vincent van gogh drawing and printmaking the lives of lines

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Vincent van Gogh Drawing and Printmaking The Lives of Lines

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Page 1: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Vincent van Gogh

Drawing and PrintmakingThe Lives of Lines

Page 2: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Street in Saintes-Maries-de-la-Mer, 1888, Van Gogh

Page 3: Vincent van Gogh Drawing and Printmaking The Lives of Lines

http://www.metmuseum.org/explore/van_gogh/menu.htmlAbout van Gogh, his drawings, his technique, and his tools

http://www.metmuseum.org/special/van_gogh/slideshow/slide.asp?item=0&ss=playSlideshow of some van Gogh drawings

Page 4: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Holland

Where was van Gogh born?

Page 5: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Seeing works of fellow artists: Impressionists & Neo-

Impressionists

What inspired van Gogh’s style when he was in France?

Page 6: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Linear Perspective

What method do artists use to make objects appear smaller and

closer together when they are farther away?

Page 7: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Three Colored Pencil Drawing Techniques

Transparent Layering

Burnishing (Opaque Layering)

Grisaille

Page 8: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Transparent Layering

“Because colored pencil is transparent, a rich spectrum of

hues as varied as those found in nature can be created simply by layering one color over another.”

(Exploring Colored Pencil, Sandra McFall Angelo)

Page 9: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Ann James Massey

http://www.annjamesmassey.com/

Henri Berenger, 1995.

Black colored pencil

9 1/2” x 7 1/4”

Page 10: Vincent van Gogh Drawing and Printmaking The Lives of Lines
Page 12: Vincent van Gogh Drawing and Printmaking The Lives of Lines
Page 13: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Opaque Layering

Burnishing

“When you burnish a drawing, you apply the final layer of color with

such heavy pressure that all colors underneath meld together

and create an opaque wax barrier.” (Exploring Colored Pencil, Sandra

McFall Angelo)

Page 14: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Debora Zeller

Hands of the Potter

Colored Pencil

Page 15: Vincent van Gogh Drawing and Printmaking The Lives of Lines
Page 16: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Burnishing: 4 stages

Create a line drawing

Develop a value drawing with transparent layers to establish light, medium, & dark tones

Layer local colors over value study until drawing looks like a completed transparent layered drawing

Add final layers of colors with gradually increasing pressure

Page 17: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Burnishing tips

Do not apply heavy pressure until all layers of color have been applied, as pressing hard will flatten the tooth of the paper.

Let medium tones spill into both lighter and darker areas.

Do not let light color get in the darks and do not let darks get into light colors.

Brush paper and drawing surface often to keep crumbs from embedding in the paper.

Page 18: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Grisaille

(greez EYE)

A technique in which a

black-&-white underdrawing is followed by a glaze of color.

Page 19: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Victoria Peterson Laird

“El Cazador” Andalusian

pastel and graphite

19" x 16"

Page 20: Vincent van Gogh Drawing and Printmaking The Lives of Lines
Page 21: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Grisaille: 4 steps

Create a contour line drawing of subject.

Complete a black-and-white value study (graphite or black/gray colored pencil), keeping values on the lighter side.

Spray with workable fixative.

Cover with transparent layers of colored pencil.

Page 22: Vincent van Gogh Drawing and Printmaking The Lives of Lines

Grisaille tips

Use this technique for subjects that have subtle tones.Use for drawings of antiques, nature, animals, old photographs.Use this technique for anything with dull colors.For brightly colored drawings that are done with grisaille, make the underdrawing with a gray colored pencil rather than a graphite pencil.