tuesday, april 3pehs.psd202.org/documents/cneal/1522954689.pdf · ginevra king –fitz’s first...
TRANSCRIPT
Tuesday,
April 3
Agenda
● Intro to Gatsby
DO: Identify and apply biographical information to determine
meaning.
Evaluate symbols and themes to determine meaning.
HW: Ch. 1 & 2 quiz on Thursday
Quote journal
The Great Gatsby (2013)
Major themes in Gatsby
Major themes in Gatsby
Based on the biography from before
Break, the trailer, and your reading of
Gatsby, brainstorm possible themes in
the novel.
● What issues is Fitzgerald consumed
by?
● What type of people are involved?
● What type of activities are done?
Keep in mind though…
Great American novels “fly directly into the sunny face of that
vaunted American optisims; in many ways, they are all un-
American. Maybe Gatsby’s ending desolation comes as more of
a shock because the first movements of the novel (after Nick’s
retrospective introduction) are awash with the bubbly optimism
of the Roaring Twenties. But the party ends and the lights go out.
In Gatsby World, as opposed to Disney World, America is
exhausted before it ever got going. It’s all over, Nick decrees on
the very last page of the novel” (Corrigan 11).
The novel’s true heart
“When we make our first chain-gang shuffle into
Gatsby, we spend so much time preparing for standard
test prompts on the eyes of Dr. T. J. Eckleburg and the
color of Gatsby’s car and – above all – the symbol of
the green light at the end of Daisy’s dock that the larger
point of the novel gets lost. It’s not the green light,
stupid; it’s Gatsby’s reaching for it that’s the crucial all-
American symbol of the novel” (Corrigan 5).
Major themes in Gatsby
The themes you notice the most,
will tend to align with your
perspective.
Remember, your final presentation
will be on a theme throughout the
novel, as read through your lens.
Start tracking now, and make it
easier for yourself then!
Fitzgerald’s Insecurities
“Sink or swim. It’s the founding
dare of America, this meritocracy
where everyone – theoretically, at
least- is free to jump in and test the
waters. The fear is, however, that if
you don’t make it, you’ll vanish
beneath the waves” (Corrigan 35).
Fitzgerald’s early life
● His mom’s family (the McQuillans) came from (new) money
● Dad’s had breeding
● His dad, Edward, lost his job as president of a wick furniture
factory, and he never recovered
● Family rented on Summit Ave (swanky St. Paul street), but they
never belonged
● Fitzgerald’s tuition to Princeton was paid from a McQuillian
inheritance
Fitzgerald often reveals himself to be more aligned to the self-
made man or poorer relation; he always knows he is less than
Ginevra King –
Daisy 1.0
Ginevra King – Fitz’s first love
● Petite and dark (compare with the book’s
description of Daisy rather than the movie's)
● RICH – her dad was a Chicago stockbroker
● One of “the Big Four” – the richest and
prettiest girls in Chicago
* Her friend, Edith Cummings, was a
golfer and inspired Jordan Baker
● Her dad in 1916 famously said “Poor boys
shouldn’t think of marrying rich girls”
So how does this experience influence
Gatsby?
● In squads, reevaluate what you
know about Gatsby and what you
may have read.
● How does the novel of the Jazz
Age actually teach us about what
we wish we had?
Narratology –
Nick rereads“Nick, our narrator, certainly has to wise up [before he can
understand Gatsby]. It takes him two years before he can tell
Gatsby’s story in any coherent way, and still you know that, like the
Ancient Mariner in Coleridge’s poem, Nick will spend his life
thinking about Gatsby and the implications of the events that took
place during the summer of 1922. Nick rereads Gatsby’s story as
he tells it to us, and, in doing so, he shows us how crucial it is to
listen closely, go back and pay more attention to the details, look at
passages again and again” (Corrigan 7).
Let’s dive in
Read (or reread) the first pages
of the novel:
● What do we learn about Nick?
● What seems to be important?
● What demographic information do we get?
* He’s white, male, what else?
● Why is he going to New York?
Nick as narrator
● Is Nick a reliable narrator?
● Or put another way, is he
a hypocrite?
● Reread and be ready to
justify your answer
Benchmark 3 pass back
● Grades are posted
● Retake deadline – this Friday
● If you are retaking,
○ Reread Act 4/5
○ Look over writing notes again (ICE quotes, explain device)
○ Review writing sample (especially example 5)
● You must tell me when you plan to retake
Wednesday,
April 4
Agenda
● Who is Gatsby?
● Social class in Gatsby
● Ch. 1 & 2
DO: Understand differences in social class.
Track evidence to determine meaning.
HW: Quiz tomorrow: CH. 1 & 2 + quote journal (4 quotes total)
The hint of Gatsby
Reread the paragraph
on page 2; what is it we
learn about Gatsby
here?
The hint of Gatsby
“Only Gatsby, the man who gives his name to this book, was exempt from
my reaction – Gatsby, who represented everything for which I have an
unaffected scorn. If personality is an unbroken series of successful
gestures, then there was something gorgeous about him, some heightened
sensitivity to the promises of life, as if he were related to one of those
intricate machines that register earthquakes ten thousand miles away.
This responsiveness had nothing to do with that flabby impressionabilityu
which is dignified under the name of the ‘creative temperament’ – it was
an extraordinary gift for hope, a romantic readiness such as I have never
found in any other person and which it is not likely I shall every find
again. No – Gatsby turned out all right at the end; it is what preyed on
Gatsby, what foul dust floated in the wake of his dreams that temporarily
closed out my interest in the abortive sorrows and short-winded elations
of men” (Fitzgerald 2).
The hint of Gatsby
“…No – Gatsby turned out all right at the
end; it is what preyed on Gatsby, what foul dust floated
in the wake of his dreams that temporarily closed out
my interest in the abortive sorrows and short-winded
elations of men” (Fitzgerald 2).
● What type of person is Gatsby? (Archetypes)
● What is the foul dust?
● How good are dreams/obsessions in retrospect?
● How does Nick feel about Gatsby?
Icarus
Flew too close to the
sun, and his wings
melted, and he
drowned.
The hint of Gatsby
What type of person is Gatsby? (Archetypes)
● Hero vs. villain?
● Damsel in distress vs. adventurer?
● Dreamer vs. cynic?
● Is he a good person or a bad person? Should we feel
bad about what happened to him? Why or why not?
The hint of Gatsby
What type of person is Gatsby? (Archetypes)
● “Only Gatsby, the man who gives his name to
this book, was exempt from my reaction –
Gatsby, who represented everything for which
I have an unaffected scorn” (2)
If Nick says Gatsby represents everything Nick
hates, why does he then like him so much??
The hint of Gatsby
“…No – Gatsby turned out all right at the
end; it is what preyed on Gatsby, what foul dust floated in
the wake of his dreams that temporarily closed out my
interest in the abortive sorrows and short-winded elations of
men” (Fitzgerald 2).
What is the foul dust?
● What is the connotation of “foul”?
● How is dust created? (consider the aftermath of things)
● Why is it “floating” in the “wake”? What exactly happened
to his dreams?
● Should we feel bad for Gatsby?
The hint of Gatsby
How good are dreams/obsessions in
retrospect?
● Why does it matter that Gatsby has “an extraordinary
gift for hope, a romantic readiness…”?
● If Gatsby “turned out all right at the end”, should we
even be worried? (Think back to Nick’s comments on
scorn)
● What exactly is “preying” on Gatsby?
● So, are dreams something we should push towards?
Or view as dangerous?
● Is this a cautionary tale/story?
The hint of Gatsby
How good are dreams/obsessions in
retrospect?
● “How do you know what you want ‘til you get
what you want and you see if you like it?”
- Into the Woods, a musical based on fairy
tales
The hint of Gatsby
How does Nick feel about Gatsby?
The hint of Gatsby
As we continue reading the book, keep in mind this
opening, and that we know Gatsby’s dream has broken
something.
Now, we will look at some of the features he has to fight
against.
Gatsby is tough on social class
“Class remains our national awkward topic, usually mumbled
over in academic diversity workshops; indeed, most people
don’t know how to talk about class without automatically
coupling it to race. That’s because we Americans are loath to
recognize that the sky’s-the-limit potential we take as our
birthright comes at a price far beyond what many Americans
– of any race – can pay” (Corrigan 15-16).
The rich live in their own world
“Look again at those words about the rich spoken by
Fitzgerald’s narrator in ‘The Rich Boy’: Even when they enter
deep into our world or sink below us, they still think that they
are better than we are. They are different. That’s a statement
about class, not money; it’s a statement about an internalized
sense of privilege born out of wealth and out of what
Fitzgerald called in a 1933 letter to his friend and fellow
novelist John O’Hara ‘breeding’” (Corrigan 40).
Social class in Gatsby
● Fitzgerald himself felt like an outsider, but Nick is very
much an insider, who then hangs out with other insiders.
● As you read Chapter 1, consider what Fitzgerald is doing
in regards to class.
● Also be on the look
our for Nick’s
rereading of the story
The East Eggers
“Daisy and Jordan loll
about in such languid
fashion, they’re virtually
weightless. Tom, admittedly, is filled with passionate
intensity about the invading hordes of darker-skinned
immigrants pouring into American; otherwise, he’s idle.
Early in the novel- before he rouses himself to obstruct
Gatsby’s campaign for Daisy – Tom is little more than a
wealthy former college football player gone to seed; he plays
at life, the same way our entitled narrator, Nick, dabbles at
learning the investment business” (41-42).
Daisy the Siren (Archetypes)
● In Greek mythology, Sirens were
half women, half bird creatures who
lured sailors to their deaths by
singing.
● Consider Daisy’s description – is
she captivating because she’s
beautiful? Or for what feature
instead?
Study guide and quote journal
Use this time to make sure you are
prepared for the quiz tomorrow. You can:
• Finish reading Chapters 1 & 2
• Work on your theme journal
• Complete the study guide
• Read ahead
Quote journal –
2 quotations per chapter
• Left side: Write out the quotation in full (including
citation)
• Right side: Write out an explanation for
• Why this fits your perspective
• What thematic message it is conveying
• Your goal is to start tracking evidence to
determine a thematic message – what is Fitzgerald
trying to say about life?
Tomorrow
● Quiz on Ch. 1 & 2.
● Writing practice – this will go
easier with a quote journal!
● Character sketches
Thursday, April 5
Agenda
• Ch. 1 & 2 Quiz
• Character sketches
DO: Demonstrate recall of The Great
Gatsby reading homework.
Understand the writing process for literary criticism.
Analyze character evidence to determine
characterization according to a literary perspective.
HW: Ch. 3 due Monday
Ch. 1 & 2 Quiz
• Use complete
sentences.
• You can use your
literary journal.
Fair warning
If you fail reading quizzes, I will
give you a teacher detention with
me before the next quiz; this is so
I can help you be successful. We
will read the next chapter, and
complete the study guide – that
way we both will know that you
are understanding (and
completing) the reading.
Character sketches
In groups, collect at least 3 descriptions from
Chapters 1 & 2 for the character assigned.
Then, determine what their primary trait is, and
what lens they can be viewed through.
Sample: George “Doormat” Wilson
• “… when the proprietor himself appeared in the
door of an office, wiping his hands on a piece of
waste. He was a blond, spiritless man, anemic,
and faintly handsome. When he saw us a damp
gleam of hope sprang into his light blue eyes” (Fitzgerald 25).
• “‘Oh, sure,’ agreed Wilson hurriedly, and went toward the little
office mingling immediately with the cement color of the walls. A
white ashen dust veiled his dark suit and his pale hair as it veiled
everything in the vicinity – except his wife…” (Fitzgerald 26).
• George Wilson is the physical embodiment of life in the Valley of
Ashes; his color has faded, and he is a downtrodden man who
does not expect—or receive– much. As the downtrodden common
man, Wilson is easily read through the Marxist lens as an
indicator of how the lower class compare to the rich.
Character sketches
In groups, collect at least 3 descriptions from
Chapters 1 & 2 for the character assigned.
Then, determine what their primary trait is, and
what lens they can be viewed through.
• Nick Carraway
• Daisy Buchanan
• Tom Buchanan
• Jordan Baker
• Myrtle Wilson
• George Wilson
• Catherine (Myrtle’s sister)
• The McKees
Character sketches
• 3 descriptions
• Their primary character
trait
• What lens they can be
viewed through.
• Nick Carraway
• Daisy Buchanan
• Tom Buchanan
• Jordan Baker
• Myrtle Wilson
• George Wilson
• Catherine
(Myrtle’s sister)
• The McKees
Character sketches
• 3 descriptions
• Their primary character
trait
• What lens they can be
viewed through.
• Nick Carraway
• Daisy Buchanan
• Tom Buchanan
• Jordan Baker
• Myrtle Wilson
• George Wilson
• Catherine
(Myrtle’s sister)
• The McKees
Agenda
• Finish Character sketches• Imagery/symbolism• Writing practice
DO: Understand the writing process for literary criticism. Analyze character evidence to determine characterization according to a literary perspective.Analyze symbols in Gatsby. HW: Ch. 3 due Monday (this includes your quote journal)
Imagery and symbolism
Symbolism recap
• Symbols are a concrete representation of
an abstract idea/concept.
• Authors use them to subtly (and
sometimes not-so-subtly) convey themes
and messages to the reader.
Dr. T.J. Eckleburg and
the Valley of Ashes
As we watch the clip,
focus on how both are depicted.
• What words does Nick use?
• Who does this apply to?
• What is he concerned by?
Determining meaning
Reread pages 23 & 24, focusing on Fitzgerald’s
description of the valley of ashes and Dr. T.J.
Eckleburg.
Determine together with your partner what
both things can be symbolic of:
• What do they represent?
• Why are they prominent?
Writing according to
literary perspectives
The literary perspectives determines your theme• Remember: Literary perspectives are the lens you look
through when analyzing a text. Example: for Marxism, the theme/claim is focused on social classes, while feminism would be focused on the power relationship between men and women. • In “A Good Man is Hard to Find”, Joyce Carol Oates
demonstrates that holding onto one’s upper-class identity cannot save one from danger to convey that security is fleeting.
• Joyce Carol Oates explores how women can subvert their lack of overt power through manipulation in “A Good Man is Hard to Find” in order to demonstrate that power can be subtle.
How to formulate a claim
1.Identify the perspective you will use to analyze the story (this should be apparent from your reading/annotating).
2.Determine a theme: what message is the author conveying according to your perspective? (review reading questions if needed)
3.Write your claim including thematic message, author, and title.
Organization
1. Pick 2 pieces of evidence to support
your claim.
2. Identify the specific element that
proves your claim.
3. Decide which quotation will come first.
4. ICE your quotations!
Analysis
I- Introduce: Provide context. What has happened in
the story right before this quotation? Who is talking?
C- Cite: Using an integrated quotation, cite your
evidence with proper MLA citations.
E- Explain: Analyze your evidence. Identify the
specific element in your evidence by name that
proves your claim, and explain how it does so.
Remember to use the same language in your claim
when explaining evidence.
Analysis using evidence from Chapter 1 in your lens - Marxism
• “I waited but she didn’t say any more, and after a moment I
returned rather feebly to the subject of her daughter. ‘I
suppose she talks, and – eats, and everything’” (Fitzgerald 16).
• “Their interest rather touched me and made them less
remotely rich – nevertheless, I was confused and a little
disgusted as I drove away. It seemed to me that the thing for
Daisy to do was to rush out of the house, child in arms –but
apparently there was no such intentions in her head. As for
Tom, the fact that he ‘had some woman in New York’ was
really less surprising than that he had been depressed by a
book. Something was making him nibble at the edge of stale
ideas as if his sturdy physical egotism no longer nourished his
peremptory heart” (Fitzgerald 20).
Choose exact evidence
• “I waited but she didn’t say any more, and after a moment I returned rather
feebly to the subject of her daughter. ‘I suppose she talks, and – eats,
and everything.’ ‘Oh, yes.’ She looked at me absently” (Fitzgerald 16).
• “Their interest rather touched me and made them less remotely rich –
nevertheless, I was confused and a little disgusted as I drove away. It
seemed to me that the thing for Daisy to do was to rush out of the
house, child in arms –but apparently there was no such intentions in
her head. As for Tom, the fact that he ‘had some woman in New York’ was
really less surprising than that he had been depressed by a book.
Something was making him nibble at the edge of stale ideas as if his
sturdy physical egotism no longer nourished his peremptory heart”
(Fitzgerald 20).
• Commonality – Because Daisy is rich, she does not care for her
daughter as Nick thinks she should.
Claim
In The Great Gatsby by F. Scott Fitzgerald, Nick’s
judgmental view of Daisy in regards to her role
as a mother demonstrates contempt for the
upper class whose selfishness causes them to
care only about themselves rather than others.
Claim
In The Great Gatsby by F. Scott Fitzgerald, Nick’s
judgmental view of Daisy in regards to her role
as a mother demonstrates contempt for the
upper class whose selfishness causes them to
care only about themselves rather than others.
Author + Title + perspective detail + theme
ICE evidence
After his first dinner with Daisy and Tom, Nick has experienced first
hand the selfish concerns of his cousin and her husband. The last
bit of gossip they must discuss is the rumor of Nick’s engagement,
which he tells them is false. As he leaves for the night, he notes,
“Their interest rather touched me and made them less remotely rich
– nevertheless, I was confused and a little disgusted as I drove away.
It seemed to me that the thing for Daisy to do was to rush out of the
house, child in arms –but apparently there was no such intentions
in her head” (Fitzgerald 20). Nick acknowledges Daisy and Tom’s
“interest”, but it is immediately dismissed in favor of judgmental
attitudes because Daisy does not exhibit the familial good-bye he
expects. While he is temporarily able to see them as “less remotely
rich”, he still is judgmental of their lifestyle and finds them selfish
for acting in accordance with others in their social class…
Another example
At the beginning of the novel, Nick is invited to dinner at his cousin Daisy’s house with her husband, Tom, and Jordan Baker, her friend. After a tense dinner, Nick and Daisy are talking together, when Daisy tells Nick she is now cynical after going through a hard time. Nick, uncomfortable, attempts to turn the conversation back to an earlier topic, her daughter “‘I suppose she talks, and – eats, and everything.’ ‘Oh, yes.’ She looked at me absently” (Fitzgerald 16). Daisy is clearly uninterested in her own daughter as indicated through her vague response and acceptance of Nicks stilted understanding of a child. Daisy is uninterested in this topic as it is not fully about her, or what she would like to discuss. Through establishing Daisy’s disinterest and Nick’s stilted questioning, Fitzgerald emphasizes that human connection is not the strong suit of these upper class people, who are far more comfortable discussing gossip than genuine human connection.
Writing practice – on your own
Thinking of Feminism, Marxism,
and Psychoanalysis, write a well-developed
paragraph that analyzes the theme of The
Great Gatsby so far based on one critical
perspective. You must analyze two
quotations from the story in your response.
Due at the end of class.