week #48 – the creative process

1
NO MORE THAN FOUR MIX THE TEAM UP BETWEEN PROJECTS USE CLEVER NEWBIES FOR INTELLIGENT NAIVETY INVITE EXPERTS AND CLIENTS FOR BIG JOBS BALANCE YOUR GENDERS FOLLOW THE RULES TRUST EACH OTHER PICK THE RIGHT TEAM CLIENT PREFERENCES NEGATIVE FEEDBACK HAVE FUN! BE POSITIVE! TAKE TIME BE CURIOUS MAKE YOUR IDEAS VISUAL SAY YOUR MIND - NO HOLDS BARRED ALLOW FAILED MEETINGS THE NEED FOR CONSTANT NOISE CRITICISM ROLES MAKE A FOOL OF YOURSELF BE CRAZY EXPLORE THE PRODUCT P L A Y P E E K P A R K STYLE GUIDES BUDGETS HIERARCHIES FEARS STRESSES EXPECTATIONS TENSIONS EMBRACE ERRORS LAUGH, MAINLY AT YOURSELF BE WILD BE SILLY BE IMAGINATIVE DON’T STOP LOOKING FOR IDEAS THE CREATIVE PROCESS INTEGRATE SCRAPS & THREADS MOULD, REFINE, ENRICH TAKE FIVE MINUTES TO REMAKE IDEAS AT RISK OF BEING CULLED. BEFORE DROPPING THEM TEST EACH IDEA DOES IT WORK? IS IT NEW? DOES IT MEET THE BRIEF? DOES IT KEEP ON WORKING DOES IT HAVE EMOTIONAL KICK? IS IT CLEAR ? HOW QUICKLY DO OTHER PEOPLE GET IT? DOES EVERYONE LOVE IT? IS IT BRAND SPECIFIC ENOUGH? EMBODIES BRAND AND PRODUCT VALUES? AUDIENCE / COMPETITOR REACTIONS? WHAT DO THE EXPERTS THINK? GET THE BRAINSTORMING TEAM’S HELP CHOOSE DEMOCRATICALLY SCORED? WEIGHED AGAINST THE CLIENT’S BRIEF? LET THE CREATIVE DIRECTOR DECIDE? WRITE IT LIKE A LOVE LETTER DIG TO THE ROOT OF THE OPPORTUNITY SIMPLIFY IT SO ANYONE CAN GET IT WRITE IN PLAIN ENGLISH MAKE IT SINGLE-MINDED GET THE CLIENT’S BUY-IN FOCUS: AUDIENCE, PRODUCT, UNIQUE SELLING POINT SHORT & SNAPPY BOIL IT ALL DOWN TO A QUESTION FIND OPPORTUNITIES UNDERSTAND PHYSICAL LAWS LEARN IT’S HISTORY WHAT’S IT MADE FROM? HOW DOES IT WORK UNDER EXTREME CONDITIONS? WHAT ARE IT’S CONCEALED TRUTHS? WHAT ARE IT’S NEGATIVES, AND FROM WHO’S PERSPECTIVE? WHAT DO PEOPLE THINK WHEN USING IT? WHAT DO PEOPLE DO WITH IT WHEN NO ONE’S AROUND? SOLVE IT’S PROBLEMS LOOK AT IT FROM SOMEONE ELSE’S PERSPECTIVE CHANGE CONTEXTS ADD SOMETHING DIFFERENT FIT IDEAS TOGETHER DISTILL THE BRIEF INTO A QUESTION MAXIMISE IDEAS INTEGRATE & DECIDE AN INFOGRAPHIC SYNOPSIS OF MARIO PRICKEN’S BOOK ‘CREATIVE ADVERTISING’ - HOW TO DISTILL A BRIEF INTO A FOCUSED QUESTION, HOW TO MAXIMISE THE NUMBER AND QUALITY OF IDEAS GENERATED, AND HOW TO EDIT THOSE IDEAS DOWN INTO BRILLIANCE MINDMAPPED “HOW CAN WE SHOW [THE UNIQUE SELLING POINT] IN [MEDIUM] TO [AUDIENCE]?” BIG IDEA 52-INFOGRAPHICS.BLOGSPOT.COM DESIGN BY GARETH PARRY TYPEFACE = GARETH PARRY A DATA FROM ‘CREATIVE ADVERTISING’ BY MARIO PRICKEN WEEK #48 20110702

Upload: gareth-james-parry

Post on 29-Nov-2014

382 views

Category:

Documents


4 download

DESCRIPTION

What's involved in the creative process? How do you make it successful? Find out more at http://52-infographics.blogspot.com.

TRANSCRIPT

Page 1: Week #48 – The Creative Process

NO MORE THAN FOUR

MIX THE TEAM UP BETWEEN PROJECTSUSE CLEVER NEWBIES FOR INTELLIGENT NAIVETY

INVITE EXPERTS A

ND CLIENT

S FOR BIG

JOBS

BALA

NCE

YOUR

GEN

DERS

FOLLOW THE RULES

TRUST EACH OTHER

PICK THE RIGHT TEAM

CLIEN

T PR

EFER

ENCE

S

NEGATIVE FEEDBACK

HAVE FUN!BE PO

SITIVE!

TAKE TIME

BE CURIOUS

MAK

E YO

UR ID

EAS

VISU

AL

SAY Y

OUR M

IND -

NO H

OLD

S BA

RRED

ALLOW FAILED MEETINGS

THE NE

ED FO

R CON

STAN

T NOISE

CRITICISM

ROLE

SMAKE A FOOL OF YOURSELF

BE CRAZYEXPLO

RE T

HE PR

ODU

CT

PLAY

PEEK

PARK

STYL

E GU

IDES

BUDGETS

HIE

RARC

HIE

SFEARS

STRESS

ES

EXPE

CTAT

IONS

TEN

SION

S

EMBRACE ERRORS

LAUGH, MAINLY AT YOURSELF

BE WILD

BE SILLY

BE IMAGINA

TIV

EDON’T

STOP

LOOK

ING F

OR ID

EAS

THECREATIVE PROCESS

INTEGRATE SCRAPS & THREADSMOULD, REFINE, ENRICH

TAKE

FIV

E MIN

UTES

TO R

EMAKE

IDEA

S AT R

ISK O

F B

EING

CULL

ED.

BEFORE

DROPP

ING T

HEM

TEST EACH IDEA

DOES IT WORK?

IS IT NEW?

DOES

IT M

EET

THE

BRIEF?

DOES IT KEEP ON WORKINGDOES IT HAVE EMOTIONAL KICK?

IS IT CLEAR ?

HOW QUICKLY DO OTHER PEOPLE GET IT?

DOES

EVER

YONE

LOVE I

T?

IS IT

BRA

ND S

PECIF

IC E

NOUG

H?

EMBO

DIES

BRAND

AND

PRODU

CT V

ALU

ES?

AUDIE

NCE

/ COM

PETITO

R RE

ACTION

S?WHAT DO THE EXPERTS THINK?

GET THE BRAINSTORMING TEAM’S HELP

CHOOSE

DEMOCRATICALLY SCORED?

WEIGHED AGAINST THE CLIENT’S BRIEF?

LET THE CREATIVE DIRECTOR DECIDE?

WRIT

E IT

LIK

E A

LOVE L

ETTER

DIG T

O THE

ROO

T O

F T

HE O

PPOR

TUNITY

SIMPL

IFY IT

SO A

NYONE

CAN

GET IT

WRIT

E IN

PLA

IN E

NGLI

SH

MAKE IT

SINGLE

-MIND

ED

GET

THE C

LIENT’S BUY-IN

FOCUS: A

UDIE

NCE, PR

ODUCT, U

NIQUE SE

LLING PO

INT

SHOR

T &

SNAP

PY

BOIL

IT A

LL DOW

N TO

A Q

UEST

ION

FIND OPPORTUNITIES

UNDERSTAND PHYSICAL LAWS

LEARN IT’S HIST

ORY

WHAT

’S IT M

ADE FROM

?

HOW

DOES IT

WORK U

NDER E

XTREME C

OND

ITIO

NS?

WHAT A

RE IT

’S CONC

EALE

D T

RUTHS?

WHAT A

RE IT

’S NEGATIV

ES, A

ND F

ROM W

HO’S PE

RSPE

CTIV

E?

WHAT D

O PE

OPLE

THINK

WHEN U

SING IT

?W

HAT D

O PE

OPLE

DO W

ITH IT

WHEN NO

ONE

’S AROUND

?

SOLV

E IT

’S P

ROBL

EMS

LOOK

AT IT

FRO

M S

OMEO

NE E

LSE’S

PERS

PECTIV

E

CHAN

GE C

ONTE

XTS

ADD

SOM

ETHI

NG D

IFFER

ENT

FIT IDEAS TOGETHER

DISTILL THEBRIEF INTO AQUESTION

MAXIMISEIDEAS

INTEGRATE& DECIDE

AN INFOGRAPHIC SYNOPSIS OFMARIO PRICKEN’S BOOK ‘CREATIVEADVERTISING’ - HOW TO DISTILLA BRIEF INTO A FOCUSED QUESTION,HOW TO MAXIMISE THE NUMBER ANDQUALITY OF IDEAS GENERATED, ANDHOW TO EDIT THOSE IDEAS DOWNINTO BRILLIANCE

MINDMAPPED“HOW CAN WE SHOW

[THE UNIQUE SELLING POINT]IN [MEDIUM] TO [AUDIENCE]?”

BIGIDEA

52-INFOGRAPHICS.BLOGSPOT.COMDESIGN BY GARETH PARRY

TYPEFACE = GARETH PARRY ADATA FROM ‘CREATIVE ADVERTISING’ BY MARIO PRICKEN

WEEK #48 20110702