top names on crossing to country · 2013-08-15 · song reminds me of those special days. i really...

August 12, 2013, Issue 357

Top Names On Crossing To Country Here’s a part-one encapsulation of Friday’s “Crossing Over To Country” panel at the Morning Show Boot Camp in Chicago (8/9): Country Aircheck’s Lon Helton: Is changing formats as simple as radio is radio, or is there a difference? WKHX/Atlanta’s Jenn Hobby: The name “Crossing Over To Country” is good for me, because it is a verb and I feel like I am still crossing over into Country and getting used to the format. In some sense radio is radio and listeners want to relate to you as a person and connect with you in your life. One of the surprises for me was that the audience in Country looks a lot like the Top 40 audience at our events and at concerts. The listeners are very much the same.

LH: Bobby, you started in February. What has your experience been? Premiere’s Bobby Bones: I grew up in Arkansas, so I happen to have a background of being familiar with country music, but the only thing that we changed are the people that we talk to. We were unconventional as a syndicated Top 40 show; we were told we weren’t really a Top 40 show. We go to Country and we’re told we’re not a Country show. At first, it was like we burned down the village and everybody hated us. We really bottomed-out at a lot of stations. But I was born in the ‘80s and a lot of the artists were born in the ‘80s, too. They come in and talk about all kinds of music. Country music has a habit of playing to itself [but] you can be a country music fan and be a fan of every other thing as well. Our show is really broad.

When I first moved over, I [thought] some of this music is terrible. I hated some of it. (continued on page 4)

Stadium shows in New York and Chicago kept radio folks busy Saturday (8/10). Above, Kenny Chesney in NYC with from (l-r) SiriusXM’s Steve Blatter, WKMK/Monmouth’s Marty Mitchell, WNSH’s John Foxx, Music Choice’s Tiffany Sinder, SXM’s Al Skop, WSSL/Greenville’s Kix Layton, WJVC/Nassau’s Phathead, KKIX/Fayetteville, AR’s Dave Ashcraft, WQMX/Akron’s Jody Wheatley and WBUL/Lexington’s Michael Jordan. Below in Chicago, Taylor Swift with WUSN’s Drew Walker, BMLG’s John Zarling, BMLG’s Mandy McCormack, WUSN’s Marci Braun, BMLG’s Scott Borchetta, WUSN’s Trish Biondo, Ramblin’ Ray, Jeff Kapugi, Liz Geerling and Lisa Dent, BMLG’s Jackie Campbell and BM’s Jack Purcell.

©2013 Countr y Aircheck™ — Al l r ights reser ved. S ign up f ree at w w w.countr yaircheck .com. Send news to news@countr yaircheck .com

Bobby Bones

Jenn Hobby

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http://smarturl.it/ColeSwindell081213

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Through The Years: The late Buck Owens, Little Jimmy Dickens, Brad Paisley and then-KUZZ/Bakersfield staffer Adam Jeffries ([email protected]) gather backstage at Owens’ Crystal Palace in this 2003 shot. Have your own multi-generational star photos? Send them to [email protected].

P A G E T H R E E P I C

August 12, 2013

Summit Offers Net & Networking Self-starters, go-getters and hustlers will be the focus at Sept. 10’s 2013 Leadership Music Summit in Nashville. Set to the theme “Digital Solutions Powered by the Entrepreneurial Spirit,” the single-day conference ($249) will highlight topics including “Bringing Content To Fruition,” “How To Make Marketing Engaging” and “Prioritizing Digital Needs & Solutions.” “The music industry is in a period of change,” says America’s Morning Show Dir./Operations Heather McBee, a Leadership Music alumni and this year’s co-chair. “The existing business

models have been challenged and a new generation of fans and techs will be creating the future business.” Attendees can expect an education on aspects of the industry where business crosses paths with technology. Panelists include DigSin Founder Jay Frank, Country Now Producer Stokes Nielson and StageIt Founder/CEO Evan Lowenstein as the keynote.

Lowenstein will address “The Artist As Entrepreneur,” demonstrating the summit’s offerings for both aspiring and practicing entrepreneurs, as well as independent musicians. “The audience is varied across the music industry,” says LM alum and Borman Entertainment’s Digital Business Development Head Cameo Carlson, who is also a co-chair. “Labels, managers, artists, agents, entrepreneurs and tech junkies will all find useful information in the topics discussed.” The subject matter will be specifically related to digital marketing in most cases, but the incubation of new technology platforms will allow many in attendance to begin building relationships with those ever-important content providers. “It’ll be a great networking opportunity to meet fellow tech and music enthusiasts,” says McBee. Carlson adds, “They’ll be able to connect around a substantive discussion.” A limited number of tickets to that night’s ACM Honors are also available for $25 with registration. Details here. –John Ritchie

Chart Chat Congrats to Hunter Hayes, Chris Stacey, Kevin Herring, Kristen Williams and the entire WMN promotion team on

scoring this week’s No. 1 with Hayes’ “I Want Crazy.” The song is the third-consecutive chart-topper from Hayes’ debut album, joining “Somebody’s Heartbreak” and “Wanted.”

News & Notes CBS Radio’s KMLE/Phoenix has signed up for Envision Radio Networks’ Radio Playbook, the new interactive website that coaches talent on programming and producing a winning morning show. Info here. Sun Broadcast Group is celebrating the airing of the 600th episode of the Nashville Music Minute by having its complementary prep service Nashbites offer “Guess This Voice,” a new, interactive celebrity quiz that’s customizable to any daypart. Call 561-367-3170 for more info. Songwriter and recording artist Doug McCormick has signed a publishing deal with BMG Chrysalis. Lee Brice, Randy Houser, Jerrod Niemann and host Bob DiPiero bring the CMA Songwriter Series to Austin, TX for the first time Sept. 11. More here.

Cameo Carlson

Heather McBee

Hunter Hayes

mailto:[email protected]

mailto:[email protected]

http://leadershipmusicsummit.splashthat.com/Sitelink

http://www.envisionradio.com/Shows/RadioPlaybook.html

http://www.cmaworld.com/events/songwritersseries

http://smarturl.it/TobyKeith081213


August 12, 2013

MY TUNES: MUSIC THAT SHAPED MY LIFE Country Media Strategist Phil Hunt discusses his most influential artists, concerts, songs and albums:1. Johnny Cash/Folsom Prison Blues: My dad’s favorite, usually accompanied by him clapping his hands while calling the hogs (we’re from Arkansas, you see). We played it at his funeral back in November and I bet he and Johnny were smiling in heaven when it played. We certainly were down here.

2. Bob Dylan/Forever Young: My wife Dianne and I put the lyrics in all three of our boys high school annuals, “May God bless and keep you always, may your wishes all come true. May you always do for others and let others do for you.”3. The Beatles/Two Of Us: I worked for the late Rusty Walker for 14 years. One time we were on our way home in that dang RV of his (Paul RV) and ran out of fuel with only a mile to go. We both laughed the entire walk to the gas station. This song reminds me of those special days. I really miss him and so do many, many others!4. George Strait/I Saw God Today: If you’ve ever worked with me you’ve heard me talk about faith and family and its importance to our format. This song has both. God is always at work around us. Sometimes we get so caught up in the little stuff that we don’t see the miracle that is life! This song keeps me focused on what’s important.5. Don McLean/And I Love You So: Dianne and I have been married for 34 years. This is our song and I couldn’t say it any better: “But life began again, the day you took my hand.”• A highly regarded album you’ve never heard: Nirvana’s Nevermind. While I was with Clear Channel as an SVP, I programmed all the major formats and even some minor ones. Rock music changed after this album and I’d like to hear it in its entirety to better appreciate its place in music history.• An album you played or listened to incessantly: Garth Brooks’ Ropin’ The Wind. I might have been too young to experience Beatlemania, but I was there for Garthmania and haven’t seen anything like it since.• One obscure song everyone should listen to right now: “Farther Along” by Josh Garrels. This means a lot to me, especially in light of the recent passing of Kidd Kraddick, Rusty and so many friends and family.

Phil Hunt

Carrie Underwood has partnered with Nicole by OPI for 14 new nail lacquers. Available next year, the line features a signature gold textured shade called “Carrie’d Away.”

The Week’s Top Stories Full coverage at countryaircheck.com.• Chris Oliviero was promoted to EVP/Programming at CBS Radio. (8/12)• WWKA/Orlando morning co-host Grace Vasquez exited after six years. (8/9)• Loretta Lynn was tapped to receive the Presidential Medal Of Freedom from President Obama. (8/9)

• Anthony Allen joined KNIX/Phoenix as APD/MD/afternoon host; search started to fill his post at WSIX/Nashville. (8/12)• Arbitron released PPM ratings for July. (8/5-8)• WJVL/Janesville, WI APD/afternooner Rob West was promoted to PD. (8/8)• Carey Edwards joined KCYY/San Antonio for afternoons. (8/8)• Cox Media Group partnered with LDR

Interactive for interactive radio app. (8/7)• Ken Anderson joined WCYQ/Knoxville for mornings. (8/6)

Top Names On Crossing To Country(continued from page 1)

BB: But I hated One Direction when I was on CHR. So it’s really all the same. The artists are more talented and they’re nicer in country. Other than that, radio and our show are almost exactly the same. Entercom’s Fitz: It’s really still about what’s between the records. I target a 36-year-old female who I named Debbie Walker. She drives a Honda, has probably three kids and loves to listen to me in the morning. She loves to hear me talk about my kids. BB: Of course she does. She loves you. F: She does love me. And she stops at Walmart to pick up People magazine, checks her TMZ app and, if she’s lucky, has a chance to watch True Blood after she bathes her kids. We have a picture in our studio of this imaginary woman who we target every single day.

Carrie Underwood

Anthony Allen

http://www.countryaircheck.com

http://smarturl.it/KennyChesney081213

http://smarturl.it/LeahTurner081213

August 12, 2013

BB: We just go after ourselves. And what Fitz said is funny, because the Country audience watches normal TV shows like any other audience. When I was coming in, people were like, you’re dealing with a country lifestyle group. It’s all the same freaking

group. People just like certain types of music a little bit more. Look at me – nothing about me looks country. And we transitioned in 15 cities [so] if I had changed at all, I would be so fake. Listeners are smart ... you have to be transparent. F: [But] you can’t be too cool for the room. You do have to appeal to your audience. You can be God, family and country, and still be hip.

JH: You can be hip and authentic. You can’t put on some sort of country accent that you don’t have. BB: I’m not very God, so I don’t talk God. That’s not me, so I won’t do that. We have a girl that does that and she does it fine. I never wore cowboy boots in my life, and I talk about that, but I’m honest. People like honesty better than they do anything else. LH: Have you done anything on-air and gotten instant feedback that maybe you shouldn’t have gone there? BB: Everything I’ve ever done for the first five months. We got in a lot of trouble at the beginning because it was such a culture shock. But the negative feedback is great; people talking about us is good. We’re not offending anybody. We’ve never been a blue show, so the transition wasn’t hard. We don’t curse, we’ve never talked sex, even on Top 40. CBS Radio’s Jeff Kapugi: Because the format is so broad, its about balance and not alienating any portion of that audience. JH: When I crossed over, my whole life changed. I had a baby and feel like I can share more of it now on a Country format than I was able to before. My first day back from maternity leave I wanted to cry all day, and I talked about that. I love to cook and I can talk about that a little bit more. So, there are ways I can be actually more of myself now than I was before. LH: Country is a pretty tight-knit community. Have you found it to be welcoming? BB: The artists are just so nice. In CHR, they’re asses. They show up late or they don’t care or they don’t call. My favorite story is Brad Paisley had done the countdown and we had spent some time together. He invited me to his house for dinner. Outside I’m


OFF THE RECORD: DANIELLE BRADBERY Republic/Big Machine’s Danielle Bradbery puts an industry spin on the artist interview:I grew up listening to KKBQ and KILT/Houston. They both played the latest and greatest country.First time I heard myself on the radio, my sister Monica and I were driving down Fry Road in Cypress, TX when “The Heart Of Dixie” came on. We

looked at each other and both just started screaming! I’ll never forget the time, while practicing my song during The Voice, that my coach Blake Shelton, out of nowhere, stuck his finger up my nose.The most interesting road companions I’ve had so far are Erik Powell and Jeff Davis. Erik is like my bodyguard. He gives great advice and always makes it a point to stop at Chipotle and Starbucks for me. And Jeff is so sweet. He’s always funny, always in a great mood, and very reassuring of the work I’m doing. If I don’t have my earbuds when I travel, I go insane. Right now I’m listening to a lot of Blake Shelton, Arianna Grande, Thomas Rhett, Randy Houser, Tyler Farr, this song called “Power Trip” by J. Cole, Rihanna, Miley Cyrus and “Don’t Drop That Thun Thun” by Finatticz.The last album I bought was Carrie Underwood’s Blown Away.I can’t walk out of a truck stop without grabbing Sour Patch Kids.There’s no place like home, but I had to be stuck somewhere it would have to be Nashville, TN. It’s a beautiful city. I love the music, the restaurants and the shops. It just has such an incredible vibe!When there’s downtime I watch my friends Vine videos on my newsfeed. The most redneck thing I’ve done recently was four-wheeling out in the country at my cousin’s house in Texas.

Danielle Bradbery

Jeff Kapugi

Fitz

http://smarturl.it/ZBB081213

http://smarturl.it/HunterHayes081213

August 12, 2013


C H E C K O U TLuke Bryan Crash My Party (Capitol) Produced by Jeff Stevens, Bryan says his fourth studio album’s title track goes beyond the literal and sets the tone. “The song isn’t what you think it is, it is unexpected,” he says. “And I think in the same way fans will definitely hear some

surprises on my new album. It still reflects my sound but you will get to hear a little bit deeper, different side to me musically as well.”

Zane Williams Overnight Success (BE) Claiming his own 15-year “overnight success,” the Texas native “makes traditional sound relevant while paying homage to the past” on this 11-track album. Williams is the album’s sole songwriter.

Aug. 16 Ashton Shepherd This Is America (Pickin’ Shed)

Aug. 20 Charlie Worsham Rubberband (Warner Bros./W.A.R.) The Lacs Keep It Redneck (Average Joes)

Aug. 27 Sundy Best Door Without A Screen (Deluxe) Alabama Alabama & Friends (Show Dog-Universal)

Sept. 3 Sandra Boynton Frog Trouble (WMN) Craig Morgan The Journey (Livin’ Hits) (Black River)

Sept. 10 Keith Urban Fuse (Capitol) Sheryl Crow Feels Like Home (Warner Bros./WMN) George Jones Amazing Grace (Bandit)

Sept. 17 Chris Young A.M. (RCA) Billy Currington We Are Tonight (Mercury) Justin Moore Off The Beaten Path (Valory)

Oct. 29 Robertson Family Duck The Halls (UMGN)

Album release info to [email protected].

Contact Bryan Switzer | [email protected] | 615.727.6993Donny Walker | [email protected] | 615.727.6987

Monday -Friday 12m-5a Host Kix Brooks

Co-Host Donna Britt

cool, but inside I was like, holy shit this is the craziest thing ever. We went out to his backyard and he told me, “They’re really going to hate you for a while here. This town is full of old-guard – a lot of the musicians are old-guard. You’re just so different, but they’re going to love you. They hated me for so long because I was so different and everyone looked at me like I’m such a weirdo, but once they see the authenticity of you, then they’re going to love you.” That dude did not have to have me to dinner, he did not have to have a conversation with me in his backyard, he did not have to open up like that, and no one would ever do that in pop music.

Especially no one that is at the top like that. JH: The listeners have been really welcoming, too. I’ve had more than one say that I followed them to Country, so I thought that was kinda cool. F: You know what’s amazing is, and I’m not going to mention any names,

but I can’t tell you how many Top 40 people at this convention have told me they’re thinking about going Country. BB: I called Fitz when I was thinking about going Country. I was like, dude, I’m liberal. F: You hate God. BB: Jesus is not my homeboy. What do I do? He said it’s the same thing. You have to do it. And he was right. JK: Nashville also roots for Nashville, whether it’s radio or the record companies, they’re all rooting for each other to be successful. After programming in Pop for 20 years, it’s been extremely refreshing. I’d never go back. JH: Carrie Underwood called to welcome me to Country ... and called early. I was like used to sitting around at the Top 40 station for two hours waiting for an artist to call for an interview. She was early. More from MSBC25’s “Crossing Over To Country” in next week’s issue.

Lon Helton, [email protected] Aly, [email protected]

Russ Penuell, [email protected] Ritchie, [email protected]

(615) 320-1450

http://smarturl.it/KIWKix081213

August 12, 2013


You were attacked last week. If you work in, listen to, receive airplay on or aspire to receive airplay on Country radio, or if you derive a measure of your livelihood from any of the people categorized above, Peter Cooper and The Tennessean have declared that you and your efforts lack merit. If you’re at all associated with country music and Country radio, it’s important to understand just how fully a prominent Nashville media outlet has belittled your entire industry and community. In his Tuesday “On Music” column (8/6), Cooper responded to Tom Petty’s recent criticism of country with a defense of the genre that was to large degree thinly veiled

cover for his own attack on Country radio. What Cooper and so

many others who love to complain fail to grasp is just how broad and intellectually empty that assault really is, and the extent to which it reveals a troubling low regard for others. First, some background. Last Monday, RollingStone.com posted an interview with Petty in which he said, “Most of [country] reminds me of rock in the middle ‘80s where it become incredibly generic.” This was after an onstage proclamation about the genre being “bad rock with fiddles.” Enter Cooper, who presumes to know how Petty listens to music and, naturally, what he really means: “He’s trying to say that much of what he hears on the country radio isn’t up to snuff with some of the geniuses who used to be on country radio. But his broad brush is making a mess of things.” Cooper then breaks out his own wide-bristle: “I’m just saying that defining country music by whatever’s playing on the radio at the moment is both maddening and ridiculous.” He goes on to prove he missed the elementary school lesson about not building things up by tearing others down as he cites some of his favorites on the fringes of the mainstream. “Most of the above country musicians aren’t on terrestrial, FM contemporary country radio,” he writes. “Does that make country music any the lesser? No, it just makes country radio (even) less enjoyable (if that’s possible).” And he continues with this colossal mistake: “Country music doesn’t need country radio anymore. We country fans have $10 to spend at the door, and we have YouTube and iTunes and Ernest Tubb Record Shops and the sense to stop complaining about what we don’t have any reason to endure.” The primary and fatal flaw in much of music criticism regards the vocabulary of value. Cooper, Petty and so many others confuse not liking something with it being bad, unable to be enjoyed or otherwise lacking merit. If 70 million people are deliberately listening to, buying

albums of and tickets for – and seem generally pleased with – the mainstream music played on Country radio, doesn’t that have value? And not just financially? To argue otherwise is to say those fans have no taste and to invalidate their clearly expressed opinions. Evidently, Cooper has no problem condescending to millions of his fellow Americans and, by extension, mainstream country artists, labels, producers, songwriters, musicians and countless others who work tirelessly to reach those radio listeners. The assertion that country music doesn’t need Country radio is equally illogical and ignorant. First, it fails to recognize the intimate connection between radio and country music that traces from the origins of the Grand Ole Opry all the way up to the demonstrably strong relationship that endures today. Country music is Country radio. Country radio is country music. They developed together and are as inseparable as conjoined twins with one heart. Second, it dismisses the vast economic impact Country radio makes on country music and Nashville. A songwriter himself, Cooper should understand the devastation that would be wrought on the music community if licensing revenue from Country radio suddenly stopped flowing. And that’s just the tip of the iceberg. How many singles and albums would sell without airplay? How many seats would stand empty without an air personality touting the upcoming concert? Since Cooper took it upon himself to explain Petty’s argument, we’ll do the same for Cooper. Perhaps he should have written, “Tom Petty and others who don’t like mainstream country music can find artists and music more to their liking on the fringes of the genre. Here are some suggestions...” Or maybe even, “The quality of music, country or otherwise, is in the eye of the beholder. The widespread and growing popularity of mainstream country music is a testament to how millions of Americans feel about the genre, even if Tom Petty doesn’t quite get it.” Unfortunately, it’s probably too much to expect Cooper and The Tennessean to actually have country music’s – and Nashville’s – back. Instead, they took the opportunity to insult literally everyone who loves, makes and promotes mainstream country music. In short, Peter Cooper is flat-out wrong about Country radio’s importance to country music, guilty of the exact broad-brush generalizations he condemns and unconscionably condescending to millions of people who have directly and indirectly supported his city, his employer and his career. Further, his editors’ willingness to publish such flawed logic and indiscriminate negativity about an immeasurably vital part of Nashville’s commerce and culture – not to mention a vital part of American culture – is beyond comprehension.

EDITORIAL

Tennessean Writer’s Shots Ill-Informed And Ill-Conceived

August 12, 2013


Country radio was down, with overall shares decreasing 3.89% compared to June. Of the 77 subscribing stations which post a 1.0 share or higher, 37 increased, 34 decreased and three were flat compared to last month. The following stations posted best-ever PPM shares: WKLB/Boston, WUSN/Chicago, WYGY/Cincinnati, WYCD/Detroit, KMNB/

Minneapolis, WDSY/Pittsburgh and KUPL/Portland. The cume leader remains WUSN/Chicago, whose audience increased by 20,400 to 1,427,100, a second consecutive cume record. Legend: A “+” indicates a Classic Country outlet; a “^” designates co-owned Country stations in the metro; “t” indicates a tie; and a “*” indicates a station best in that statistic.

July PPM Scoreboard

June 6+Share

July 6+Share June Cume July CumeStation/City June 6+

ShareJuly 6+Share June Cume July CumeStation/City

WKHX/Atlanta 4.2 4.4 768,500 760,100WUBL/Atlanta 4.2 3.8 693,900 683,100KASE/Austin^ 7.8 7.9 366,100 374,200KVET/Austin^ 5.4 5.0 315,300 321,900WPOC/Baltimore 7.8 8.8 507,800 520,700WKLB/Boston 7.0 8.1* 814,100 855,200WSOC/Charlotte 7.5 6.8 529,400 488,800WKKT/Charlotte 6.2 6.5 509,500 488,300WUSN/Chicago 4.2 4.9* 1,406,700* 1,427,100*WUBE/Cincinnati^ 8.1 7.8 538,200 549,600WNNF/Cincinnati 3.2 3.2 300,900 289,600WYGY/Cincinnati^ 2.0 2.5* 201,700 206,400WGAR/Cleveland 7.1 7.0 471,500 503,600*WCOL/Columbus, OH 9.7 10.3 441,900 441,100WHOK/Columbus, OH 1.1 1.2 92,300 91,200KPLX/Dallas^ 4.8 4.8 1,260,000 1,272,700KSCS/Dallas^ 3.3 3.5 906,300 879,400KYGO/Denver 5.5 5.8 571,200 550,100KWOF/Denver 2.3 2.5 324,000 301,300WYCD/Detroit 7.5 8.1* 956,200 933,700WPAW/Greensboro 8.8 8.2 337,400 321,800WTQR/Greensboro 8.4 8.2 425,200 397,000WWYZ/Hartford 8.2 8.6 260,200 284,900KKBQ/Houston^ 5.6 5.4 1,308,400* 1,309,400*KILT/Houston 3.4 3.5 1,022,700 976,400KTHT/Houston^+ 2.7 2.6 609,300 592,100WFMS/Indianapolis 8.4 8.1 327,100 333,700WLHK/Indianapolis 8.2 7.6 358,800 367,100WQIK/Jacksonville 5.4 6.6 246,300 262,400KFKF/Kansas City^ 8.8 9.3 361,000 349,400KBEQ/Kansas City^ 5.4 4.9 363,800 358,300WDAF/Kansas City 6.0 5.1 357,700 342,800KCYE/Las Vegas 3.3 3.9 196,600 196,400KWNR/Las Vegas 3.0 2.9 166,700 160,600KKGO/Los Angeles 2.4 2.7 1,107,600 1,157,300WGKX/Memphis 7.8 6.9 220,200 236,800WKIS/Miami 3.1 2.7 415,700 437,300WNSH/New York (Middlesex) 3.3* 3.1 162,300* 164,800*WMIL/Milwaukee 11.2* 11.0 481,100 520,500*

KEEY/Minneapolis 7.5 7.7 863,600 822,700KMNB/Minneapolis 5.7* 6.0* 755,600* 821,300*WKDF/Nashville^ 6.1 5.6 346,300 305,600WSIX/Nashville 6.9 6.7 296,600 289,200WSM-FM/Nashville^ 4.7 3.8 289,700 243,800WNSH/New York (Nassau) 2.0 1.7 155,300 157,200WNSH/New York 2.1* 2.0 988,200* 1,042,000*WGH/Norfolk 6.3 5.3 280,700 240,800WUSH/Norfolk 4.3 5.3 265,400 257,600WWKA/Orlando 7.3 6.6 324,100 296,600KNIX/Phoenix 4.8 4.6 638,500 669,000KMLE/Phoenix 3.1 3.5 608,700 585,600WXTU/Philadelphia 5.6 5.3 849,800 836,900WDSY/Pittsburgh 8.6* 9.3* 536,700 561,700KWJJ/Portland 5.8 6.1 446,500 482,000KUPL/Portland 6.5 7.3* 424,000 430,800WCTK/Providence 7.5 7.6 332,400 314,800WQDR/Raleigh 8.5 9.8 376,200 376,100KFRG/Riverside 4.2 4.9 368,500 370,100KNCI/Sacramento 5.6 5.3 365,900 374,200KNTY/Sacramento 2.7 3.4 240,500 267,900KUBL/Salt Lake City 4.2 5.7 339,500 348,600KSOP/Salt Lake City 2.9 3.1 213,400 230,800KEGA/Salt Lake City 2.3 2.0 200,300 233,500KAJA/San Antonio 8.5 8.6 658,700 595,100KCYY/San Antonio^ 6.9 7.3 626,200 581,500KKYX-AM/San Antonio^+ 1.3 1.3 103,200 89,500KRPT/San Antonio 0.9 1.1 93,600 103,300 (Devine, TX)KSON/San Diego 7.9 7.3 585,000* 525,300KRTY/San Jose 5.5 5.0 197,500 210,200KKWF/Seattle 5.1 4.7 685,300 675,100KMPS/Seattle 4.6 4.1 666,800 663,000KSD/St. Louis 5.8 6.2 628,800 610,400WIL/St. Louis 6.3 6.6 628,600 601,500WFUS/Tampa 5.6 5.3 551,800 516,900WQYK/Tampa 5.2 5.3 537,500 491,700WMZQ/Washington 4.6 4.7 610,600 695,100*WIRK/West Palm Beach 3.7 3.2 158,000 145,900

http://smarturl.it/BrettEldredge081213

August 12, 2013


Here are Spring 2013 (3/28-6/19) Arbitron diary ratings results from July 22-26, listed alphabetically by market. Not all stations are subscribers and that’s why you won’t see rankings listed. Legend: A “+” indicates a Classic Country outlet; a “^” designates co-owned Country stations in the metro; “t” indicates a tie; and a “*” indicates a station best in that statistic.

Diary Spring Scoreboard

12+ Share Last ARB

12+ Share Sp ‘13Station/City 12+ Share

Last ARB12+ Share

Sp ‘13Station/City

WQMX/Akron 8.5 9.8KRST/Albuquerque 4.5 4.7KBQI/Albuquerque 3.5 3.9KUZZ/Bakersfield^ 10.5 7.6KCWR/Bakersfield^+ 2.0 1.7WNWN/Kalamazoo (Battle Creek, MI) 16.9 16.0KQFC/Boise, ID^ 5.3 3.9KIZN/Boise, ID^ 4.5 3.7KAWO/Boise, ID 4.3 5.0WCKN/Charleston, SC 4.4 3.1WEZL/Charleston, SC 7.3 6.2WIWF/Charleston, SC 3.5 3.7WUSY/Chattanooga, TN 13.7 13.5WUUQ/Chattanooga, TN+ 5.8 5.0WPLZ/Chattanooga, TN 2.6 2.8KATC/Colorado Springs 4.6 5.3WCOS/Columbia, SC 8.2 7.7WWNQ/Columbia, SC 1.9 2.8WDBY/Danbury, CT 4.6 4.7WKRO/Daytona Beach, FL 1.3 2.4KJJY/Des Moines^ 6.3 5.4KHKI/Des Moines^ 7.2 7.3KHEY/El Paso 5.2 3.2KSKS/Fresno 5.4 4.9KHGE/Fresno 1.7 1.5WWGR/Ft. Myers 5.1 5.4WCKT/Ft. Myers 2.7 3.1WAVW/Ft. Pierce 7.1 6.6KMAG/Ft. Smith, AR 9.7 10.9KOMS/Ft. Smith, AR+ 9.7 9.6WHWY/Ft. Walton Beach, FL 6.6 7.2WYZB/Ft. Walton Beach, FL 5.8 5.1WRBT/Harrisburg 7.8 7.4WZCY/Harrisburg 1.8 2.1KQUS/Hot Springs, AR 14.0 16.1KIXV/Hot Springs, AR 2.0 1.1WDRM/Huntsville, AL 13.0 12.8WQAH/Huntsville, AL+ 3.6 3.2WXBQ/Johnson City, TN 21.2 22.2WHKX/Bluefield, WV 12.6 11.0WNWN/Kalamazoo, MI 3.1 3.3WIVK/Knoxville 13.3 15.6WMYL/Knoxville 1.3 2.6WPCV/Lakeland 15.9 10.6WIOV/Lancaster, PA 8.2 9.3

WZCY/Harrisburg, PA 2.2 2.6KGRT/Las Cruces, NM 7.0 8.1WIMT/Lima, OH 18.2 16.0KFGE/Lincoln, NE 7.7 8.3KSSN/Little Rock^ 9.3 9.7KMJX/Little Rock^+ 5.2 6.5WWQM/Madison 6.2 6.5WMAD/Madison 3.8 4.2KTEX/McAllen 10.2 10.3WKSJ/Mobile 8.8 11.9KTOM/Monterey 2.7 2.3WMUS/Muskegon, MI 9.3 9.0WLAW/Muskegon, MI 4.9 5.1WGTR/Myrtle Beach, SC 8.5 8.2WLFF/Myrtle Beach, Sc 3.0 2.7WCTY/New London, CT 10.5 11.5KXKT/Omaha^ 10.1 12.1KFFF/Omaha^+ 2.4 3.3KCCY/Pueblo, CO 6.2 4.8KYEZ/Salina, KS 6.5 6.2KSKG/Salina, KS 5.1 3.8KXBZ/Salina, KS 4.6 5.2WCTQ/Sarasota 4.9 5.0KDRK/Spokane 5.9 5.6KXLY/Spokane 6.2 6.5WRNX/Springfield, MA 5.5 4.2KATM/Stockton 8.0 9.9WKKO/Toledo 11.3 11.4WPFX/Toledo 2.4 3.5WCKY/Toledo 1.4 1.2KYUN/Twin Falls, ID 5.6 3.7KFDI/Wichita^ 9.6 10.3KVWF/Wichita 3.3 3.6KFTI/Wichita^+ 2.3 3.8KZSN/Wichita 3.8 4.9WGGY/Wilkes Barre 7.8 10.0WSJR/Wilkes Barre 1.9 2.7WILQ/Williamsport, PA 22.0 21.3WBYL/Williamsport, PA 3.8 6.3WXCY/Wilmington 2.9 4.4WDSD/Wilmington 2.3 2.0WGTY/York, PA 12.4 4.0WRBT/Harrisburg 7.8 7.4WZCY/Harrisburg 1.8 2.1

http://smarturl.it/SherylCrow081213

Airborne indicates songs that have been added to 60% of the Countr y Aircheck/Mediabase repor t ing panel . 4=Top 5 point gainers.

LW TW Artist/Title (Label) Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS

Chart Page 1August 12, 2013

2 1 HUNTER HAYES/I Want Crazy (Atlantic/WMN) 23957 1393 7316 434 54.99 2.27 147 0

1 2 RANDY HOUSER/Runnin' Outta Moonlight (Stoney Creek) 23307 -382 7133 -138 54.42 -0.93 147 0

3 3 BRETT ELDREDGE/Don't Ya (Atlantic/WMN) 4 22846 2121 6975 659 53.59 3.84 147 0

4 4 CARRIE UNDERWOOD/See You Again (19/Arista) 20985 317 6590 66 48.88 0.54 147 0

6 5 KEITH URBAN/Little Bit Of Everything (Capitol) 4 20713 1533 6380 548 49.42 3.5 147 0

7 6 EASTON CORBIN/All Over The Road (Mercury) 4 18301 1640 5662 497 43.04 3.56 147 0

5 7 KIP MOORE/Hey Pretty Girl (MCA) 16726 -3582 4975 -1203 39.27 -8.6 147 0

8 8 FLORIDA GEORGIA LINE/Round Here (Republic Nashville) 16471 1153 5068 360 39.68 2.84 147 0

9 9 JUSTIN MOORE/Point At You (Valory) 16015 788 5123 255 36.66 1.87 147 0

10 10 TYLER FARR/Redneck Crazy (Columbia) 14807 781 4571 214 34.45 2.02 146 0

12 11 BILLY CURRINGTON/Hey Girl (Mercury) 14006 499 4337 135 33.28 1.73 147 0

17 12 JASON ALDEAN/Night Train (Broken Bow) 13487 1374 4165 377 32.15 3.56 146 1

14 13 LADY ANTEBELLUM/Goodbye Town (Capitol) 13326 168 4082 87 31.32 0.46 147 0

15 14 LEE BRICE/Parking Lot Party (Curb) 13117 254 4172 128 29.74 1 146 0

16 15 KENNY CHESNEY/When I See This Bar (Blue Chair/Columbia) 12517 74 3820 52 29.35 0.47 147 0

18 16 THOMAS RHETT/It Goes Like This (Valory) 11336 768 3505 233 26.15 2.15 146 1

19 17 SHERYL CROW/Easy (Warner Bros./WMN) 10495 174 3103 89 23.37 -0.1 146 0

21 18 CHRIS YOUNG/Aw Naw (RCA) 10272 1484 3238 501 23.03 2.42 145 0

20 19 TIM MCGRAW/Southern Girl (Big Machine) 9822 480 3073 185 24.04 1.72 146 0

22 20 CHARLIE WORSHAM/Could It Be (Warner Bros./W.A.R.) 8520 -114 2679 26 19.63 -0.21 144 0

30 21 LUKE BRYAN/That's My Kind Of Night (Capitol) 4 8485 3057 2529 959 19.95 5.47 134 19

27 22 BLAKE SHELTON/Mine Would Be You (Warner Bros./WMN) 4 7932 2274 2360 675 19.39 5.9 143 17

23 23 TAYLOR SWIFT/Red (Big Machine) 7751 756 2371 220 16.54 1.03 142 1

25 24 CRAIG CAMPBELL/Outta My Head (Bigger Picture) 7234 815 2258 185 16.52 1.69 120 0

24 25 TOBY KEITH/Drinks After Work (Show Dog-Universal) 6992 408 2189 163 16.11 0.81 135 4

Airborne indicates songs that have been added to 60% of the Countr y Aircheck/Mediabase repor t ing panel . 4=Top 5 point gainers.

LW TW Artist/Title (Label) Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS


29 26 JOE NICHOLS/Sunny And 75 (Red Bow) 5859 390 1943 125 12.5 0.35 127 4

28 27 LITTLE BIG TOWN/Your Side Of The Bed (Capitol) 5388 -155 1758 -28 10.52 -0.47 131 0

31 28 MIRANDA LAMBERT/All Kinds Of Kinds (RCA) 4748 124 1513 38 10.27 0.47 123 6

32 29 MAGGIE ROSE/Better (RPME) 4268 76 1407 7 8.79 0.62 111 1

26 30 KACEY MUSGRAVES/Blowin' Smoke (Mercury) 4218 -1690 1299 -457 8.1 -4.19 138 0

33 31 PARMALEE/Carolina (Stoney Creek) 4167 449 1396 119 7.36 1.1 114 4

35 32 ERIC PASLAY/Friday Night (EMI Nashville) 3531 310 1143 95 6.51 0.66 103 1

ELI YOUNG BAND/Drunk Last Night (Republic Nashville) 3394 337 1018 106 7.94 1 92 4

34 34 JOEL CROUSE/If You Want Some (Show Dog-Universal) 3277 -241 1057 -66 6.99 -0.73 112 0

37 35 CASSADEE POPE/Wasting All These Tears (Republic Nashville) 3155 236 935 67 5.68 0.37 98 8

38 36 JON PARDI/Up All Night (Capitol) 2952 256 1047 67 4.45 0.22 109 0

39 37 KELLY CLARKSON/Tie It Up (19/RCA/Columbia) 2617 294 641 82 5.56 0.59 80 19

40 38 PHIL VASSAR/Love Is Alive (Rodeowave) 2420 314 754 25 4.31 0.91 74 0

41 39 DARIUS RUCKER/Radio (Capitol) 2398 308 819 112 4.67 0.72 86 6

44 40 DUSTIN LYNCH/Wild In Your Smile (Broken Bow) 2143 219 746 75 2.85 0.38 97 3

42 41 SCOTTY MCCREERY/See You Tonight (19/Interscope/Mercury) 2128 93 737 22 3.75 0.17 71 1

43 42 THOMPSON SQUARE/Everything I Shouldn't Be... (Stoney Creek) 2025 83 672 25 3.42 0.13 81 4

46 43 JANA KRAMER/I Hope It Rains (Elektra Nashville/W.A.R.) 1890 8 603 8 3.02 -0.08 74 1

48 44 DANIELLE BRADBERY/The Heart Of Dixie (Republic/Big Machine) 1843 510 519 150 3.2 0.88 76 11

47 45 DAVID NAIL/Whatever She's Got (MCA) 1716 3 603 17 3.03 -0.13 72 5

50 46 FRANKIE BALLARD/Helluva Life (Warner Bros./WAR) 1663 381 516 129 2.44 0.67 73 6

49 47 LOVE AND THEFT/If You Ever Get Lonely (RCA) 1484 160 469 48 2.03 0.25 74 7

48 THE HENNINGSENS/I Miss You (Arista) 1222 217 383 98 1.72 0.17 65 8

49 CHRIS STAPLETON/What Are You Listening To (Mercury) 1207 200 325 27 2.05 0.56 40 0

50 JAKE OWEN/Days Of Gold (RCA) 1133 444 315 134 2.16 0.45 67 49

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Country Aircheck Add Leaders Adds

JAKE OWEN/Days Of Gold (RCA) 49

JOSH THOMPSON/Cold Beer With... (Show Dog-Universal) 23

KELLY CLARKSON/Tie It Up (19/RCA/Columbia) 19

LUKE BRYAN/That's My Kind Of Night (Capitol) 19

BLAKE SHELTON/Mine Would Be You (Warner Bros./WMN) 17

KRISTY LEE COOK f/RANDY HOUSER/Wherever... (Broken Bow) 17

DANIELLE BRADBERY/The Heart Of Dixie (Republic/Big Machine) 11

ZAC BROWN BAND/Sweet Annie (Atlantic/Southern Ground) 10

CASSADEE POPE/Wasting All These Tears (Republic Nashville) 8

THE HENNINGSENS/I Miss You (Arista) 8

Country Aircheck Top Spin GainersLUKE BRYAN/That's My Kind Of Night (Capitol) 959


BRETT ELDREDGE/Don't Ya (Atlantic/WMN) 659

KEITH URBAN/Little Bit Of Everything (Capitol) 548

CHRIS YOUNG/Aw Naw (RCA) 501

EASTON CORBIN/All Over The Road (Mercury) 497

HUNTER HAYES/I Want Crazy (Atlantic/WMN) 434

JASON ALDEAN/Night Train (Broken Bow) 377

FLORIDA GEORGIA LINE/Round Here (Republic Nashville) 360

JUSTIN MOORE/Point At You (Valory) 255

Country Aircheck Top Point GainersLUKE BRYAN/That's My Kind Of Night (Capitol) 3057 4BLAKE SHELTON/Mine Would Be You (Warner Bros./WMN) 2274 4BRETT ELDREDGE/Don't Ya (Atlantic/WMN) 2121 4EASTON CORBIN/All Over The Road (Mercury) 1640 4KEITH URBAN/Little Bit Of Everything (Capitol) 1533 4CHRIS YOUNG/Aw Naw (RCA) 1484

HUNTER HAYES/I Want Crazy (Atlantic/WMN) 1393


FLORIDA GEORGIA LINE/Round Here (Republic Nashville) 1153

CRAIG CAMPBELL/Outta My Head (Bigger Picture) 815

Activator Top Spin GainersLUKE BRYAN/That's My Kind Of Night (Capitol) 385


BRETT ELDREDGE/Don't Ya (Atlantic/WMN) 178


CHRIS YOUNG/Aw Naw (RCA) 133




JAKE OWEN/Days Of Gold (RCA) 80

BILLY CURRINGTON/Hey Girl (Mercury) 75

Activator Top Point GainersLUKE BRYAN/That's My Kind Of Night (Capitol) 1413 4

BLAKE SHELTON/Mine Would Be You (Warner Bros./WMN) 872 4

BRETT ELDREDGE/Don't Ya (Atlantic/WMN) 720 4

CHRIS YOUNG/Aw Naw (RCA) 710 4

JASON ALDEAN/Night Train (Broken Bow) 706 4




TIM MCGRAW/Southern Girl (Big Machine) 410

TAYLOR SWIFT/Red (Big Machine) 282

Country Aircheck Top Recurrents Points

LUKE BRYAN/Crash My Party (Capitol) 13653

THE BAND PERRY/Done (Republic Nashville) 10197

BLAKE SHELTON/Boys 'Round Here (Warner Bros./WMN) 9897

ZAC BROWN BAND/Jump... (Atlantic/Southern Ground) 9526

DARIUS RUCKER/Wagon Wheel (Capitol) 9396

JAKE OWEN/Anywhere With You (RCA) 9131

BRAD PAISLEY/Beat This Summer (Arista) 8095

TIM MCGRAW w/TAYLOR SWIFT/Highway... (Big Machine) 7897

FLORIDA GEORGIA LINE/Get Your... (Republic Nashville) 7230

MIRANDA LAMBERT/Mama's Broken Heart (RCA) 6913

http://smarturl.it/AustinWebb081213



AuGuST 19LAURA BELL BUNDY/Two Step (Big Machine) KELLIE PICKLER/Little Bit Gypsy (Black River)COLE SWINDELL/Chillin’ It (Warner Bros./WMN)JENNIFER NETTLES/That Girl (Mercury)BRAD PAISLEY/I Can’t Change The World (Arista)

AuGuST 26THE BAND PERRY/Don’t Let Me Be Lonely (Republic Nashville)DIERKS BENTLEY/I Hold On (Capitol)

SEPTEMbER 3None Listed

A D D D A T E SCOuNTRy AIRChECk ACTIvITyDAVID NAIL/Whatever She’s Got (MCA) Moves 47-45* 1,716 points, 603 spins 5 adds: KCCY, WEZL, WFUS, WKMK, WWYZ

FRANKIE BALLARD/Helluva Life (Warner Bros./W.A.R.) Moves 50-46* 1,663 points, 516 spins 6 adds: DGHC, KFGY, KKGO, KMDL, KNCI, WUBE

LOVE AND THEFT/If You Ever Get Lonely (RCA) Moves 49-47* 1,484 points, 469 spins 7 adds: KCCY, KHEY, CCPC, WAMZ, WEZL, WFUS, WQIK

THE HENNINGSENS/I Miss You (Arista) Re-entry at 48* 1,222 points, 383 spins 8 adds: KKGO, WCTK, WGTY, WKML, WQYK*, WUSY, WYNK, WYRK

CHRIS STAPLETON/What Are You Listening To (Mercury) Re-entry at 49* 1,207 points, 325 spins; No adds

JAKE OWEN/Days Of Gold (RCA) Re-entry at 50* 1,133 points, 315 spins 49 adds including: KAJA, KHGE, KJUG, KKIX, KMDL, KMLE, KMPS, KNIX, KRTY, KSD

GEORGE STRAIT/I Believe (MCA) 1,084 points, 350 spins 2 adds: KCYE, WKMK

DAKOTA BRADLEY/Somethin’ Like... (Streamsound) 1,068 points, 386 spins; No adds

CRAIG MORGAN/Wake Up Lovin You (Black River) 971 points, 391 spins 3 adds: KUAD, WPCV*, WZZK*

COLE SWINDELL/Chillin’ It (Warner Bros./WMN) 945 points, 310 spins 6 adds: KCCY, KDRK, KFGY, KSKS, WOGK, WQYK*

CMT JASON ALDEAN/Night Train (Broken Bow)MIRANDA LAMBERT/All Kinds Of Kinds (Columbia)NIKKI LANE/Seein’ Double (from Concrete Country) (I Am Sound)

CMT PuREJASON ALDEAN/Night Train (Broken Bow)JJ LAWHORN/Stomping Grounds (Average Joes)MIRANDA LAMBERT/All Kinds Of Kinds (Columbia)NIKKI LANE/Seein’ Double (from Concrete Country) (I Am Sound)SHEL/Like Minded Fool (Loraine)

GACMIRANDA LAMBERT/All Kinds Of Kinds (Columbia)JASON ALDEAN/Night Train (Broken Bow)LAURA BELL BUNDY/Two Step (Big Machine)ERIC PASLAY/Friday Night (EMI Nashville)

ZuuS COuNTRy (PREv. ThE COuNTRy NETWORk)JASON ALDEAN/Night Train (Broken Bow)JOEL CROUSE/If You Want Some (Show Dog-Universal)TIRED PONY/All Things At Once (Mom + Pop)BELLES & WHISTLES/Boy Like You (See Blue)BRANCH & DEAN/The Dash (SSM)CURTIS GRIMES/Home To Me (AMP)

V I D E O A D D S

©2013 Countr y Aircheck™ — Al l r ights reser ved. 4=Top 5 point gainers. S ign up f ree at w w w.countr yaircheck .com

LW TW Artist/Title (Label) Points +/- Points Plays +/- Plays Stations Adds


1 1 RANDY HOUSER/Runnin' Outta Moonlight (Stoney Creek) 8851 8 2030 -15 49 0

2 2 CARRIE UNDERWOOD/See You Again (19/Arista) 8529 47 1971 0 50 0

5 3 BRETT ELDREDGE/Don't Ya (Atlantic/WMN) 4 8367 720 1993 178 50 0

4 4 HUNTER HAYES/I Want Crazy (Atlantic/WMN) 8208 58 1922 -40 48 0

6 5 KEITH URBAN/Little Bit Of Everything (Capitol) 7544 499 1801 122 50 0

7 6 EASTON CORBIN/All Over The Road (Mercury) 7135 565 1684 116 48 0

8 7 JUSTIN MOORE/Point At You (Valory) 6743 530 1588 103 50 0

3 8 KIP MOORE/Hey Pretty Girl (MCA) 6590 -1681 1507 -436 43 0

12 9 FLORIDA GEORGIA LINE/Round Here (Republic Nashville) 5798 221 1400 50 50 0

16 10 JASON ALDEAN/Night Train (Broken Bow) 4 5744 706 1362 152 50 0

13 11 LEE BRICE/Parking Lot Party (Curb) 5585 35 1316 -4 50 0

11 12 TYLER FARR/Redneck Crazy (Columbia) 5457 -260 1323 -41 49 0

15 13 KENNY CHESNEY/When I See This Bar (Blue Chair/Columbia) 5308 121 1233 9 49 0

14 14 LADY ANTEBELLUM/Goodbye Town (Capitol) 5296 -24 1254 -19 50 0

17 15 BILLY CURRINGTON/Hey Girl (Mercury) 5153 213 1235 75 47 0

20 16 CHRIS YOUNG/Aw Naw (RCA) 4 4416 710 1038 133 49 0

18 17 THOMAS RHETT/It Goes Like This (Valory) 4365 281 992 72 49 1

19 18 TIM MCGRAW/Southern Girl (Big Machine) 4177 410 958 71 50 0

21 19 SHERYL CROW/Easy (Warner Bros./WMN) 3875 178 889 29 46 0

22 20 TAYLOR SWIFT/Red (Big Machine) 3511 282 809 43 47 0

23 21 TOBY KEITH/Drinks After Work (Show Dog-Universal) 3461 239 838 47 47 0

24 22 CHARLIE WORSHAM/Could It Be (Warner Bros./W.A.R.) 3105 47 699 18 45 2

29 23 BLAKE SHELTON/Mine Would Be You (Warner Bros./WMN) 4 3068 872 750 187 51 1

25 24 LITTLE BIG TOWN/Your Side Of The Bed (Capitol) 2914 4 699 -22 48 0

33 25 LUKE BRYAN/That's My Kind Of Night (Capitol) 4 2664 1413 669 385 47 11

27 26 MIRANDA LAMBERT/All Kinds Of Kinds (RCA) 2624 102 647 28 48 0

28 27 JOE NICHOLS/Sunny And 75 (Red Bow) 2512 94 586 30 46 1

26 28 KACEY MUSGRAVES/Blowin' Smoke (Mercury) 2264 -281 519 -78 38 0

30 29 CRAIG CAMPBELL/Outta My Head (Bigger Picture) 2150 219 461 52 33 0

32 30 DARIUS RUCKER/Radio (Capitol) 1525 192 364 48 32 3

3rd Week at No. 1

©2013 Countr y Aircheck™ — Al l r ights reser ved. 4=Top 5 point gainers. S ign up f ree at w w w.countr yaircheck .com

LW TW Artist/Title (Label) Points +/- Points Plays +/- Plays Stations Adds


31 31 ELI YOUNG BAND/Drunk Last Night (Republic Nashville) 1477 19 365 0 33 0

34 32 ERIC PASLAY/Friday Night (EMI Nashville) 1059 -93 282 -36 26 3

36 33 JON PARDI/Up All Night (Capitol ) 1010 81 255 29 26 1

37 34 CASSADEE POPE/Wasting All These Tears (Republic Nashville) 1007 83 233 18 30 0

35 35 MAGGIE ROSE/Better (RPME) 893 -36 197 0 27 0

38 36 GEORGE STRAIT/I Believe (MCA) 815 -26 201 2 21 0

37 SCOTTY MCCREERY/See You Tonight (19/Interscope/Mercury) 809 150 167 27 14 0

40 38 PHIL VASSAR/Love Is Alive (Rodeowave) 592 -112 144 -34 18 0

46 39 DANIELLE BRADBERY/The Heart Of Dixie (Republic/Big Machine) 553 151 118 39 18 1

43 40 PARMALEE/Carolina (Stoney Creek) 540 61 148 14 26 2

41 41 THOMPSON SQUARE/Everything I Shouldn't Be... (Stoney Creek) 540 -37 125 -16 13 1

45 42 KELLY CLARKSON/Tie It Up (RCA/Columbia) 539 122 140 34 21 1

44 43 DUSTIN LYNCH/Wild In Your Smile (Broken Bow) 508 50 108 14 13 2

54 44 JAKE OWEN/Days Of Gold (RCA) 488 240 136 80 19 7

53 45 COLE SWINDELL/Chillin' It (Warner Bros./WMN) 446 175 163 48 14 4

47 46 CRAIG MORGAN/Wake Up Lovin' You (Black River) 388 9 116 0 13 0

49 47 LOVE AND THEFT/If You Ever Get Lonely (RCA) 372 7 83 7 12 1

42 48 DAVID NAIL/Whatever She's Got (MCA) 358 -125 103 -41 12 1

48 49 COLT FORD F/JASON ALDEAN/Drivin' Around Song (Average Joes) 355 -20 113 -7 12 0

51 50 DYLAN SCOTT/Makin' This Boy Go Crazy (Sidewalk) 339 6 103 2 11 0

51 BRAD PAISLEY/I Can't Change The World (Arista) 308 221 76 58 9 8

52 52 DAKOTA BRADLEY/Somethin' Like Somethin' (Streamsound) 296 -14 57 -5 13 0

53 JOSH THOMPSON/Cold Beer With Your Name On It (Show Dog-Universal) 269 124 60 30 7 3

55 54 THE HENNINGSENS/I Miss You (Arista) 252 40 60 8 7 2

55 FRANKIE BALLARD/Helluva Life (Warner Bros./WAR) 195 122 49 30 9 4

56 56 JANA KRAMER/I Hope It Rains (Elektra Nashville/W.A.R.) 194 -12 55 -5 6 0

58 57 CHUCK WICKS/Salt Life (Liz Rose) 187 23 48 5 10 0

57 58 RACHELE LYNAE/Fishin' For Something (Momentum) 161 -3 33 0 4 0

59 BUSH HAWG/Crushin' (RCA) 160 47 42 12 4 0

59 60 LONESTAR/Party All Day (4 Star) 149 -6 24 0 4 0

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