towards a critical regionalism
TRANSCRIPT
BACHELOR OF SCIENCE (HONOURS) IN ARCHITECTURETHEORIES OF ARCHITECTURE AND URBANISM (ARC61303/ARC2224)SYNOPSIS: REACTION PAPER (AUGUST 2016) [10 MARKS]
NAME: Eunice Chan Yu Ming ID: 0315729LECTURER: Mr Nazmi TUTORIAL TIME: 4pm-6pmSYNOPSIS NO: 4 READER TITLE: Towards A Critical Regionalism
AUTHOR: Kenneth FramptonCritical regionalism is an approach to architecture in the twentieth century which involves
highlighting regional site and environmental conditions as attempts to combat the placelessness of
the universal and lack of identity of the international style architecture, it was a paradox between two
extreme movements: Modernism that return to the root of international style and a reaction to the
boringness: Post-Modernism. The basic goal was to find a middle ground between the two extremes.
Although Frampton seems to reject both movements as well as discard fanciful structure and
ornamentation of post-modern architecture, he seems to have more affinity towards modern
principles.
In the book “Towards A Critical Regionalism”, Frampton stated under the fifth point “Culture
Versus Nature” that Modernism often adopts approach of tabula rasa to clear and flatten the
typography of site thus making way for the rational layout of building. However, the elimination of
topography is often a motion resulting in placelessness. Consequently, critical regionalism would
rather embrace the topography as a manifestation of regions and agriculture history. With this in
mind, I could not agree more with the sentence “building the site” by Mario Botta as it refers to how
the building should restructure in various layers in supporting the idiosyncrasies to find their
expression without falling into sentimentality.
In addition, Frampton further emphasizes to validate the importance of architecture as
tectonic rather than the reduction of the built environment to a series of scenographic. It is apparent
that the uses of tactile surface has ability to make the whole building more legible with the example
of Alvar Aalto’s Saynatsalo Town Hall. As a matter of fact, the tactile is as much as the visual. It is
conscious that the setting can be experienced in various rather than sight alone. For instance, it is
delicate to complementary perceptions in few different stages of sensation and sounds given off by
different materials which cause the body to acknowledge instinctive vicissitudes in gait.
In a nutshell, it is important to truly consider the relationship of the site in response to the
context surrounding with not only the history, topography of existing landscape but also the individual
and communities before trying to modify it. It should not be opposed to the tendency in an age
dominated by media to the replacement of experience by information.
WORD COUNT 385
Key points (2.5)
Appropriateness of
Terminologies (2.5)
Clarity in Opinions and
Reactions (2.5)
Logical Progression (2.5)
DATE: TOTAL MARK & GRADE
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