victor barbalato academic portfolio issue 1

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VICTOR M BARBALATO III PORTFOLIO PLIGHT SAMPLE WORKS OF THE CARTONEROS ARGENTINA DESIGN DEVELOPMENT STUDIO SOLDIERS FIELD HOUSING Coping with the rapid expansion of Shanghai’s outer districts UNPLANNED- PERIPHERY NANHUI DISTRICT, SHANGHAI, CHINA ISSUE 1: 2005 TO 2010 COLLECTION

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Victor Barbalato's Academic Architecture Portfolio

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  • VICTOR MBARBALATO III

    PORTFOLIOPLIGHT

    S A M P L EW O R K S

    OF THE CARTONEROS

    A R G E N T I N A

    DESIGNDEVELOPMENT

    STUDIOSOLDIERS FIELD HOUSING

    Coping with the rapidexpansion of Shanghais

    outer districts

    U N P L A N N E D -P E R I P H E R Y

    NANHUI DISTRICT,SHANGHAI, CHINA

    ISSUE 1: 2005 TO 2010 COLLECTION

  • TABLE OF CONTENTS

    SENIOR THESIS Detailed Senior Thesis Book Available

    REPUBLIC SQUAREMixed Hotel, Office, Residential Tower Almaty, Kazakhstan

    PLIGHT OF THE CARTONEROSAlternative Paper Use Studio Cordoba, Argentina - STUDY ABROAD

    MIXED MEDIA PUBLIC LIBRARYRepository and Display Space for Works by Local Community Organizations Cordoba, Argentina

    ARTISTS UNITE! Community Arts Center Washington Heights, NYC NY

    SOLDIERS FIELD GRADUATE AND ADJUNCT FACULTY HOUSINGDesign Development Studio Boston, Massachusetts

    UNPLANNED PERIPHERYThe Time During Redevelopment Shanghai, China - STUDY ABROAD

    JINGDEZHEN CERAMICS STUDIOExperimental Pottery Workshop Residency Jingdezhen, China - STUDY ABROAD

    reTHINKING THE ARCHMaterial Exploration Rensselaer: Troy, NY

    VINTAGE WINE RACKFurniture Design Rensselaer: Troy, NY

    Pleasure Garden, YAP COMPETITIONProfessional Work Example, Competition Studio Studio THEM

    NL HOUSE, Dutch Design Week 2009Professional Work Example, Exhibition Studio THEM

    SECTION 1

    SECTION 2

    SECTION 3

    SECTION 3.1

    SECTION 4

    SECTION 5

    SECTION 6.0

    SECTION 6.1

    SECTION 7

    SECTION 8

    SECTION 9

    SECTION 10

    Advisors: Gustavo Crembil, David Riebe, Kenneth Warriner

    Fall 2006; Advisor: Jefferson Ellinger

    Spring 2006; Advisor: Gustavo Crembil

    Fall 2004; Advisor: David Riebe

    Fall 2007; Advisors: Mark Cabrinah, Mark Mistur

    Spring 2008; Advisor: Gustavo Crembil

    Spring 2008; Advisor: Gustavo Crembil

    Fall 2005, Materials Course; Advisor: Farah Garba

    Spring 2009, Furniture Design; Advisors: David Riebe, William Bergman

    November through January, 2008

    June through October, 2009

    Spring 2006; Advisor: Gustavo Crembil

  • SENIOR THESIS:REASSESSING AMERICAN MANUFACTURING; AN INTERVENTION IN URBAN INDUSTRIAL CORRIDORS

    Kinzie Industrial Corridor: Chicago, Illinois

    ABSTRACT:Contemporary manufacturing methods no longer rely on the masses of unskilled labor or monopolized material chains that supported Americas industrial past. Hallmarking todays most successful outfits is the participation within complex meshworks of information generated from infrastructure manufacturers utilize and suppliers with which they communicate. This thesis foresees American manufacturing regaining its importance in domestic and foreign product markets by focusing revitalization efforts in Urban Industrial Corridors located throughout the country. These corridors have the potential to supply constant, efficient material flows, provide direct access to main transportation arteries and foster the diffusion of ideas between diverse groups of professionals. A

    new genre of infrastructure must be envisioned that creates a synergy between designer, manufacturer, and finished product. This synergy will allow Urban

    Industrial Corridors to be understood as conglomerations of interdependent specialists, not as a series of independent manufacturers. Intra-corridor

    collaboration and direct access to trade avenues will transform these industrial locations into cohesive factories. The products

    that evolve within these zones through social interaction and newly established material flows will blur the boundary

    between factory and community at a face to face scale. Dissolved boundaries will generate ever

    changing urban fabric, allowing ideas to become permeable, transparent and

    applicable to parallel learning and interdisciplinary collaboration.

    1

  • Highways have little relationship to the formation or location of existing Urban Industrial Corridors. The distance between highway on ramps and industrial corridors creates many problems for freight trucks transporting items originating from these locations. Often, freight vehicles must transverse through dense residential neighborhoods to get to said transportation arteries, generating many complaints to the city, and causing multiple accidents with commuter vehicles.

  • EXISTING URBAN RAIL LINES

    HIGHWAY

    WATER

    EXISTING INDUSTRIAL CORRIDORS

    ENTIRE SYSTEM

    HIGHWAYS

    RAIL AND WATER

    TRANSPORTATION INFRASTRUCTURE IN RELATION TO DEVELOPMENT OF INDUSTRIAL CORRIDORSCHICAGO, ILLINOIS

    Biographical research and design-based experiments focusing on processes, contexts and transportation methods associated with manufacturing revealed two flaws plaguing American manufacturers. First, from designer to machine operator, a lack of creativity and communication exists between the various fields required to manufacture products. Secondly, higher product costs for end consumers result from difficulties associated with highway freight transportation of goods. Solutions lie in generating efficiently manufactured, easily transported products; design and production need to become one process, new intermodal forms of transportation need to be generated. Creating physical proximity between the technical knowledge of manufacturers and the creative capabilities of a new generation of designers (Creatives) addresses the first flaw. Citing large urban populations of Creatives, collaborative efforts would be facilitated by the reintroduction of manufacturing to urban areas zoned for industry. Once produced, it is imperative to make products easily transportable. New transportation modes would be generated by connecting manufacturers within revitalized urban industrial zones to existing urban rail lines.

  • GRAY CIRCLES REPRESENT CRANE PICK-UP RADIUS

    A NEW OVERHEAD INFRASTRUCTURE WAS CREATED WITHIN EXISTING URBAN INDUSTRIAL CORRIDORS THAT CONNECTS MANUFACTURERS TO ONE ANOTHER BY WAY OF FORKLIFT, AND TO EXISTING URBAN RAIL LINES BY UTILIZING NEW INTERMODAL METHODS OF SHIPPING CONTAINER TRANSPORTATION.

    SHIPPING CONTAINER CONVEYOR SYSTEM FOR DIRECT EXPORT/IMPORT TO URBAN RAIL LINE

    FORKLIFT LEVEL FOR SMALL INTER-CORRIDOR TRANSFERS BETWEEN MANUFACTURERS

    FREIGHT ELEVATOR INTO EXISTING MANUFACTURER

    SHIPPING CONTAINERCONVEYOR SYSTEM

    NEW OUTSIDESPACE

    TRADE SCHOOL/DESIGN STUDIO SPACE

    FORKLIFT LEVEL1

    TRADE-SCHOOL HALLWAY2

    STREET LEVEL VIEW4ADAPTED EXISTING MANUF. SECTION3

    1

    2

    EXISTINGMANUFACTURERSPACE

  • EXISTING RAIL LINE

    DEAD-END LOCATIONS AS LOADING POINTS FOR LOCAL GROUND VEHICLE DELIVERIES

    TRAIN LOADING STATION/SORTING AND STACKING AREA

  • PROGRAM:

    200,000 Sq Meter- Combined Hotel, Office, Residential Tower

    OBJECTIVE:

    Kazakhstan is an economically booming country due to its large, recently discovered deposits of natural resources. Almaty is one the of the largest cities within the country and is growing quickly. Economic growth means new business, growing populations, and new tourism. Republic Square is one of the most important sites in the city, and across from the Square is where a new 27 story hotel, residential tower and office complex will be built. Each program requires different access to transportation, types of amenities, and views as the tower grows upward. To suit these varied needs, levels of program wrap around each other as the building rises from the ground. A main driver for the wrapping is affording different views of Almaty and the beautiful mountain ranges that define its boundaries. The city center is best viewed from the front of the site, and from the rear the mountains can be seen. A series of diagrams were derived from responding to the different needs of each program at different elevations. The diagrams were used to create the form of the project, at first being lofted and used as a device for massing. Secondly, they were used to cut and deform the mass, creating the spaces where different programs would interact.

    2REPUBLIC SQUAREMIXED HOTEL, OFFICE, RESIDENTIAL TOWER

    Almaty, Kazakhstan

  • RESIDENCE LOBBY

    FORMAL HOTEL ENTRANCE

    COMMERCIALAREA

    COURTYARDINITIAL CONDITION

    SITE INFLUENCED MANIPULATION

    OFFICE LOBBY

    OFFICE OUTSIDE SPACE

    RESTAURANT

    OFFICE CAFE

    3RD FLOORSITE PLANSATPAYEV STREET

    FURM

    ANOV

    STR

    EET

    M O U N T A I N S M O U N T A I N S

    RESIDENTIAL OFFICEHOTEL

    CONCEPTUAL DIAGRAM

    FORMAL HOTEL ENTRANCE / RESIDENTIAL ZONE ATRIUM AND LIGHT WELL

  • .25

    .25 18

    VERT

    ICAL

    CIR

    CULA

    TION

    SIDE VIEWREAR VIEW

    MAPPING STUDIES (CITY OF ALMATY)

    .25

    .25 18

    .25

    .25 18

    TOP FLOORS

    MIDDLE FLOORS

    GROUND FLOOR

    NATURAL

    VISTAS

    URBAN

    CONNECTION

    GROUND

    TRANSPORT

    DIAGRAMS DEVELOPED BY MAPPING AND BLENDING NEEDS OF PROGRAMS AT DIFFERENT ELEVATION

    12TH FLOOR

    OFFICE CAFE

    19TH FLOOR

    M O U N T A I N SM O U N T A I N S

    CIRCLES REPRESENTING THE FLOOR PLATES WERE PLACED ON THE

    MAPPING DIAGRAMS. THEY WERE THEN DEFORMED TO ENCOMPASS THE QUALITIES

    NEEDED FOR EACH PROGRAM ATDIFFERENT ELEVATIONS

    CIRCULATION CORES WERE ESTABLISHED AND DEFORMED TO CREATE LIGHT WELLS THAT CUT THROUGH THE FLOOR PLATES

    THE MAJOR AXIS THAT PRODUCED THE MAPPING DIAGRAMS WERE LOFTED TO

    INFORM WHERE GREEN SPACES, PUBLICSPACES, AND VIEWS WOULD BE

    ESTABLISHED

    MASSING FLOOR PLATES WERE CUT WITH LOFTS

    HORIZONTAL CIRCULATION

    PROCESS

  • Option Explicit Script for Rhino Version 4 created 21.09.2006 by Jess Maertterer Modifies by Alison Cisek 9_23_2006 Modifies by Victor Barbalato 2_27_07Transformations_H()Sub Transformations_H()Declare all stuff we may need to deal with blocks:Dim strName Required. String. The name of the block definition to insert.Dim arrPoint Required. Array. The 3D insertion point of the block.Dim arrScale Optional. Array. An array of three numbers that identify the x,y,zDim dblAngle Number. The rotation angle in degrees.If omitted, the block is not rotated.Dim arrAxis Axis of rotationDefine the name of the BlockstrName = standard3Dim x,y,z Position VariablesDim strBlockDim PI : PI = 4*Atn(1)Rhino.EnableRedraw FalseDim thetaDim newx,newzDim lastx,lastzDim period,length,startpos,height,amplitude,startang random variablesDim xmod

    For y = 0 To 24 last number here is the total length Random number formula: (max-min+1)*Rnd+min period=(36-12+1)*Rnd+12 length=(48-36+1)*Rnd+36 startpos=(5-1+1)*Rnd+1 height=(1-0+1)*Rnd+0 amplitude=(9-6+1)*Rnd+6 startang=((.5+0-1)*Rnd+0)*15For x = 0 To length If x=0 Then newx=startang newz=height theta=45 Else lastx=newx lastz=newz newx=amplitude*Cos(theta*PI/180)+lastx newz=amplitude*Sin(theta*PI/180)+lastz End If xmod=x Mod 24 If (xmod>=24/4 And xmod

  • 3.0PLIGHT OF THE CARTONEROSALTERNATIVE PAPER USE STUDIO:

    Rensselaer Polytechnic Institute: ResearchCordoba, Argentina: Application

    DESCRIPTION:

    Scripting techniques and physical prototyping were employed to create pressed-paper acoustical panels for architectural applications 2 Week Joint Studio between RPI and the National University of Cordoba

    OBJECTIVE:

    Necessity is the mother of invention, such is the case for the Cartoneros in Argentina. The economic collapse between 1999 and 2003 left many low-wage laborers and farmers out of work. In desperate need of income, they invented what is now a well known economy, that of the paper scavengers. Every night they collect disposed soda bottles, cardboard boxes, and paper products to sell to recycling plants, generating a very sparse income. In an attempt to help them transform the recyclables they collect into higher value products, the studio sought to find architectural applications for the tons of paper gathered. A method of pressing a paper-mash into dense, hard tiles was used. The solution I proposed utilized a series of interchangeable, laser-cut dies that generated multiple iterations of four-sided tiles. The tiles had different angled corner-flaps to allow for vertical and horizontal movement once assembled, generating variable acoustic deadening surfaces. The studio concluded with myself and 3 other students travelling to Argentina. Meeting with the Cartoneros, we experienced their community, viewed the machinery to be used for production, collaborated future proposals, and discussed plans to bring this product to market.

  • Interchangeable, varnished MDF mold dies

    Different paper tiles created from changing dies

    CARTONERO RECYCLING CENTER: CORDOBA, ARGENTINA

    DISCUSSING TILE APPLICATIONS AND ALTERNATIVE MATERIALS

  • MDF dies fit into hinged box, and then pressed to produce paper tile. Car jack used to apply pressure in lieu of Cartoneros trash compactor

    TileVariations

  • PROGRAM:

    Multi-Medium Library with Gallery Space for community organizations (i.e. Cartoneros), Outdoor Reading Spaces, Occupiable Roof/ New Sidewalk, Community Soccer Field, Farmers Market

    OBJECTIVE:

    This library aims to convey the struggles and hardships endured by the local community groups of Cordoba. Lessons about the innovative tactics these groups have developed to survive the recent economic collapse cannot be taught through literature, only through a direct connection to material, object, and community can they be understood. Believing that libraries are no longer spaces that simply house books, this library seeks to become a source of information itself. Its physical manifestation connects the diverse community in which it is located and serves as a medium by which knowledge is transferred. The design process that gave shape to this project was dependant upon the diversity of potential users, required programs, and existing context. Mediating the relationships between these three factors provides for a sectionally rich project that combines multiple forms of occupation, both interior and exterior with unique contextual connectivity. A series of ramps connecting existing sidewalks at different elevations come to fruition as a building composed of pedestrian-ways lined with gallery spaces for public viewing. A small book collection concerning the current exhibitions is kept within the gallery, it is located at the end of the viewing ramps. The materiality of the project, concrete, and the way the roof folds into walls lends itself to becoming a canvas for the politically-driven graffiti tagging community prevalent in Cordoba. This public form of information is just one more medium for the library to house and display.

    PARTNERS: Sara Patterson, Michael Prince, Niraj Prajapati

    Individual responsibilities included: Conceptual Sketches / Diagrams, 3D Computer Modeling (Rhino), Physical Modelling, Diagramming, All Rendering and Post Processing

    MIXD MEDIA PUBLIC LIBRARYRepository and Display Space for Works of Local Community Organizations

    Cordoba, Argentina3.1 PUBLIC LIBRARY CORDOBA ARGENTINA VICTOR BARBALATO SARA PATTERSON NIRAJ PRAJAPATI MIKE PRINCE

  • 12

    3

    IMPROMPTU SOCCER FIELD

    REMOVE EXISTING HILL, CREATE RETAINING WALL

    COMPLETE EXISTING CITY GRID

    PUSH TO AVOID EXISTING ROAD

    PUBLIC LIBRARY CORDOBA ARGENTINA VICTOR BARBALATO SARA PATTERSON NIRAJ PRAJAPATI MIKE PRINCE

  • 6ENCLOSE

    LIBRARY

    PARKING

    4

    5

    PUSH DOWN TO BEGIN RAMPING

    PULL DOWN RAMP AND FOLD ROOF FOR CLEARANCES

    FARMERSMARKET

    SOCCER SEATING OUTDOOR READING AREA GRAFFITI PARK

    SOCCER F IELD

    LOCALLY OWNED STORES

    PUBLIC LIBRARY CORDOBA ARGENTINA VICTOR BARBALATO SARA PATTERSON NIRAJ PRAJAPATI MIKE PRINCE

  • ARTISTS UNITE!COMMUNITY ARTS CENTER

    Washington HeightsNew York, New York

    PROGRAM:

    Studio Space, Galleries, Public Stairway connecting 155th Street to Fairview Street

    OBJECTIVE:

    Creating a home for Artists Unite, a group of artists in Washington Heights and integrating them into the surrounding community was the aspiration of this project. The exterior facade of the new Arts Center was used as a public stairway to connect two streets that intersect at different elevations. Locating the entrances of the Art Center along the this public stairway/facade allowed for chance encounters to occur between artists inhabiting the project and the local residents transversing it. Those using the stairway would have the opportunity to observe gallery and studio spaces. Extending displaced Programmatic Bars into the community persuades further integration between the artists and the surrounding residents by creating spaces for public theater and community gardens. Situating gallery and studio spaces underground allowed various levels of light exposure and different enclosure material qualities to dictate the location of programs and types of art that would be practiced within individual studios.

    4

  • MATERIAL STRATEGY

    TRANSPARENT:-FULL EXPOSURE TO LIGHT-ALLOWS ART THAT REQUIRES LIGHT-MAXIMUM PUBLIC EXPOSURE

    TRANSLUCENT:-CONTROLLED LIGHT EXPOSURE-SEMI-PRIVATE-SILHOUETTE EFFECT

    OPAQUE:-HANGING ART

    -MAXIMUM PRIVACY

    CLEAR OPAQUE

    PRIVACY

    GLASSOPACITY

    LIGHT

    STUDIO GALLERY OFFICE STUDIO/GALLERY

    SERVICE/STOR./BATH

    INITIAL LAYOUT

    REQUIRED PROGRAMMATIC SQUARE FOOTAGE- DIVIDE INTO EQUAL WIDTHS

    GALLERY

    STUDIO

    SERVE/STORE

    REDISTRIBUTE PROGRAM BASED UPON MATERIAL/LIGHT STRATEGY

    PUSH BACK FACADE. OUTSIDE AREAS BECOME PROGRAMMED

    ANGLE FACADE TO REINTRODUCE CIRCULATION ROUTE- EXTERIOR PUBLIC CIRCULATION AREAS BECOME ACTIVATED

    1

    2

    3 4 5

    12 12 12 12 12 12

  • PROGRAM:

    Adjunct Faculty Housing and Graduate Dormitory for Harvard University

    OBJECTIVE:

    This was a project for RPIs Design Development Studio. Students in this studio choose a project, other then their own, completed in a previous design studio to bring through the design development phase. This project intends to provide a radical solution to the otherwise drab construction of dormitory life. Posing a living condition in which students and faculty live together within a communal atmosphere allows for the diffusion of information that is critical to the success of higher education facilities. The project places students and adjunct faculty within a matrix of two axis, one stressing individually and privacy and the other exploring the potential of the collective whole. Both of the extremes presented within the project are required in a collegiate environment. The two axis materialize within a social atrium lined with delicately perched private apartments and exposed porches. To mitigate the juxtaposition of public and private, landscape is scooped up from the outside and pulled up into the atrium, climbing its way up the walkways and walls. Together with the landscape, the walkways create a middle ground for the privateness of the apartments to meld with the inherent social environment of the atrium. Through the use of public planters and enlarged semi-enclosed areas, precious chance encounters and important planned events can take place, both creating a sense of community.

    INITIAL SCHEMATIC DESIGN: Aaron Smith, Brian Spangler

    PARTNER: Alex Clement

    Individual responsibilities included: 3D Computer Modelling (MicroStation), 2D Documentation including Wall Section, Details, Environmental Strategies Section Perspective, and Single Unit Isometric, Diagramming, Rendering, All Physical Modelling

    5 SOLDIERS FIELD GRADUATE AND ADJUNCT FACULTY HOUSING

    Cambridge, Massachusetts

  • ENVIRONMENTALSTRATEGIES

    WALKWAYS AS PIPE CHASE:1. WATER FROM GEOTHERMAL HEAT EXCHANGE TO REGULATE ATRIUM TEMPERATURE(BETWEEN 50 AND 80 DEGREES)2. HOT AND COLD WATER SUPPLY FOR APARTMENTS3. GREY WATER SYSTEM FOR GREEN WALLS AND UNDERSIDE GROWTH4. ELECTRICITY FOR APARTMENTS AND WALKWAY PLUGS

    OPERABLE SIDE WINDOWS FOR VENTILATION

    UNDERSIDE OF WALKWAYS TO ALLOW HORIZONTAL PLANT GROWTH- MORE PERMANENT PLANTS (MULTI-SEASONAL) DUE TO LACK OF ACCESSIBILITY

    GREEN WALLS TO HAVE PERMANENT VEGETATION AS WELL AS SEASONAL PLANTS GROWN BY OCCUPANTS

    OPERABLE VENTS TO AID IN STACK EFFECT

    LARGE AMOUNT OF LIGHT LET IN BY SKYLIGHTS TO CREATE STACK EFFECT

    GEOTHERMAL FOR ATRIUM TEMPERATURE REGULATION

    SOLAR HOT WATER FOR HOT WATER SUPPLY TO APARTMENTS

  • 3RD F.F. EL: +26-0

    A B

    LAND

    SCAP

    E SIGH

    T LINE

    2ND F.F. EL: +13-0

    4TH F.F. EL: +39-0

    WALL SECTION

    7NTH F.F. EL: +91-0

    8TH F.F. EL: +104-0

    EXTERIOR WOOD SLATS ANGLED TO ALLOW FOR PRIVACY FROM LANDSCAPE AND ALLOW VIEWS TO RIVER

    OFF-SITE INTUMESCENT COATED EXPOSED STEEL STRUCTURE

    SOLAR HOT WATER PANELS

    RADIUS GLASS FOR WATER RUNOFF

    WATERPROOFING MEMBRANE (EPDM)

    DOUBLE PANE INSULATED GLASS PANELS ON PROFILE-LESS MULLIONS WITH STRUCTURAL SILICONE

    PUSH GUARDRAIL AND WOOD DECKING BACK TO HIDE FROM SIGHT OF LANDSCAPE

    PULL ENCLOSURE TO 2-0 FROM UNDERSIDE OF APT. ABOVE TO ALLOW FOR SKYLIGHT

  • TYP. FLOORPLAN

    GRAY SHADE INDICATES OPEN TO BELOW

  • AB

    A

    B

    A

    B

    WOOD FLOORING

    6 PRECAST CONCRETE

    COLD WATER COOLING SYSTEM WITH DRIP TRAY

    TOP CHORD OF TRUSS

    DETAIL A DETAIL B

    PERFORATED METAL PANEL

    PERFORATED METAL PANEL

    (2) LAYERS 5/8 GYP. BD. E.S. ON LIGHT GAUGE FRAMING

    METAL CASING WITH LIGHT GAUGE FRAMING AND INSULATION

    HOT AND COLD WATER SUPPLY FROM INSIDE-ATRIUM WALKWAYS

    CROSS VENTILATION FROM OPERABLE WINDOWS ON EXTERIOR FACADE TO CHANNEL-GLASS WALL FACING ATRIUM

    SLIDING CHANNEL-GLASS WALL TO ATRIUM

    DOUBLE PANE GLASS

    HOT WATER RADIATOR

    BOTTOM CHORD OF TRUSS

    SINGLE UNIT ISOMETRIC

    UNIT SECTION MODEL ATRIUM MODEL WITH UNITS AND STRUCTURE

  • INTERIOR ATRIUM, COMMUNITY GARDENS AT FACADE

  • PROGRAM/DESCRIPTION:

    4 Month Study Abroad ProgramEasily assembled, transportable, reconfigurable, modular, Pedestrian Circulation Generators

    OBJECTIVE:

    Redevelopment of suburban and rural locations into density populated areas is occurring at an unprecedented speed in Shanghai. The haste of redevelopment allows only the final condition of a location to be conceived. No time is spent considering the living conditions of inhabitants while an area is being reconstructed, they are forced to live in an UNPLANNED PERIPHERY. The UNPLANNED PERIPHERY is not a specific site or space, but a TIME PERIOD during a locations REDEVELOPMENT PHASE. The lack of infrastructure during this period makes pedestrian activity impossible. It is understood that the UNPLANNED PERIPHERY is not a constant. As one locations final vision is realized, the UNPLANNED PERIPHERY will slowly disappear and move to the next area being redeveloped. During this time, shops cannot be frequented, sidewalks arent used, and no social interactions occur outside of ones home. Observations of spaces that successfully create pedestrian activity have born a system of modular, transportable, reconfigurable, programmatic Pedestrian Circulation Generators (PCGs). They will address the social and commercial issues that are consequence of the lack of infrastructure within a location while being redeveloped. Space afforded by expanses of empty streets will be infilled with PCGs that connect defined destinations, establishing pedestrian activity not only to the sidewalk, but also to the adjacent customer-deprived shops. Assembled from a series of interchangeable modules, they are easily reconfigured and moved to the next site scheduled for redevelopment once one locations design has been fully realized.

    PARTNERS: Erica Anderson, Yang Shu

    Individual responsibilities included: Schematic Diagramming, All Renderings and Post Processing Shown, 3D Computer Modelling, 2D Documentation, Diagramming

    6.0UNPLANNED PERIPHERYTHE TIME DURING REDEVELOPMENTHarvard University:Nanhui DistrictShanghai, China

  • METROPEDESTRIAN BIKE/MOPEDCAR

    STREET VENDOR MARKET TYPOLOGY

  • TRADITIONAL LILONG HOUSING- STREET AS EXTENSION OF HOUSE

    NEW TYPE OF DEVELOPMENT- ABANDONED STREETS

    THE UNPLANNED PERIPHERY

  • Commercial circulation patterns that could occur at different locations on the proposed site were analyzed and cross referenced with the type of transportation method a visitor would use to get to said locations. Multiple configurations of PEDESTRIAN CIRCULATION GENERATORS were created based upon these cross references. Each configuration was created to house particular programs or generate specific pedestrian movements.

    CARDEPARTURE

    DESTINATION

    -MANY ACCESS POINTS BETWEEN DEPARTURE AND FINAL DESTINATION TO MEET NEEDS

    -DISTANCE NOT A FACTOR

    -SITE TO BE RECREATIONAL

    (MARKET, SHOPPING, ENTERTAINMENT)

    BIKE/MOPEDDEPARTURE

    DESTINATION

    -MANY ACCESS POINTS BETWEEN DEPARTURE AND FINAL DESTINATION TO MEET NEEDS

    -PATH SOMEWHAT DETERMINED BY NEEDS

    -SITE TO BE RECREATIONAL AND FUNCTIONAL

    (WORK, MARKET, SHOPPING, ENTERTAINMENT, REST POINT)

    PEDESTRIANDEPARTURE

    DESTINATION

    -FEW ACCESS POINTS BETWEEN DEPARTURE AND FINAL DESTINATION TO MEET NEEDS

    -PATH DETERMINED BY NEEDS

    -SITE TO BE MAINLY FUNCTIONAL

    (WORK, MARKET, REST POINT)

    SUBWAYDEPARTURE

    DESTINATION

    -NO ACCESS POINTS BETWEEN DEPARTURE AND FINAL DESTINATION TO MEET NEEDS.

    -DEPARTURE AND DESTINATION MUST PROVIDE ALL NEEDS

    -SITE TO BE MAINLY FUNCTIONAL

    (WORK, MARKET, SHOPPING,ENTERTAINMENT)

    TRANSPORTATION METHOD USED TO ACCESS DESTINATION

    COMMERCIAL CIRCULATION PATTERNS

    HIGH VELOCITY

    -SPACE IS A CORRIDOR FOR MOVING THROUGH

    -NOT INTERESTED IN SHOPPING

    MEDIUM VELOCITY

    -THE MOVEMENT THROUGH A SPACE

    IS PART OF THE ENTERTAINMENT

    -WINDOW SHOPPER

    LOWVELOCITY

    -SHOPPER

    -PERSON IS ACTIVELY SHOPPING WITHIN

    PROGRAM

    1:2 PROGRAM TO CIRCULATION

    -PROGRAM MUST BE ABLE TO HANDLE HIGH CUSTOMER VOLUME

    -PROGRAM MUST DRAW LARGE AMOUNTS OF CUSTOMERS

    -HIGH END/ ESTABLISHED BRAND STORES

    1:1 PROGRAM TO CIRCULATION

    -PROGRAM MUST HAVE VARIED MERCHANDISE TO BE ABLE TO HANDLE MIXED TYPE OF CUSTOMER, SERIOUS SHOPPER AND WINDOW SHOPPER

    -ALLOWS VIEWS TO ONE SIDE FOR PEDESTRIAN

    -BRICK AND MORTAR SHOPS, LOTS OF STORAGE

    2:1 PROGRAM TO CIRCULATION

    -FOR PROGRAM THAT CANNOT HANDLE HIGH VOLUME OF CUSTOMERS

    -SHOPPERS COME ACROSS PRODUCTS BY CHANCE

    -TEMPORARY VENDOR, FARMER, FOOD VENDOR, ETC.

    100 Mile Apart Cities

    Town to Town

    Development to Development

    Traditional Village

    MACRO SCALETransportation Used Based On

    Distances Traveled

    MICRO SCALESocial Interactions Based On Distances

    Between Individuals

    Tall Apartment Buildings

    Villas

    Traditional Villages

    Between Gated Communities

    INITIAL

    SITUATIO

    N

    DENSITY OF PEDESTRIANS ON STREET

    MODEL SITUATION

    PROJECT GOAL

  • XX+1/2 X

    X

    1/2 X 1/2 X

    X

    1/2 X 1/2 X

    X

    X+1/2 X

    X

    1/2 X 1/2 X

    X

    1/2 X 1/2 X

    X

    X+1/2 X

    X

    1/2 X 1/2 X

    X

    1/2 X 1/2 X

    X

    X+1/2 X

    X

    1/2 X 1/2 X

    X

    1/2 X 1/2 X

    X

    X+1/2 X

    X

    1/2 X 1/2 X

    X

    1/2 X 1/2 X

    1/2 AXIS ROTATION

    EXPLORATION OF MODULAR, RECONFIGURABLE, TRANSPORTABLE, PROGRAMMATIC, PEDESTRIAN CIRCULATION GENERATORS

    1/2 AXIS ROTATION, 90 DEG ROTATION

    1/2 AND 1/4 AXIS ROTATION MIRRORED

    X

    X+1/2 X

    X

    1/2 X 1/2 X

    X

    1/2 X 1/2 X

    1/2 AND 1/4 AXIS ROTATION MIRRORED, ROTATED 180 DEG

    REVOLUTION AROUND CENTRAL AXIS

  • STRUCTURAL SYSTEM

    GRAVITY DEPENDANT FOR COMPRESSIVE

    FORCESSIMPLE EXTRUSION

    REVOLUTION AROUND CENTRAL AXIS

    POST-TENSION SYSTEM

    INTERNAL, SELF-SUPPORTING COMPRESSION SYSTEM

    ROTATION AXIS

    EXTRUSION AXIS

    PROPOSED ARCH CONSTRUCTION

    TRADITIONAL ARCH CONSTRUCTION

  • FARMER MARKET

    BRAND TYPE COMMERCIALBIKE/MOPED PARKING

    SUNNY GREEN/PARK SPACE

    SHADED GREEN/PARK SPACE

    PARK/VENDOR COMMERCIAL

    VENDOR COMMERCIAL

    EXISTING COMMERCIAL

    SCHEMATIC LAYOUT

    SITE PLAN- Placement of Pedestrian Circulation Generators

  • METRO PEDESTRIAN

    VEGETABLE / FRUIT MARKET TYPOLOGY

    BIKE/MOPED CAR

  • DESCRIPTION:

    10 Day Residency at Experimental Pottery Workshop, Jingdezhenhttp://potteryworkshop.org/Jingdezhen

    Attempt to fabricate ceramic module prototype of Unplanned Periphery Project

    OBJECTIVE:

    Jingdezhen, the Ceramics Capital of the World, has a history dating back one-thousand seven hundred years to the Song Dynasty. Making two trips to this city, the second with my entire studio, I attempted to produce the modules that assemble into the Pedestrian Circulation Generators previously shown. Working within The Experimental Pottery Workshop, my peers and I were given the opportunity to collaborate with local ceramicists to gain insight on the limitations and opportunities of ceramics, both in its material and production processes. We were taught to make molds and to slip-cast for production. While in the studio, an interesting phenomenon was witnessed. Even though different languages were spoken between the craftsmen and me, a dialogue was able to be established through the manipulation of a material. Once this communication was established my designs were modified based upon newly acquired production skills, and similarly, the production methods changed to fit the design.

    6.1JINGDEZHEN CERAMICS STUDIO:

    Experimental Pottery Workshop Residency:Jingdezhen, China

  • SLIP CAST MOLD

    CERAMIC MODULE

  • DESCRIPTION:

    Material Exploration 8 x 8 CMU Block Nylon Truck Straps

    OBJECTIVE:

    This material study of 8 CMU block sought to find a way to combine traditional Centering techniques of building an arch with new ways in which we understand curvature through computation. The weight of the brick was utilized as a post-tensioning force and nylon strapping was woven within the block to control the curvature and gain structure. Loosening or tightening the nylon weave produced different degrees of curvature once the blocks were erected. The structure is first laid out flat on the ground, and once the straps are woven, it is rolled vertically to create the shape seen. Once erected, the product is structurally self supporting.

    PARTNERS: Alex Clement, Sara Patterson, Michael Prince

    7reTHINKING THE ARCHMATERIAL EXPLORATION

  • DESCRIPTION:

    Wine Rack: MDF Jig Vinyl Records CNC Machining Metal Srewposts

    OBJECTIVE:

    The four years of working as a Fabrication Lab Supervisor and Teaching Assistant at RPI has provided many valuable skills and design techniques that take advantage of traditional and contemporary fabrication processes. Using vinyl records as a material for furniture provided an interesting challenge. Vinyl records hold a sense of nostalgia, bookmarking memories for many people. Generating a Wine Rack from these vinyls creates a piece of furniture that can be targeted at different generations of customers based upon the records used. Making sure to preserve the label, multiple studies were conducted to give the ordinarily brittle vinyl material enough flexure to expand and contract as wine bottles are slid between the modules. A jig was created to hold the records in place as a module was cut out of them with a CNC Router. The modules shape, and the amount of material removed through additional cuts provided the required flexure. The final height and shape of the wine rack is dependent upon the wine collection it holds. Starting out flat packed, the furniture piece grows as one adds more bottles of wine. Vinyl is also completely recyclable, all scrap is able to be re-melted and made into new records for use by a new generation of music makers.

    8VINTAGE WINE RACKFURNITURE DESIGN

  • PLEASURE GARDEN:

    Studio THEMPS1 / Museum of Modern ArtYoung Architects Prog. Competition9

  • DESIGN TEAM:Gustavo Crembil (THEM, Principal)Peter Lynch (THEM, Principal)Mikolaj Skoska (Artist)Victor Barbalato (Design Assistant)

    DESCRIPTION:

    The Museum of Modern Art and PS1 Contemporary Art Center jointly sponsor the annual Young Architects Program. Every year five young architecture firms are invited to propose a temporary installation to provide shade, water features, and resting areas for summer visitors to PS1: the winning proposal is built. Now in its ninth year, the program has become an important venue for emerging architectural studios. In 2008 THEM proposed a Pleasure Garden, a place where sweaty urbanites, eager for Nature, could find shelter under a grove of hand-woven flower-shaped canopies, sunbathe in a romantic meadow, or meet in a misty grotto. (Excerpt with permission from: StudioTHEM Portfolio, http://www.studiothem.com)

    Individual responsibilities included: Module Design, Mold Fabrication and Prototyping of Soil-Cement Seating Module; 3D Computer Modeling, 2D Documentation, Physical Modeling

    Ink Block Rendering, Peter Lynch

  • This proposal explores craft in the age of globalization. A low-income community in rural Argentina agreed to hand-weave curving palm bands for flower-shaped canopies in the main courtyard. A non-profit community group offered to work with at-risk high school students to manufacture a soil-cement block for landscaping, benches, andcounters. An independent ceramics manufacturer in Jingdezhen China was contacted to produce glazed, slip-cast blocks for the water grotto. Ideas and benefits would flow in both directions. Foreign producers would be paid fairly, and the project would offer participants a chance to expand beyond their traditional venues.

    (Excerpt with permission from: StudioTHEM Portfolio, http://www.studiothem.com)

    THE GROTTO

    Lynch & Crembil [THEM], No Resistance

    Lynch & Crembil [THEM], No Resistance

  • SOIL-CEMENT BLOCKS ARGENTINE WEAVERS

    Lynch & Crembil [THEM], No Resistance (Photo by Alejandro Romanutti)

  • NL HOUSEDutch Design Week 2009: Ceramics & Architecture Exhibition

    Studio THEMCombined Residence Program: Crembil and Noten10

    DESIGN TEAM:Gustavo Crembil (THEM, Principal)Ted Noten (Ted Noten, Principal)

    Victor Barbalato (Design Assistant)

    DESCRIPTION:

    DDW Program 2009: Ceramics & Architecture. European Ceramic Work CentreOctober 17-25; http://www.dutchdesignweek.nl/ddw//event2.php?lang=en&id=1036

    The exhibition Ceramics & Architecture shows how exciting ceramics in architecture can be. The international exhibition is the conclusion of a five-year project of the Europees Keramisch Werkcentrum (.ekwc/European Ceramic Work Centre). A knowledge and international work place in the field of ceramics, .ekwc offers artists and designers an inspiring environment. With the exhibition, .ekwc aims to connect design, architecture, and visual art and raise these disciplines to a higher international level. In work periods of three months, architects, artists and designers from home and abroad have been able to experiment with all kinds of ceramics. This has led to surprising and interesting projects and collaborations ranging from artists who delivered an architectural project to architects who engaged in visual arts. A must for any lover of architecture, art, and design!

    Brick & Combined Residencies:The project Ceramics & Architecture consists of two parts; Brick & Combined Residencies. Brick is mainly focused on tangible results. The ceramic skin of the building is of central importance; participants have drawn inspiration from the most natural building material our country knows: brick. Combined Residencies is more focused on establishing a cross-fertilisation between the various disciplines. It shows that cooperation between architects, designers, and artists from the initial stages has a positive effect on the interaction within the creative process. The works that the more than 60 architects, artists and designers have developed in recent years, are exhibited in two locations: the Klokgebouw and the Faculty of Architecture at the Eindhoven University of Technology (TU/e). The grand finale of the five-year project is the publication of a book about all the projects, supplemented by extensive background information and essays that illuminate the subject from different angles.

    Individual responsibilities included: Schematic Design, 3D modeling, Context Renderings, Plans, Sections, Exploded Axonometric

  • Conceptual Model: Crembil and NotenEuropean Ceramic Work Centre

  • GROUND FLOOR

    FIRST FLOOR

    OBSERVATION DECK 1

    OBSERVATION DECK 2

    CONTEXT 1 RENDERING

  • MAIN STRUCTURE FACADE

    CONTEXT 2 RENDERING

  • SKIN INTERIOR SPACESMAIN STRUCTURE(DOUBLE SKIN)

  • Victor Barbalato [email protected]

    Current Address:Slovenska Cesta 9aLjubljana, SI-1000

    Slovenia

    Alternate Address:701 Williamsburg DrMahopac, NY 10541

    United States of America