unknown – wilton diptych richard ii presented to the virgin and child by his patron saint john the...
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![Page 1: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/1.jpg)
Unknown – Wilton DiptychRichard II presented to the Virgin and Child by his Patron Saint John the Baptist
and Saints Edward and Edmund – all are represented as traditional icons
![Page 2: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/2.jpg)
Unknown – Baptism of ChristRichard II presented to the Virgin and Child by his Patron Saint John the Baptist
and Saints Edward and Edmund – all are represented as traditional icons.
![Page 3: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/3.jpg)
Da Vinci – The Last SupperEven in a traditional religious scene, the human drama of the moment
overshadows the image’s religious significance.
![Page 4: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/4.jpg)
Leonardo Da Vinci – Vitruvian ManDa Vinci’s analytical portrait of man (which has been beamed to potential alien
observers) reflects the scientific mentality of his age.
![Page 5: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/5.jpg)
Leonardo Da Vinci – WombDa Vinci’s medical sketches reveal a irrepressible scientific curiosity in an age
where such activities were seen as illegal and immoral .
![Page 6: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/6.jpg)
Michaelangelo – Mona LisaRenaissance art was heavily influenced by the Humanist movement. This famous
example demonstrates the growing importance of the individual.
![Page 7: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/7.jpg)
Michaelangelo – The PietaRenaissance art was heavily influenced by the Humanist movement. Here, the
religious theme is overshadowed by the personal drama of mother and son.
![Page 8: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/8.jpg)
Michaelangelo – The PietaRenaissance art was heavily influenced by the Humanist movement. Here, the
religious theme is overshadowed by the personal drama of mother and son.
![Page 9: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/9.jpg)
Michaelangelo – The PietaRenaissance art was heavily influenced by the Humanist movement. Here, the
religious theme is overshadowed by the personal drama of mother and son.
![Page 10: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/10.jpg)
Michaelangelo – St. Peter’s BasilicaRenaissance art and architecture were heavily influenced by the Classical
models that lay close at hand – compare this to Rome’s Pantheon.
![Page 11: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/11.jpg)
Michaelangelo – St. Peter’s BasilicaRenaissance art and architecture were heavily influenced by the Classical
models that lay close at hand – compare this to Rome’s Pantheon.
![Page 12: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/12.jpg)
Van Dyke – Charles IVan Dykes portrait of England’s doomed king employs a variety of contemporary
artistic conventions – including the horse as a symbol of (ironically) political authority.
![Page 13: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/13.jpg)
Rembrandt – Self PortraitRembrandt portrays himself employing two of the features for which he became
famous: a dramatic use of light and an honesty in depicting his subjects.
![Page 14: Unknown – Wilton Diptych Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund – all are represented](https://reader036.vdocuments.mx/reader036/viewer/2022062516/56649d6c5503460f94a4b39b/html5/thumbnails/14.jpg)
Diego Velazquez – Las MeninasAlthough painted in Spain in the 17th century, this “family portrait” has attracted the
attention of postmodern artists as an example of self-reflexive art.