 9: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Actions

Characters’ actions—what they do and how they do it—tell a great deal about them.

Indirect Characterization

He assisted at their sports, made their playthings, taught them to fly kites and shoot marbles, and told them long stories. . . .

from “Rip Van Winkle” by Washington Irving

Page 10: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Effects on Others

The effect a character has on others also helps readers understand what the character is like.

Indirect Characterization

The children of the village . . . would shout with joy whenever he approached. . . . Whenever he went dodging about the village he was surrounded by a troop of them . . . and not a dog would bark at him throughout the neighborhood.

from “Rip Van Winkle” by Washington Irving

Page 11: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

In what indirect ways does the writer reveal character in this passage?

Indirect Characterization

[End of Section]

Quick Check

[Rip] would never refuse to assist a neighbor even in the roughest toil, and was a foremost man at all country frolics for husking corn, or building stone fences; the women of the village too used to employ him to run their errands . . .

from “Rip Van Winkle” by Washington Irving

Page 12: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Characters are also important in poetry and plays. One way that poets and playwrights can develop characters is by letting them speak for themselves.

• A dramatic monologue is a poem in which a single character talks to one or more silent listeners.

Dramatic Monologue and Soliloquy

• A soliloquy is a scene in a play in which a lone character tells his or her thoughts directly to the audience.

[End of Section]

Page 13: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Flat, Round, and Stock Characters

Flat characters• have only one or two

character traits

• can be described in a few words

• are usually minor characters

Page 14: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Flat, Round, and Stock Characters

Round characters• have many

character traits

• are complex, like real people

• are often major characters

Page 15: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Flat, Round, and Stock Characters

Stock characters

• fit readers’ preconceived ideas about “types,” such as mad scientists or nagging wives

• are not complex like real people

[Rip’s] wife kept continually dinning in his ears about his idleness, his carelessness, and the ruin he was bringing on the family. Morning, noon, and night, her tongue was incessantly going. . . .

from “Rip Van Winkle” by Washington Irving

[End of Section]

Page 16: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Little Red Riding Hood

Once upon a time, there was a little girl who lived in a village near the forest. Whenever she went out, the little girl wore a red riding cloak, so everyone in the village called her Little Red Riding Hood.

One morning, Little Red Riding Hood asked her mother if she could go to visit her grandmother as it had been awhile since they'd seen each other.

"That's a good idea," her mother said. So they packed a nice basket for Little Red Riding Hood to take to her grandmother.

When the basket was ready, the little girl put on her red cloak and kissed her mother goodbye.

"Remember, go straight to Grandma's house," her mother cautioned. "Don't dawdle along the way and please don't talk to strangers! The woods are dangerous."

"Don't worry, mommy," said Little Red Riding Hood, "I'll be careful."

Page 17: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Review the story, and identify two or three of Little Red Riding Hood’s traits. List details in the story that illustrate those traits. Then, identify which literary device (such as narration, dialogue, or description) helped you identify each trait.

Practice

Character Traits Supporting Details Literary Device Used

[End of Section]

Page 18: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

Complete the analysis chart for Elise and Mrs. Wilson.Character Traits Supporting Details Literary Device Used

Page 19: What Characters Tell Us Direct Characterization Indirect Characterization Dramatic Monologue and Soliloquy Flat, Round, and Stock Characters Practice Characters

The End