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Janata, P., & Paroo, K. (2006). Acuity of Auditory Images in Pitch and Time. Perception & Psychophysics, 68(5), 829-844
Janata, P., & Paroo, K. (2006). Acuity of Auditory Images in Pitch and Time. Perception & Psychophysics, 68(5), 829-844
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Janata, P., Birk, J. L., Van Horn, J. D., Leman, M., Tillmann, B., & Bharucha, J. J. (2002). the Cortical Topography of Tonal Structures Underlying Western Music. Science, 298(5601),
Janata, P., Birk, J. L., Van Horn, J. D., Leman, M., Tillmann, B., & Bharucha, J. J. (2002). the Cortical Topography of Tonal Structures Underlying Western Music. Science, 298(5601),
213 views
Janata, P., Tillmann, B., & Bharucha, J. J. (2002). Listening to Polyphonic Music Recruits Domain-general Attention and Working Memory Circuits. Cognitive, Affective, & Behavioral
Janata, P., Tillmann, B., & Bharucha, J. J. (2002). Listening to Polyphonic Music Recruits Domain-general Attention and Working Memory Circuits. Cognitive, Affective, & Behavioral
242 views
Jackendoff, R., & Lerdahl, F. (1979). Discovery Procedures vs. Rules of Musical Grammar in a Generative Music Theory. Perspectives of New Music, 18(1:2), 503-510
Jackendoff, R., & Lerdahl, F. (1979). Discovery Procedures vs. Rules of Musical Grammar in a Generative Music Theory. Perspectives of New Music, 18(1:2), 503-510
219 views
Jackendoff, R., & Lerdahl, F. (1981). Generative Music Theory and Its Relation to Psychology. Journal of Music Theory, 25(1), 45-90
Jackendoff, R., & Lerdahl, F. (1981). Generative Music Theory and Its Relation to Psychology. Journal of Music Theory, 25(1), 45-90
220 views
Janata, P. (2001). Brain Electrical Activity Evoked by Mental Formation of Auditory Expectations and Images. Brain Topography, 13(3), 169-193
Janata, P. (2001). Brain Electrical Activity Evoked by Mental Formation of Auditory Expectations and Images. Brain Topography, 13(3), 169-193
215 views
Heuser, F. (2008). Encouraging Change. Incorporating Aural and Informal Learning Processes in an Introductory Music Education Course. Visions of Research in Music Education, 12(1)
Heuser, F. (2008). Encouraging Change. Incorporating Aural and Informal Learning Processes in an Introductory Music Education Course. Visions of Research in Music Education, 12(1)
215 views
Highben, Z., & Palmer, C. (2004). Effects of Auditory and Motor Mental Practice in Memorized Piano Performance. Bulletin of the Council for Research in Music Education, 58-65
Highben, Z., & Palmer, C. (2004). Effects of Auditory and Motor Mental Practice in Memorized Piano Performance. Bulletin of the Council for Research in Music Education, 58-65
215 views
Holleran, S., Jones, M. R., & Butler, D. (1995). Perceiving Implied Harmony- The Influence of Melodic and Harmonic Context. JOURNAL of EXPERIMENTAL PSYCHOLOGY LEARNING MEMORY and COGNITION,
Holleran, S., Jones, M. R., & Butler, D. (1995). Perceiving Implied Harmony- The Influence of Melodic and Harmonic Context. JOURNAL of EXPERIMENTAL PSYCHOLOGY LEARNING MEMORY and COGNITION,
215 views
Holmes, A. v. (2009). Effect of Fixed-do and Movable-do Solfege Instruction on the Development of Sight-singing Skills in 7-And 8-Year-old Children (Doctoral Dissertation, University
Holmes, A. v. (2009). Effect of Fixed-do and Movable-do Solfege Instruction on the Development of Sight-singing Skills in 7-And 8-Year-old Children (Doctoral Dissertation, University
215 views
Hommel, B. (1996). the Cognitive Representation of Action- Automatic Integration of Perceived Action Effects. Psychological Research, 59(3), 176-186
Hommel, B. (1996). the Cognitive Representation of Action- Automatic Integration of Perceived Action Effects. Psychological Research, 59(3), 176-186
221 views
Hubbard, T. L. (1996). Synesthesia-Like Mappings of Lightness, Pitch, And Melodic Interval. the American Journal of Psychology, 219-238
Hubbard, T. L. (1996). Synesthesia-Like Mappings of Lightness, Pitch, And Melodic Interval. the American Journal of Psychology, 219-238
219 views
Hubbard, T. L. (1996). the Importance of a Consideration of Qualia to Imagery and Cognition. Consciousness and Cognition, 5(3), 327-358
Hubbard, T. L. (1996). the Importance of a Consideration of Qualia to Imagery and Cognition. Consciousness and Cognition, 5(3), 327-358
216 views
Hubbard, T. L. (2010). Auditory Imagery- Empirical Findings. Psychological Bulletin, 136(2), 302-329
Hubbard, T. L. (2010). Auditory Imagery- Empirical Findings. Psychological Bulletin, 136(2), 302-329
219 views
Hubbard, T. L., & Stoeckig, K. (1988). Musical Imagery. Generation of Tones and Chords. Journal of Experimental Psychology Learning, Memory, And Cognition, 14(4), 656-667
Hubbard, T. L., & Stoeckig, K. (1988). Musical Imagery. Generation of Tones and Chords. Journal of Experimental Psychology Learning, Memory, And Cognition, 14(4), 656-667
214 views
Ilomäki, L. (2011). In Search of Musicianship. A Practitioner-research Project on Pianist's Aural-skills Education. Sibelius Academy
Ilomäki, L. (2011). In Search of Musicianship. A Practitioner-research Project on Pianist's Aural-skills Education. Sibelius Academy
215 views
Intons-Pererson, M. J. (1980). the Role of Loudness in Auditory Imagery. Memory & Cognition, 8(5), 385-393
Intons-Pererson, M. J. (1980). the Role of Loudness in Auditory Imagery. Memory & Cognition, 8(5), 385-393
220 views
Izmirli, O. (2005). an Algorithm for Audio Key Finding. Extended Abstracts of the 1st Annual Music Information Retrieval Evaluation eXchange (London, UK)
Izmirli, O. (2005). an Algorithm for Audio Key Finding. Extended Abstracts of the 1st Annual Music Information Retrieval Evaluation eXchange (London, UK)
216 views
Jackendoff, R. (2009). Parallels and Nonparallels Between Language and Music. Music Perception, 26(3), 195-204
Jackendoff, R. (2009). Parallels and Nonparallels Between Language and Music. Music Perception, 26(3), 195-204
219 views
Hannon, E. E., Snyder, J. S., Eerola, T., & Krumhansl, C. L. (2004). the Role of Melodic and Temporal Cues in Perceiving Musical Meter. JOURNAL of EXPERIMENTAL PSYCHOLOGY HUMAN PERCEPTION
Hannon, E. E., Snyder, J. S., Eerola, T., & Krumhansl, C. L. (2004). the Role of Melodic and Temporal Cues in Perceiving Musical Meter. JOURNAL of EXPERIMENTAL PSYCHOLOGY HUMAN PERCEPTION
217 views