week 2 - origin, purpose, value and limitation

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Week 2 – Origin, Purpose, Value and Limitation (World War I)

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Page 1: Week 2 - Origin, Purpose, Value and Limitation

Week 2 –

Origin, Purpose, Value and Limitation (World War I)

Page 2: Week 2 - Origin, Purpose, Value and Limitation

ORIGIN

• When and where was the source produced?• Who is the author/creator?• Is it a primary or secondary source?• *These can all be clues to aid in evaluating

the values and limitations of the source*

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PURPOSE

• Why was the source produced?• What is the immediate historical context for

the source?• Who is the intended audience?• What does the source “say”?• What can you read beyond the surface?• *These can also provide information to help

analyze the values and limitations of the source*

Page 4: Week 2 - Origin, Purpose, Value and Limitation

VALUE

• What can the source tell historians about the time-period or specific topic of study?

• Think of a flashlight in a dark room – what does the source illuminate for the historian?

• Important ideas:– Perspective of author/creator based on position,

influence, geography, relationships, etc.– Time period importance – is it contemporary or produced

at a later date (a primary or secondary source)?– Public or private source

Page 5: Week 2 - Origin, Purpose, Value and Limitation

LIMITATIONS• How is the source restricted in what it can tell

historians about the time-period or topic of study?

• Think of the flashlight/dark room – how is the light’s beam restricted? What can we not see?

• Important ideas:– Bias of the source based on social class, gender,

race, position, nationality, religion, etc.– Time of production: again primary or secondary

Page 6: Week 2 - Origin, Purpose, Value and Limitation

Example• A historian is analyzing a private entry in President Truman’s

diary concerning the possible use of atomic weapons on Japan. The following is a general OPVL review. More specific analysis

would make reference to details in the document. • Origin: President of the US, a private, primary source. Context =

World War II and the aftermath of Germany’s surrender and the looming invasion of Japan.

• Purpose: personal journal meant for later reflection and recall. Private, not public. Interpretation of what it says (literally) and what it may reflect would be based on specific document.

Page 7: Week 2 - Origin, Purpose, Value and Limitation

Example

• Value: private diary entry and thus likely to be honest and revealing; from one of the major leaders concerned with making the decision. Again, interpretations and explanations would be based on specifics within the document.

• Limitations: only the private perspective of a high ranking government official from the US. May not reflect other individual’s opinions who were also involved in the decision-making process. Informs about the immediate decision but not later concerns. May reflect but is not the official public US government policy position or necessarily the same as US public opinion on the issue.

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What is “Origin, Purpose, Value and Limitation” (OPVL)?

• Look at the following examples of sources – there are a total of 8 different types of sources (tables, cartoons, newspapers, movies, songs, propaganda posters, quotes, and first-hand pictures), some primary and some secondary

• Identify the origin, purpose, value and limitation of each source. Try to explain which sources are most useful today in understanding the “Great War”

Page 9: Week 2 - Origin, Purpose, Value and Limitation

Origin, Purpose, Value and Limitation (OPVL)

• “Peace Perfect Peace” – by David Low, 1919

• What is the purpose of this cartoon?

• What is the value?

• What is the limitation?

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Sept 15, 1916The Daily Mirror, London England

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“I fired twice at Ferdinand from a distance of four or five paces. I raised my hand to commit suicide, but some police officers seized me and struck me. They took me away, covered with blood. I am not a criminal, for I destroyed a bad man. I thought it was right.”

–Gavrilo Princip, at his trial for the murder of Archduke Ferdinand, 1914

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Oh It’s a Lovely War1917, J.P. Long and Maurice Scott

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Oh It’s a Lovely War1917, J.P. Long and Maurice Scott

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“Summertime” – Ella Fitzgerald, ‘39

Find a line from the song to explain your answer to each question below•What does the title, “Summertime” suggest?•WHO is this song being sung to?•WHERE are the people in this song?

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“Summertime” – Ella Fitzgerald, ‘39

Now interpret what you found•Why do you think this song was written in 1939?•Why sing this to a baby? What could the baby represent?•Why do you think the setting of this song is in the country instead of the city?•Do the lyrics (words of the song), and the mood agree or disagree? Explain