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1984 Ol4mpic Trials Issue

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1984 Ol4mpic Trials Issue

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Official Magazine of the United States Gymnastics Federation

July/August 1984 VOL. 13, No.4

Cover story: The many athletes realize

dream come true, a berth on the Olympic Team, were recently in Jacksonville, Fl and Atlantic City, NJ With much pagentry and great gymnastics, the United States assembled its strongest teams ever.

Olympic Trials, where a held

7 USGF Editorial By Mike Jacki 8-9 A Touch of Brass By Stu Stuller

10-11 National Office News 13-28 Olympic Trials Men and Women By Ward Black 19-20 Men's Team Quotes

21 A Talk with Abie Grossfeld By Mike Botkin 27-28 Women's Team Quotes

29 Don Peters Interview By Mike Botkin 30-32 Rhythmic Olympic Trials By Mike Botkin 33-34 VaL Michelle and Lydia By Mike Botkin

35 AlIa Svirsky, Olympic Coach By Mike Botkin 38-39 Vogelaar's Music

45 Vidal Sassoon

On the cover The scenes of the Trials

1Il=Z"~·( USGF photos © 1984 Dave Black 1984 OIynpes QQ9

"Official supplit:r of photographic and magnetic pro<luL1s and services to [he

United Slates Gymnastics Federatio n MEMBERS: Am~Ht:lIr Ath lc:ti l: Union; American Sokol Organiz:llion:

Amerkan TurntOrs: Association for Inlercolkgiate Athktil'S for \'('omen: National As. ... ociat ion for Girls 311U \,< lonlC.:n~ Sports: Nat ional As."iociation of CCllkgt' G~1nn aslil"s ( :oachc:s: National A~ .. ()(,:ia(ion ofColkgialt' G)llm:l..,til..'s CO;I(. __ hc:~/\X '()mt'n : Na tional Ass<><.:ialion of Imercolkgialt: Athklin: Nal ion;t1 As."oci ;lIion of \'\ 'om<:11 (;~11111astics JUl.lgt'S: Nat ional Colkgiate Alhktk A"isocial ion: Nat ional Fnlnation of Slate High School As."iociat ions; Nat ional C~mnastk~ Jll(..Ige~ A:;"'iol:iation; National High 5(.'huol Gymna'itics C.oache~ A~s(lCiation ; N:lIionaIJ t'\vish Wt'lfa re Board: N:uionaIJunior ColkgeAthlt.:tit' A ..... ;ol:iation: ni tnl Stalt's Associat ion of Indepc.:ndt'nt (j}11111astks Cluhs: L 'nil t 'd St:IIl:'S (j~mn:l..;tk~ Safety A~soc i :nion: Young Men's Christian AS!'><Il:i :uil>O. Elite Coachl:'s Association

Unless expressly idcmifled 10 thl:' contrary. all articles. Sta(emt· nt~ ;md views printnl herein arc.: anrihulahk sok ly to tht· author and t lit' linited State~ G~l1m:l"itics Fc.:<.it'ration t'xpreS~t'S no opinion thert'on :Uld :l"iSllnlt.'~ no responsjhili~' £heret)f.

USA Gymnastics

United StatL"; Gymnastics Federation and USA Gymnastic, magazine,"

USA Gymnastics Puhlishl:'r: Mikl:' Jacki. Execllti\'l:' Dirl:'ctor lJSGF; Cunsu lting Editor: Rich Kenney, USCF Oirt'ClOr of Co mmunic Hions: i\<f:\rkc:ting: Managing Edit orl Advert ising Di rector; Debhit' Forsten: Artist / Photographer: Dave Black, Production Dirl:'ctor/ Edi tor: Mike Botkin.

lSGF GYMNASTICS is printed bi ·momhly br the United Slates Gymnastics Federation. Subscription rates for 6 issues are: USA-$12; Canada-$14 (US c UlTency) and forelgn- $32 (US currency, air mail), Single cOPl' prietO is S2.00. Copyright © 1984 by USGF, All rights reserved. Printed in C.SA. Merchants Plaza. Suite 11 44E. 101 West Washington St ., Indianapolis, Indiana 46204. No responsibility is :l"iSlIrncd fo r loss or damage 10 unsolicited manuscripts or artwork. All editori al contributions shou ld be accomp:micd hy sclf·addrl:'ssed stamped envelopes.

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July/August 1984

UNITED STATES GYMNASTICS FEDERATION

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6 USA Gymnastics

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USGI= SDITORIAL July/August 1984

An Olympian: To Be Or Not To Be

T his summer will be one of discussion, debate, controversy and opinion. We will look back on the past four years and decide what we did right and what we did wrong. Hopeti.llly, we will evaluate this

period accurately and make even better decisions for our ti.lture.

One topic of great discussion is our team selection process. Everyone has their own opinion. Coaches, judges, athletes and even parents cast judgement on the selection process. The issue that is the basis of the debate is a simple one; Can you select the vel)' best team fairly? Another point is what is more important, being perfectly fair or making sure that the best team is represented on the floor' It is perhaps impossible to satisfy both questions.

In the recent Olympic Gymnastic Trials our men 's ;U1d women's teams used two very different selection procedures. TIle men did not allow any petitions onto the team. The top six men are the Olympic Team. The women could allm.\' petitions.

It is interesting to think of the potential consequences. Mitch Gaylord had a bll in the last event of the Trials. If Mitch had not been able to finish his exercise, he would not have made the Olympic Team' The men's procedures would not allow it. Recently one of the world's best pole vaulters failed to make the USA team due to a "bad day" at the Track and Field Olympic Trials. Was that fair? Perhaps a better question is was that best for the USA Team?

In 1972 Cathy Rigby was placed on the Olympic Te;U1l when she was unable to finish her last event in the Trials due to an injul)'. She was our best gymnast. Did she deserve a place on the Team? In 1976 Peter Kormann was actually our men 's team alternate, the coach decided that Peter deserved to work and he replaced another athlete and gave Peter a place on the team. Peter became our first Olympic medal winner in 40 years! Was this fair? It obviously was a good decision'

In 1979 we selected our women's team a number of months before the World Championships. The girls were out of shape at the World Championships, we had five f;LlIs on beam and we counted about 17 missed exercises. In 1981 we first used the delayed selection procedure. We used it again in 1983. Our performances were much better and we had no falls on beam and hardly any missed routines

There are m;U1Y countries that select their final sLx competitors just hours before the actual competition. The idea is to pick those athletes that are at their very peak of perform;U1ce. Perhaps it is not fair , but it is effective.

The bottom line to the selection procedure is the team 's performance. If the team does well , the procedure is excepted. If the team does poorly, the selection procedure is blamed. I am of the opinion that neither point is valid. We could have a Trials and select the top six to compete. The Trials could be held just a week before the competition in question . This perhaps would eliminate the time that an athlete would get out of shape or lose the competitive edge. TIle opposite alternative is to not have a Trials competition at all. Maybe we could take the top 15 athletes and select an impartial group of coaches, judges and officials who would select the six member team the day before the event. It would be interesting if the athletes selected in these two vel)' different ways would be the same ..

USA Gymnastics

Our responsibility is a difficult one; to select our vel)' best team fairly. No matter how fair it appears on paper, circumstances always develop that put the process to the test. We sometimes tl)' to build in preventives. We want to protect our top athletes, however, the nature of athletic competition is surprise. We cannot create precautions for evel)' situation, but then again , should we?

What if Scott Hamilton fell in the Olympic Trials and did not make the team? What about Greg Lougannis, Edwin Moses or Mal)' Decker? Then again, ';vhat about the athletes that defeat those top contenders in the Trials. By tl)'ing to protect our potential medal winners are we discouraging the spirit of competition?

The purpose of this article is to show that there are truly two sides to this position. Obviously, as an athlete who finished sixth, the feelings will be diiferent from those of the athlete who finished seventh.

There are no easy solutions. However, some things can help. One is to make sure evel)'one knows well in adv;U1ce exactly how the selection procedure works. Also, the selection procedure should be based on the main objective-fielding the Yel)' best team. No matter what final procedure is selected, it must be based on performance. No one can rest on their past records. Sports ch;U1ge too rapidly. In addition, we never want to discourage the spirit of competition. The selection procedure cannot be an academic one. 111e encouragement should be one that forces the coach and athletes to spend time in the gym rather than spending ours deciphering mles. For in the end the most important thing is the athlete 's performance. Mike)acki Executive Director

Four Continents Championships in RSG

PreliminarY Competition-Individual and Group Preliminaries Thursday. October 25. 1984 - 7:30 pm Ticket prices Friday. October 26. 1984 - 7:30 pm $6 00 and $4 00 finals Competition - Individual and Group • Finals' Saturday. October 27.1984 - 1:30 pm $1.00 and $5.00

Information on purchaslns tickets will be available from the USGF after SePtember I Sf

Competition Hall-Market Square Arena. Indianapolis. Indiana

An official FIG Event hosted by the USGF Position Available

The USGF and the Rh yt hmic Gymnastics International Program Committee are now accepting applications for the positions of 2 Assistant Coaches and 1 manager for the Four Continents Training Camp at the US Olympic Training Center in Colorado Springs, CO and the Four Continents Competition in Indianapolis, IN . The entire time period extends from October 1-29 , 1984. The USGF will provide round trip air transportation, lodging and meals. Applicants should have experience in coaching at the national and international levels, and a thorough knowledge of Rhythmic Gymnastics. Letter of interest and resume must be received by the USGF by August 30, 1984. Please direct all correspondence to:

Becky Riti USGF Rhythmic Gymnastics National Proqram Coordinator 200 South Capitol Avenue 1 Hoosier Dome - Suite 110

Indianapolis, Indiana 46225

7

July/August 1984

By Stu Stuller Eugene,Oregon

A Ileged trampolinists, thought the coach. It was the mid­sixties, trampoline was still an NCAA event and the coach was returning from a meet in which his four trampolinists bounced off the tranlp like popcorn out of

a pan with no lid. Monday, the coach got an idea. Pushing the trampoline up against

the railing of the balcony. "I want four routines from each of you. " He growled at the four , who busied themselves looking over the railing at the floor more than 20 feet below.

Duly inspired, they each hit four solid routines. "Those were the safest routines you ever saw in your life," laughed Bill Meade.

Sometimes it takes a little brass to be a coach, to walk over to a gymnast who has just crashed in a big meet, tap him with your foot and say, "Get up, you're making me look bad." And it takes a great human being to get away with that kind of thing and still be respected by his gymnasts and competitors.

For 35 years, Bill Meade has been brassy enough to stay on top of competitive gymnastics and inspiration enough to be the trunkofa gymnastics tree that spreads across the entire country.

When Meade arrived at Southern Illinois in the fall of 1956, after coaching seven years at the University of North Carolina, he found a gym nil I of walk-ons who had never competed. The most experienced athlete was a 195 pound trampolinist/ diver/ pole vaulter nanled Roger Counsil. That takes care of the Indiana State branch. The least experienced was a skinny car freak.

"J'd like to go out for the team," he told the coach. "Well, what can you do?" Meade asked. "Oh, I'm pretty good on trampoline. I could do almost everything

on it in high school, except there's one thing I won't do. " "What's that?" "TIle back flip. " Right. But Meade persisted, strutting into the gym in a long brown

overcoat that gave his stocky form a bear-like appearance which only increased when he paused to scratch his back against the high bar cables. Meade pushed the team, demanding routines, tolerating little and tucking his lit Cigarette behind his ear like a pencil when he needed both hands for spotting. He also encouraged the skinny trampolinist.

Meade scheduled SIU's first meet against the most powerful team in the country, the University of Illinois with Don Tonry and Abie Grossfeld.

"Go for it , chicken s--t!" Not being a very timid fellow, Meade scheduled SIU's first meet

against the most powerful team in the country, the University of Illinois with Don Tonry and Abie Grossfeld. "I just figured that the only way we were going to get any better was to meet somebody better," explains Meade. "And we did. "

And they got stomped. But yes indeed, Bill Ballester did a back flip in the meet. There's the University of Oregon branch.

The Salukis lost the next seven meets before finally winning their last meet of the season. Meade worked thought the summer and fall , pulling kids out of P.E. classes, recruiting in the talent rich Chicago area and selling coffee from rusty GI cans to unsuspecting football fans to finance a trip to the Florida Christmas clinic.

8

"We were just getting started, so I couldn't get in much with the top kids," recalls Meade. "I had to go after the six through 10 kids and take it from there. Southern Illinois was a nice school. It was a good opportunity to get into some good competition. At that time, it was a little easier to get in academically than some other schools, so I got some kids that couldn't get into other colleges."

Meade's first blue-chip recruit was Fred Orlofsky, already a quality gymnast by the time he chose to go to SIU. "Bill likes to win. He's very dedicated and spends a lot of time in the gym helping you be the best you can be. I just through that it would be an ideal situation for me."

Standing ulldaunted against lime. the Coach bas been (/ 111a)01' illfluence UII gYlllllastics ill A llletica. (lfSGFplxlt() © 1984 Da{)e Black).

USA Gymnastics

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July/August 1984 But not the easiest perhaps. "I always believed in an autocratic

democracy," laughs Meade. "We didn't take too many votes on how we were going to do things."

Orlofsky: "I can remember some Sunday morning practices he'd lock the door on you if you weren't there on time. He'd take meal tickets away from people so they couldn 't eat. I mean that didn 't happen all the time, but you learned that he was there on time, so you better be there on time too."

lllat was the Western Michigan branch by the way. With Orlofsky, a 1960 Olympian , Bruno Klaus (East

Stroudsbourg branch) and a double back tumbler from California n;mled Rusty Mitchell (New Mexico branch) , Meade built a team that cleaned house on an entire decade in the sanle way Gene Wettstone's Penn State teams dominated the forties.

Meade and teammate Hal Frey came from that Penn State tradition. "We won the national AAU chanlpionships in 1943," says Meade. "And then when we got back from the service, we won the national cOllegiate championship in 1947.

"We were doing consecutive handspring fronts and double ti.IlI twists on two inches of canvas covered horse hair mats." llle kind of mats that at best keep you from bleeding if you crash.

From 1962 through 1967, SIU didn 't lose a meet , a time Hutch Dvorak refers to as the "golden era."

"He's the reason I'm still coaching," says Dvorak, a comment his Saluki compadres echoed. "Bill 's strict discipline brought us together. We had a lot of guys on the team who had wild hairs and guys who were pretty conservative. We all had the same rules, but he treated us individually. We got the feeling that this is a lot Ofti.lI1, something we could take pride in. It was a constructive thing for us when we really had nothing else in our lives but gymnastics."

Undaunted and still sitting, Morava straightened his toes and raised his arms as if he'd just nailed the vault cold. Even the judges laughed.

"Well, that's it ," says Meade. "You want to have fun in the gym. Find the kids that want to be good and go from there. You just have to show them that you really care about what they are doing and that they are getting better and have a good atmosphere where they can see that they are progressing.

The pressure was still on to win, but a little more subtle than holding meal tickets. Fred Dennis, one of more than 20 Illinois high school coaches taught by Meade, explains. "l1lere were a lot of good gymnasts. Everybody had to work just to survive. He'd just scratch his chin and say, 'I wonder who I'll take to Tucson this week.'"

With Tom Lindner, the winning continued into the seventies. No more selling coffee at football games. Money was easier to come by. The SIU athletic department budgeted roughly S 15,000 for Meade's 1972 season. He spent 535,000 and won the NCAA championships. The athletic department paid the S35,000.

With 200 people in each event the 1973 Midwest Open was an easy place for a gymnast to get lost in a crowd of t-shirts. But one group of athletes stood out. Their t-shirts said nothing, just a transfered photo of a fellow with a round face, receding hairline and a grin on his face like he'd just smoked his athletic department for a lot of money. A whole team nlll oft-shirts with that face right up front.

At the end of the vaulting runway stood Gary Morava, the brightest gymnastics star in the country. Seated in a folding chair directly at the end of the vault ing l;mding mats was the fellow with the face on Morava's t-shirt.

Morava ran, launch into his vault, a handspring front which he opened early and landed flat on his butt not five feet in front of the guy with the round face.

USA Gymnastics

Undaunted and still Sitting, Morava straightened his legs pointed his toes and raised his arms as if he'd just nailed the vault cold. Even the judges laughed.

Also undaunted the guy in the chair didn't even bother to uncross his anns as he raised his index finger signalling Morava to take another vault.

Morava stuck the next one. Tragically, Gary Morava died in a gym accident the following year

and Southern Illinois suffered. "We had been on top for a long time," says Meade, "l1len I losl Gary and that. It got me in kind of a downspell and we weren't in the top teams."

Despite the downspell , SIU kept turning out good individual gymnasts, Jim Ivecek, Glen Tidwell , Danny Menz, Rick Adams and most recently Brian Babcock. Then last year the Salukis were back in the top 10.

It's difficult to decide if Bill Meade is better at developing gymnasts or coaches. Five former Salukis have coached teams to the top lOin the NCAA's; Counsil, Ballester Dvorak, Mitchell and Chuck Erlich (Northern Illinois branch).

"He's treated me like an equal as a coach right from the start ," says Dvorak. "It's just nll1 when we compete against him."

Oh yeall, Hutch is the Houston Baptist branch. And just what does Brian Babcock want to do with his nlture? "I want to be a college coach." It was not a very big plane. Barely big enough to hold the

gymnastics team flying home from a meet. Up front sat the pilot and the coach who had done a fair bit of flying himself and just persuaded the pilot to let him land the plane. Just as the plane was about to touch down on the runway, a gust of wind blew the plane sideways over the grass not the concrete.

llle gymnasts turned white as the plane bounced and rolled to a stop in the grass. No one said a word. But up front they could hear their coach, chuckling comfortably.

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, _ _ ____________ July/ August 1984 _ _____________ ,

NATIONAL OI=I=ICIS NISWS

UPDATE ON TECHNICAL MATERIALS 'The USG F will print furth e r u pd a tes o n

ava ila bility of a ll texts, music and YHS casse ttes in USA Gymnastics.

MEN'S ARTlSTlCS GYMNASTI CS The Men's Program is ma king eve ry effo rt to use

the new FIG Code of Points for the 1984-85 co m pe titi ve season. Howeve r, since the new Code o f Points wi ll not be available until the last qua rter o f thi s yea r, this decisio n has not been fir med .

The prelimina ry ve rsio n of the 1984-88 Men'sElite Compulsories has been transl ated and di stributed by the NGJA . The official versio n of the Men's Elite

Co mpul sories will be a va il a ble thr ough the USGF office in the las t q uarte r.

The 1984-88 Junior Ol ympic Age Group Com puis aries for Men have been co mpleted a nd are now availa ble. The GJA ce rt ifica tio n program for these com pulsories has a lso bee n co mpleted .

T he 1984-85 Men 's Program Guidelines and Coaching Manual is now ava ila ble thro ug h the US G F office.

WOMEN'S ARTISTI C GYMNASTICS The Wo men's Elite Progra m 0 111.1' will use the new

FIG Code of Points fo r the 1984-85 co mpetiti ve

WOMEN MORE POPULAR THAN MEN IN OLYMPICS SURVEY

The survey, co nducted by the inte rnati o na l public re la ti o ns firm of Manning, Selvage & Lee a mong a cross­secti o n o f adults in seve n metro polita n areas coast-t o­coast, as ked the questi o n, " If you were limited to watching one event , and one event onl y, in the 1984 Olympics, which event would that be?" Male respondents chose women's gymnastics by a slight margin in a widely

assorted field with basketball as runner-up. But women, who made up 46.3 percent of the audience surveyed, voted 80 .6 percent for women's gymnastics, giving that event an overall vote of 47.2 percent. The balance was spread O"er more than two dozen other sports, with basketball, the decathlon and men's di ving ranking next in popularity.

season. The new Code of Points will not be ava ila ble until the las t q ua rt er of thi s yea r. The Wo me n' s Age Gro up P rog ra m will utili ze the 1980-84 (o ld ) F IG Code of Poi nt s for the com petit ive season.

T he pre limina ry ve rsio n of the Wo men's Elite Com pulsories has bee n translated and distr ibuted. The o ffic ia l ve rsio n of the 1984-88 Women's Elite Compulsories will be avail able through the USG F office in the las t q uarte r.

The 1980-84 Age Group Compulsories will be used fo r the Wo men 's 1984-85 Age G roup com pe titi ve season.

The 1984-85 Women's Rules and Policies a re now available thro ugh the USGF office.

RHYTHMIC GYMNASTICS The fo ll owing tec hnical mate rials will be used fo r

the 198 4-85 co mpetiti ve season, a nd are currently ava ila ble thro ug h the USGF office:

FIG Code of Points for Rhythmic Sportive Gymnastics 1984-88 Rhythmic Class II and C lass III Compulsory Manual 1984-85 Rhythmic Rules and Po licies and Operating Code

Champions All Compete In London By Hal Frey and Mark Lee

Th e co mpetition was di vided int o two groups fo r bo th the m en a nd women competit o rs and the re was rota ti on within groups. The ro ta tio n was co nfu sing to us since our athletes did not ha ve good position in a ny event. Th ere were approx imately 7500 specta tors fo r the competition and they were quit e reserved throughout.

MEN 'S COMPETITION Floo r exe rcise co mpetition was strong with a ll

using a d ouble la yout or a d o uble back so mersa ult with a full twi st for a mount. All had small brea ks and errors with small hand touches. The sco res were gro uped together quite closely. Beherend of DDR and Houtov of Bulgaria tied forfirst with a 9 .35 . Bill y Paul. USA , missed his press and settled fo r a 9.25.

In po mmel ho rse the competit ors a ppea red to settle do wn as each was able to successfull y co mplete their exe rcise without a major erro r. Min Lu of C hina placed f irst with a fin e routine scoring 9 .50 . The routine s were a ll difficult and ma ny had handstands in the middle with piroutettes. Billy Pa ul had a n excellent ro utine with multiple C's and received a lo w 9.0 for his work . It appeared that all competit ors were underscored by .4 per gymnast.

Th e rings competition was good wi th strong routines by each competitor. Again the sco res were close for the competitors that were abl e to complete the ir routines successfully. Andrew Morris of Great Britain edged a strong fi eld to land a go ld meda l here . Billy Paul missed his delchev mount causing him to include an 8.8 score in hi s all-around total. There were severa l in verted crosses and triple fl yaways. The work was excellent but very little in the way of o riginalit y.

Th e vaulting b oa rd wa s e nti re ly woo d in construction . It was very li vely and used by men a nd women . The vault ing event was good with a varietyof vaults being used in the meet. Sa nchez of C uba did the m ost unu sua l a nd exciting vau lt executing a double side salt a to a fin e landing. He edged the other co mpetit ors by . 1. There we re seve ra l layo ut tsukha ras with full twist, piked ha nd spring fronts, and Atamasj of USSR attempted a layout d o uble front and came in short for a low sco re o f9 .15.

Parallel ba rs was a strong event for all competit ors. Everyone had strong C movements and there were

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severa l Heal y Turns in different co mbinati o ns. Sanchez of Cuba executed a "Bran-in" fliffu s di smount. A bit shaky but co mple ted . Billy Paul attempted a st ruehli w ith a Y2 twist to support but suffered an inte rmedia te swi ng fo r a 9.25. This event showed some signs of new elements.

Hori zo ntal ba r was exci t ing with man y re leases a nd one a rm giant swin gs. Th ere were seve ra l triple fl yaways. Min Lu of Chi na had a n exciting exerc ise with seveal high re leases and o ne a rm gia nt swings but suffered an intermedia te swing fo r a low 9.25 . Bill y Paul was up ea rly in the eve nt and executed a strong routine with two re leases and a great tucked triple fl yaway. His 9.55 tied Ata masj of the So viet U nion for the gold . Beherend of DDR had an excellent routin e with good releases for a low 9 .35 .

The field of competit ors was quite strong in all around . Atamasj of USSR is ranked in the top 10 in hi s country. Andrew M orri s of Great Britain is national champion , M origuchi of Ja pan is on their Olympic tea m. Lu Min of China is on their Ol ympic team , Hout ov of Bulga ria is a n Olympic team member. Sanchez of Cuba a nd Billy Paul co mpeted in the Pan American Games. Th e scoring was lo w and the compet itors were g rouped cl ose ly together. Th e winning score in all aro und was 1.20 high er tha n the last position . Ata masj edged Andrew Morris for the gold medal. M orri s was not spectacula r but he completed his six routines witho ut maj o r error . Tied for third pos ition were H out ov o f Bulgaria . Morlguchi of Japan . and Sanchez of Cuba .

Women's Competition B. Stoyan ova of Bulgaria , current world vaulting

champion in Bude pest. squea ked out a vict ory ove r 12-year-o ld Missy Marlowe o f the USA sco ring 9 .75 with a layout T suka hara with full twis t. Ma rlowe executed a tucked Tsukhara with a full twis t fo r a 9.70 a nd second place. Harrison of Grea t Brita in placed third with a layout Tsu kha ra . Lisa Yo ung of G rea t Brita in used the onl y hand sp ring front fo r a 9 .35 .

In the uneven para llel ba rs Stoya nova introd uced a Hea ly twirl to a n eag le grip a nd then a st raddle back ove r the lo w ba r. The move was nice but she caught her heal go ing over the low bar a nd she had a hard time reco ve ring . She sco red 9.3. Schifferdecker of DDR did a meticulo us bar routine. It featured a giant swing, a full pirouette a nd a fin e sco re of 9 .8. Marlowe fo llowed in seco nd place with a 9 .65 . Her

bar routine fea tured a ca st to handstand . roll to eagle grip . follo wed by a Jaege~ somersault whi ch brought severa l "ooh's" a nd "aa hs" from the large a udience . By thi s time tin y Mi ssy was beco ming a c rowd fa vorite and a real threat to win the a ll -a round . Lisa Yo ung was third with a clean routine and a 9.45 sco re.

Ba la nce bea m wen t to the Britain s. The favorite daught er Lisa You ng and S toya nova of Bulga ria both tied a t 9 .5. Both ex hibited immacu la te dance a nd d ifficult tumbl ing . Stoya nova land ed a perfect flick flack layout and Yo ung nailed a bea utiful roundoff fli ck fla ck . Stoya nova ca pped a brillia nt routine with a go rgeo us do uble back d ismount. Chri stine Mc Donald of Ca nada fini shed third o n the bea m with a very co mpetiti ve routine and 9 .3 sco re . Marlowe sho wed her ine xperience at the internti onal level and enco unte red some difficulties in thi s eve nt. She was the first competitor in the event and she fell from the beam on her roundo ff back handspring but was abl e to fini sh with a roundoff fli c k flack la yout a nd a back somersault with a d ouble twis t di smo unt. T . Guia of Cuba did a fin e rout ine for a 9. 1 sco re . Floo r exe rcise was ve ry exc iting as each co mpe tit or executed a t least one d o ubl e back and sometimes two d ouble backs in each ro ut ine . Stoya nova of Bulgari a won the event mounting with a do uble so mersa ult with full twis t and co mpleting a st rong ro utine for a 9.65 sco re . Lisa Yo ung of Great Britain de li ghted the ho me crowd mountin g with a d ouble back and had nice dance in her ro utine and earned a 9.6 . C hri stine McD ona ld from Ca nada took third with a 9.4 sco re . Schiefferdeck er of DDR was the mos t powerful tumble r of the gro up but she over-ro tated her do uble back mo unt a nd t riple twist a nd sat d o wn o n bo th moves . Marl owe had sustained a min o r spra in in her ankle a nd under-rotated her do uble bac k with full twist. S he had a la rge deducti on here b ut completed her routine to sco re 9 .25.

In the all a round S toya nova of Bulga ria was the most consistent gymn as t a nd eas il y won . Lisa Youn g of G rea t Bri ta in a lso presen ted co nsisten t rout ines with s lightly lesser diffi cult y to place seco nd just ahead o f Mar lowe who had two maj o r errors in her exe rc ises. Both Ma rlo we of USA a nd Diefferdecker of DDR prese nted po werful exe rcises throughout the competiti on a nd were potential challengers for the gold in a ll ar ound . The lead changed constantl y as the co mpetit ors rota ted in the co mpetition .

USA Gymnastics

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. ______________ July/ August 1984 ____________ __ ,

Comraderie Special At Brother Cup By Norma B. Zabka

This is the Rhythmicjet setters ' even t of the year. It is a prestigious competition that gathers some of the finest rhythmic gym nasts of the world . Each year the Brother Cup competi tion is held in Tokyo and is followed by exhibitio ns in ot her Japanese c ities . This year the exhibition cities were Kagosh ima and Okayamo. The competition is fierce , but the comraderie between the representatives from each country , especiall Y during the exhibi tion period is very special. The Brother Corpo rati on, assisted by the Chunich i Press and Sasaki Sports make this possible . They provide international travel expense, meals. superior accomodations, awards, and gifts .

In mos t years, o ne gymnast and one a thlete is invited from selected countries . The Japanese always field four gymnasts. This year they invited a gymnast and an official from Canada, China , Czechoslovakia , France , Hungary, Korea , Switzerland , and the United States. Four gymnasts and one official were invited from the rhythmic powerhouse , Bulgaria . New Zealand's gymnast and offic ial came at thei r own expense . Maria Guigova (Bulgaria) was the FIG representative and meet referee . The offic ial s from each count ry were: Nechka Robeva (Bu lg .): Jutta Muller(Can.): Lun Shufen (Ch in a): Josette Belanger (FR .): Borbala Urvari (Hungary): Yong-Suk Jee ( Korea): Michelle Duncan (N .Z.): Henn y Dumke (RFA); Doris Sulter (SWill .. ) ; Vera Drabova (Czechosl.); and Yoshiko Kama (Japan) .

Michelle Berube was the invited gymnast from the U.S . In most instances. each competition trip provides the very necessary exposu re and interna ti ona l exper ience the gymnast s need. During these trips, however, practice time is not regular and ofte n minimal. the food is sometimes different than o ne is accustomed to, eating times and diet is less regu lar. and the comfort of one's home envi ronmen t

is forsaken. In the month and a half preceding thi s competit ion, Berube made two trips to Europe and competed in Weisbade n and Corbeil.

Generally, the sco res in this meet were generous. Side-stepping some of the rules made it difficult for the judges to remain as close and co nsi stent as is possible at a World Champi ons hips.

Discounting the scores , I came away from this meet knowing that Diliana Gueorguieva has no trou bl e confirming her World Champion title ; that Hiroko Ohtsuka (Japan) a nd Lori Fung(Canada)are the two most improved gymnasts, and that Michelle Berube shows the necessary difficulty, the excellent compos iti o n , the musical accompa niment tha t support s her work , and the performance personality that sells her routines. Her lea ps are exceptional and her amplitude and execution is su perb. She on ly lacks consistency of perfo rmance, the loss of equipment being the most notable.

Since the number of gymnasts were not too many, a short comment about each can be made. First , Diliana Gueorguieva is without peer. Apart from difficulty, the superb co mp os ition a nd music , she is a master of accent. Her head movements and focus are unique among gymnasts. She moves with an exact fury. Lili Ignalova is another Bulgarian who can make any spectator love the sport of rh ythmic gymnastics. However . ha ving seen her compete in severa l competitions. I would sa y that she looked tired . Perhaps, the disappointment of the non­participation in the Olympic Games was a factor. The other two Bulgarians, whose sco re did not cou nt for awa rd s in all around o r event final s. performed a nd made it quite evident that Bulgaria is well prepared for the future . Maja Taskova and Bianca Panova are yo ung co nt end ers. Bianca ce lebrated her 14th birthday during the com petition. At prese nt their st yle shows an increased em phasis on balance elements (many hi gh pirouette turn s) and extreme

Fifth Annual Cup of the City of Popes Overflows

By Brad Loan

The ci ty of the Popes, Avignon , France. proved to be a cultura ll y enlightening ex perience as well as enrichi ng in gymnastics. USA gymnasts Yumi Mordre and Kell y Garrison represe nted theircountry with aggressiveness and excitement eno ugh to reward them wi th a host of meda l and crowd addu lation .

The competition was full of top international competitors. Last year's all around winner was Romania's famed Szabo. This year 's line-up included numerous world team members from France. Czechoslovakia . Spain. Canada, Great Britain,ltaly, Belguim. USA and Romania 's two exciting gymnasts Aurelia Dobre and Roluca Bugner.

Romania's Roluca Bugner (37.85) was the all a round wi nner: second was France's Valerie Legall. (37 .80): third was USA's Yumi Mordre (37.60) and the USA's Ke lly Garrison was sixt h (37.0) . Both americans had mi stakes in prel imi naries which took away the all a round title . Romania's Aurelia Dobre who placed eighth wi th 36.7, had unfortunate errors which did not take away from the excitement created by thi s young gymnast.

Finals Madre nailed front salta and front with y, twist for

seco nd place silver medal. Garrison ad vances into ba r final s due to a st ratch and moves from ninth place to fourth with the second best routine of final s at 9 .55 .

Garrison and Madre attacked beam with Garrison receiving a well deserved 9. 7then added to her prelim score placed her with a third and a bronze medal. Madre touched on her double back dismount and received a respectable fourth o n beam .

USA Gymnastics

The final two Ooor exercise routines climaxed with Garrison mailing her Ooo r routine with beautiful exp ression and artistic exce llence . With a 9 .7 she was brought back ont o the Ooo r for a standing ovation. Madre Yumi followed with her Pan Am Games gold medal performance a nd smiles her way to a 9.6. The crowd also brought her back to the Ooor for more cheers. The Ooo r fini shd wit h Garrison moving to a tie for first place with Czechs' Dana Gaziova and Yumi up to third place bronze from prelims fifth.

Highligh ting the vaulting compet it ion was Spains' Maria Artigos well executed Quava and la you t suk ie . At bars. dominated by Romainian Aurelia Dobre and Roluca Bugner, they both put on a show of execution and amplitude . Dobre performed high Tacachev a nd Delehev with excellen t giants into above the bar double Oyaway. Bugner perfomed high above bar delehe v and exce llent d ouble Oyaway. Both received 9 .7 in prelim and 9.65 in finals. Dobre warmed up mens hi gh bar speed gia nts into full-in pike .

The two Romanians were Oawless on beam. Dobre did aerial cartwheel layout. nip flop la yout and nice tuck double back dismount 9 .7.

Bugner was clea n with Oip Oop layout, punch front, and double back dismount 9.6. The USA girls wit h a slight more co nsistancy would have challenged the top two positions .

Dana Gaziova, Czechoslovakia. performed Oip Oop layout, layout, and nice double back dismou nt , and back tuck immediate Oip Oop. Ga ziova was great on Ooor wi th double back through to la yout. double pike . and las t pass double tuck.

Oexibilit y show n in a great deal of slow back work and exceptionally high leg lifts . Atthis time , however, neither of the two young gymnasts show the maturity of ex press ion of Diliana or Lili . Neitherdo they catch the eq uipment with the beautifull y stretched arms. In addition ne ither girl includes more than the minimum number of leaps in so me routines . Hiroko YamaZJIki (Japan's # 1 gymnasts) gives her finest performance with the hoo p when all is performed well. She received her lowest score on thi s event because of a terrible loss. The Japanese share wit h us a certai n lack of consis tency. Erika Akiyama (Japan) displa ys a softness in her expression that is not usual in the Japa nese competitors . Her final pose in the ball routine is beautiful where she does a back bend while kneeling on one knee and extending the ot her leg up to a 180· lift.

Hiroko Ohtsuka (17 yrs. old) has shown great improvement over her appearance at our 1983 Invitational in Atlantic City. Her leaps are outstanding as she appears to remain suspended at their height. Agnes Benesina (Hungary) shows fantastically strong and beautiful leg work and she smartl y places a great deal of emphasis on leaps and leg lift s. Unfortuna tely her head is often carried low. Her music is an exa mple of how good music can appear to improve o ne's performance . Agnes was accom panied by Borba la Urva ri (officia l) who was refu sed the opport unit y to judge as she did not ha ve the necessary creden tial s. Lori Fung (Ca nada ) perfor med with great co nfidence . Her mature altitude works to her benefit. Lori has improved greatly over the Strasbourg World Champio nships. Since that time. she has spent time and studied rh ythmic gymnastics in Romania and Bulgaria . It ha s made a difference. Lori is a you ng lad y with well defined goa ls. Right now, she is aiming for a medal at the Olympic Games . Lori has good music , nice st retched catches . very creative routi nes , and needs only to work on exact balance and improved leaps. Libuse Mojzisova (Czechoslovakia) is a very prett y 17 yr. old Czechoslovaic National Champion .

Of a ll the gymnasts. Libuse ha s the most perfect music for her routines and the particu lar equip ment. The harmony of music and movement is an example of aest heti c exce llence. Grazia Verazaseoni (Switzerland) can be beaten by man y gymnasts in difficu lty and composition, but she never misses . Her Oawless performance and consistency pays off. Claudi Seharman, a very feminin e 18 yr. old , performs well and is aided by very strong music. Her uninteresting and fault y composition is her weakness. Tanya Moss (New Zealand) was a very happy girl when she heard in Tok yo that the New Zealand Olympic Committee had approved her entry into the Olympic Games. Generally. New Zealand requires that Olympic contenders be among the first 16 in the sport before they permit ent ry. Tanya has no t improved much over her performances at the 198 1 Four Continent s Championships in New Zealand. Her 11th place in this competition was correct. Bendiet Augst (France) is the finest French rhythmic gymnast I have eve r seen. Here is another examp le of where clean execution without too much strength in o ther areas is to her advantage. Xiurang Wang (China) reminds me of our rhythmic gymnastic pioneers of some years back . She is 25 years old and works pretty much o n her own. Her composition and music are prett y much stock. Inte restingly. she improved wit h each exhibition performance. Yong­Suk Choi (Korea) is an inexperienced gymnast in a you ng spo rt in Korea . Since the next Olympic Games will be held in Korea they are working to improve in numbers and quality in all sports. Finally, Michelle Berube , ou r super b U.S. rhythmic gymnast placed 10th all-a round a nd placed eight h in t he ball even t for which she received an award. Although most sco res were co rrect , her placement in the ball event could have been higher if o nl y the judges are no t inOuenced by the score received in the first performance . The very first performance in a competition and the first performance of a n event are crucial to sco ring well.

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TheUSGF redurei the risks, the rusts and ~ k. USGF Insurance Program

We are proud to introduce an entirely new insur­ance plan designed to meet the needs of today's modem gymnastics club. This new program provides the best available coverage at a cost based upon peak enrollment. There are no repon ing re-9uirements! The cost is $9.75 per student. And for ' tiny tots," a reduced rate of $5.60. Minimum total cost is $975.00 per club. All trial students and guest perfomlers are covered at no additional cost.

Club Membership Option For those clubs which enjoy individual member

benefits, we still offer the USGF Club Membership by enroll ing 1000;.. of the staff and students as USGF General Members at $9.00 each. All staff members and students receive full insurance coverage, plus a membership card and decal, a discount cert ificate for a subscription to USGF GYMNASTICS Magazine and special assistance in making discount travel arrangements.

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Liability and Medical Benefits The benefits for you, your staff and your mem­

bers include: • $1.000,000 comprehensive general liability

coverage • $~O, ()()(f excess medical coverage with $2~ de­

ductible ($100 deductible for pliysical therapy or chiropractic care)

• $10,000 accidental death and dismemberment coverage

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Join the Winning Team With Ihe USGF Insurance Program or the USGF

Gymnastics Club Membership Program, you 'll have the security and peace of mind for confident leach· ing or club operation.

For a ll the del ai ls on coverages, call or wri te:

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P.O. nox t7ROO' Snn Antnnio,1hns 7R217· ~1 2-1~ I-mI7' I -ROO·~1 1 · 722~ (Nntion"l) ·1 ·ROO-2'l2·~72 1 (1r.xns only) nny ly, Mnrtln & Fay/Snn Anlonio is Ihe only inslIrnncc ngoncy endorsod by US(;!:'

USA Gymnastics

I

Bart Conner

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USA To Field Strongest

Ol4mpic Squads Ever

By Ward Black

" ... PRESSURE . . "

''you have to learn 10 pace yourself, Pressure, You're just like everybody else, Pressure, You've only had 10 run so far, So good, but you will come 10 a place, where the only thing you feel are loaded guns in your flce and you'll have 10 deal with, Pressure ... Nowhere to look but inside where we all respond 10 Pressure .. . Pressure."

-Billy Joel (The Nylon Curtain)

If you watched these 1984 Olympic Team Trials on ABC-TV over the weekend of june 1-3, the faces of both Kathy johnson and Bart Conner in particular defined what kind of meet a "trials" can be. The Olympics and

World Championships are indeed the most prestigious of competitive events, but they do not contain the pressure of the Trials themselves ... To make the Team becomes more emotional than the major event itself. Most athletes agree: There is no meet like a Trials. Even for veteran performers, asjohnson and Conner, the camera captured emotions depicted in part in Billy Joel's lyrics about life.

Ironically,jacksonville, Florida·has hosted the Olympic Trials for gymnastics in the last two "boycotted" Olympic years of 1980 and 1984. However, the in-house environment for each meet was as different as night and day. By all accounts, the pressure at the 1984 Trials was intense-and rightfully so!

T/Je joys that come with making an Olympic Team. AiJo/)(! are members (from tbe le/t) (h,is Reigel,jim Mikus, Scott johnson, Bart Conner,jim Hartung, Tim Daggett. Micb Gaylord, and Peter Vidmar. (USGFphotos @ 1984lJalJe Black).

USA Gymnastics

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In 1980, all the Olympic athletes received was a placebo of patriotism on the lawn of the White House by PresidentJimmy Carter, but to make the U.S. Olympic Gymnastics Team in 1984 means nothing short of earning an Olympic medal for Team Competition! In the rainbow of these gymnastics Olympic Trials, waiting in that pot at the end are Olympic medals of gold, silver and bronze. Now, that's pressure.

What follows is an analysis of the 1984 U.S. Olympic Team Trials for Men and Women, side bars covering the scoring and previews of the competition at the Summer Games.

T he Men's Competition: Fortunately, the analysis of the Men's Olympic Trials was made quite easy . . . the best top six men finished in the top six slots, and in short, this team is the most competitive, most

experienced team the u.s. has ever fielded. In addition, the National Team depth is awesome compared to a decade ago (in the 1974 World Championship-Varna, Bulgaria-where the U.S. men placed eighth). The Junior National Age Group Program is continuing this international competitiveness producing quality gymnasts hungrily looking toward Seoul, South Korea in 1988. Everyone connected with the U.S. Men's Program-beginning gymnasts, coaches, judges, administrators, parents and all those developing the National Teanl should take pride in this Olympic Team and the International Program.

How can you measure international experience? This Olympic Teanl can post accolades that total: nine Olympic Teams, 16 World Championship Teams, four World University Games Teams, in excess of 16 Team-Dual International Meets; not to mention three bronze medalists and one gold medalist in Team and parallel bars from the 1979 Fort Worth World Championships and 35 years of experience on the Men's National Team. The team of Peter Vidmar, Mitch Gaylord, Tim Daggett, James Hartung, Scott Johnson and Bart Conner are wealthy indeed'

In the last five years, Vidmar has won three out of four USA Team Trials and once again in Jacksonville, Vidmar demonstrated why he has won more important competitions than any other-a strong, consistent and well-balanced set of compulsory and optional routines. He won both compulsory and optionals in Florida, scoring 11 7.850, .5 ahead of Daggett who aggressively established second place in the Trials. Gaylord with a perfect 10.0 on parallel bars and a fall on high bar averaged into third place in the Trials. Hartung re-established his trademark of strength and consistency matching his Championships of the USA score of 117.05 for a solid fourth poSition. Scoring a 58.7 in the optional session,johnson edged out Conner for the fifth spot in the Trials competition. (Since the scores were weighted with the Championships of the USA, held earlier this year in Evanston, Illinois, the final ranking juggled Gaylord and Daggett-and Conner and Johnson. See the individual scores on page 17 for complete score breakdown).

The competition on the Los Angeles podium amongst Japan , Chin.1 and USA, though missing the Russians, will be superb. With Li Ning, Koji Gushiken and Vidmar, each leading his team into a tight team competition. This USA boosts its finest team to date . .. experience, depth, strongly improved compulsories and optionals with difficulty, originality and consistency. A "home" Olympics is perhaps more advantageous to this U.S. Olympic squad than to any other. The advantage for UCLA's Vidmar, Gaylord and Daggett-the one, two, three Trials finishers-to compete at home in their college arena, Pauley Pavilion cannot be calculated and computed into the final USA team score average ... but in no way can it hurt.

The scoring procedures though complicated for the many sports fans, casual observers and the media, was devised to ensure the Olympic Team was selected in a fair and consistent manner while allowing for injuries and serious gamesmanship as in the example cases of the Phil Cahoy, Tom Beach and Conner petitions . . . but most importantly, the top six finished top six when all was said, done, calculated and printed.

USA Gymnastics

Tim Daggell pel/arms bis parallel bar routine during tbe 1984 O~)'mpic Trials injacksonville. Flu For bis efforts, tbe UCLA studen t placed tbird (USGF pboto © 1984 Dave Black).

Women's Competition: This issue of the magaZine will go to press in mid-July, and this analysis of the Olympic Trial results is due in Indianapolis by late June. I mention this only

because it remains a strong possibility that the final Olympic Team gymnasts could be radically different from those results at the Trials in Jacksonville.

Simply, the Trials are not really over ye t. After the U.S. Classic and Anlerican Classic, the Championships of the USA and the Olympic Trials, only four of seven gymnasts are guaranteed births on the U.S. Olympic Teanl. They are Mary Lou Retton, Julianne McNamara, Michelle Dusserre and Pam Bileck. These women, after three qualification competitions finished the Trials in first through fourth positions. The fifth and sixth, and alternate selections for the team remain to be finalized, although it appears-depending upon petition requests-that the four gymnasts vying for those spots were determined in the sanle previously mentioned meets. Those gymnasts are Lucy Wener, Tracee Talavera, Marie Roethlisberger and Kathy Johnson.

Only after an Olympic Training Camp and a dual meet with Canada on July 15th will the Olympic Team be finalized. A selection committee appointed by the USGF's Women's International Program Committee of Olympic Coaches Don Peters, Roe Kreutzer and Delene Darst will weigh and evaluate the results from the Trials, Training Camp and USA vs. Canada to determine who will and will not compete in Los Angeles.

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July/August 1984 TIlis long, arduous and sometimes criticized process may be

only half the story. The "final " Olympic Trials were held the first of June, but now, going into July, many questions are still unanswered. Injury? Petition Ruling? Training Camp? and USA vs. Canada results? Fortunately, those questions are mute to the national media. For them, as well as for many in the gymnastics community, they keep asking Retton's experienced coach Bela Karolyi, "how many medals?" Karolyi's answer, "Who knows?", as told to USA Today.

This enthusiastic optimism for gold medal performances in Los Angeles gained momentum again at Trials. For four years, McNamara has ranked as one of the world's finest performers on the uneven bars, she was the bronze medalist at the 1981 Moscow World Championship, finishing behind GDR's Maxi Gnauck and PRe's Ma Yanhong. Can McNamara win the gold at home in Los Angeles? "Who knows?" Bela Karolyi said.inJune's issue of the Olympian, " 1984 is Retton's Olympics like 1976 was Nadia's."

Nevativism has been pervasive in the U.S. Women's Program, but these Trials clearly demonstrated progress and improvement. One statistic alone is striking. On beam, in both compulsories and optionals of 47 routines, there was only one fall. In the 1981 World Championships, the U.S. was the highest scoring beam team. Nobody, not the Russians, East Germans, Romanians or Chinese were better.

And what about experience and depth? Of the eight women making up the eight members of the Olympic Squad, their total years of national and international experience or number of World Championship or Olympic Teams do not match their male counterparts, however, neither does their international competition. Looking closer, their laurels and experience number greater than any women's team yet. Between the eight members, there is 23 years of national team experience, nine World Championship Teams, six Olympic Teams and in excess of 20 international dual meet competition teams.

Match together a solid team on balance beam, the distinct advantages of a "home" Olympics, a couple of internationally elite gymnasts as McNamara and Retton, the experience of a veteran performer like Johnson, and add improved team depth and consistency . .. well, what you may have is a close meet between the USA, China and Romania with a couple of weeks to determine who wins the Olympic Team gold.

In Trials competition, Retton and McNamara methodically with high voltage and elegance placed first and second, confirming their finish from Championships of the USA. Dusserre, Bileck and Wener came to Jacksonville, not for the sunshine, but to secure placement on the 1984 Team. Trials experience paid off as Dusserre and Bileck edged into the third and fourth secured positions. Talavera, a seasoned Trials competitor, met the pressure challenge, improved her score .8 from Championships and moved into sixth position, with Roethlisberger also bettering her Championships score to take the seventh spot.

Prior to this meet, as is with any Team Trials, it is assumed that the intense competition will go down to the last selected spot and the meet is not over until all the scores are in. No one could or would have predicted how tme to fashion this Trials would be.

After a devastating break on her first event in compulsories ( a missed handstand on uneven bars resulting in a 7.65) Johnson undertook the seemingly impossible task of regaining the valuable tenths, which the Florida native did with raw courage and gut determination, defying the years of gymnastics experience to fail her again. After the compulsory round, Dianne Durham moved into sixth position. During the second round of optional competition-vaulting-Durham was injured during the land.ing of a full twisting Tsukallara vault and was forced to drop out of the meet. This situation allowed Johnson to move into the eighth spot and placed Durham in an unofficial n.inth spot (using 100 percent of her Championships of the USA score) pending the petition outcome.

16

Tom Beach, always a strung competitor all Ibro llgh his gymnastics c(1I·ee/~

m akes his bid for the 1984 OI)lmpic Gymnastics team. Beach finished the Trials ill 18th place with 112.00 pOints. Beach petitiolled into the trials. ( USGF photo © 1984 Dave Black)

O lympic Preview: Realitically speaking in gymnastics, any time top contenders are not in the competition it hurts the meet's over all quality and competit.ive· ness; more so in this summer's case for the women

than the me n. For the U.S. though, the boycott ensures a bonanza of medal possibilities. Looking at the results from the 1983 World Chanlpionships, the top 10 teams, top 15 all around and event finalists; for the men, 50 percent will participate and for the women 35 percent of those competitors will participate in Los Angeles. Even more important will be how it wil l effect the judging. There are no doubts that these should be the most fairly and accurately judged Olympics in recent history. TIle chanlpions and medal winners should tmly be deserving . ..

"The Home Court Advantage (THCA)": In analyzing past results, the effects of the boycott, team improvements, strengths and weaknesses, my head leads me to one set of answers while everyone I talk to says THCA is, indeed, the decisive variable. And, after being in Moscow for the 1981 World Championships and seeing that THCA did for the Russians especially Alexander Ditiatin (his swan song), I agree.

For the women, the three teams are the USA, Romania and China. I rank it as the favorite being Romania with a dual meet between the USA and China. Ch ina probably stronger in compulsories, but the USA has THCA Then again, as Bela Karolyi has stated, "Who knows?" A couple of beam falls by Romania, an injury here or there, a sparkling USA team and, indeed, "Who knows?"

For the men, the three teams include the USA, Japan and China. Here again, the reigning World Champion Chinese are

(continued on page 22)

USA Gymnastics

'Ii

July/August 1984 MEN'S 1984 USGF GYMNASTICS OLYMPIC TRIALS

Jacksonville, FI 06-03-1984

INDIVIDUAL SCORES

Peter Vidmar UCLA

FLOOR HORSE RINGS VAULT PBARS H-BAR A.A.

CaMP: 9.70 9.80 9.85 9.00 9.90 9.90 58.95 OPT: 9.65 9.95 9.80 9.60 9.90 10.00 58.90

TOTAL: 19.35 19.75 19.65 19.40 19.80 19.90 117.850 30% CHAMPIONSHIPS (117.400) + 70% TRIALS (117.850) = 117.715

2 Mitch Gaylord UCLA CaMP: 9.50 9.85 9.80 9.90 9.80 9.85 58.70

OPT: 9,75 9.80 9.75 9.75 10.00 9.35 58.40 TOTAL: 19.25 19.65 19.55 19.65 19.80 19.20 117.100

30% CHAMPIONSHIPS (117.850 + 70% TRIALS (117.100) = 117.325 3 Tim Daggett UCLA

CaMP: 9.65 9.80 9.75 9.70 9.80 9.80 58.50 OPT: 9.70 9.85 9.85 9.70 9.85 9.90 58.85

TOTAL: 19.35 19.65 19.60 19.40 19.65 19.70 117.350 30% CHAMPIONSHIPS (116.450 + 70% TRIALS (117.350) = 117.080

4 James Hartung Nebraska CaMP: 9.55 9.80 9.80 9 .70 9.80 9.80 58.45

OPT: 9.80 9.70 9.80 9.70 9.80 9.80 58.60 TOTAL: 19.35 19.50 19.60 19.40 19.60 19.60 117.050

30% CHAMPIONSHIPS (117.050 + 70% TRIALS (117.050) = 117.050

5 Scott Johnson Nebraska • CaMP: 9.80 9.55 9.80 9.50 9.80 9. 7U :>8.15

OPT: 9.70 9.80 9.80 9.70 9.90 9.80 58.70 TOTAL: 19.50 19.35 19.60 19.20 19.70 19.50 116.850

30% CHAMPIONSHIPS (116.100 + 70% TRIALS (116.850) = 116.625 6 Bart Conner Unattch .

CaMP: 9.75 9.75 9.70 9.60 ... OPT: 9.40 9.80 9.70 9.75 TOTAL: 19.15 19.55 19.40 19.35

100% TRIALS = 116.750 7 James Mikus Nebraska

10.00 9.70

19.70

9.90 58.70 9.70 58.05

19.60 116.750

CaMP: 9.60 9.55 9.50 9.90 9.70 9.70 57.95 OPT: 9.70 9.75 9.55 9.90 9.70 9.75 58.35

TOTAL: 19.30 19.30 19.05 19.80 19.40 19.45 116.300 30% CHAMPIONSHIPS (115.550 + 70% TRIALS (116.300) = 116.075

8 Chris Riegel Nebrask CaMP: 9.75 9.70 8.75 9.90 9.85 9.70 57.65

OPT: 9.80 . 9.85 9.50 9.90 9.45 9.80 58.30 TOTAL: .19.55 19.55 18.25 19.80 19.30 19.50 115.950

30% CHAMPIONSHIPS (116.100 + 70% TRIALS (115.950) = 115.995 9 Dan Hayden Tucson

CaMP: 9.55 9.65 9.75 9.60 9.90 9.70 58.15 OPT: 9.75 9.55 9.65 9.60 9.70 9.95 58.20

TOTAL: 19.30 19.20 19.40 19.20 19.60 19.65 116.350 30% CHAMPIONSHIPS (114.750 + 70% TRIALS (116.350) = 115.870

10 Brian Meeker Minnes. CaMP. 9.35 9.50 9.50 9.70 9.70 9.70 57.45

OPT: 9.70 9.65 9.55 9.75 9.55 9.70 57.90 TOTAL: 19.05 19.15 19.05 19.45 19.25 19.40 115.050

30% CHAMPIONSHIPS (114.350 + 70% TRIALS (115.350) = 115.050 11 B. Babcock So III . •

CaMP: 9.15 9.45 9.50 9.50 9.40 9.80 56.80 OPT: 9.50 9.75 9.50 9.50 9.55 9.80 57.60

TOTAL: 18.65 19.20 19.00 19.00 18.95 19.60 114.400 30% CHAMPIONSHIPS (114.950 + 70% TRIALS (114.400) = 114.565

12 Mark Caso UCLA . CaMP: 9.50 9.60 9.60 9.60 9.55 9.30 57.15

OPT: 9.70 9.30 9.60 9.75 9.60 9.70 57.65 TOTAL: 19.20 18.90 19.20 19.35 19.15 19.00 114.000

30% CHAMPIONSHIPS (113.850 + 70% TRIALS (114.800) = 114.515 13 Phil Cahoy Nebrask .

CaMP: 9.30 9.80 9.05 9.60 O~ a05 a85 a60 a40

TOTAL: 18.35 19.65 18.65 19.00 100% TRIALS = 114.650

14 Billy PaUl UC Berk

9.70 9.75

19.45

9.65 57.10 9.90 57.55

19.55114.650

CaMP: 9.70 9.40 9.30 9.65 9.60 9.75 57.40 OPT: 9.30 9.40 9.40 9.60 9.20 9.60 56.50

TOTAL: 19.00 18.80 18.70 19.25 18.80 19.35 113.900 30% CHAMPIONSHIPS (113.750 + 70% TRIALS (113.900) = 113.855

15 Matt Arnot New Mex

CaMP: 9.40 9.50 9.40 9.65 9.60 9.30 56.85 OPT: 9.30 9.50 9.50 9.40 9.20 9.60 56.50

TOTAL: 18.70 19.00 18.90 19.05 18.80 18.90 113.350 30% CHAMPIONSHIPS (114.300 + 70% TRIALS (113.350) = 113.635

16 Jon Omori Tucson CaMP: 9.25 9.55 9.55 9.35 9.65 9.60 56.95

OPT: 9.25 9.55 9.45 9.60 9.55 9.40 56.80 TOTAL: 18.50 19.10 19.00 18.95 19.20 19.00 113.750

30% CHAMPIONSHIPS (113.200 + 70% TRIALS (113.750) = 113.585

USA Gymnastics

Tim Daggel/ gets great height during his high bar routine. Daggett completed the UCLA sweep oj the top three spots by taking third (USGF photo © 1984 DaIle Black).

Men's results continued on page 22 ' Due to the p etitioning p rocess, in orderjor a p etitioned athlete to rank ahead oj a non petitioned athlete, his Oly mpic Tria ls and adjusted all around score mllst slllpass the non p etitioned gymnast.

17

jim Harlllng (IeJI) is midair dming his sllllz on parallel bars. Upper lighl Milch Gaylord poses Jor lhe camera on lings and below him Scolljohnson goes abolll his polI!)IIel horse rolltine. (USGF pholOS @ 1984 Dave Black).

July/August 1984

DEPTH, EXPERIENCE, CONFIDENCE SPURS MEN

By Mike Botkin USA Gymnastics Editor

T he feeling among the men's gym­nastics team is one of great pride because this is the year they are going to make history. Not since

the Olympics were held in Los Angeles in 1932 has a medal been won for the United States in gymnastics.

"We are going to be a part of history," said Peter Vidmar emphatically. "It is no longer a case of whether we wi ll win a medal, but what color we are going to win."

Vidmar enters the Olympic Games fresh offhis victory in the Trials: a hard earned win. "Winning the Olympic Trials was a big boost to my confidence. Not having competed in the NCAA Championships seemed to affect my performance in the Championships of the USA. The NCAA is such a high pressure meet that I use that to break me in for the big national and international meets. I was more nervous than usual at the Championships but I settled down during the Trials and every­thing feels good now."

There is always that feeling of great apprehension before a big meet, but accord­ing to Vidmar, most of the pressure was lifted after making the Olympic team. "Now I'm excited to compete instead of worried."

Looking to the long range effects that the

1984 Olympian Peter Vidmar

USA Gymnastics

1984 Olympian Mitch Gaylord

1984 Champion of the USA

Olympics will have in the Uqited States, Vidmar feels these Games will have a great effect on the youth of America. "It will be very good for the kids to have six idols in­stead of one. The exposure we get will help to bolster our youth programs which will be good for gymnasties."

Bart Conner can be considered a real veteran of the Olympic Games since he has one actual Olympics under his belt and another that slipped through his fingers in 1980. "This will be the most exciting of the three I almost competed in," said Conner. "With the competition being in the United States, it will be much more exciting."

Conner, among others, feels with the home venue, the US gymnasts will have a distinct advantage over its visitors. "There will be a lot of exposure through the media, but another important factor for me is that I won't have to travel, I will be used to the equipment, the food and the customs and that puts my mind more at ease."

The veteran gymnast plans to continue with his gymnastics career after the Olympics for at least one more year, which is good news to all those involved in the sport.

Scott johnson will be competing in his

first Olympics, but notes this has always been his goal. "This is something I set my sites on when I was younger, it was my ultimate goal in gymnastics.The more you dream and the more you improve, the more realistic the dream becomes. In 1980 when I made the national team, the dream became very realistic. "

Tim Daggett echoes johnson's thoughts, In the beginning, Daggett got involved in gymnastics just for the recreation. Then when he was in the 10th grade, he attended a National Boy's Invitational in Pennsylvania

1984 Olympian Tim Daggett

and that competit ion was the catalyst that spurred him on. "I saw how much better those other gymnasts were than me," said Daggett who went on to star at UCLA with fe ll ow Olympians Vidmar and Mitch Gaylord. "That is when I turned serious about the sport and made the Olympics my goal."

Behind the Chinese and j apanese, the Americans seem to have third placed locked in. "I don't see anybody that can bump us out of our third spot," said johnson.

There is a very close feeling between all of the Olyrnpic gymnastics competitors. "This same team has been together since 1981 ,"

19

1980-1984 Olympian Jim Hartung

said Nebraska graduate Jim Hartung. ", am very team oriented, , guest' was just brought up that way. We are looking to perform to our ultimate potential and if we do we will have an outside chance at a gold medal. That is if we get a lot of luck."

All of the athletes are looking to "max out" on all 12 routines to help the team effort. But looking to the individual medals, some will have a chance at those. Vidmar has a good attitude about medals. "We are all trying to put out our best routines and whatever the outcome is fine. It would be nice to win a medal or to do 24 routines, but' can't hope for anything more."

Hartung is looking to two events, the fl oor exercise and the rings, in which he feels his expertise will shine through. "Maybe ' have an outside chance at a medal on floor. Rings is my favorite and I'm really getting excited about that competition. I feel' can do very well in that event." Daggett, on the other hand, is looking forward to the pommel horse. "I really do enjoy the horse. For what the judges and the people want to see, I seem to have it right now."

'n every winning situation there are those who are in the background cheering the first team players on. The 1984 Men's Olympic Gymnastics team is not without these support players. Brian Meeker came off the best' competition of his life in the Trials and was asked to participate in the Olympic Training Camp, something that came as somewhat of a surprise to him. "It 's really an honor to be involved with the Olympic team and I feel my main goal is to help motivate the others. It's a little different situation being an alternate, a litter harder, but it's still an honor," said Meeker.

Dan Hayden sees his role as one of a pusher. ", have to be in the best shape of my life to help those guys keep going hard. We

20

1984 Olympian Scott Johnson

don't have as much pressure on us as the others, so we are able to push them. The team is really psyched up to win a medal and we are all stressing perfection in our routines in optional and compulsories."

Jim Mikus is the athlete who is directly on the razor's edge because he is the first alternate and if there should be an unfortunate occurance, he would move up

1984 Olympic Team AlternateJim Mikus

1976-1980-1984 Olympian Bart Conner

one spot and into the Olympics. "I am treat­ing this as the most important meet of my life and , don't think I will have any problem stay­ing both mentally and physically ready. If I did get to compete, , don't think I would have much of a chance to win an individual medal but' would try to help the team win one."

USA Gymnastics

July/August 1984

Grossfeld: 'More Team Depth' By Mike Botkin

USA Gymnastics Editor

If being a cl air vo yant was a requirement for being an OI)~TIpic

Coach, then 1984 men's gymnastics head coach Abie Grossfeld would

be able to predict the outcome of the Games before any of his team competed. But what the soft-spoken coach did see was the men's lineup before the Trials started. "This is exactly the team I thought it v.fJS going to be," said Grossfeld.

TIlere are always cries from those who want comparisons. Compare Bart Conner to Peter Vidmar; compare the compulsory strength to the optional; compare this team to the OI~TIpic team from 1980. "It is very difficult to compare the two Ol)mpic teams," said Grossfeld. "One thing is for sure, there have been none better than this one."

None better. Those are pretty strong words from the Olympic Coach but he has the background and experience to be able to back that statement up. "Our prime advantage is depth. There is one point difference between the number one man and the number six. TIlis gives us something we have never had, depth and consistency."

Experience is another plus in the men's gymnastics representatives from the United States. The most experienced is three-time Olympian Bart Conner, rumored by some to become the Bruce Jenner of the 1984 Games. "Our team doesn't necessarily need the leadership. They are not young boys and are all very experienced and we have a number of leaders. Bart's value is as a ~1I1ast. He moves with style and he will be in better shape than he was at the Trials. He's very valuable to the team."

While watching the Games, be on the lookout for Vidmar and Mitch Gaylord to do well in the all around competition, but that teammates Jim Hartung, Conner and Tim Daggett will be very close behind them. "I feel we have a chance to place someone in the top three in the all around," said Grossfeld. "But China's Li ing, Tong Fei and Zhiqiang Xu could go one, two, three."

Speaking of the Chinese delegation, Gross­feld sees them as the team to beat. "TIley are definitely the best. It would be a major upset if we beat the Chinese." But it is not just a two country race for the gold in LosAngeles, Japan is another strong contender, one that our Olympians should be able to handle. "I think we can beat the Japanese."

The reason the Chinese are better than the

AiJie GlUssfelrl 1984 Mell 's O(V/II/Jic Coac/). likes 10 think fbe Cbinese aren 't IIllhealalJle hilI admits illl'ill lake Illcb 10 do il.He does/eel/be US can knock oJf a lIe,)1

slmllg lea/ll fro/ll Jaflall. ( {lSCI' /)bOIO @ 1984 Daile //lack ).

USA Gymnastics

Americans and the rest of the world is that they are all excellent tumblers. '''The Chinese have us in optional tumbling, at this they are the best in the world," saicl the 1984 Ol)mpic Coach. "TIlat is the biggest dif­ference bet\veen us. They are also a very fit team, always in excellent condition."

Getting a teanl with so much depth and experience prepared for an event like the OI)~llPics is a tall order, but the coach just tries to keep pushing. "I'm not a professional psychologist , so I don't mess with them there. I keep an intense situation in practice and am always pushing them to do their best. TIley pretty much have the right frame of mind anyway."

One aspect that makes this team different than any other in the world is the fact these g<tlTIes are being staged in the United States, Hollywood with all the glitter and glamour the best producers can muster. We have all the stars doing public relations for the Games and riding on the outcome are million dollar contracts, or the possibility of them. "I tell them that to win a gold medal in Los Angeles could bring them a million dollars and that seems to inspire them," said Grossfeld. This year, these gymnasts should be wearing business suits instead of ­gymnastics gear.

Another plus this team will have is the home court advantage. For Vidmar, Gaylord and Daggett, all from UCLA, this will be the sanle place as they competed their whole collegiate career. "This will be the best ad­vantage we have. We are going to be inspired because of the home crowd cheering for them. When you are at home you feel very comfortable, the atmosphere is much better. This is the way it will be in Pauley Pavillion."

Going into the meet proper, Grossfelcl will have many duties to keep him busy, but there is one that he feels is more important than the others. "My concern will be to keep them (the gymnasts) in a good frame of mind. During a competition of this caliber, any little thing can upset them. So I will be there to council them. They will also ask advice of me. Should I do this, or should I do that. It is my duty to watch all the competitors and make a decision based on the rest of the competition.

" If a high risk move will help them or if it won't hurt them that much. I want to be right there to provide <til answer."

There is more to the competition than sending the gymnasts out to compete one by one. 'There is strategy involved in setting up the lineup. "Somebody has to go first and somebody has to go last. Many of the gymnasts don't like to be first because the scores tend to be lower ancl then again tend to be higher for the last people. If someone isn't as strong in one event, you may try to cover him by sending him out later in the competition. The judges are human too and after judging for so long they tend to have lapses in concentration so you might be able to get away with more."

Politics and judging in sports, some argue the two should never be mixed, others say they should. Be that as it may the two are definitely connected. But at this Ol~pics, Grossfeld thinks the winner will be the gyrt1l1asts and the gymnastics community. "I think the judging will be fairer because the Eastern block countries are not going to attend. TIle judges won't have that pressure on them. What you will see will be a true judging of the Olympics. "

21

July/August 1984 (from page 16) the gold medal favorites. The meet between the USA andJapan should be a classic! The Japanese forte is compulsories led by a superb technician-Koji Gushiken, but do they have team depth to match the U.S. men? This U.S. Men's Team has never been so strong one .through six! Consistency? Originality? Ah, yes THCA .. . it should be an absolutely marvelous meet.

In conclusion, the preview could not be complete without mentioning Conner. This is, afterall , Conner's last U.S. Olympic Team and perhaps last international meet -a home meet. For a

WOMEN'S 1984 USGF GYMNASTICS OLYMPI'C TRIALS Jacksonville, FL 06-02-1 984

INDIVIDUAL SCORES (WEIGHTED ... COMP. 60%IOPT. 40%)

M.L. Retton VAULT BARS BEAM FLOOR A.A.

Karolyi 's CaMP: 9.75 9.50 9.35 9.75 38.35 OPT: 9.85 9.75 9.60 9.85 39.05

TOTAL: 19.58 19.20 18.90. 19.58 77.26 40% CHAMPIONSHIPS (77.020) + 60% TRIALS (77.260) = 77.164

2 J. McNamara Karolyi 's CaMP: 9.60 9.65 9.40 9.80 38.40

OPT: 9.75 9.85 9.50 9.65 38.75 TOTAL: 19.32 19.46 18.88 19.48 77.14

40% CHAMPIONSHIPS (76.280) + 60% TRIALS (77.140) = 76.796 3 M. D.!.ts.se[[e CATS

COMP: 9.50 9.65 9.50 9.65 38.30 OPT: 9.50 9.60 9.70 9.80 38.60

T TAL: 19.00 19.26 19.16 19.42 76.84 40% CHAMPIONSHIPS (75.800) + 60% TRIALS (76.840) = 76.424

4 Pam Bileck SCATS CaMp.: 9.40 9.45 9.45 9.65 37.95

OPT. 9.35 9.45 9.60 9.75 38. 15 TOTAL: 18.76 18.90 19.02 19.38 76.06

40% CHAMPIONSHIPS (75.880) + 60% TRIALS (76.060) = 75.988 5 l. Wener SCATS

CaMP: 9.50 9.55 8.90 9.80 37.75 OPT: 9.30 9.65 9.40 9.65 38.00

TOTAL: ~8. 84 19.18 18.20 19.48 75.70 40% CHAMPIONSHIPS (75.800) + 60% TRIALS (75.700) = 75.740

6 T. Talavera Golden Gate CaMP: 9.60 9.45 9.70 37.55

OPT: 9.85 9.60 9.60 38.50 TOTAL: 19.40 18.12 19.02 19.32 5.86

40% CHAMPIONSHIPS (75.000) 60% TRiAlS (75.860) = 75.516 7 M. RoethlisbergerSCATS

CaMP: 9.30 9.35 9.40 37.65 OPT: 9.65 9.55 9.60 38.50

TOTAL: 18.88 19.28 18.86 18.96 75.98 40% CHAMPIONSHIPS (74.780) + 60% TRIALS (75.980) = 75.500

8 K. Johnson SCATS CaMP: 9.75 9.50 9.90 36.80

OPT: 9.75 9.65 9.65 38.95 TOTAL: 19.50 16.94 9.12 19.76 75.32

40% CHAMPIONSHIPS (75.720) + 6 % TRiAlS (75.320) = 75.480

Men's results (from page 17) 17 R. Campbell UCLA

CaMP: 8.90 9.40 9.20 9.80 9.55 8.80 55.65 OPT: 9.60 9.35 9.30 9.70 9.40 9.65 57.00

TOTAL: 18.50 18.75 18.50 19.50 18.95 18.45 112.650 30% CHAMPIONSHIPS (113.00 + 70% TRIALS (112.650) = 112.755

18 Tom Beach CalSuns CaMP: 9.10 9.20 9.35 9.55 9.50

OPT: 9.55 9.05 9.50 8.90 9.30 TOTAL: 18.65 18.25 18.85 18.45 18.80

100% TRIALS = 112.200 19 Charles Lakes IIlinos

CaMP: 8.60 9.60 9.10 9.55 960 9.90 56.35 OPT: 9.65 7.60 9.20 9.50 9.60 9.25 54.80

TOTAL: 18.25 17.20 18.30 19.05 19.20 19.15 111.150 30% CHAMPIONSHIPS (113.650 + 70% TRIALS (111.150) = 111.900

2U Joey Ray Minnest CaMP: 8.70 8.90 8.60 9.00 9.00 9.55 53.75

9.70 55.40 19.25 109.150

OPT: 9.20 9.30 8.95 8.90 9.325 TOTAL: 17.90 18.20 17.55 17.90 18.35

100% TRIALS = 109.150 21 M. McCutcheonUnatt.

CaMP: 9.30 9.65 9.45 9.65 57.20 OPT: 8.85 7.90 9.45 0.00 26.20

TOTAL: 18.15 17.55 18.90 9. 9.70 9.65 83.400 30% CHAMPIONSHIPS (114.100 + 70% TRIALS (83.400) = 92.610

22 Roy Palassou SanJose CaMP: 9.60 9.75 9.20 9.60 9.80 9.7 57.70

OPT: 0.00 9.15 910 0.00 0.00 0.00 18.85 TOTAL: 9.60 18.90 18.90 9.60 9.80 9.75 76.550

30% CHAMPIONSH P (115.400 + 70% TRIALS (76.550) = 88.205

decade, Conner has helped to lead the USA Men's Team into the inner circle of the international elite. He has won just about everything he could set his goals on- from the Illinois High School State Meet to the NCAA's, the Championships of the USA, the American Cup, and gold medals at the World Cup and World Championships, and a bronze team medal at the 1979 World Championships. He has fought through politics and fought back after injuries. An Olympic medal is all he needs to complete his career; one he should win along with all members of the U.S. Men's and Women's 1984 Olympic Temns.

9 Y. Mordre Puget Sound. CaMP: 9.45 9.25 9.35 9.45 37.50

OPT: 9.75 9.50 9.30 9.35 37.90 TOTAL: 19.14 18.70 18.66 18.82 75.32

40% CHAMPIONSHIPS (73.540) + 60% TRIALS (75.320) = 74.608 10 T. Butler Parkettes

CaMP: 9.35 9.15 9.60 9.45 37.55 OPT: 9.45 9.30 9.60 9.30 37.65

TOTAL: 18.78 18.42 19.20 18.78 75.18 100% TRIALS = 75.180

11 K. Garrison Gym . Okla.

CaMP: 9.45 9.45 9.35 9.45 37.70 OPT: 9.75 8.95 9.65 8.95 37.30

TOTAL: 19.14 18.50 18.94 18.50 75.08

12 Y. Mavity NAAG 100% TRIALS = 75.080

CaMP: 9.40 9.55 8.95 9.40 47.40 OPT: 9.50 9.50 9.25 9.40 47.65

TOTAL: 18.88 19.06 18.14 18.80 74.88 100% TRIALS = 74.880

13 T. Smith Parkettes CaMP: 9.25 9.30 9.00 9.40 36.95

OPT: 9.75 9.45 9.20 9.50 37.90 TOTAL: 18.90 18.72 18.16 18.88 74.66

40% CHAMPIONSHIPS (73.780) + 60% TRIALS (74.660) = 74.308 14 H. Carter Texas Aca.

CaMP; 9.50 9.25 9.15 9.25 37. 15 OPT: 9.55 9.15 9.20 9.35 37.25

TOTAL: 19.04 18.42 18.34 18.58 74.38 40% CHAMPIONSHIPS (74.040) + 60% TRIALS (74.380) = 74.244

15 D. Wilson NAAG CaMP: 9.25 9.40 9.10 9.25 37.00

OPT: 9.40 9.40 9.45 9.35 37.60 TOTAL: 18.62 18.80 18.48 18.58 74.48

40% CHAMPIONSHIPS (73.600) + 60% TRIALS (74.470) = 74.128 16 T. Elliott Cal State

CaMP: 9.25 9.10 9.15 9.20 36.70 OPT: 9.65 9.20 9.20 9.30 37.35

TOTAL: 18.82 18.28 18.34 18.48 73.92 40% CHAMPIONSHIPS (74.140) + 60% TRIALS (73.920) = 74.008

17 . Hami lton Richmond CaMP: 9.70 9.30 9.00 9.20 37.20

OPT: 8.95 9.15 8.95 9.25 36.30 TOTAL: 18.80 18.48 17.96 18.44 73.68

40% CHAMPIONSHIPS (74.480) + 60% TRIALS (73.680) = 74.000 Texas Aca.

CaMP: 9.20 9.10 9.20 9.45 36.95 OPT: 9.10 9.20 9.30 9.20 36.80

TOTAL: 18.32 18.28 18.48 18.70 73.78 40% CHAMPIONSHIPS (72.620) + 60% TRIALS (73.780) = 73.316

Texas Aca. CaMP: 9.25 9.00 9.15 9.30 36.70

OPT: 9.40 9.35 9.15 9.10 37.00 TOTAL: 18.62 18.28 18.30 18.44 83.64

40% CHAMPIONSHIPS (72.620) + 60% TRIALS (73.640) = 73.232 20 l. McVay MarVaTeens

COMP:A 9.30 8.90 9.30 9.40 36.90 OPT: 9.05 9.10 9.30 8.90 36.35

TOTAL: 18.40 17.96 18.60 18.40 73.36 40% CHAMPIONSHIPS (72.860) + 60% TRIALS (73.360) = 73.1 60

21 K. Haynie Karolyi's CaMP: 9.60 9.20 9.10 9.05 36.95

OPT: 9.50 8.95 9.20 8.20 35.85 TOTAL: 19.12 18.20 18.28 17.42 73.02

40% CHAMPIONSHIPS (73.360) + 60% TRIALS (73.020) = 73.156 22 M. Goodwin Berks

CaMP: 9.30 7.75 9.30 9.50 35.85 OPT: 9.40 9.05 9.35 9.25 37.05

TOTAL: 18.68 16.54 18.64 18.80 72.66 40% CHAMPIONSHIPS (72,900) + 60% TRIALS (72.660) = 72,756

23 D. Durham Karolyi 's CaMP: 9.75 9.40 9.20 9.35 37.70

OPT: 9.10 0.00 0.00 9.50 18.60 TOTAL: 66.168

100% CHAMPIONSHIPS = 75.240 NAAG

CaMP: 9.40 9.45 8.70 9.25 36.80 OPT: 0.00 0.00 0.00 0.00 0.00

TOTAL: 11 .28 11 .34 10.44 11.10 44.16 100% TRIALS = 44.160

..

~.

Kathy Johnson Marie Roethlisberger Tracee Talavera

1984 USA Women Lucy Wener Pa

.'s Olympic Team

Bileck Michelle Dusserre julianne McNamara Mary Lou Retton

Miebe/l" DlISsel7Y' ( upper left) wille In j ack sOIII1/1e 10 compelI' (lnd forber effnrls placed Ibird KIllb)' j obllsoll (alxlI'e) b(/s defied lbe lesl of lime by ",aking be,. second O~)'IIIP;C lerll1/. lAIC)' Welle,' (/"ft) placed fift b durillg lbe n ials. (IISGF plxllns © 198-1 Dm'e BI(/ck).

USA Gymnastics

July/August 1984

Static Energy Runs Through Women's Team

By Mike Botkin USA Gymnastics Editor

It seems too good to be true for the fortunes of the United States gymnasts in Los Angeles. For the girls on the

Olympic team there is great anticipation that their efforts will bring home a medal.

The mainstay of the American squad is West Virginia native Mary Lou Retton. How well the team does will depend on how well Retton does, and from the sounds of it, she is approaching this meet with a "take no prisoners" attitude.

"I am taking the Olympics as I would any other big international meet. We (Retton and her coach Bela Karolyi) take meets very seriously and this one is no different."

Retton has developed into one of the clear-cut stars for the American squad. In the past year she has taken the

julianne ,\tIcNamara, ahOl le Oil fino!: l1Ulde it a olle· fi N) Sll'£.~P jiJr Kar()~)li G)lIllllflStiCS as sbe placed second 10 A'far), LOll ReI/Oil.

USA Gymnastics

Mm)' LOll Rellon (ulded afirst place finish in the 1984 O(Vlllpic Tlials held injacksO/wille. Fla. (USGFPhotos © 1984 Da"e Black).

American Cup title, Championship of the USA title and placed first in the Trials, and this all coming back from an injury that kept her from competing in the World Championships. She has the possibility to garner more than one medal and with her undaunting will to win, will give it her best shot. "I am probably favored in the vault and the floor exercise," said Retton.

Her domination of the woman's side of the sport was carefully orchestrated by her coach, the man who did the same thing for Nadia Comaneci in the Montreal Olympics. Retton has all the confidence in the world in Karolyi and says, "I'm sure he will peak me at the right time."

Another medal hopeful is Julianne McNamara who was also a member of the phantom 1980 Olympic squad. Being a member of that team and not getting to compete was all the inspiration she needed to go for it in 1984. "The fact that we didn't get to compete in 1980 helped inspire me to carry on for· another four years. Now I'm in the best shape of my career and I want to go out and have the best meet of my career."

McNamara knows what it is like to have the Olympics taken away from her, but that is a fact of life that every

athlete must deal with. "It is ashame for the Russian athletes that they are not going to complete, but that's the way it goes. There are no guarantees. I feel the competition will be very close with or without them," said McNamara.

There are visions of medals dancing through McNamara's head and she feels she has more than a valid chance at one of them. "I have a really good chance in bars. Participating in the Olympics has been a life-long dream. After 1980 I managed to stay in either second or third place so I was in good pOSition. Now that I am going to realize that dream it is very special to me."

The oldest member of the women's Olympic squad is Kathy Johnson who sat on a precipice during the training camp. This is her second try at competing in the Games, her first obliterated by the 1980 boycot.

"The biggest difference between this team and the one in 1980 is that for the first time we have a legitimate shot at the gold medal. In 1980 we just had the opportunity to compete against the world's best. Now we will be there for sure," said Johnson.

Now the boycot is on the other foot and the Eastern block nations will not

-

~~~,. If __ ~__ __.

Michelle Dllssel1,(! ./i·01ll SOli'S Wille throllgb at tbe lIials I('ith a good meet and a third place finisb.

27

Pam Bileck. of SOITS. CClmeillfourtbplacescOIillgber place 011 tbe OI)'Inpic squad. ( USGF pintos © Daile Black).

be attending and for some of our gymnasts, this brings mixed emotions. "I have gone through different stages," said Johnson. "There was a time when it bothered me, but now it doesn't matter if the Russians will be there. We will have a chance to win a medal."

Tracee Talavera was another off the 1980 squad that didn 't get the opportunity to compete. "I feel this team has more depth than the other one. In 1980 we never had a training camp." ~

There was a while when it looked as though Talavera was going to drop out from the world's elite gymnasts, but as of late she has made "somewhat of a

LU(J' \Vel1e/~ ahOlle, ii las a consistent /Je1/orJl1erdI111I1g tbe Tlials. For bel' col1sistenc)' sbe placed fiftb.

comeback." She has done what every other athlete wants to do, and that is to improve. "I have improved a lot in the last couple of meets and I am planning on getting better."

Another gymnast that came on at the end was Michelle Dusserre. She surprised everyone, including herself, by taking third in the Olympic Trials and securing her a spot in history. "I am really excited about the Olympics now but after the Trials I didn't expect to finish that high. I had a good meet on beam and during floor exercise."

Pam Bileck took fourth place, but she attributed her great finish to her placement after the Championships of the USA in Chicago recently. "I was in a very good position after the Championships. I am always trying to improve and am trying to perfect my routines. I should get better as practice goes on," said the Santa Clara, Ca. native. Bileck is looking forward to the Olympics and thinks the home court advantage will be very good for the team. "It will be a definite advantage for us. I have competed in Pauley Pavillion before during the USA-USSR meet, so it isn't a strange place."

But all during the training camp and on into the Olympic Games there will be a high voltage of spirit that mns through the girls. "I am very excited that I made the team," said a giggling Lucy Wener. Marie Roethlisberger is another excited gymnast. "I think it will be a great honor to compete in the Olympic Games. If the team can stay healthy, we have more than an outsiders chance at a medal. "

There are always those that are in Menie Roetblisberger ( left). of SOI TS, bad a elutcb

peljol7l1(lIlce dlilillg tbe Tlials jJladllg jllst abead of senior m ember Katby j obllso l1 ( Iigbt) /II1x> mallaged all eigbtb place fillisb as sbe affempts f or bel' second OIvm/Jic bertb.

7i'ocee Talavera, ll'ilb ber sL"th place finisb, nlade her il 'a), on ber seco nd O(J11npic tecun.

the background, but never get the chance to compete. One such gymnast is Yumi Modre. She has the fortune to finish ninth in the Trials and so was invited to participate in the training camp that was held before the Games. "I trained very hard and always hoped none would get hurt. It was a good experience for me and should help my gymnastics. It is very eXCiting being a part of the Olympics, even though I know I'm not going to be able to go." So with great hesitations Modre will stay behind. What will she do: "I am going to watch the Olympics on television because I couldn't get a ticket. But I'll get to see a lot I'm sure."

-July/August 1984

Peters: More Than Just A Chance

By Mike Botkin USA Gymnastics Editor

Women's. Olympic Coach' Don Peters likes the position his athletes are in for the Games. With all of the pressures that

are put on his gymnastics team , he feels there will be much more on the other participating countries.

"We are considered the slight underdogs with the edge going to the Romanians. I like being in that position because the pressure will be on the Romanians to win and not on us," said Peters. "Our team has nothing to lose and everything to gain during the Olympic competition."

So heading into the 1984 Olympics with the strongest team the United States has ever mustered, Peters feels very confident his charges will be up for the task ahead of them. But as their coach, he has definite plans to get them into the posi tion to win.

"I see this competition as a three-way race with the Romanians, the Chinese and the US. For us to win we must be in either first place after the compulsories or within striking distance, less than one pOint down. If we perform very hard, I am confident we will do wel\."

In a gymnastics competition of this magnitude, new and dazzling tricks seem to pop up unexpectidly, but not so according to Peters. "I think we in the gymnastics community, have seen everything. I don't expect anything different from the World Championships. The O lympics are a vel)' important meet, so you aren't going to take any chances."

Winning is going to involve a little luck and scores in the range of the mid-nines. "We must score 9.5 or 9.6 to be in contention. I feel the scores will range from 9.6 to 9.9."

Preparing the gymnasts physically for the meet is a structured task and can be done with a strict schedule with special attention paid to the amount of work alloted each day. "I want to avoid burn out," said Peters. "If you work the athlete too hard they won't be as sharp."

Peters is stressing the mental aspect of the Games because he feels many obstacles can be overcome if the athlete is truly mentally prepared. "I believe the homework creates the results. What you do the day of the meet

Don Peters likes the role of tlnderdog his fema le gynlnasls a re ;11. Tbis gives Ibem tbe opportunity 10 have (I w illner take all a llittlde. (USer photo © 1984 Dave Black).

USA Gymnastics

won't make that much difference. TIl e critical part of the competition comes weeks before. TIle last couple of weeks should be spent on mental preparation. "

As an example, Peters pointed out the case of Marie Roethlisberger, In between the Championships of the USA and the Olympic Trials, she injured her elbow and couldn't train the week before the Trials. "She was prepared both physically and mentally and went out and hit her routines because she knew she could hit them."

Another aspect Peters is instilling in the O lympic team is the team spirit. "TIle Olympics is a team competition. This is many times lost with all of the individual medal w inners. But it was because of the teammates that the medal was possible. You can't do it alone. The kids who "~n the medals will share them with the rest of the team. The kids are all behind each other,

even the four who aren't going to compete." Exposure and opportunity are two words

that dominate the conversation of the women's Olympic coach. "The OlympiCS represents a turning point in our sport. It is a chance to popularize our sport in the USA. We are going to have prime time coverage and we will have more people watching than ever before. TIle other televsion stations might as well shut down for a week. We have the opportunity to become household names. I believe financially it wi ll have a great impact also," said Peters.

In addition to a great opportunity for the sport, Peters feels the job of coaching the female O lympic gymnasts is a "chal lenge and big responsibility. I feel the responsibility but I am not dreading it. I need to keep the team psychologically motivated and try to develop that pleasent anticipation in them for the event. I feel it's going to be a lot of fun. "

. t .

J 29

RSC History

oardwalk Atlantic

I

I

(USGF photo © 1984 Dave Black)

Made On Of City

USA Gymnastics

By Mike Botkin USA GymnastiCs Editor

Michelle Berube

It was a meet filled with excitement and intrigue, where lady luck turned sour just as the big hets were placed. That was the scene at the 1984 Rhythmic Gymnastics Olympic Trials June 16-17 in Atlantic City where the boardwalk turned to yellow hrick for Valerie Zimring, Michelle Berube and Lydia Bree as they began their treck

to the Emerald City, Los Angeles, and to the Olympic Games. For those rhythmic h'Ymnasts and their coaches, it was a long awaited day. A day when

their sport acquired its first Olympic squad. It was the realization of many dreams and the release of many pressures. "When I took my place on the podium after the meet, I felt a great feeling of relief, like a large weight was taken off my shoulders," said the number one finisher Zimring. "There was a lot of pressure on all of us from the very beginning," said Berube. "I'm glad it is over."

As it will be in a gamhling town, there are always winners and those on the other side of Lady Luck. Marina Kunyavsky had been riding the crest of good fortune all week. First it was the decision at the 13th hour to grant her US citizenship, thus allowing her to compete in the trials. Then it was her great performance throughout the competition which had her securly locked into third place going into the final routine. But just as she was about to rake in her winnings, her hand was slapped and her bet stayed on the table and that led to disaster.

It was during that final ribbon routine when she had a mechanical failure which caused her ribbon to separate from its stem making it impossible for her to finish her routine. For her partial routine, she received the lowest score of her competitive career, a 7.05 opening the door for Bree to gain the third place spot on the podium.

"A swivel broke," said a disappointed Kunyavsky. "I have only seen this happen once before ,md that was in practice. I checked all my equipment before I went on and I saw

31

Atlantic City, NJ 06-17-1984 ***INDIVIDUAL SCORES***

(TRIALS SCORE = AVERAGE OF SAT. & SUN. COMPETITIONS)

Val erie Zimring

L.A. School

HOOP BALL CLUBS RIBBON

SAT.: 9 .40 9.45 9.60 SUN.: 9 .75 9.75 9.75

TOTAL: 19.15 19.20 19.35 19.20 76.900 40% CHAMPIONSHIPS (37.550) + 60% TRIALS (38.450) = 38.090

Michelle Berube SAT.: 9.35 9.65 9.55 9.6538.20 Detroit Metro SUN. : 9 .75 9.75 9.05 9.60 38.15

TOTAL: 19.10 19.40 18.60 19.2576.350 40% CHAMPIONSHIPS (37.450) + 60% TRIALS (38.175) = 37.885

Lydia Bree SAT.: 9.45 9.50 9.40 9.3537.70 L.A. School SU N.: 9 .55 9.50 9.40 9.50 37.95

TOTAL: 19.00 19.00 18.80 18.8575.650 40% CHAMPIONSHIPS (35.700) + 60% TRIALS (37.825) = 36.975

Lisa Aaronson SAT.: 9.30 9.30 9.30 9.3537.25 LA School SUN.: 9 .35 9.35 9.20 9.0536.95

TOTAL: 18.65 18.65 18.50 18.40 74.200 40 % CHAM P ION S H I PSi 35. 900 + 60%TR I ALS(37 . 1 00) =36 . 62 5 Marina Kunyavsky SAT. : 9 .40 9.40 9.60 9.60 38.00

L.A. School SUN .: 9 .15 9.55 9.50 7.0535.25 TOTAL: 18.55 18.95 19.10 16.6573.250

40% CHAMPIONSHIPS (36.550) + 60% TRIALS (36.625) = 36.595 Stacy Oversier SAT.: 9 .05 9.35 8.95 9.1536.50

L.A. School SUN.: 9 .30 9.40 8.95 9.3537.00 TOTAL: 18.35 18.75 17.90 18.50 73.500

40% CHAMPIONSHIPS (35.950) + 60% TRIALS (36.750) + 36.430 Wendy Hi lliard SAT.: 9 .10 9.20 9.25 9.3536.90

Detroit Metro SUN.: 9 .30 9.25 9.25 9.2537.05 TOTAL: 18.40 18.45 18.50 18.60 73.950

40% CHAMPIONSHIPS (35.300) + 60% TRIALS (36.975) + 36.305 Teresa Bruce SAT.: 9 .30 8.45 9.10 9.30 36.15

P.NW. Oregon 's SU N.: 9 .40 9.30 9.25 9.0537.00 TOTAL: 18.70 17.75 18.35 18.35 73.150

40 % C HAM PION S HIPS (34.800) + 60 % TR IA LS (36.575) + 35 . 865 9 Elizabeth Cull SAT.: 8 .60 9.10 9.25 9.15 36.10

L.A. School SU N.: 8 .55 9.30 8.85 8.9035.60 TOTAL: 17.15 18.40 18.10 18.0571 .700

40% CHAMPIONSHIPS (35.150) + 60% TRIALS (35.850) + 35.570

July/August 1984

Pioneer Spirit Lives By Mike Botkin

USA Gymnastics Editor

In this day of high technology it is hard to find an area where there are any pioneers, but 1984 Rhythmic National Chan1pion and USA Olympic

team member Valerie Zimring feels she has found her spot. "It's neat to know that you have helped start something and I think it's going to be big."

What the Los Angeles native is referring to is the fact she is on the first Rhythmic Gymnastics Olympic team ever and as a member of that tean1, she is initiating that sport into the 1984 Olympics. "It has been hard to be involved in an unknown sport. When I first became involved, no one accepted it. I was at meets where people laughed at me because they thought I looked ridiculous."

Well, all that has changed now and as Zimring admits, "the sport has improved by leaps and bounds over the past couple of years." During the early days of rhythmic gymnastics, there were times when the only people watching the sport were the parents of the athletes and the judges. But with the widespread publicity the sport has been receiving of late, the crowds have improved and so has the nation's understanding. "It is easier to perform when there are people in the stands. No longer are you performing for just the judges. Now I go out and perform my routines for the crowd and I have found it much easier to get mOre involved and to emit more expreSSion."

For the American team, it has become a big boost for the Games to be held in Los Angeles. "People used to say to me that it was a shan1e the Olympics weren't being held in some far away place. But I have been to all those far away places for other international competitions," Zimring admits. "Now I will be performing in front of all my friends because they have all gone out and bought tickets which makes it a lot easier for me. It takes some of the pressure off."

Zimring, who lives a stones throwaway from the UCLA campus, site of the 1984 Olympic Gymnastics competition, is grateful for the home town crowd. " In big international competitions far away from home, I feel very intimidated. But by performing so close to home the pressure will be on the other international rhythmic gymnasts. The crowd will be behind the USA, and I feel this will give us a big advantage."

Every day friends, members of the press, and Zimring herself, asks herself the big question: "What about a medal for the USA." "I would love to get a medal and I don't think that is totally out of the question. I am going to try."

But she admits, the medal isn't the most prevalent aspect of the Olympics that is on

USA Gymnastics

In zimring

her mind. "I want to go out and have a good time, to do my best and to represent the country in the best possible manner. The scores are important, sure, but I have to feel good about myself If I do that and I perform well, then I will have succeeded in my goal."

So far in her illustrious career, rhythmic gymnastics has been the major part of her life. She has been involved in the sport for 71/2 years and was in artistic gymnastiCS before that. With the realization of her drean1, making the Olympic tean1, there are other aspects she is now considering. "I want to go to college and will be attending UCLA in the fall. I know I would like to stay in the sport in some fashion , but I haven' t decided in what way."

Zimring admits she always had the Olympic dream in her head, even from the beginning when rhythmic gymnastics wasn't an Olympic sport . But it took the experience of her coach Alia Svirsky, the 1984 Rhythmic Gymnastics Olympic Coach, to give her the guidance she needed. "One of my problems in the past few years was I didn't know what I wanted. I didn't know if my heart was in it or not. But Alia has showed me that I could attain my dream and pushed me to it. "

There are several aspects of everyday life any athlete must forego in order to train for a particular event. One of those is a social life. "Many of my friends that were involved in gymnastics when I first started, dropped out to have a social life. They were always asking me why I stayed in and didn't always understand when I told them why. Now I

Vale,ie Zitnrillg ( ahol'e) fillds the rihbon the bardest apparatus to handle. She is bwylput to name her jmmrite el'ent because it depends on her mood (USGF photo ©

1984 [Ja l'e Black).

think they understand and I feel they wish they had stuck w ith it. I don't think I have missed that much."

By sticking to her guns, Zimring has been able to shoot for the stars. She has knotched up international travel and exposure in her gun belt, something other kids her age haven't experienced. "In a lot of ways I feel older than my friends. I understand more about life and what it takes to achieve goals. I don't know anyone who has dedicated themselves as much as a gymnast, and that in itself teaches you a lot."

There are special feelings that are reserved just for those who make an Olympic tean1. The chance to represent your country, to stand on the victor's stand and hear the National Anthem being played sends chills up and down the spines of fellow countrymen wherever they may be located. "My whole career has been an incredible experience. The best feeling is how really proud of myself I am. During the Olympics I an1 going to try and treat the competition itself as much as possible, as any other big event and not like the Olympics. I'm going to go out and do the best I can."

33

July/August 1984

Berube~s Goals Set High By Mike Botkin

USA G}nlOastics Editor

T he greatest ideas can come from just goofing around and Michelle Berube can attest to that. The 1984 rhythmic gymnastics OI}'111pic

team member came up with a move for her ball routine one day while Sitting on the floor with friend Amy Shatz.

"I guess we should call it the Michelle and Amy move. We were just fooling around when I rolled the ball down my arm, delayed it on my back then rolled it back down the same arm. I thought this was pretty neat and started practicing it and decided to incorporate it into my routine."

When Berube is performing, she has a certain talent to get close to the audience. She conveys this through her facial expres­sions and the use of her tricks in conjunction with the music she chooses. "It has always been my goal to perform and when I do I have to be very exact. I am such an emotional person I have to be totally into my routine. I like to make eye contact with people in the audience and see their reaction to my routine. I know I have had a good routine if I have gotten through to the crowd."

Berube, along with Valerie Zimring and Lydia Bree, have proved themselves to be the best rhythmic gymnasts in this country and that is one of Berube's goals for the Olympic Games."My goal is to do the best of the United States. If I can finish ahead of Regina Weber of West Germany then I feel I will have accomplished something. She's known throughout the world for her name plus she has a very distinct style."

With the realization of making the Olympic team and to represent the United States in the Games, Berube feels she could get better but doesn't know if she wiII have the time to devote to reaching her full potential. "I've hit a peak and feel I could go farther. It is a big question with me to leave while I'm on top and move on to new things or to continue for another four years. I want to stay around gymnastics, but at the same time I am looking around for opportunities."

Now that the pressure of making the team is over, Berube can relax and sit back and think about what she has done. "When we were on the podium after the Trials, all the emotions and frustrations canle pouring through and we knew we were on the team. I'm very happy I'm going to the Olympics. It is a great honor making the Olympic team."

Olympics Realization OJ Dream By Mike Botkin

USA Gymnastics Editor

R hythmic gymnast Lydia Bree is on the hot seat. Although she is a member of the 1984 Rhythmic Gymnastics Olympic delegation,

she placed third at the Olympic Trials and thus must play the part of alternate. But even this has not diminished her zest for the sport in which she has spent the majority of her life.

"This is (making the Olympic teanl) such a realization of a dream. It's such a goal that you set for yourself that to realize it is such a rush of warmth." Nothing is ever definite until it is over."

Bree is the oldest member of the 1984 squad and thus carries with her the most experience. "The first time I ever saw rhythmic gymnastics was after the 1972 Olympics and the Russians were giving a group routine exhibition. I just thought they were a bunch of clever Russians who made up these routines in their back yard. I had no idea it was a sport."

Brees longe/li~)I in rhythmics has paid off 111th bel' thirdplacefinisbin the Trials. (USGFphoto © 1984DcIIJe Black).

34

But when she was a sophomore in high school, this sport became as real as life to the California native. "I started taking artistic gymnastics classes and at one of them I saw Alia Svirsky working with some girls. When she moved her gym closer to me, I started taking classes. I never dreamed I would get into this."

After one year in rhythmic gymnastics Bree made the World Chanlpionship team and traveled to Switzerland. It was here she got her first education on the sport. "I was amazed at the level of competition. I was just

working at tlus for fun, three times a week for three hours. I thought I would go to the World Championships and then go home and go to school. But Svirsky told me it was more than fun and games, it was hard work, so I came home and started working six days a week for six hours a day."

As has fellow Olympian Valerie Zimring, Bree has been instructed by 1984 Rhythnlic Gymnastics Olympic Coach Alia Svirsky. According to Bree, she has been the guiding light behind her. "I think Alia is one of the finest coaches in the world. She has made me what I am today. She can take a person and realize their potential, the mark of a truely great coach. She can then take that talent and bring out the good positive qualities."

Because of her longevity in rhythnlic gymnastics, Bree has been around long enough to see many changes come about in the sport. ''young girls now, their basic elements were my superior elements when I started. One of the biggest advantages I can see now for the girls coming up in the sport is they have older girls to look up to. This is something I didn't have. There is a good system where they can come up through the ranks. When I started, I had no idea of what the sport was all about, but look at me now."

USA Gymnastics

July/August 1984

Svirsky's Expertise Improving Sport

By Mike Botkin USA Gymnastics Editor

F oremost on the mind of 1984 Rhythmic Olympic Coach Alia Svirsky is the advancement of the sport she has come to call her

own. When she first arrived in the United States from her native country of the Soviet Union, Svirsky was known throughout the gymnastics world as a great choreographer for both artistic and rhythmic gymnastics.

Sitting in her office at her own club, the Los Angeles School of Gymnastics, Svirsky is quite pleased with the advancements her sport has made throughout the years. "The development of the sport has come so far. It is nice to see there are big companies out there who are willing to give their support. They are starting to recognize the beaufy and potential of the sport. "

Getting to the grassroots of the program, Svirsky feels the Americans have a distinct advantage in rhythmic gymnastics over the Europeans. "In this country, the athlete has to want to become a rhythmic gymnast. There are so many other options open to them that this creates very positive desire within them. This is something that cannot be taught. You have to want to perform. We have a natural selection of our gymnasts because they are free to do what they please. In other countries, they cannot do this, it is very structured."

When talking to the rhythmic gymnasts themselves, they respect the work that Svirsky has done. But one of the major drawbacks to the American system is the lack of competitions they are able to attend. In Europe, rhythmic gymnasts have the opportunity to compete against other countries because of the close locale. It takes an incredible amount of money to either send, or stage an international competition because of the distance involved. But according to the Olympic coach the advantages outweigh the disadvantages. "In this country we have an advantage because of the amount of modern music available for us to listen to. We can use this in our routines. Everybody copies us. Right now, the Bulgarians (who will not be competing in the 1984 Games due to the boycott) are using our music in their routines. "

But with the advancement of any sport comes the pains of growth . More advanced facilities are needed by the

Suirs}.:y feels she mlisl Sllid)1 a ll IiJe

lime in order 10 keep liP w ilb lhe rapidl)1 cbanging sport. (USCF pbolO © 1984 DClIJe Black).

USA Gymnastics

rhythmic gymnasts in order to keep up and surpass the world's best. "We are still behind in the conditioning of athletes and we are overgrowing our facilities. We will have an excellent training facility (for the Olympics) due to the great support we are getting from the United States Gymnastics Federation and the United States Olympic Committee."

A coaches work is never done and Svirsky is a living testimony to this well proven adage. ''you cannot be one second behind or you will blow it," she said. "We have to be very strong in technique and details, both technical and mechanical. I have to study every minute, it is the only way to adv:mce."

Far more important than the actual routines the rhythmic gymnasts perform, Svirsky feels the preparation of the mind comes frrst. After all, if they cannot handle the pressure then even the

greatest routine in the world won't help. "It takes a lot of dedi­cation to prepare the minds of the young gymnasts. It's all blood and sweat. I feel the gymnasts should be taught by their coaches and not by themselves. They may be strong individuals, but they cannot be counted on to teach themselves how to react under pressure. They have to work with the coaches. You have to show to yourself that you are very confident."

Looking towards the Olympic competition itself, Svirsky has very definite ideas on what it is going to take to bring home a medal. "I feel there will be six countries competing for a medal (See ALLA, page 36)

35

seized the opportunity to claim the top spot. "I had a lot of time between my hoop and

ball routines," said Berube. "Before I went on for my clubs routine, I felt confident and secure and very relaxed." But her relaxed countenance wasn't affixed for very long be­cause she dropped a club very early in the routine. Then came another drop, and Berube's usual smiling face became as sober as a judge's. "When the first drop came I felt nervous. Then I was petrified after the second. After it was all over, I was really depressed and I still had another routine to go."

For her routine the Detroit Metro's star received a gift score of 9.05 which dropped her into second for the remainder of the competition.

Zimring's second day of competition was just the opposite. "The first day I was very nervous and I gues I let the pressure get to me too much. I knew I had to do well and was pushing myself pretty hard. I didn't do a bad job but I just didn't have the right attitude." So later that night came the moment of truth and after a small self confer­ence she came out the second day a new gymnast. "I just knew the second day was going to be harder and that I couldn't let the pressure get to me. I had a great day and felt I did well in all four events."

Wendy Hilliard was another gymnast who turned in a very consistent performance. She had one slight bobble at the end of her ball routine the second day which turned out to be her only mistake in all eight routines. "I am very proud I got the chance to compete in this historic event," said Hilliard. "I feel very good about my performance." For the Detroit gymnast it is on to bigger and better things but with a promise to "stick around for awhile longer in the sport."

Saturday's Competition

T he field was narrowed to the top four competitors by the time this day was over. Kunyavsky started the competition off with a bang as

she turned in a good strong hoop routine which included a move called the Shugurova element which is where she kicks the hoop with the calf of her leg, then catches it. She had the misfortune of being the first competitor of the meet and scored a 9.0 for her routine.

Zimring came right out and nervousness or not, set the standards for the rest to watch as she turned in a very expressive hoop routine good for a 9.4. Teresa Bruce showed some flexibility that was not evident in

(ALLA, from page 35)

{Romania; West Germany; Spain; Canada; Japan; Italy and China could bring a surprise) along with the United States. If the Bulgarians were in the Olympics, we might see some perfect 10. ()()'s. But I feel a 9.7 or 9.8 will be the champion. Ifwe can get a 9.6, we may get a medal."

Svirsky switched from the ranks of the artistic gymnast to that of a rhythmic gymnast because she felt she could use her

Lisa Aaronson placed fOllrth e1l11ing the Rhythmic O!Vmpic Trials in AI/antic City. The lIleetll 'as hosteel hy Hm7"ah 's A t TnllIlP Plaza and 1/I(/S in conjllllction 1l1th that casino s grand opening. (USCF photo © 1984 Dcllle Black).

ballet background in a better way. Although she still coreographs floor exercise routines for artistic gymnasts, Svirsky likes to do routines for her rhythmic girls. "It is such a beautiful sport. The body preparation is much like that in ballet. It is an easy sport for young people to get involved in. In grade school you can give 100 kids a ribbon and you have the makings of a very beautiful group routine."

To come to this country and have her work rewarded by being named as the Olympic coach, the first ever in the history of

Orangeburg, S.c. and improved her standings with a 9.3.

The highest marks of the day were taken by Berube who made up the ground lost from the Championships by garnering two 9.65's. The first came in her ball routine and the second in her ribbon routine. "It is a new ribbon routine and I like it very much. I am happy to be on the floor with it," she said.

There was just .005 separating Zimring and Berube. Zimring had an equally good day scoring two 9.6's to keep pace. The first came for her clubs routine and the second during her dynamic ribbon routine. After the first day, the scoreboard read: Berube (26.440); Zimring (26.435); Kunyavsky (26.020); Bree (25.590); Lisa Aaronson (25.535); Stacy Oversier (25.330); Hilliard (25.19); Elizabeth Cull (24.890); and Bruce (24.765).

Sunday's Competition

In addition to it being the finals of the Rhythmic Olympic Trials it was also a birthday celebration for Aaronson who just happened to lead off the day's

festivities. She began well, but had the hoop stick a couple of times and was rewarded with a 9.35.

The story of this cool day was that ofBree. She picked right up where she left off from the day before and began with a 9.55 for her hoop routine. Following her was Berube whQ nailed her routine and scored a 9.75, the highest score so far in the competition. But not long after her came another stunning routine, this time turned in by Zimring who also scored a 9.75.

During the ball competition it was again Zimring and Berube who took top honors, each scoring 9.75 's. Miss Flexibility, Oversier, improved her standing with a beautiful routine for which she received a 9.4 score.

Zimring used the overall low scores of the clubs portion of the meet to take solid command. After witnessing Berube's 9.05 routine, Zimring, with all the style and poise of a true champion, came through with a breathtaking routine, a 9.75 score and the lead for good. A drop near the end of her routine spoiled an otherwise very solid routine for Bruce as she scored a 9.25.

ll1en came the fateful ribbon routine. For Kunyavsky it was a disaster, for Bree an answer to her prayers, for Berube, a time to get her act together, and for Zimring one last routine before victory.

the United States, Svirsky feels quite honored. "I feel great. I am very excited about the Olympics and the exposure our sport is going to get. We have great athletes and we should do very well. We have advanced very quickly over the past few years. We have gone from scoring 8.6 or 8.7 in international competitions to scoring 9.4 and 9.5's. I feel we have done a sensational job in advancing without the help of big money. We should get that help from the boom which will take place after the OlympiC Games."

July/August 1984

l2~(3 l3uum t=ind§ VUQelaar- In Middle By Mike Botkin

USA Gymnastics Editor play for the Holland national rhythmic team. I didn't like the sport that well at first , but since then it has become a part of my life."

him to the key people in rhythmic gymnastics. "I knew Alia already from international meets I had played at. I was very happy to play for her because I feel she is the top coach in the country."

With the popularity of rhythmic gymnastics gaining by leaps and bounds every day, the United States Gymnastics

Federation has gotten into the music busi-

Upon his arrival in the United States, Vogelaar hooked up with an old acquaintance, Alia Svirsky, and she directed In Europe it is almost standard procedure

for the gymnasts to work with a live pianist rather than taped music. Svirsky saw the need for this in her gym and so hired the services of Vogelaar. "She thought it would be more professional to practice with a live piano player."

ness and pianist Jacques Vogelaar is the person this interest is centered around.

Going by the nickname Jacko, the European born pianist has been on the payroll of Olympic Coach Alia Svirsky, at her school the Los Angeles School of Gymnastics, playing music and arranging songs to the routines of its members for awhile now. But it wasn't until just recently that he received the tag of official rhythmiC gymnastics pianist for the United States in the 1984 Olympics.

Vc:gelaar's involvement stretches back to his days in Holland where he began his musical career by studying at the Hague. "I was 16 years old when I was asked to play for a rhythmic gymnastics club. Then about 13 years ago, in the early 1970's, I was asked to

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Since his birth into the sport of rhythmic gymnastics in Europe, Vogelaar has seen many changes come about very quickly. "The level of competition has changed so much. A girl that finished 10th in junior competition now could have been a world champion 13 or 14 years ago."

Vogelaar terms himself as "invisible support" for the athletes he plays for. "I am someone who is in the background helping. I am an essential part of the gymnast. I can cost them points or I can gain them points. I am all the time working with them."

But for the piano, gymnast and coach to all work together and understand each other takes a while, according to Vogelaar. The main feeling between the pianist and gymnast must be tnIst. "It is a triangle. I must get to know the gymnast and her routine and she must get to know me and that takes a couple of months. Every girl has different things she will do. I have to watch her arm on a toss because that is when I accent it, I have to know the routines inside and out and be able to keep up with all the changes. "

Once that tnIst is established and the gymnast knows Vogelaar will be there to either cover up a mistake or help speed a routine up, then they will be able to fully concentrate on their routines. "I concentrate more on them than they do on me. They have problems enough with their equipment and have to concen trate on that all the time they are on the floor. "

But at the same time, the piano player misses some of the routine because he has to watch what he is doing. "They prefer it when I stay on the right keys," laughes Vogelaar. "If I play 10,000 wrong notes the gymnast will get confused and it will upset her routine. It is always a surprise for me to see the routines on video tape because I see things that I have missed. When you have to check two things, you miss something. "

So it will be on to the Olympics for Vogelaar and the rhythmic gymnasts and the pianist is very excited about his involvement in this large international event. "I am very happy they have a place for a piano player. I feel this will be very good for the girls. They will get to show their routines 100 percent perfect."

Vogelaar has played for each girl on the Olympic squad before and feels it is very important that he accompanies them on international trips as well. "It is very important for me to know exactly what they are doing and are going to do. In the case of international meets where there is great pressure, I like to know how they are going to react."

USA Gymnastics

Now that the Uni ted States has an official piano player for rhythmic gymnastics, the USGF felt it necessary to have an official piano. Kimball Piano Co. has filled this need and has been designated as the official piano of the USGF. "I am very happy the USGF has realized the importance of a piano player and an instrument and I'm very happy Kimball was interested. I think they are doing a perfect job."

Since rhythmic gymnastiCS has become such an important part of his life, Vogelaar feels it wi ll be very hard to get out of the sport. But there is always the threat of rhythmics orchestrating its music or the concept of retiring to move on to something else. "I am so much into the sport that it wi ll be very hard for me to get out of it. You see how hard it is for the athletes and it will be the same for me."

Jacques Vogela£/r Jacka " (left) plays a 562, ()(}O ()() Kill/ball piano witb rbytbmic gymnast lVenc(j1 Hilliard looking on. Abo/Je Jacko pla)'s for a competitor clurillli tbe Rhy tbmic O~)llI/pic Trials in Atlan tic City, NJ.

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40 USA Gymnastics

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eALENDAR UNITED STATFS GYMNASTICS FEDERATION

Schedule of Events (Dates & Events subject to change or cancellation)

AUGUST 1984 9· "

O lympi c Gym nastics Competition Rhythmic G)~11I1asti cs

Pauley Pavilion UCLA C unpus

1;·20 RSG Continental Judges Course. Colorado Springs RSG National Coaches Cou rse Colorado Springs, CO.

I !HO Junior Men's Development Camp Colo rado Springs, CO

SEPTEMBER 1984 18· 19

USGF Business Seminar Indi 'U1apolis, IN

20·25 USGF Congress Indi 'U1'qJolis, IN

. 1)·23 'Olympic Medalist Tour

OCTOBER 1984 1·2 1

RSG Training Cunp Colorado Springs, CO

BULLETIN Head coach needed for new gym in Bugota Columbia So uth America. Must have experienct' wit h girls competitive programs, and start work as soon ;15 pOSSible. Send Curriculum Vitae:

Joyce Mitr,mi Calk 105 #24·66 Bogota, Columbia SA.

Or call ,md kave message al (.'105 ) 92.'1·0694

Boy's Head Coach-San Francisco Bay area; wi ll assist with girls and preschool ; top facilities in Palo Alto ;md Fremont ; vaca ti o n . sick leave. insurance ; sta rt immed iately; send resume to Roy Davis, Gymnast ics West. Inc. , 120 HaMho m e Avenue, Palo Alto, CA. (94301 ( 4 15 ) 328·2 188

HELP WANTED: Parents of gymnasts, coaches, and booster club members. Earn extra income selling unique gymnastic novelties, jewelry, bUllons, stat ionary and T· shirts, in you r spare time, either from home or at you r local gym. Cat ,~og also avai lable for individual gymnasts and school pro shops. We also ha, 'e a complete line of team jackets, bUllons, T·shirts fealUring your team logos. For complete details, please write o r call: GYM ASWFF, 185 Thunder Road , Holbrook, New York 11 74 1 (5 16· 472·3074 )."

25·28 Four Continents Champio nships in Rhythmic G)~nn 'L~tics

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NOVEMBER 1984 3·8

1984 Ontario Cup (M /W) Toronto, Canada

' TBA

17

Pacific Alliance 'Site TBA

Mt. Rushmore Cup (Junior Boys & Girls ) Rapid City, SD

17·24 I st Junior Men's Dev. Camp Colorado Springs, CO

24·30 2nd Junior Men's Dev. Camp Colorado Springs, CO

DECEMBER 1984 1·8

3rdJunior Men's Dev. Camp Colorado Springs, CO

Regardless of Olvmpic 13oVCOll . ABC Summer Camp, the Premiere Rhythmic Gymnast ics Camp in the USA, w ill have i\'tadame Henriette Abaci from Hungary at their Camp as advertised! I.oc:tteo at Soko l \Voodlands in Bar­rY"i ll e, NY. from August 18 through August 26 The Camp is for gymnasts. coaches and educators and anyone inter­ested in RhythmiC Gymnastics. For Informat ion call or write: ABC Summer Camp, 51·15 Van Kleeck St .. Elmhurst. NY 1137~ (2 12) 4 57·8447 or (2 12) 779·1057.

The Ma lden Y.M,CA, Gymnastic Club is very interested in sponsoring a foreign and o r domestic gy mnastics Iea m, in a n exchange program format. The Malden "Y " squad is made up of approx imately 20 age group gymnasts, ranging in from 6 to 16. Our sk ill level a t the Class III level is as fo llows: BEAM back handspring , roundoff, back ex ten t ion , handsta nd full turn: FLOOR EX run punch front so m .. stand back som .. arabians, back som .. layout: BARS Handstand mount, Handstand y, turn high bar, three different release moves in between the ba rs; VAULT Handspring fulls , y, on y, off, Tsukahara. Our program gears itse lf primarily 10 compulso ry exercises, but were jusl learning about co mposing oplional rout ines.

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July/August 1984

Attention, Don't Delay Register Today Now

USGF 1984 CONGRESS September 20-23, 1984 Indiana Convention Center~anil Hoosier Dome - --=- ~ ~~

Ten~tive s.chedul~-including :,;~ ~~rke~uare Arena

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September 20, 1984 ACEP Seminar General Congress

Registration General Assembly

September 21, 1984 Congress Meetings Tour of Champions

For Air Travel Arrangements Call USGF Travel Service 1-800-243-3180

In addition, on Friday evening, September 21, 1984,7 :30 p.m., at Market Square Arena, the USGF will host the McDonald's Tour of Champions, an international exhibition ofthe '84 Gymnastics Olympians and medal winners. The athletes will perform two routines, one being the apparatus and routine that they won a medal for. It will be an exciting opportunity for all to learn from the best.

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Please return registration form and fee to: USGF Congress 101 W. Washington Street Merchants Plaza 1144E Indianapolis, Indiana 46204 (317) 638-8743 L __________________________________________ ~ _____ ~ __ ~-~

44 USA Gymnastics

Gymnastics in America is taking on a different look thanks to the combined efforts of the United States Gymnastics Federation

and Vidal Sasson who have been grooming the heads of men's and women's artistic gymnasts and rhythmic gymnasts.

Breezing into make-shift salons before competitions, the imported hair stylists have been responsible for a renewed feeling of self confidence in the athletes. "They treat our athletes first class and make each one feel very special," said Rich Kenney the USG F's Director of Marketing and Sponsorships.

Always the center of attention at any meet they attend, the troops of Vidal Sassoon have become more than hair stylists, they have be­come friends. Going into the salon is always a fun experience and a highlight of the trip.

With sc,issors snipping, hair dryers drying and music bellowing from a portable stereo, athletes and stylists share experiences and laugh together. Then when the cut is com­plete and the new athlete emerges, they are taken to the photo studio where they are

USA Gymnastics

July/August 1984

made into a model tor a day. As can be wit­nessed by the before and after pictures, all of the natural beauty of the athlete is brought Ollt by the Sassoon professionals.

"TIle better you feel about yourself, the better you are able to perform," stated Kenney. "We have the best looking athletes in the world. "

Looking to the wider scale, Vidal Sassoon, the official hair care consultant to the USGF has also become the offic ial hair care consultant to the 1984 Olympic Games.

MITCH GAYLORD Before After

j

Before MARY LOU RETTON After

PETER VIDMAR Before After

PHOTO:Grant Sainsbury © 1984, VIDAL SASSOON, INC.

Finally . . the small business computer system for the day-to-day operational control of your club business and members.

Membership Tracking

Accounts Receivable/Payable

Word Processing

Equipment Usage TraCking

Attendance Records/Class Scheduling

Cash Flow Management

Mailing Lists

Many Other Additional Features

This proven low cost system is ideal for Health, Fitness and RecreaJional Clubs, Gymnastic Academies, and Career Schools. For more information contact:

45

...-_____________ July/ August 1984, _____________ --,

46

USGF "Team" Of Sponsors, Suppliers and Supporting

Companies The USGF is very fortunate and privileged to have

relationships with the following companies in support of the sport of gymnastics in the United States and our National Teams. The following companies give direct financial payment that supplies almost 25 percent of the Federation's operating capital, in addition to the official services and products supplied to the USGF. The "behind the line" dollars spent by these companies in

McDona d·S • I®

McDonald's Corporation -"official National Corporation Sponsor."

~TIGER~, Asics/Tiger Corporation -"official competitive apparel supplier to the Men's and Women's Artistic and Rhythmic National Gym­nastics Teams."

NissanlDatsun -"official car and truck of the USG£"

TomBoy/Domino of California -"USGF official travel and leisure apparel supplier."

the form of promotional support, products and services of and for the USGF goes far beyond their direct financial support. The benefit of these relationships also go beyond those of the National Team and are designed and created to support the gymnastics community as a whole. We do hope the gymnastics community, when they have the opportunity, will support these companies as they are a very active part of our gymnastics family.

FujilUSA-"official supplier of photographic and video prod­ucts to the USG£ Also an official sponsor of USA Gymnastics magazine."

(VIDAL SASSOO~ Vidal Sassoon -"official hair care consultant to the United States Gymnastics Federation."

rti\, 'VP

ElTAllIlHED 1m

FlKjAZY INTERNATIONAL TRAVEL

Fugazy International -"official travel agency of the USG£"

~ lfVL1SHI NGTON STREET

. PUBLISHERS Wclshington Street Publishers "official USGF poster publishers."

Johnston's Yogurt -"official Yogurt of the United States Rhythmic Gym­nastics Team."

KEY BOA R 0 S "official piano of the USGF."

USA Gymnastics 1

liger goes head over heels for the gold. On the beam or on the bar, on the floor or in the air, Tiger is proud to perform with the U.S. Gymnastics Team. ltSC

ASICS Tiger is the official supplier to the 1984 U.S. Gymnastics Team. Shown: Mary Lou Retton. ASICS Tiger Corporat ion, 3030 South Susan Street, Santa Ana, CA 92704. asKS TIGER.

ONCE A KID DEFIES GRAVITt THE SKY'S THE LIMit It isn't easy. It takes agilit:.y., .strength,

motivation. And most of alI" It takes work. Hard work. But Iittl~ ~y ?ttle, youreaIize that the tiny voi~ e m~Ide you was right all a1ong_ You caII- do It.

from local meets all the -way to the Ol~pics. From Head O"Ver Heels Gym­nastIcs programs that get kids started to the U.S. Olympic Gymnastics Team ihat lets them shine.

McDonald's believes in r..;;;;;;;= McDonald's1l' wants more kids to believe they can do it. To be­lieve in themselves. Because once they do, there's no telling how far they'll go. There'll be no stopping them.

the power of that tiny voice. That's why we sponsor gymnastics for kids of all ages,

Proud Sponlor.' the 1'" Olympics

t NOT JUST BET'TE.R AT'HLET'E5. BETTER KID . , . t •

I I !