General Palace BibliographyEurope, Italy, Florence, Rome, VaticanJ. ConnorsCompiled c. 2000 with occasional updates

House-form and CultureT. Veblen, The Theory of the Leisure Class, 1899

Peter Burke, The Historical Anthropology of Early Modern Italy, Cambridge, 1987

M. Douglas and B. Isherwood, The World of Goods. Towards and Anthropology of Consumption, 1980

Clifford Geertz, Negara. The Theatre State in Nineteenth-Centurh Bali, Princeton, 1980

P. Bourdieu, “The Berber House,” in M. Douglas, ed., Rules and Meanings, 1973, pp. 98-110

Suzanne Preston Blier, “Houses are Human: Architectural Self-images of Africa’s Tamberma,” JSAH, 42, 1983, pp. 371-82

Suzanne Preston Blier, The Anatomy of Architecture: Ontology and Metaphor in Batammaliba Architectural Expression, Chicago, 1987

The FamilyDavid Kertzer and Richard Saller, eds., The Family in Italy from Antiquity to the Present, New Haven and London, 1991

David Herlihy and Christiane Klapisch-Zuber, Tuscans and Their Families. A Study of the Florentine Catasto of 1427, New Haven and London, 1985

Christiane Klapisch-Zuber, La maison et le nom. Stratégies et rituels dans l’Italie de la Renaissance, Paris, 1990Butler HQ 630.15.F58 K58 1990 (c.1)

Christiane Klapisch-Zuber, “The Genesis of the Family Tree,” I Tatti Studies, 4, 1991, pp. 105-29

Christiane Klapisch-Zuber, “The Name ‘Remade’: The Transition of Given Names in Florence in the Fourteenth and Fifteenth Centuries,” in Women, Family, and Ritual in Renaissance Italy, trans. Lydia Cochrane, Chicago, 1985, pp. 283-309

Natalie Zemon Davis, “Ghosts, Kin, and Progeny: Some Features of Family Life in Early Modern France,” Daedalus, 106, 1977, pp. 87-114

Roberto Bizzocchi, Genealogie incredibili: Scritti di storia nel’Europa moderna (Annali dell’istituto storico italo-germanico, 22), Bologna, 1995

Roberto Bizzocchi, “La culture généalogique dans l’Italie du siezième siècle,” Annales E.S.C., 46.4, 1991, pp. 789-803

Roberto Bizzocchi, “La nobiltà in Dante, la nobiltà di Dante. Cultura nobiliare, memoria storica e genealogia fra Medio Evo e Rinascimento,” I Tatti Studies, 4, 1991, pp. 201-15

James Grubb, Provinical Families of the Renaissance. Private and Public Life in the Veneto, Baltimore and London, 1996

Volker Reinhardt, ed., Die Grossen Familien Italiens, Stuttgart, 1992

Stanley Chojnacki, ed., “Recent Trends in Renaissance Studies: The Family, Marriage and Sex,” in Renaissance Quarterly, XL, 1987, pp. 636-762. Contributions by Barbara Diefendorf, Rona Goffen (Dreams), Lynda Boose (Shakespeare), Chojnacki (Blurring Genders), plus a bibliography.

Furnishing, Function and DecorationFrida Schottmüller, ed., Wohnungskultur und Möbel der Italienischen Renaissance, Stuttgart, 1921

David Thomson, Renaissance Architecture. Critics, Patrons, Luxury, Manchester and New York, 1993

Jean Guillaume, ed., Architecture et vie sociale. L’Organisation intérieure des grandes demeures à la fin du moyen age et à la Renaissance (1988), Paris, 1994

Peter Thornton, The Italian Renaissance Interior 1400-1600, New York, 1991

Dora Thornton, The Scholar in His Study. Ownership and Experience in Renaissance Italy, New Haven and London, 1997

Patricia Waddy, Seventeenth-Century Roman Palaces: Use and the Art of the Plan, New York, 1990

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Julian Kliemann, Gesta dipinte. La grande decorazione nelle dimore italiane dal Quattrocento al Seicento, Milan, 1993

Alvar Gonález-Palacios, Il gusto dei principi. Arte di corte del XVII e del XVIII secolo, 2 vols., Milan, 1993 AK1340G58

Katie Scott, The Rococo Interior. Decoration and Social Spaces in Early Eighteenth-Century Paris, New Haven and London, 1995

Pier Nicola Pagliara, “‘Destri’ e cucine nell’abitazione del XV e XVI secolo, in specia a Roma,” in Aurora Scotti Tosini, ed., Aspetti dell’abitare in Italia tra XV e XVI secolo. Distribuzione, funzioni, impianti, Milan, 2000, pp. 39-91

Gail Feigenbaum, with Francesco Freddolini, eds., Display of Art in the Roman Palace 1550-1750, Los Angeles, 2014, pp. 89-102

Ritual and CeremonyMaria Antonietta Visceglia and Catherine Brice, Cérémonial et rituel à Rome (XVIe-XIXe siècle) (Collection de l’Ecole Française de Rome, 231), Rome, 1997

Maria Antonietta Visceglia, ed., Signori, patrizi, cavalieri in Italia centro-meridionale nell'Età moderna, Bari, 1992

Irene Fosi, “‘Parcere subiectis, debellare superbos.’ L’immagine della giustizia nelle cerimonie di possesso a Roma e nelle legazioni dello stato pontificio nel cinquecento,” in Maria Antonietta Visceglia and Catherine Brice, Cérémonial et rituel à Rome (XVIe-XIXe siècle) (Collection de l’Ecole Française de Rome, 231), Rome, 1997, pp. 89-115

S. Bertelli and G. Crifò, Rituale, cerimoniale, etichetta, Milan, 1985

R. J. Ingersoll, “The Ritual Use of Public Space in Renaissance Rome,” Ph.D. diss., Berkeley, 1985.

FoodLucinda Byatt, “The Concept of Hospitality in a Cardinal’s Household In Renaissance Rome,” Renaissane Studies, 2, 1988, pp. 312-30

Courts and PatronageA.G. Dickens, The Courts of Europe. Politics, Patronage and Royalty 1400-1800, London, 1977

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Ronald Asch and Adolf Birke, eds., Princes, Patronage, and the Nobility. The Court at the Beginning of the Modern Age c.1450-1650, Oxford, 1991 D 231.P73 1991

Bruce Moran, ed., Patronage and Institutions. Science, Technology, and Medicine at the European Court 1500-1750, Rochester, N.Y., 1991

Princely CollectingFrancis Haskell, Patrons and Painters, London, 1963

Joseph Alsop, The Rare Art Traditions, New York, 1982

Jonathan Brown, Kings and Connoisseurs. Collecting Art in Seventeenth-Century Europe, New Haven and London, 1995Janet Cox-Rearick, The Collection of Francis I: Royal Treasures, New York, 1995

Arthur MacGregor, The Late King’s Goods: Collections, Possessions and Patronage of Charles I in the Light of the Commonwealth Sale Inventories, Oxford, 1989

The GalleryV. Scamozzi, Dell’idea dell’architettura, 1615, III, pp. 328-29

Rosalys Coope, “The gallery in England: names and meanings,” Architectural History, 27, 1984, pp. 446-5

Rosalys Coope, “The ‘Long Gallery’: Its origins, development use and decoration,” Architectural History, 29, 1986, pp. 43-84

J. Guillaume, “La gallerie dans le château français: place et fonction,” Revue de l’art, 102, 1994, pp. 32-42

S. Settis, “Origine e significato delle gallerie in Italia,” in Gli Uffizi, quattro secoli di una galleria, ed. Paola Barocchi and Giovanna Ragioneri, Florence, 1983, 2 vols., I, pp. 309-17

Christina Strunck and Elisabeth Kieven, eds., Europäische Galeriebauten: Galleries in a Comparative European Perspective (1400-1800) (Römische Studien der Bibliotheca Hertziana, 29), Munich, 2010

Artists’ Studios and Collections

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Jeffrey Muller, Rubens: The Artist as Collector, Princeton, 1989

Elizabeth Cropper, “Michelangelo Cerquozzi’s Self-Portrait: The Real Studio and the Suffering Model,” in Victoria von Flemming and Sebastian Schütze, eds., Ars naturam adiuvans. Festschrift für Matthias Winner, Mainz am Rhein, 1996, pp. 401-12

CuriosityWalter Houghton, “The English Virtuoso in the Seventeenth Century,” Journal of the History of Ideas, III, 1942, pp. 51-73; pp. 190-219

Krzysztof Pomian, “La culture de la curiosité,” in Collectionneurs, amateurs et curieux. Paris, Venise: XVIe - XVIIIe siècle, Paris, 1987, pp. 61-80. Translated as “The Age of Curiosity,” Collectors and Curiosities. Paris and Venice, 1500-1800, London, *, pp. 45-64

Antoine Schnapper, Le géant, la licorne et la tulipe. Collections et collectionneurs dans la France du XVIIe siècle, I: Histoire et histoire naturelle, Paris, 1988

Oliver Impey and Arthur MacGregor, eds., The Origins of Museums, Oxford, 1985, especially the introduction, pp. 1-4, and also: Giuseppe Olmi, “Science-Honour-Metaphor: Italian Cabinets of the Sixteenth and Seventeenth Centuries,” pp. 5-16. John Dixon Hunt, “‘Curiosities to adorn Cabinets and Gardens,’” pp. 193-203. Arthur MacGregor, “The Cabinet of Curiosities in Seventeenth-Century Britain,” pp. 147-58. Hans-Olof Boström, “Philipp Hainhofer and Gustavus Adolphus’s Kunstschrank in Uppsala,” pp. 90-101.

Joseph Connors, “Virtuoso Architecture in Cassiano’s Rome,” Cassiano Dal Pozzo’s Paper Museum, London, 1992, vol. II (Quaderni Puteani 3), pp. 23-40

Joseph Connors, “Ars Tornandi: Baroque Architecture and the Lathe,” Journal of the Warburg and Courtauld Institutes, LIII, 1990, pp. 217-36.

Claudio Franzoni and Alessandra Tempesta, “Il mueso di Francesco Gualdi nella Roma del seicento: tra raccolta privata ed esibizione pubblica,” Bollettino d’arte, n.72, 1992, pp. 1-42

Horst Bredekamp, The Lure of Antiquity and the Cult of the machine. The Kunstkammer and the Evolution of Nature, Art and Technology (1993), Princeton, 1995

Paula Findlen, Possessing Nature. Museums, Collecting, and Scientific Culture in Early Modern

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Italy, Berkeley and Los Angeles, 1994

Arthur MacGregor, ed., Tradescant’s Rarities: Essays on the Foundation of the Ashmolean Museum 1683, with a Catalogue of The surviving Early Collections, New York, 1983

Arthur MacGregor, Sir Hans Sloane: Collector, Scientist, Antiquary, Founding Father of the British Museum, London, 1994N1040En3L8B77Si76

Adalgisa Lugli, “Inquiry as Collection. The Athanasius Kircher Museum in Rome,” Res, 12, 1986, pp. 109-24

The Bourgeois HouseErich Trunz, Ein Tag aus Goethes Leben, Munich, 1994, espcially “Das Haus am Frauenplan in Goethes Alter,” pp. 42-71; and “Goethe als Sammler,” pp. 71-100

Vanessa Chase, “Edith Wharton, The Decoration of Houses, and Gender in Turn-of-the-Century America,” in Debra Coleman et. al., eds., Architecture and Feminism, New York, 1996?, pp. 130-60

Dominic Montserrat, “Freud and the Archaeology of Aspiration,” Apollo, 154, July 2001, pp. 27-34

England: The Family in ShakespeareLynda Boose, “The Family in Shakespeare Studies; or--Studies in the Family of Shakespeareans; or--the Politics of Politics,” Renaissance Quarterly, XL, 1987, pp. 707-42

Lisa Jardine, Reading Shakespeare Historically, London and New York, 1996

England: the FamilyL. Stone, The Crisis of the Aristocracy

R.A. Houlbrooke, The English Family 1450-1700, London, 1984

D. Starkey, ed., The English Court from the Wars of the Roses to the Civil War, London, 1987

England: the HouseHugh Murray Baillie, “Etiquette and the Planning of the State Apartments in Baroque Palaces,” Archaeologia, CI, 1967, pp. 167-199

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Mark Girouard, Life in the English Country House, New Haven and London, 1979. Especially ch. 5: “The Formal House,” pp. 119-162

John Schofield, Medieval London Houses, New Haven and London, 1994

Alice Friedman, House and Household in Elizabethan England. Wollaton hall and the Willoughby Family, Chicago, 1989

Simon Thurley, The Royal Palaces of Tudor England. Architecture and Court Life 1460-1547, New Haven and London, 1993

Alan Stewart, “The Early Modern Closet Discovered,” Representations, 50, 1995, pp. 76-100

Andrew Wilton and Ilaria Bignamini, eds., Grand Tour. The Lure of Italy in the Eighteenth Century (cat.), London, Tate Gallery, 1996

Michael Thompson, The Medieval Hall: The Basis of Secular Life, 600-1600 A.D., Aldershot, Hampshire, 1995. Review by Simon Thurley in JSAH, 56, 1997, p. 506

J.T. Cliffe, The World of the Country House in Seventeenth-Century England, New Haven and London, 1999

C.M. Woolgar, The Great Household in Late Medieval England, New Haven and London, 1999

David Howarth, “Introduction,” and “The Royal Palace,” in Images of Rule. Art and Politics in the English Renaissance, 1485-1649, Berkeley and Los Angeles, 1997, pp. 1-49

Derek Ostergard, ed., William Beckford 1760-1844: An Eye for the Magnificent (cat.), New York, Bard Graduate Center, 2001

Paula Henderson, “The Loggia in Tudor and Early Stuart England: The Adaption and Function of Classical Form,” in Lucy Gent, ed., Albion’s Classicism: The Visual Arts in Britain 1550-1660, New Haven and London, pp. 109-45

Sasha Roberts, “Lying among the Classics: Ritual and Motif in Elite Elizabethan and Jacobean Beds,” in Lucy Gent, ed., Albion’s Classicism: The Visual Arts in Britain 1550-1660, New Haven and London, pp. 325-57

SpainJonathan Brown and J.H. Elliott, A Palace for a King. The Buen Retiro and the Court of Philip

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IV, New Haven and London, 1980

Steven Orso, Philip IV and the Decoration of the Alcázar of Madrid, Princeton, 1986

Vienna and PragueHugh Trevor-Roper, Princes and Artists. Patronage and Ideology at Four Hapsburg Courts 1517-1633, London, 1976

Hugh Trevor-Roper, “The Plunder of the Arts in the Seventeenth Century,” in From Counter-Reformation to Glorious Revolution, Chicago, 1992, pp. 113-130

R.J.W. Evans, Rudolf II and His World. A Study in Intellectual History 1567-1612, Oxford, 1973, pb. ed. 1983, chs. 5-7

Rotraud Bauer and Herbert Haupt, “Die Kunstkammer Kaisers Rudolfs II in Prag: Ein Inventar aus den Jahren 1607-1611,” Jahrbuch der Kunsthistorischn Sammlungen in Wien, 72, 1976

Thomas DaCosta Kaufmann, “Remarks on the Collections of Rudolf II: the Kunstkammer as a Form of Representatio,” Art Journal, XXXVIII, 1978, pp. 22-28

Thomas DaCosta Kaufmann, Court, Cloister and City. The Art and Culture of Central Europe 1450-1800, Chicago, 1995

Eliska Fucikova, ed., Rudolf II and Prague. The Court and the City (cat.), Prague, 1997

GermanyWalter Kaemmerer, “Die Aachener Pfalz des Karls des Grossen in Anlage und Uberlieferung,” in Karl der Grosse: Lebenswerk und Nachleben, I: Persönlichkeit und Geschichte, Düsseldorf, 1965, pp. 332 etc.

Samuel Kingensmith, The Utility of Splendor. Ceremony, Social Life, and Architecture at the Court of Bavaria, 1600-1800, ed. C.Otto and M. Ashton, Chicago and London, 1993 AA7741 B32K687

FranceMichael Davis, “Desespoir, Esperance, and Douce France: The New Palace, Paris, and the Royal State,” in Margaret Bent and Andrew Wathey, Fauvel Studies. Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS français 146, Oxford, 1998, pp. 187-213

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Jean Guérout, “Le Palais de la Cité des origines à 1417: essai topographique et archéologique,” Paris et Ile-de-France: Mémoires, 1, 1949, pp. 57-212; 2, 1950, pp. 21-204; 3, 1951, pp. 7-101

Jean Guillaume, “La galerie dans le château français: place e fonction,” Revue de l’art, 1993, pp. 32-42

Jean Favière, L’hôtel de Jacques Coeur à Bourges, Paris, 1992

Jean-Pierre Babelon, “Du ‘Grand Ferrare’ à Carnavalet. Naissance de l’Hôtel Classique,” Revue de l’Art, 40-41, 1978, pp. 83-108

Jean-Pierre Babelon, Demeures Parisiennes sous Henri IV et Louis XIII, Paris, 1991

Jean-Marie Pérouse de Montclos, Vaux le Vicomte, London, 1997, especially Marc Fumaroli, “Vaux-le-Vicomte: A ‘Courtesy’ Spurned by Louis XIV,” pp. 7-19.

Dietrich Feldmann, “Das Hôtel de La Vrillière und die Räume ‘à l’italienne’ bei Louis Le Vau,” Zeitschrift für Kunstgeschichte, 45, 1982, pp. 395-422

Cyril Bordier, Louis Le Vau architecte. Les immeubles et hôtels particuliers parisiens, I, Paris, 1998

Mimi Hellman, “Furniture, Sociability, and the Work of Leisure in Eighteenth-Century France,” Eighteenth-Century Studies, 32, 1999, pp. 415-45

Monique Chatenet, La cour de France au XVIe siècle. Vie sociale et architecture, Paris, 2002

FontainebleauRobert Knecht, “Francis I and Fontainebleau,” The Court Historian, 4.2, 1999, pp. 93-118

Chantal Eschenfelder, “Les appartements des bains de François Ier à Fontainebleau,” Historie de l’Art, 19, 1992, pp. 41-49

The Islamic WorldGülru Necipoglu, “Shifting Paradigms in the Palatial Architecture of the Pre-modern Islamic World,” Ars Orientalis, 23, 1993, pp. 3-19

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Gülru Necipoglu, “Framing the Gaze in Ottoman, Safavid, and Murghal palaces,” Ars Orientalis, 23, 1993, pp. 303-42

Italian Cities outside of Rome and Florence

Late AntiquityBryan Ward-Perkins, From Classical Antiquity to the Middle Ages. Urban Public Building in Northern and Central Italy A.D. 300-850, Oxford, 1984, ch. 8, “Palaces.”

Le système palatial en orient, en Grèce et à Rome (1985), ed. E. Levy, Leiden, 1987

Noël David, “Comment reconnaître un palais impériale ou royal? Ravenne et Piazza Armerina,” Felix Ravenna, 4 ser., 115, 1978, pp. 27-62

Slobodan Curcic, “Late Antique Palaces: The Medaning of the Urban Context,” Ars Orientalis, 23, 1993, pp. 67-90

Pienza: Aeneas Sylvius Piccolomini WritingsAeneas Sylvius Piccolomini (Pius II), De Gestis Concilii Basiliensis Commentariorum Libri II, ed. and trans. Denys Hay and W.K.Smith, Oxford, 1967; 2nd ed., 1992 BX 830 1431 P5813 1992g

Aeneas Sylvius Piccolomini (Pius II), I commentarii, ed. Luigi Totaro, 2 vols., Milan, 1984 BX 1308 A3718 1984g

Aeneas Sylvius Piccolomini (Pius II), I commentarii, trans. Giuseppe Bernetti, 5 vols., Siena, 1972-76; 2 vols., Milan, 1981

Aeneas Sylvius Piccolomini (Pius II), Pii II Commentarii Rerum Memorabilium Que Temporibus Suis Contigerunt (Studi e testi, 312-313), ed. Adriano Van Heck, 2 vols., Città del Vaticano, 1984

Aeneas Sylvius Piccolomini (Pius II), Memoirs of a Renaissance Pope, trans. F. Gragg and ed. L. Gabel, New York, pp. 102-3, 280-92 (Pius II’s description of Corsignano and its transformation into Pienza)

Aeneas Sylvius Piccolomini (Pius II), De Viribus Illustribus (Studi e testi, 341), Città del Vaticano, 1991

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Aeneas Sylvius Piccolomini (Pius II), Selected Letters, trans and ed. Albert Baca, Northridge, Ca. 1969 BX 1308 A4 1969

Aeneas Sylvius Piccolomini (Pius II),Storia di due amanti e rimedio d’amore, ed. and trans. Maria Luisa Doglio, Turin, 1972-73. Including an essay by Luigi Firpo, “Enea Silvio, pontefice e ‘poeta,’” pp. ix-xxxiv

Aeneas Sylvius Piccolomini (Pius II) and Niklas von Wyle, The Tale of Two Lovers Eurialus and Lucretia (Amsterdamer Publikationen zur Sprache und Literatur, 77), ed. Eric John Morrall, Amsterdam, 1988 PA8556.D4G51988g

Pienza: Piccolomini biographiesGeorg Voigt, Enea Silvio de’ Piccolomini als Papst Pius der Zweite, 3 vols, Berlin, 1856. Reprint Berlin 1967

C. Ugurgieri della Berardenga, Pio II Piccolomini. Con notizie su Pio III e altri membri della familgia, Florence, 1973 BX 1308 U38

Charles-Edouard Naville, Enea Silvio Piccolomini. L’uomo, l’umanista, il pontefice (1405-1464), Locarno, 1984

Enea Silvio Piccolomini Papa Pio II. Atti del Convegno per il Quinto Centenario della Morte e altri scritti, ed. Domenico Maffei, Siena, 1968 BX 1308 E53

Luisa Rotondi Secchi Tarugi, ed., Pio II e la cultura del suo tempo. Atti del I convegno internazionale (1989), Milan, 1991 BX1308P56 1991g

Pienza: ArchitectureC. Fr. von Rumohr, Italienische Forschungen (1827), including “Beigabe zum ersten Bande der Italienischen Forschungen” und einem Bildnis, ed. Julius von Schlosser, Frankfurt am Main, 1920

C. R. Mack, Pienza: The Creation of a Renaissance City, Ithaca and London, 1987

Andreas Tönnesmann, Pienza. Städtebau und Humanismus, Munich, 1990

Kurt Forster, “The Palazzo Rucellai and the Question of Typology in the Development of Renaissance Buildings,” Art Bulletin, LVIII, 1976, pp. 109-113

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Howard Saalman, review of Perosa et al., in JSAH, 47, 1988, pp. 82-90

Nicholas Adams, “The Acquisition of Pienza 1459-1464,” JSAH, XLIV, 1985, pp. 99-110

Christine Smith, Architecture in the Culture of Early Humanism. Ethics, Aesthetics, and Eloquence 1400-1470, Oxford, 1992, pp. 98-129

A. Lawrence Jenkens, “Pius II’s Nephews and the Politics of Architecture at the End of the Fifteenth Century in Siena,” Bullettino Senese di Storia Patria, CVI, 1999 (2001), pp. 68-114

UrbinoVespasiano da Bisticci, The Vespasiano Memoirs. Lives of Illustrious Men of th XVth Century, trans. W. George and E. Waters, London, 1926, pp. 98-111 (a passage from the life of Federico, Duke of Urbino)

P. Rotondi, Il Palazzo Ducale di Urbino, 2 vols., Urbino, 1950. One vol. English trans

L. Heydenreich, “Federico da Montefeltro as a Building Patron,” in Studies in Renaissance and Baroque Art Presented to Anthony Blunt, London, 1967, pp. 1-6

Cecil Clough, “Federigo da Montefeltro’s Patronage of the Arts, 1468-1482,” JWCI, XXXVI, 1973, pp. 129-44

Cecil Clough, “Federigo da Montefeltro’s Private Study in his Ducal Palace of Gubbio,” Apollo, LXXXVI, October 1967, pp. 278-87

Il Palazzo di Federico da Montefeltro (cat.), ed. Maria Luisa Polichetti, Urbino, 1985

Maria Grazia Pernis, “Ficino’s Platonism and the Court of Urbino: The History of Ideas and the History of Art,” Ph.D. thesis, Columbia University, 1990

Francesco Paolo Fiore, “L’architettura civile di Francesco di Giorgio,” in Francesco di Giorgio architetto (cat.), Milan, 1993, pp. 74-125

Luciano Cheles, The Studiolo of Urbino. An Iconographic Investigation, University Park, PA., 1986

Wolfgang Liebenwein, Studiolo. Storia e tipologia di uno spazio culturale (1977), ed. Claudi Cieri Via, Ferrara, 1992

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Olga Raggio, “The Liberal Arts Studiolo from the Ducal Palace At Gubbio,” The Metropolitan Museum of Art Bulletin, Srping 1996

Andreas Tönnesmann, “Le palais ducal d’Urbino. Humanisme et réalité sociale,” in Jean Guillaume, ed., Architecture et vie sociale à la Renaissance, Paris, 1994, pp. 65-82Sabine Eiche, “Fossombrone, Part I: Unknown Drawings and Documents for the Corte of Leonora Gonzaga, Duchess of Urbino, and her Son Giulio Della Rovere,” Studi di Storia dell’Arte, 2, 1991, pp. 103-28; “Fossombrone, Part II: Il giardino and La piantata outside Porta Fano,” ibid., 3, 1992, pp. 145-57

MantuaAmedeo Belluzzi, Palazzo Te a Mantova, 2 vols., Modena, 1998

ModenaAlice Jarrard, Architecture as Performance in Seventeenth-centurhy Europe: Court Ritual in Modena, Rome, and Paris, New York and Cambridge, 2003

NaplesTommaso Persico, Diomede Carafa. Uomo di stato e scrittore del secolo XV, Naples, 1899

A. v. Reumont, The Carafas of Maddaloni. Naples Under Spanish Dominion, London, 1854

E. Caracciolo, Il Regno di Napoli nei secoli XVI e XVII: I. Economia e società, Rome, 1966

A. Cernigliaro, Sovranità e feudo nel Regno di Napoli, 2 vols., Naples, 1983

George Hersey, Alfonso II and the Artistic Renewal of Naples 1485-1495, New Haven and London, 1969

A. Ryder, The Kingdon of Naples under Alfonso the Magnanimous. The Making of a Modern State, Oxford, 1976

J.H. Bentley, Politics and Culture in Renaissance Naples, Princeton, 1987

Gérard Labrot, Palazzi napoletani. Storie di nobili e cortigiani 1520-1750, Naples, 1993 [a much enlarged and revised verion of Baroni in città: Residenze e comportamenti dell’aristocrazia napoletana dal 1530 al 1734, Naples, 1975]. Review by Gennaro Borrelli, in Dialoghi di Storia dell’Arte, 2, 1996, pp. 140-143

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Tommaso Astarita, The Continuity of Feudal Power. The Caracciolo of Brienza in Spanish Naples, Cambridge, 1992

Andreas Beyer, Parthenope. Neapel und der Süden der Renaissance, Berlin, 2000

North and Central ItalyThomas Tuohy, Herculean Ferrara. Ercole d’Este, 1471-1505, and the Invention of a Ducal Capital, Cambridge, 1996: ch. 3, “The Ducal Palace”; ch. 4, “The Ducal Capital--Palaces Urban and Suburban”; ch. 5, “Court Errant--Country Palaces and the Itinerant Court”; ch. 7, “The Decoration and Furnishing of Palaces.”

A.Biondi, ed., Il palazzo Ducale di Modena. Sette secoli di un spazio cittadino, Modena, 1987

Alice Jarrard, “The Escalation of Ceremony and Ducal Staircases in Italy, 1560-1680,” Annali di architettura, 8, 1996, pp. 159-78

Giorgio Simoncini, ed., L’uso dello spazio privato nell’età dell’illuminismo, I, Florence, 1995

Massimo Bulgarelli, Claudia Conforti and Giovanni Curcio, eds., Modena 1598. L’invenzione di una capitale, Milan, 1999

VeniceT. Okey, The Old Venetian Palaces and Old Venetian Folk, London, 1907

John McAndrew, Venetian Architecture of the Renaissance, Cambridge, Mass., 1980

Richard Goy, “Architectural Taste and Style in Early Quattrocento Venice: The Facade of the Ca’ d’Oro and its Legacy,” in War, Culture and Society in Renaissance Venice. Essays in Honour of John Hale, eds. D. Chambers, C. Clough and M. Mallett, London and Rio Grande, 1993, pp. 173-90

Elisabeth Crouzet-Pavan, “Sopra le acque salse.” Espaces, pouvoir et société à Venise à la fin du moyen age (Collection de l’Ecole Françaoise di Rome, 156), 2 vols., Rome, 1992

Deborah Howard, Jacopo Sansovino: Architecture and Patronage in Renaissance Venice, New Haven, 1975.

Deborah Howard, Venice and the East. The Impact of the Islamic World on Venetian Architecture 1100-1500, New Haven and London, 2000: ch. 4, “The Merchant City”; ch. 5, “Palaces”; ch. 6, “The Palazzo Ducale.”

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Florence

Florence: Families and governmentR. Litchfield, Emergence of a Bureaucracy. The Florentine Patricians 1530-1790, Princeton, 1986

Francis William Kent and Patricia Simons, Patronage, Art and Society in Renaissance Italy, Oxford, 1987

F.W. Kent, “Individuals and Families as Patrons of Culture in Quattrocento Florence,” in Alison Brown, ed., Language and Images of Renaissance Italy, Oxford, 1995, pp. 171-92

Richard Goldthwaite, Wealth and the Demand for Art in Italy 1300-1600, Baltimore and London, 1993

Stefano Calonaci, Dietro lo scudo incantato. I fedecommessi di famiglia e il trionfo della borghesia fiorentina (1400 ca - 1750), Florence, 2005

Mario Bevilacqua and Maria Luisa Madonna, Il sistema delle residenze nobiliari. Stato Pontificio e Granducato di Toscana, Rome, 2003

Florence: Palaces (general)Leonardo Ginori Lisci, I palazzi di Firenze nella storia e nell’arte, 2 vols, Florence, 1972

Richard Goldthwaite, “The Florentine Palace as Domestic Architecture,” The American Historical Review, 77, 1972, pp. 977-1012

Richard Goldthwaite, The Building of Renaissance Florence. An Economic and Social History, Baltimore and London, 1980. Reviews: I. Hyman, in JSAH, 40, 1981, p. 332f.; P.Partner, JSAH, 41, 1982, p. 60f.; N. Rubinstein, RQ, 35, 1982, pp. 274-78; Charles Borroughs, “Florentine Palaces: Cubes and Context,” Art History, 6, 1983, pp. 359-63

Staale Sinding-Larsen, “A Tale of Two Cities. Florentine and Roman Visual Context for Fifteenth-Century Palaces,” Acta ad Archaeologiam et Artium Historiam Pertinentia, VI, 1975, pp. 163-212

Heinrich Klotz, “Der Florentiner Stadtpalast. Zum Verständnis einer Repräsentationsform,” in Friedrich Möbius and Ernst Schubert, eds., Architektur des Mittelalters. Funktion und Gestalt, Weimar, 1983, pp. 307-43

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Francis William Kent, “Palaces, Politics and Society in Fifteenth-Century Florence,” I Tatti Studies, II, 1987, pp. 41-70

Francis William Kent, “Quattrocento Florentine Taste in Palaces: Two Notes,” Australian Journal of Art, 6, 1987, pp. 17-24

John Kent Lydecker, “The Domestic Setting of the Arts in Renaissance Florence,” Ph.D. diss., Johns Hopkins Univeristy, 1987

David Friedman, “Palaces and the Street in Late-Medieval and Renaissance Italy,” in J.W.R. Whitehead and P.J. Larkham, Urban Landscapes. International Perspectives, London and New York, 1992, pp. 69-113

Richard Goldthwaite, “Finding the Self in a Renaissance Palace,” Fenway Court, 1990-91, pp. 70-76

Michael Lingohr, Der Florentiner Palastbau der Hochrenaissance. Der Palazzo Bartolini Salimbeni in seinem historischen und architekturgeschichtlichen Kontext, Worms (Wernersche Verlagsgesellschaft), 1997

Brenda Preyer, “Planning for Visitors at Florentine Palaces,” Renaissance Studies, 12.3, 1998, pp. 357-74

Brenda Preyer, “Florentine Palaces and Memories of the Past,” in Giovanni Ciappelli and Patricia Rubin, eds., Art, Memory, and Family in Renaissance Florence, Cambridge, 2000, pp. 176-94

Yvonne Elet, “Seats of Power: The Outdoor Benches of Early Modern Florence,” JSAH, 61, 2002, pp. 444-69

Florence: Palaces and the AntiqueHoward Burns, “Quattrocento Architecture and the Antique. Some Problems,” in Classical Influences on European Culture, A.D. 500-1500, ed. R.R. Bolgar, Cambridge, 1971, pp. 269-87

Andreas Tönnesmann, “‘Palatium Nervae’. Ein antikes Vorbild für Florentiner Rustikafassaden,” Römisches Jahrbuch für Kunstgeschichte, 21, 1984, pp. 61-70

Georg Satzinger, “Der ‘Konsul’ am Palazzo Gondi in Florenz. Zur öffentlishen Inszenierung antiker Statuen um 1500,” Römisches Jahrbuch der Bibliotheca Hertziana, 30, 1995, pp. 151-

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89

Florence: Palazzo VecchioNicolai Rubinstein, The Palazzo Vecchio 1298-1532. Government, Architecture, and Imagery in the Civic Palace of the Florentine Republic, Oxford, 1995

Florence: The Medici in the ‘400E.H. Gombrich, “The Early Medici as Patrons of Art,” in Norm and Form, London, 1966, pp. 35-57

A. D. Fraser Jenkins, “Cosimo de Medici’s Patronage of Architecture and the Theory of Magnificence,” JWCI, XXXIII, 1970, pp. 162-70

John Hale, Florence and the Medici. The Pattern of Control, London, 1977

Alison Brown, “Pierfrancesco de’ Medici, 1430-1476: A Radical Alternative to Elder Medicean Supremacy?,” JWCI, 42, 1979, pp. 81-103

Francis Ames-Lewis, “Early Medicean Devices,” JWCI, 42, 1979, pp. 122-43

Mellissa Bullard, Lorenzo il Magnifico. Image and Anxiety, Politics and Finance, Florence, 1994

Florence: Palazzo MediciRab Hatfield, “Some Unknown Descriptions of the Medici Palace in 1459,” Art Bulletin, LII, 1970, pp. 232-49

Wolfger Bulst, “Die ursprünglische innere Aufteilung des Palazzo Medici in Florenz,” Mitteilungen des Kunsthistorischen Institutes in Florenz, XIV, 1969, pp. 369-92

Frank Büttner, “Der Umbau des Palazzo Medici-Riccardi zu Florenz,” Mitteilungen des Kunsthistorischen Institutes in Florenz, XIV, 1969, pp. 393-414

Isabel Hyman, “Notes and Speculations on S. Lorenzo, Palazzo Medici, and an Urban Project by Brunelleschi,” JSAH, XXXIV, 1975, pp. 98ff.

Giuseppe Marchini, “Le finestre ‘inginocchiate,’” Antichità Viva, XV.1, 1976, pp. 24-31; “Postilla,” p. 27 f.

Howard Saalman and Philip Mattox, “The First Medici Palace,” JSAH, 44, 1985, pp. 329-45

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Howard Saalman, “The Palazzo Comunale in Montepulciano. An Unknown work by Michelozzo,” Zeitschrift für Kunstgeschichte, XXVIII, 1965, pp. 1-46

The 1990 Palazzo Medici book: Il Palazzo Medici Riccardi di Firenze, eds. G. Cherubini and G. Fanelli, Florence, 1990, pp.

Wolfger Bulst, “Uso e trasformazione del palazzo Mediceo fino ai Riccardi,” in Il Palazzo Medici Riccardi di Firenze, eds. G. Cherubini and G. Fanelli, Florence, 1990, pp. 98-129

Caroline Elam, “Il Palazzo nel contesto della città: strategie urbanistiche dei Medici nel gonfalone del Leon d’Oro, 1415-1530,” Il Palazzo Medici Riccardi di Firenze, eds. G. Cherubini and G. Fanelli, Florence, 1990, pp. 44-57

Brenda Preyer, “L’architettura del palazzo Medici,” Il Palazzo Medici Riccardi di Firenze, eds. G. Cherubini and G. Fanelli, Florence, 1990, pp. 58-75

Frank Büttner, “‘All’usanza moderna ridotto’: gli interventi dei Riccardi,” Il Palazzo Medici Riccardi di Firenze, eds. G. Cherubini and G. Fanelli, Florence, 1990, pp. 150-69

Cristina Acidini Luchinat, “La Cappella medicea attraverso cinque secoli,” Il Palazzo Medici Riccardi di Firenze, eds. G. Cherubini and G. Fanelli, Florence, 1990, pp. 82-97

Florence: Medici CollectionsIl tesoro di Lorenzo il Magnifico. Repertorio delle gemme e dei vasi, Florence, 1980

Anna Maria Massinelli and Filippo Tuena, Treasures of the Medici,

Florence: Medici GardensCristina Acidini Luchinat and Giorgio Galletti, Le ville e i giardini di Castello e Petraia a Firenze, Florence, 1992

Matthew Looper, “Political Messages in the Medici Palace Garden,” Journal of Garden History, 12, 1992, pp. 255-268

Cristina Acidini Luchinat, ed., Giardini Medicei. Giardini di palazzo e di villa nella Firenze del Quattrocento, Milan, 1996

Florence: Palazzo Rucellai

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F.W. Kent, “The Letters Genuine and Spurious of Giovanni Rucellai,” Journal of the Warburg and Courtauld Institutes, 37, 1974, pp. 342-49

F.W. Kent, A. Perosa, B. Preyer, P. Sanpaolesi and R. Salvini, Giovanni Rucellai ed il suo zibaldone II: A Florentine Patrician and his Palace, London, 1981. Especially F. W. Kent, “The Making of a Renaissance Patron of the Arts,” pp. 9-75; and B. Preyer, “The Rucellai Palace,” pp. 153-225. Review by H. Saalman in JSAH, XLVII, 1988, pp. 82-90. See the review article by Howard Saalman in JSAH, 47, 1988, pp. 82-90

Francis William Kent, Household and Lineage in Renaissance Florence. The Family Life of the Capponi, Ginori and Rucellai, Princeton, 1977

D.V and F.W. Kent, Neighbours and Neighbourhood in Renaissance Florence. The District of the Red Lion in the Fifteenth Century, Locust Valley, N.Y., 1982

Kurt Forster, “The Palazzo Rucellai and Questions of Typology in the Development of Renaissance Buildings,” Art Bulletin, 58, 1976, pp. 109-13

Stefano Corsi, “La facciata albertiana del Palazzo Rucellai: Roma antica a Firenze,” in Simonetta Bracciali, ed., Restaurare Leon Battista Alberti. Il Caso di Palazzo Rucellai, Florence, 2006, pp.26-33

Florence: Palazzo StrozziRichard Goldthwaite, “The Building of the Strozzi Palace: The Construction Industry in Renaissance Florence,” Studies in Medieval and Reniassance History, 10, 1973, pp. 97-194

Caroline Elam, “Piazza Strozzi. Two Drawings by Baccio d’Agnolo and the Problems of a Private Renaissance Square,” I Tatti Studies, I, 1985, pp. 105-35

Amanda Lillie, Florentine Villas in the Fifteenth Century. An Architectural and Social History, Cambridge, 2005

Florence: Palazzo PittiLeon Satkowski, “The Palazzo Pitti: Planning and Use in the Grand-Ducal Era,” JSAH, 42, 1983, pp. 336-49

Michael Kiene, Bartolomeo Ammannati, Milan, 1995, pp. 88-107

Marco Chiarini, ed., Palazzo Pitti. L’arte e la storia, Florence, 2000

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Sergio Bertelli and Renato Pasta, eds., Vivere a Pitti. Una reggia dai Medici ai Savoia, Florence, 2003

Palazzo Pitti. La regia rivelata (cat.), eds. Gabriella Capecchi, Amelio Fara, Detlef Heikamp, Vincenzo Saladino, Florence, 2003

Florence: Other PalacesBrenda Preyer, “The ‘Chasa over palagio’ of Alberti di Zanobi: A Florentine Palace of about 1400 and its Later Remodeling,” Art Bulletin, LXV, 1983, pp. 387-401

Philip Jacks, “Michelozzo di Bartolomeo and the ‘Domus Pulcra’ of Tommaso Spinelli in Florence,” Architectura, 1996, pp. 47-83

Andreas Tönnesmann, Der Palazzo Gondi in Florenz, Worms, 1983

Brenda Breyer, Il Palazzo Corsi-Horne. Dal diario di restauro di H.P. Horne, Rome, 1993

Brenda Preyer, “Around and in the Gianfigliazzi Palace in Florence: Developments on Lungarno Corsini in the 15th and 16th Centuries,” Florentinishe Mitteilungen, 48, 2004, pp. 54-104

Rome

Rome: Families in generalHenri Broise and Jean-Claude Maire Vigueur, “Strutture famigliari, spazio domestico e architettura civile a Roma alla fine del Medioevo,” Storia dell’arte italiana, 12, 1983, pp. 97-160

Laurie Nussdorfer, Civic Politics in the Rome of Urban VIII, Princeton, 1992

Richard Ferraro, “The Nobility of Rome, 1560-1700: A Study of its Composition, Wealth, and Investment,” Ph.D. diss., University of Wisconsin at Madison, 1994

Marc Antonio Altieri, Li nuptiali, ed Enrico Naruccci. Reprint with introduction by Massimo Miglio and documentary appendix by Anna Modigliani, Rome, 1995 Butler: HQ630.15 R66 A44 1995

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Wolfgang Reinhard, “Papal Power and Family Strategy in the Sixteenth and Seventeenth Centuries,” in Princes, Patronage, and the Nobility. The Court at the Beginning of the Modern Age c.1450-1650, eds. Ronald Asch and Adolf Birke, Oxford, 1991, pp. 329-56

Renata Ago, “The Family in Renaissance Rome: Structure and Relationship,” in Rome-Amsterdam. Two Growing Cities in Seventeenth-Century Europe, eds. Peter van Kessel and Elisja Schulte, Amsterdam, 1997, pp. 85-91

Laurie Nussdorfer, “Men at Home in Baroque Rome,” in I Tatti Studies in the Italian Renaissance, 17, 2014, pp. 103-29

Laurie Nussdorfer, “Masculine hierarchies in Roman ecclesiastical households,” in European Review of History: Revue européenne d'histoire, 22:4, 2015, pp. 620-642

House in Ancient RomeAndrew Wallace-Hadrill, “The Social Structure of the Roman House,” Papers of the British School at Rome, 56, 1988, pp. 43-97

Andrew Wallace-Hadrill, Houses and Society in Pompeii and Herculaneum, Princeton, 1994

Filippo Coarelli, “La casa dell’artistocrazia romana secondo Vitruvio,” Revixiyt ars. Arte e ideologia a Roma. Dai modelli ellenistic alla tradizione repubblicana, Rome, 1996, pp. 344-59

T.P. Wiseman, “Conspicui Postes Tectaque Degna Deo. The Public Image of Aristocratic and Imperial Houses in the Late Republic and Early Empire,” in Historiography and Imagination, Exeter, 1994, pp. 98-115

Eugenio La Rocca, “Il lusso come espressione di potere,” in Maddalena Cima and Eugenio La Rocca, eds., Le tranquille dimore degli dei. La residenza imperiale degli horti Lamiani (cat.), Rome, Musei Capitolini, 1986, pp. 3-35

Shelly Hales, The Roman House and Social Identity, Cambridge, 2003

Paul Zanker, “Domitian’s Palace on the Palatine and the Imperial Image,” in Representations of Empire. Rome and the Mediterranean World, eds. Alan Bowman et al. (Proceedings of the British Academy, 114), Oxford, 2002, pp. 105-30

Rome: General PalacesChristoph L. Frommel, Der Römische Palastbau der Hochrenaissance, 3 vols., Tübingen, 1973

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Christian Elling, Rome: The Biography of Her Architecture from Bernini to Thorvaldsen, Boulder, Colorado, 1975, pp. 366-73 (first published in Danish in 1956)

Patricia Waddy, Seventeenth-Century Roman Palaces: Use and the Art of the Plan, New York, 1990

Torgil Magnuson, Studies in Roman Quattrocento Architecture (Figura, 9), Stockholm, 1958, part III, “Roman Palaces of the Quattrocento,” pp. 215-349

Manfredo Tafuri, Ricerca del Rinascimento: Principi, città, architetti, Turin, 1992

Henry Millon and Vittorio Magnago Lampugnani, The Renaissance from Brunelleschi to Michelangelo. The Representation of Architecture (cat.), Venice, Palazzo Grassi, 1994

Torgil Magnuson, Rome in the Age of Bernini, 2 vols., Stockholm, 1982 and 1986

Eugenio Garin, ed., Renaissance Characters, Chicago and London, 1991. [L’uomo del Rinascimento, Bari, 1988]. Especially Massimo Firpo, “The Cardinal,” pp. 46-97; Peter Burke, “The Courtier,” pp. 98-122; Margaret King, “The Woman of the Renaissance,” pp. 207-249

Charles Burroughs, From Signs to Design. Environmental Process and Reform in Early Renaissance Rome, Cambridge, Mass. and London, 1990

Patricia Waddy, “Inside the Palace: People and Furnishings,” in Stefanie Walker and Frederick Hammond, eds., Life and the Arts in the Baroque Palaces of Rome: Ambiente Barocco (cat.), New Haven and London, 1999, pp. 21-37

Stefanie Walker, “The Artistic Sources and Development of Roman Baroque Decorative Arts,” pp. 3-19

Alvar Gonzáles-Palacios, Arredi e ornamenti alla corte di Roma 1560-1795, Milan, 2004

Patricia Waddy, “Inside the Palace: People and Furnishings,” pp. 21-37

Thomas Dandelet, “Setting the Noble Stage in Baroque Rome: Roman Palaces, Political Contest, and Social Theater, 1600-1700,” pp. 39-51

Frederick Hammond, “The Creation of a Roman Festival: Barberini Celebrations for Christina of Sweden,” pp. 53-69

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Enrico Cole, Il mobile barocco in Italia. Arredi e decorazioni d’interni dal 1600 al 1738, Milan, 2000

Mario Bevilacqua and Maria Luisa Madonna, “Sistemi di residenze nobiliari a Roma e a Firenze: architettura e città in età barocca,” in Mario Bevilacqua and Maria Luisa Madonna, Il sistema delle residenze nobiliari. Stato Pontificio e Granducato di Toscana, Rome, 2003, pp. 9-55

Elizabeth Cohen and Thomas Cohen, “Open and Shut: The Social Meanings of the Cinquecento Roman House,” Decorative Arts, 9, Fall-Winter 2001-2002, pp. 61-84

Anthony Langdon, A Guide to Baroque Rome: The Palaces, London, 2015

Rome: Maestro di Casa & Handbooks & Courtesty literatureGirolamo Lunadoro, Relatione della corte di Roma E de’ Riti da osservarsi in essa, e de’ suoi Magistrati, & Offitij; con la loro distinta giurisdittione, expanded ed., Viterbo: Odoardo Scardutij Librato , 1642

Cesar Evitascandalo, Il maestro di casa, Viterbo: Pietro & Agostino Discepoli, 1620

Rome: General ArticlesPiero Tomei, “Un elenco dei palazzi di Roma del Tempo di Clemente VIII,” Palladio, III, 1939, pp. 163-74 and 219-30

Patricia Falguières, “La cité fictive. Les collections de cardinaux, à Rome, au XVIe siècle,” in Les Carrache et les décors profanes (1986) (Collection de l’Ecole Française de Rome, 106), Rome, 1988, pp. 215-333

C. Frommel, “Papal Policy: The Planning of Rome during the Renaissance,” Journal of Interdisciplinary History, XVII.1, 1986, pp. 39-65. Republished in R. Rotberg and T. Rabb, eds., Art and History. Images and Their Meaning, Cambridge, 1988, pp. 39-65

Hubertus Günther, “Urban Planning in Rome under the Medici Popes,” in Henry Millon and Vittorio Magnago Lampugnani, eds. The Renaissance from Brunelleschi to Michelangelo. The Representation of Architecture, Milan, 1994, pp. 545-549

Luigi Spezzaferro, “La politica urbanistica dei papi e le origini di via Giulia,” in L. Salerno et al., Via Giulia. Un’utopia urbanistica del ‘500, Rome, 1973, pp. 15-64

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K. Weil-Garris and J. D’Amico, “The Renaissance Cardinal’s Ideal Palace: A Chapter from Cortesi’s De Cardinalatu,” in Studies in Italian Art and Architecture, 15th through 18th Centuries, ed. H. Millon, Rome, 1980

Charles Burroughs, “The building’s face and the Herculean paradigm: agendas and agency in Roman Renaissance architecture,” RES, 23, 1993, pp. 7-30

Carroll William Westfall, “Alberti and the Vatican Palace Type,” JSAH, LV, 1974, pp. 101-121

David Chambers, “The Housing Problems of Cardinal Francesco Gonzaga,” JWCI, XXXIX, 1976, pp. 21-58

K.J.P. Lowe, “A Florentine Prelate’s Real Estate in Rome Between 1480 and 1524. The Residential and Speculative Property of Cardinal Francesco Soderini,” Papers of the British School at Rome, 59, 1991, pp. 259-82

Fabio Benzi and Caroline Vincenti Montanato, Palaces of Rome, London and Rome, 1997

Giorgio Carpineto, I palazzi di Roma, Rome, 1991; 2nd ed. 1993

Georgia Clarke, Roman House - Renaissance Palaces: Inventing Antiquity in Fifteenth-century Italy, Cambridge, 2003

Rome: Palazzo VeneziaTorgil Magnuson, Studies in Roman Quattrocento Architecture (Figura, 9), Stockholm, 1958, pp. 245-96

Christoph Frommel, Der Palazzo Venezia in Rom (Gerda henkel Vorlesung), Düsseldorf, 1982

Maria Letizia Casanova, “Il Palazzo di Venezia,” in Shelley Zuraw, ed., Masterpieces ofRenaissance and Baroque Sculpture from the Palazzo Venezia, Rome (ex. cat.), Athens, Georgia Museum of Art, 1996, pp. 7-16

Maria Giulia Barberini, “A Brief History of the Museum at Palazzo Venezia,” in ibid., pp. 17-23

Rome: CancelleriaSimonetta Valtieri, “La fabbrica del palazzo del Cardinale Raffaele Riario (la Cancelleria),” Quaderni dell’Istituto di Storia dell’Architettura dell’Università degli Studi Roma “la

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Sapienza”,” 169-74, 1982, pp. 3-25

Enzo Bentivoglio, “Nel cantiere del palazzo del Cardinal Raffaele Riario (la Cancelleria). Organizzazione, materiali, maestranze, personaggi,” Quaderni dell’Istituto di Storia dell’Architettura dell’Università degli Studi Roma “la Sapienza”,” 169-74, 1982, pp. 27-34

Christoph Frommel, “Il Palazzo della Cancelleria,” in Simonetta Valtieri, ed., Il Palazzo dal Rinascimento a Oggi, Rome, 1989, pp. 29-54

Margaret Daly Davis, “‘Opus isodomum’ at the Palazzo della Cancelleria: Vitruvian Studies and Archaeological and Antiquarian Interests at the Court of Raffaele Riario,” in Silvia Danesi Squarzina, ed., Roma, centro ideale della cultura dell’antico nei secoli XV e XVI. Da Martino V al Sacco di Roma. 1417-1527, Milan, 1989, pp. 442-457

Lisa Passaglia Baumann, “Power and Image: Della Rovere Patronage in Late Quattrocento Rome,” Ph.D. diss., Nothwestern University, 1990

Flaminia Bardati, “Palazzo della Cancelleria. Un progetto urbano incompiuto,” RR Roma nel Rinascimento, 2001, pp. 179-92

Rome: Palazzo NardiniEnzo Bentivoglio, “Alcune considerazioni sul Palazzo del Cardinal Nardini nel presentare materiale d’archivio,” Quaderni dell’Istituto di Storia dell’Architettura dell’Università di Roma, XXII, 127-31, 1975, pp. 171-76

Rome: FarneseLudwig von Pastor, The History of the Popes, preface to vol. XI, pp. 1-40; vol. XII, pp. 523-648 (Paul III as the Patron of Art and Learning)

Luigi Spezzaferro, with Richard Tuttle, “Place Farnèse: urbanisme et politique,” in André Chastel, ed., Le Palais Farnese, Rome, 1981, I.1, pp. 85-123

Christoph Frommel, “Sangallo et Michel-Ange (1513-1550),” in André Chastel, ed., Le Palais Farnese, Rome, 1981, I.1, pp. 127-223

Wolfgang Lotz, “Vignole et Giacomo della Porta,” in André Chastel, ed., Le Palais Farnese, Rome, 1981, I.1, pp. 225-41

John Rupert Martin, The Farnese Gallery, Princeton, 1965

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Charles Dempsey, “‘Et nos cedamus amori’: Observations on the Farnese Gallery,” Art Bulletin, L, 1968, pp. 363-74

Charles Dempsey, “Annibal Carrache au Palais Parnèse,” in André Chastel, ed., Le Palais Farnese, Rome, 1981, I.1, pp. 269-311

Bruno Neveu, “‘Regia Fortuna’: Le Palais Farnèse durant la seconde moitié du XVIIe siècle,” André Chastel, ed., Le Palais Farnese, Rome, 1981, I.2, pp. 475-507

Roberto Zapperi, Tiziano, Paolo III e i suoi nipoti. Nepotismo e ritratto di stato, Turin, 1990

Roberto Zapperi, Eros e controriforma. Preistoria della galleria Farnese, Turin, 1994

Roberto Zapperi, La leggenda del papa Paolo III. Arte e censura nella Roma pontificia, Turin, 1998

Christoph Frommel, “Palazzo Farnese a Roma: l’architetto e il suo committente,” Annali di Architettura, 7, 1995, pp. 7-18

Antonella Bilotto, Piero del Negro and Cesare Mozzarelli, eds., I Farnese. Corti guerra e nobiltà in antico regime (1994), Rome, 1997

Fabio Barry, “‘Pray to thy Father Which is in secret.’ The Tradition of Coretti, Romitorii and Landranco’s Hermit Cycle at the Palazzo Farnese,” in Joseph Imorde, et al, eds., Barocke Inszenierung, Zürich, 1999, pp. 190-221

Marianna Brancia di Apricena, “La committenza edilizia di Paolo III Farnese sul Campidoglio,” Römisches Jahrbuch der Bibliotheca Hertziana, 32, 1997/98, pp. 409-77

Rome: CaprarolaLoren Partridge, “Vignola and the Villa Farnese at Caprarola, I,” Art Bulletin, LII, 1970, pp. 81ff.

Marcello Fagiolo, “Caprarola: la rocca, il palazzo, la villa,” Palladio, 1, 1988, pp. 45-66

Mary Quinlan-McGrath, “Caprarola’s Sala della Cosmografia,” Renaissance Quarterly, L, 1997, pp. 1045-1100

Rome: MassimiH. Wurm, Der Palazzo Massimo alle Colonne, Berlin, 1965

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Rome: AldobrandiniRenato Lefevre, “Il patrimonio romano degli Aldobrandini nel ‘600,” ASRSP, 82, 1959, pp. 1-24 Rome: BoncompagniPio Pecchiai, “La nascita di Giacomo Boncompagni,” Archivi d’Italia e Rassegna internazionale degli Archivi, ser.II, 21, 1954, pp. 9-47

Mario Bevilacqua, “ Residenze di ebrei conversi nella Roma del Seicento: Giovanni Antonio De Rossi e la construzione di palazzo Boncompagni,” in Il sistema delle residenze nobiliari. Stato Pontificio e Granducato di Toscana, ed. Mario Bevilacqua and Maria Luisa Madonna, Rome, 2003, pp. 149-72

Rome: BorgheseHoward Hibbard, The Architecture of the Palazzo Borghese (Memoirs of the American Academy in Rome, 27) Rome, 1962

Howard Hibbard, “Palazzo Borghese Studies I: The Garden and Its Fountains,” Burlington Magazine, C, 1958, pp. 205-12 and 252f.

Howard Hibbard, “Palazzo Borghese Studies--II: The Galleria,” Burlington Magazine, CIV, 1962, pp. 9-20

Wolfgang Reinhard, “Amterlaufbahn und Familienstatus: Der Aufsteig des Hauses Borghese 1537-1621,” Quellen und Forschungen aus Italienischen Archiven und Bibliotheken, 54, 1974, pp. 328-427

Volker Reinhardt, Kardinal S. Borghese (1605-1633). Vermögen, Finanzen und soziales Aufstieg eines Papstnepoten, Tübingen, 1984

Lucilla de Lachenal, “La collezione di sculture antiche della famiglia Borghese e il palazzo in Campo Marzio,” Xenia, 4,1982, pp. 49-1

Elena Fumagalli, Palazzo Borghese committenza e decorazione privata, Rome, 1994

Elena Fumagalli, “Paolo V Borghese in Vaticano. Appartamenti privati e di rappresentanza,” Storia dell’Arte, 88, 196, pp. 341-70

Birgit Emich, Bürokratie und Nepotismus under Paul V. (1605-1621). Studien zur

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Frühneuzeitlichen Mikropolitik in Rom (Päpste und Papsttum, 30), Stuttgart, 2001

Alberta Campitelli, “Il sistema residenziale del cardinale Scipione Borghese tra Roma e i colli Tuscolani,” in Mario Bevilacqua and Maria Luisa Madonna, Il sistema delle residenze nobiliari. Stato Pontificio e Granducato di Toscana, Rome, 2003, pp. 63-74

Carole Paul, The Borghese Collection and the Display of Art in the Age of the Grand Tour, Aldershot and Burlington Vt., 2008, pp. 61-11 on the Galleria Terrena of Palazzo Borghese

Rome: BarberiniLaurie Nussdorfer, Civic Politics in the Rome of Urban VIII, Princeton, 1992

John Beldon Scott, Images of Nepotism: The Painted Ceilings of Palazzo Barberini, Princeton, 1991

Patricia Waddy, Seventeenth-Century Roman Palaces: Use and the Art of the Plan, New York, 1990, pp. 173-271

Frederick Hammond, Music & Spectacle in Baroque Rome. Barberini Patronage under Urban VIII, New Haven and London, 1994

Markus Völkel, Römische Kardinalshaushalte des 17. Jahrhunderts. Borghese - Barberini - Chigi, Tübingen, 1993

Axel Christoph Gampp, “Santa Rosalia in Palestrina. Die Grablege der Barberini und das ästhetische Konzept der ‘magnificentia,’” Römisches Jahrbuch für Kunstgeschichte, 29, 1994, pp. 343-68

Georges Dethan, The Young Mazarin, London, 1977

Simone Zurawski, “Peter Paul Rubens and the Barberini, ca. 1625-1640,” Ph.D. diss., Brown University, 1979

Urbano Barberini, “Pietro da Cortona e l’arazzeria Barberini,” Bollettino d’Arte, 35, 1950, pp. 43-53 and 145-52

Adolph Cavallo, “Notes on the Barberini Tapestry Manufactory at Rome” Bulletin of the Museum of Fine Arts, Boston, LV, Spring 1957, pp. 17-26

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Marisa Tabarrini, “I due scaloni d’onore di Palazzo Barberini: tradizione, innovazione e fortuna,” in La Festa delle Arti. Scritti in onore di Marcello Fagiolo per cinquant’anni di studi, ed. Vincenzo Cazzato, Sebastiano Roberto, Mario Bevilacqua, 2 vols., Rome, 2014, 1, pp. 402-11

Rome: PamphiljP. Romano and P. Partini, Piazza Navona nella storia e nell’arte, Rome, 1947

Torgil Magnuson, Rome in the Age of Bernini, Vol. II, Stockholm, 1986, pp. 52-62 on Piazza Navona

Rudolf Preimesberger, “Obeliscus Pamphilius: Beiträge zur Vorgeschichte und Ikonographie des Vierströmbrunnens auf Piazza Navona,” Münchner Jahrbuch der bildenden Kunst, XXV, 1974, pp. 77-162

Rudolf Preimesberger, “Pontifex Romanus per Aeneam Praesignatus: Die Galleria Pamphilj und ihre Fresken,” Römisches Jahrbuch für Kunstgeschichte, 16, 1976, pp. 221-83

Rome: ChigiVincenzo Golzio, Documenti artistici sul seicento nell’Archivio Chigi, Rome, 1939, “Il Palazzo ai SS. Apostoli,” pp. 3-78

Richard Krautheimer, The Rome of Alexander VII, 1655-1677, Princeton, 1985

Richard Krautheimer and R.S.B. Jones, “The Diary of Alexander VII: Notes on Artists and Buildings,” Römisches Jahrbuch für Kunstgeschichte, XV, 1975, pp. 199-233Patricia Waddy, Seventeenth-Century Roman Palaces: Use and the Art of the Plan, New York, 1990, pp. 291-320

Elisabeth Sladek, Aspekte des römischen Palastbaus des 17. Jahrhunderts: Palazzo Chigi an der Piazza SS. Apostoli. Der Nepoten Palast als Bauaufgabe im päpstlichen Rom des 17. Jahrhunderts, Vienna, 1983

Rome: ColonnaMarino e i Colonna (1500-1800) (cat.), Marino, Palazzo Colonna, 1981

Christina Strunck, “Lorenzo Onofrio Colonna, der römische Sonnenkönig. Neue Dokumentenfunde zu Bernini und Seinem Kreis im Archivio Colonna,” Zeitschrift für Kunstgeschichte, 61, 1998, pp. 568-77

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Christina Strunck, “Bernini zitiert sich selbst? Die Kunstmöbel der Galleria Colonna in Rom,” Römische Historische Mitteilungen, 47, 2005, pp. 227-78

Christina Strunck, Berninis unbekanntes Meisterwerk. Die Galleria Colonna in Rom und die Kunstpatronage des römischen Uradels, Munich, 2007

Eduard Safarik, with Maria Grazia Picozzi and Roberto Valeriani, Palazzo Colonna, Rome, 1999

Rome: Palazzo Ginetti a VelletriPatrizia Cavazzini, "Palazzo Ginetti a Velletri e le ambizioni del Cardinal Marzio," Römisches Jahrbuch der Bibliotheca Hertziana, 34, 2001/2002, pp. 255-89

Rome: EsteChiara Curci, “Palazzo d’Este in Roma,” Rivista Storica del Lazio, VII.11, 1999, pp. 51-110

Rome: MaffeiAnna Bedon, “I Maffei e il loro palazzo in via della Pigna,” Quaderni dell’Istituto di Storia dell’Architettura dell’Università di Roma, n.s. 12, 1988, pp. 45-64

Rome: MatteiGerda Panofsky-Soergel, “Zur Geschichte des Palazzo Mattei di Giove,” Römisches Jahrbuch für Kunstgeschichte, XI, 1967-68, pp. 109-188

Palazzo Mattei di Paganica e L’Enciclopedia Italiana, Rome, 1996

Rome: MadamaElena Fumagalli, “Il Palazzo Madama,” in Palazzo Madama. Sento della Repubblica, Rome, 2005, pp. 39-137

Rome: GiustinianiRobert Enggass, “L’amore Giustiniani del Caravaggio,” Palatino, XI, 1967, pp. 13-20

Luigi Spezzaferro, “La cultura del cardinal Del Monte e il primo tempo del Caravaggio,” Storia dell’arte, 9/10, 1971, pp. 57-92.

Rome: FalconieriElizabeth Howard, The Falconieri Palace in Rome: The Role of Borromini in its Reconstruction (1646-1649), New York, 1981

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Rome: SpadaLionello Neppi, Palazzo Spada, Rome, 1975

Minna Heimbürger Ravalli, Architettura scultura e arti minori nel barocco italiano. Ricerche nell’Archivio Spada, Florence, 1977, pp. 115-47

J. Connors, review essay on Spada palace in JSAH, XXXVIII, 1979, 193-196

Roberto Cannatà and Maria Lucrezia Vicini, La Galleria di Palazzo Spada. Genesi e storia di una collezione [Rome, 1992] is the fundamental study of the collecting of Bernardo, Virgilio, Orazio and later Spada with full documentation. Roberto Cannatà, ed., with Maria Lucrezia Vicini and Mario Lolli Ghetti, Palazzo Spada. Le decorazioni restaurate, Milan, 1995

Marissa Tabarrini, Borromini e gli Spada. Un palazzo e la committena di una grande famiglia nella Roma barocca, Rome, 2008

Rome: OrsiniTobias Kämpf, “‘Aller Künsten Vatter’: Bildnis des Paolo Giordano II. Orsini als Höfling und Mäzen,” in Daniel Büchel and Volker Reinhardt, eds., Die Kreise der Nepoten. Neue Forschungen zu alten und neuen Eliten Roms in der frühen Neuzeit (Freiburger Studien zur Frühen Neuzeit, 5), Bern, pp.329-58

Rome: Lancellotti ai CoronariPatrizia Cavazzini, Palazzo Lancellotti ai Coronari: Cantiere di Agostino Tassi, Rome, 1998

Rome: SacchettiIrene Fosi, All’ombra dei Barberini. Fedeltà e servizio nella Roma barocca, Rome, 1997 (On the Sacchetti)

Sebastian Schütze, ed., Palazzo Sacchetti, Rome, 2003

Rome: OttoboniAntonio Menniti Ippolito, Fortuna e sfortuna di una famiglia veneziana del Seicento: gli Ottoboni al tempo dell’aggregazione al patriziato (Memorie dell’Istituto Veneto di Scienze, Lettere ed Arti, 64), 1996 Butler pre-cat.: AMG 6151

Rome: AltempsFrancesco Scoppola, ed., Palazzo Altemps. Indagini per il restauro della fabbrica Riario, Soderini, Altemps (Lavori e Studi di Archeologia Pubblicati dalla Soprintendenza Archeologica di Roma, 8), Rome, 1987

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Francesco Scoppola, 1997

La Contesa de Numi nelle collezioni di scultura angica a Palazzo Altemps, ed. Adriano La Regina, Rome, 1997

Rome: Mancini al CorsoLuca Maggi, “Giovan Battista Contini e il Palazzo Mancini al Corso in Roma,” Palladio, 23, 1999, pp. 51-64

Rome: De CarolisAlessandro Bocca, Il Palazzo del Banco di Roma: Storia, cronaca, aneddoti, Rome, 1950

Rome: TorloniaOlivier Michel, “Le mécénat des princes Torlonia de 1830 à 1840,” in Vivre et peindre à Rome au XVIIIe siècle (Collection de l’Ecole Française de Rome, 217), Rome, 1996, pp. 621-33

Actes de collqoeu Ingres et Rome, Montauban, 1986, pp. 129-43

Marco Fabio Apolloni, Alberta Campitelli, Antonio Pinelli and Barbara Steindl, eds. Villa Torlonia. L’ultima impresa del mecenatismo romano, in Richerche di storia dell’arte, 28-29, 1986 (entire number)

Rome: Boncompagni CorcosEliana Uttaro and Laura Gigli, Palazzo Boncompagni Corcos a Monte Giordano. Programmi e immagini, Rome, 2003

Rome: CorsiniHeather Hyde Minor, “‘Amore regolato.’ Papal Nephews and Their Palaces in Eighteenth-Century Rome,” JSAH, 65, 2006, pp. 68-91

Heather Hyde Minor, The Culture of Architecture in Enlightenment Rome, University Park PA, 2010, pp. 126-51

Rome: ConsultaHeather Hyde Minor, The Culture of Architecture in Enlightenment Rome, University Park PA, 2010, pp. 152-84

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General Roman VillasDavid Coffin, The Villa in the Life of Renaissance Rome, Princeton, 1979

David Coffin, Gardens and Gardening in Papal Rome, Princeton, 1991

John Shearman, “A Functional Interpretation of Villa Madama,” Römisches Jahrbuch für Kunstgeschichte, XX, 1983, pp. 313-27

Vatican PalaceInnocenzo Venchi, Renate Colella, Arnold Nesselrath, Carlo Giantomassi and Donatella Zari, Fra Angelico and the Chapel of Nicholas V, Vatican City, 1999

Deoclecio Redig de Campos, I palazzi vaticani, Bologna, 1967

Deoclecio Redig de Campos, “Les constructions d’Innocent III et de Nicolas III sur la colline Vaticane,” Mélanges d’Archéologie et d’histoire, LXXII, 1959, pp. 359-76

Deoclecio Redig de Campos, “Di alcune tracce del Palazzo di Niccolò III nuovamente tornate alla luce,” Atti della Pontificia Accademia Romana di Archeologia. Rendiconti, ser. III, XVIII, 1941-42, pp. 71-84

Louis Reekmans, “Le développement topographique de la région du Vatican a la fin de l’antiquité et au début du moyen âge (300-850),” Mélanges d’archéologie et d’histoire de l’art offerts au professeur Jacques Lavalleye, Louvain, 1970, pp. 197-235

Marc Dykmans, S.J., “Le cérémonial de Nicolas V,” Revue d’histoire ecclésiastique, LXIII, 1968, pp. 365-78

Hermann Diener, “Die ‘Camera papagalli’ im Palast des Papstes. Papageien als Hausgenossen der Päpste, Könige und Fürsten des Mittelalters und der Renaissance,” Archiv für Kulturgeschichte, 49, 1967, pp. 43-97

John Shearman, The Vatican Stanze: Functions and Decorations (British Academy Italian Lecture), London, 1971

John Shearman, “Gli appartamenti di Giulio II e Leone X,” Raffaello nell’appartamento di

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Giulio II e Leone X, Milan, 1993, pp. 15-36

Franz Ehrle, S.J., and Hermann Egger, Der Vaticanische Palast in seiner Entwicklung bis zur Mitte des XV. Jahrhunderts (Studi e Documenti per la Storia del Palazzo Apostolico Vaticano, 2), Città del Vaticano, 1935

James Ackerman, The Cortile del Belvedere (Studi e Documenti per la Storia del Palazzo Apostolico Vaticano, 3), Città del Vaticano, 1954

Christoph Frommel, “I tre progetti bramanteschi per il Cortile del Belvedere,” in Matthias Winner, Bernard Andreae and Carlo Pietrangeli, eds., Il Cortile delle Statue. Der Statuenhof des Belvedere im Vatikan (1992), Mainz, 1998, pp. 17-66

Katharina Steinke, Die Millelalterlichen Vatikanpaläste und ihre Kapellen. Baugeschichtliche Untersuchung anhand der schriftlichen Quellen (Studi e Documenti per la Storia del Palazzo Apostolico Vaticano, 5), Città del Vaticano, 1984

Ferdinando Castagnoli, Il Vaticano nell’antichità classica (Studi e Documenti per la Storia del Palazzo Apostolico Vaticano, 6), Città del Vaticano, 1992

Nicola Courtright, The Tower of the Winds in the Vatican Palace: Gregory XIII and the Art of Reform, Cambridge, 1997

Elena Fumagalli, “Paolo V Borghese in Vaticano. Appartamenti privati e di rappresentanza,” Storia dell’Arte, 88, 196, pp. 341-70

Sabine Poeschel, “Age itaque Alexander. Das Appartamento Borgia und die Erwartungen an Alexander VI,” Römisches Jahrbuch der Bibliotheca Hertziana, 25, 1989, pp. 127-65

Maria/Teresa Gigliozzi, I palazzi del papa. Architettura e ideologia: il Duecento, Rome, 2003

Alessio Monciatti, Il Palazzo Vaticano nel medioevo, Florence, 2005

Lateran PalaceG. Ladner, “I mosaici e gli affreschi ecclesiastico-politici nell’antico palazzo lateranense,” Rivista di Archeologia Cristiana, 12, 1935, pp. 265-292

Ingo Herklotz, “Der Campus Lateranensis im Mittlealter,” Römisches Jahrbuch für Kunstgeschichte, XXII, 1985, pp. 1-43

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Ingo Herklotz, “Der mittelalterliche Fassadenportikus der Lateransbasilika und seine Mosaiken. Kunst und Propaganda am Ende des 12. Jahrhunderts,” Römisches Jahrbuch der Bibliotheca Hertziana, 25, 1989, pp. 25-95

P. Verzone, “La distruzione dei Palazzi imperiali di Roma e di Ravenna e la ristrutturazione del Palazzo Lateranense nel IX secolo nei rapporti con quello di Costantinopoli,” Roma e l’età carolinga, Rome, 1976, pp. 39-54

Bryan Ward-Perkins, From Classical Antiquity to the Middle Ages. Urban Public Building in Northern and Central Italy A.D. 300-850, Oxford, 1984, pp. 174-76 and appendix 4, pp. 256-57

Corinne Mandel, Sixtus V and the Lateran Palace, Rome, 1994. Review by Jack Freiberg in JASH, 56, 1997, p. 508f.

Other Papal PalacesSimonetta Valtieri, La genesi urbana di Viterbo, Rome, 1977

Gary Radke, Viterbo: Profile of a Thirteenth-Century Papal Palace, Cambridge, 1996. Review by Julian Gardner in JSAH, 56, 1997, pp. 506-8

L.-H. Labande, Le Palais des Papes et les monuments d’Avignon au XIVe siècle, 2 vols., Marseilles, 1925

Gottfried Kerscher, “Privatraum und Zeremoniell im spätmittelalterlichen Papst- und Königspalast. Zu den Montefiacone-Darstellung von Carlo Fontana und einem Grundriss des Papstpalastes von Avignon,” Römisches Jahrbuch der Bibliotheca Hertziana, 26, 1990, pp. 87-134

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