what audio engineers should know about human sound perception · 2019-08-15 · what audio...

What Audio Engineers Should Know About Human Sound Perception

Part 2. Binaural Effects and Spatial Hearing

AES 112th Convention, MunichAES 113th Convention, Los Angeles

Durand R. Begault

Human Factors Research & Technology DivisionNASA Ames Research CenterMoffett Field, California

Overview

• ILD, ITD differences and lateralization

• HRTF spectral changes for 3D imagery

• Binaural versus monaural influence of echoes

• Effects of reverberation on perception of the environmental context

• Cues to auditory distance

• Cognitive and multisensory cues

Sound source(s),interaction withroom acoustics

SOURCE MEDIUM RECEIVER

Communication chain for acoustic events

FrequencyAmplitudeSpectrumLocation





Recording & playback: acoustical-electrical- acoustical transformation






Hearing: perception, cognition, multi-sensory interaction

PitchLoudnessTimbreLocalization





Hearing: perception, cognition, multi-sensory interaction

Mismatch between prescribed & perceived spatial events

Model of the binaural hearing systemA

cous

tic s

igna

l-driv

en

Binaural hearing (localization; signal separation & detection):

forming spatial auditory events from acoustical (bottom-up) and psychological (top-down) inputs

Psychologically-driven

Figure adapted from JensBlauert, “Spatial Hearing.The Pychophysics of Human Sound Localization.Revised Edition. 1983, MIT Press.

Model of the binaural hearing system

Filtering of acoustic signalby pinnae, ear canal

Binaural hearing (localization; signal separation & detection)



Filtering by inner ear; frequency-specific neuronfirings





Physiological evaluationof interaural timing andlevel differences



Filtering of acoustic signalby pinnae, ear canal.


Physiological evaluationof interaural timing andlevel differences

Aco

ustic

sig

nal-d

riven


Multi-sensory information; cognition

Aco

ustic

sig

nal-d

riven

Psychologically-driven

Two important functions of the binaural hearing system

for recording engineers:

• Localization

(lateral and 3-dimensional)

• Binaural masking:

Echo supression, room perception

• ILD (interaural level difference)• ITD (interaural time difference)

“Duplex” theory of localization

Lateral localization of auditory images

• ILD (interaural level difference) caused by head shadow of wavelengths > 1.5 kHz

Lateral spatial image shiftLe

vel d

iffer

ence

(dB

)Le

vel d

iffer

ence

(dB

)

Perceptual decoding of spatial cuesin a cross-coincident microphonerecording is based on ILDs

rotation

• ITD (interaural time difference)

Lateral image shift

Lateralization demo. A simple time or level difference can make headphone images move from side to side inside the head.

Interaural level difference (dB)0 4 8 12

. 5 1 1 . 5

0 (center)

4

2

(max) 5

3

1

8

Interaural time difference (msec)0 .5 1.51

Adapted from Toole & Sayers, 1965 and Blauert, 1983: click stimuli

Adapted from Blauert, 1983: broadband noise

Late

ral s

hift

from

cen

ter

of th

e he

ad

2. ITD DEMO:0.00 ms0.25 ms0.50 ms0.75 ms1.00 ms1.50 ms

1. ILD DEMO:2 dB4 dB6 dB8 dB

12 dB

Elevation and front-back discrimination: HRTF, pinnae cues

Exte rnalize d pe rc ept ion

Lis t ene r

Source Le f t 3 0 °

Source Le f t 1 5 0 °

The cone of confusion causes reversals for virtual sources with identical or near-identical ITD or ILD

Frequency

Log

Mag

nitu

de (

dB)

2000 4000 6000 8000 10000 12000 14000100 16000

-40

-30

-20

-10

0

-50

10Right 30°, elevated

Right 90°, ear level

Right 120, below

Head-related transfer function cues (HRTFs) providecues for front-back discrimination and elevation

45°, 0°

135°, 0°

3. audio example:HRTF “clock positions”

Variation in HRTF magnitude with elevation at one azimuth

4. Audio example:

120 degreeazimuth: at

+36,

0 ,

-36 degrees

elevation

Graphic by William L. Martens,University of Aizu

TARGET POSITIONREVERSAL ERROR WITH LOCALIZATION ERROR (ELEVATION)

TARGET POSITION

REVERSAL ERROR

REGION OF LOCALIZATION ERROR (AZIMUTH)

INTRACRANIAL LOCATION (DISTANCE ERROR)

Perceptual errors with headphone 3-D sound include inside-the-head localization (solution: reverberation cues) and reversals (solution: head tracking)

0

5

10

15

20

25

30

anechoic early reflections full auralization

reverberation treatment

Uns

igne

d az

imut

h er

ror

(deg

rees

)

Localization error for headphone stimuli (azimuth)

AnechoicSpeech:Individualdifferences

Mean values for different reverberation conditions

Echoes, reverberation and background sound: perception of the environmental

context

Spatial hearing fundamentally involves perception of the location of a sound source at a point in space (azimuth, elevation, distance).

But a sound source simultaneously reveals information about its environmental context.

-reverberation-image size & extent

Distance

Elevation

Image Size

Azimuth

Environmental Context

Listener

Effect of delay time for a single echo

0 0.6 1.5 40 10Approximate delay time to left channel (msec)

image shift image broadening echo

Sound examples: 5. stereo echo- 6. monaural echoRelative to the reference condition,spatially separated echoes create spatial percepts;non-spatially separated echoes create timbral effects

Direct sound

Early reflections

Late reflections (dense reverberation)

Time

Early and late reverberant sound fieldsR

elat

ive

ampl

itude

7. Audio examples:-direct sound-direct w/ 1st, 2nd order ERs-direct with full auralization

R2

D

R1

Direct sound

Early reflections

Late reflections (dense reverberation)

Time

Early and late reverberant sound fields

0 . 5 1 1 . 5 2 2 . 5 3 3 . 5 4 4 . 5 5 5 . 5

x 1 04

- 4 0

- 3 5

- 3 0

- 2 5

- 2 0

- 1 5

- 1 0

- 5

Rel

ativ

e am

plitu

deR

elat

ive

ampl

itude

8. audio examples: normal and 0.25 speed impulse response

Echo thresholds• Sensitivity can increase as much as 10 dB

if echoes occur at different locations• Late reverberation can decrease sensitivity• Sensitivity increases with increasing time delay

Although thresholds for reverberation are relatively low, background noise(e.g., NC 35) can mask the reverberant decay.

Noise Criteria (NC) curves

0

10

20

30

40

50

60

70

80

One-Third Octave Band Center Frequency, Hz

reverberation threshold

NC 65

NC 60

NC 55

NC 50

NC 45

NC 40

NC35NC 30

NC 25

NC 20

NC 15Approximate Threshold of Hearing for Continuous Noise

NC 10NC 5

31.5 63 125 250 500 1k 2k 4k 8k-40

-35

-30

-25

-20

-15

-10

250

500

1000

2000 fb

w

250

500

1000

2000 fb

w

250

500

1000

2000 fb

w

Small Medium Large

Octave-Band Center Frequency (fbw=full bandwidth)

Rev

erbe

ratio

n th

resh

old

(spe

ech)

re 6

0 dB

SP

L

speech

Distance perception: amplitude cues

• The inverse square law states that sound decays 6 decibels per doubling of distance in a reflection-free environment.

2

4

8

85

1

79 73dB SPL

''

''

67

9. sound example

Distance perception: amplitude cues

However, “half-as-loud” corresponds to a 10 dB reduction in level with distance

2

4

8

85

1

75 65dB SPL

''

''

55

10. sound example

Distance perception: reverberant ratio cues

108642070

73

76

79

82

85

88

91

94

Anechoic

w/ ER

w/ ER + LR

distance (feet)

An increase in reverberant level indicatesmovement into the diffuse sound field

Concert Hall reverberation physical-perceptual parameters

• Reverberance (reverberation time, strength)

• Apparent source width (ASW) (interaural cross-correlation)

• Envelopment (spatial diffusion of reflections from all around)

• Clarity (ratio of first 50-80 ms of early sound to late sound)

• Warmth (ratio of bass frequency RT to mid-band RT)

Cognitive cues; multisensory cues

Cognitive cues to distance perception

Shouting

Whispering

Auditory localization can be influenced or biased bycognitive mapping

Influence of visual, vibratory cues

Explosions & crashes

Helicopter fly-overs

Summary

• ILD, ITD differences and lateralization

• HRTF spectral changes for 3D imagery

• Binaural versus monaural influence of echoes

• Effects of reverberation on perception of the environmental context

• Cues to auditory distance

• Cognitive and multisensory cues

what audio engineers should know about human sound perception · 2019-08-15 · what audio...

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