Theatre HistoryTheatre History

Rituals to RenaissanceRituals to Renaissance

Rituals - 38,000-5000 BCRituals - 38,000-5000 BC Oldest form of expression – storytelling Used masks, costumes, and visual art Begins with primitive man as dance and rhythmic

movement These rituals explained tradition, tribal history, religion,

why thing happen in nature Rituals evolved into pantomime - stories shown not told Gave youth of a culture a guide and plan for their own

lives

Oldest form of expression – storytelling Used masks, costumes, and visual art Begins with primitive man as dance and rhythmic

movement These rituals explained tradition, tribal history, religion,

why thing happen in nature Rituals evolved into pantomime - stories shown not told Gave youth of a culture a guide and plan for their own

lives

RitualsRituals Rituals are related to 3 basic concerns:

Power – influencing and controlling events Pleasure – social events, entertainment Duty – worship, god(s) related

Often times the acting/leadership role was filled by elders and priests.

Acting space (theaters) developed as more elaborate rituals were created.

Rituals are related to 3 basic concerns: Power – influencing and controlling events Pleasure – social events, entertainment Duty – worship, god(s) related

Often times the acting/leadership role was filled by elders and priests.

Acting space (theaters) developed as more elaborate rituals were created.

Egypt - 4000 - 500 B.C.Egypt - 4000 - 500 B.C.

“Pyramid” plays - religious plays about the deceased king’s soul being resurrected

Coronation Festival plays - celebration of the new pharaoh

Passion plays - murder of a king; battle, voyages, and a scary resurrection scene

“Ra” plays - Ra (sun god) fought Apophis (snake god) of the underworld. Ra always won.

“Pyramid” plays - religious plays about the deceased king’s soul being resurrected

Coronation Festival plays - celebration of the new pharaoh

Passion plays - murder of a king; battle, voyages, and a scary resurrection scene

“Ra” plays - Ra (sun god) fought Apophis (snake god) of the underworld. Ra always won.

Potential Test QuestionsPotential Test Questions

Rituals are a type of _______________. Prehistoric tribes were able to

communicate ________ through rituals How have the elements of rituals

influences modern theatre?

Rituals are a type of _______________. Prehistoric tribes were able to

communicate ________ through rituals How have the elements of rituals

influences modern theatre?

Performance Assessment for Ritual

Performance Assessment for Ritual

Get into groups of 3-5 and pick up 1 rubric Create a ‘ritual’ performance which includes the following

A who, what, where, and conflict Explain the tribes tradition/history or natural

occurrence Use pantomime and gibberish and facial expressions Use rhythmic movement and appropriate music

This assignment will be performed the last 30 minutes of class as is worth 15 points

Get into groups of 3-5 and pick up 1 rubric Create a ‘ritual’ performance which includes the following

A who, what, where, and conflict Explain the tribes tradition/history or natural

occurrence Use pantomime and gibberish and facial expressions Use rhythmic movement and appropriate music

This assignment will be performed the last 30 minutes of class as is worth 15 points

Greeks 1200-500 B.C.Greeks 1200-500 B.C.

Performances grew out of religious festivals in honor of Greek God Dionysis

Festivals (5-6 days) were held once a year in the THEATRON (“watching space”) which is where we get our word THEATRE

All citizens were expected to attend Largest seated 1400 (1/2 population of Athens) Theaters were semi-circles built of stone into the hillside

Performances grew out of religious festivals in honor of Greek God Dionysis

Festivals (5-6 days) were held once a year in the THEATRON (“watching space”) which is where we get our word THEATRE

All citizens were expected to attend Largest seated 1400 (1/2 population of Athens) Theaters were semi-circles built of stone into the hillside

Greek Theatre (continued)Greek Theatre (continued)

Greek Theatre focused on TRAGEDY (issues of life, death, the gods)

Actors all male/wore masks Chorus (12-50) acted out the story/life of the Gods together First producer/director/actor wasTHESPIS - “invented” acting when he steps out of the chorus to answer them --- this created stage dialogue

Greek Theatre focused on TRAGEDY (issues of life, death, the gods)

Actors all male/wore masks Chorus (12-50) acted out the story/life of the Gods together First producer/director/actor wasTHESPIS - “invented” acting when he steps out of the chorus to answer them --- this created stage dialogue

Greek Theatre (continued) - PlaywrightsGreek Theatre (continued) - Playwrights Aeschylus - (525?-456 B.C.) “Father of Tragedy”;

considered to be the first playwright Idea of the play is the most important thing - not the

character Adds a 2nd actor

Sophocles (496-406 B.C.) Writes about right vs wrong, the idea that man can not solve

all the problems in the world Focuses on character -- drives the plot

Euripides (480?-406 B.C.) First “Modern” playwright Writes plays of characters in relation to society and mocks

them Characters are realistic No chorus

Aeschylus - (525?-456 B.C.) “Father of Tragedy”; considered to be the first playwright Idea of the play is the most important thing - not the

character Adds a 2nd actor

Sophocles (496-406 B.C.) Writes about right vs wrong, the idea that man can not solve

all the problems in the world Focuses on character -- drives the plot

Euripides (480?-406 B.C.) First “Modern” playwright Writes plays of characters in relation to society and mocks

them Characters are realistic No chorus

Roman Theatre - 6th century B.C.Roman Theatre - 6th century B.C. Borrowed from the Greeks and “improved”

on them Less philosophical than the Greeks Actors/performers were called “histriones” Encompassed more than drama :

acrobatics, gladiators, jugglers, athletics, chariots races, naumachia (sea battles), boxing, venationes (animal fights)

Borrowed from the Greeks and “improved” on them

Less philosophical than the Greeks Actors/performers were called “histriones” Encompassed more than drama :

acrobatics, gladiators, jugglers, athletics, chariots races, naumachia (sea battles), boxing, venationes (animal fights)

Roman Theatre (continued)Roman Theatre (continued) Pantomime/Mime - solo dance, with music (lutes, pipes, cymbals)

and a chorus. Used masks, story-telling, mythology or historical stories, usually

serious but sometimes comic

Spoken

Usually short

Sometimes elaborate casts and spectacle

Serious or comic (satiric)

No masks

Had women

Violence and sex depicted literally

Scoffed at Christianity

Needless to say, the Church did not look kindly at Mime.

Pantomime/Mime - solo dance, with music (lutes, pipes, cymbals) and a chorus. Used masks, story-telling, mythology or historical stories, usually

serious but sometimes comic

Spoken

Usually short

Sometimes elaborate casts and spectacle

Serious or comic (satiric)

No masks

Had women

Violence and sex depicted literally

Scoffed at Christianity

Needless to say, the Church did not look kindly at Mime.

Roman Theatre (continued)Roman Theatre (continued)

Theaters are free-standing buildings with stadium seating

Large stages (20-40 deep and 100-300 feet long) Could seat 10-15,000 people Stage covered with a roof (often Audience covered with a awning to

protect them from the sun Trap doors common Around 78 B.C. a cooling system

put in place --- air blown over streams of water

Sand on the stage floor

Theaters are free-standing buildings with stadium seating

Large stages (20-40 deep and 100-300 feet long) Could seat 10-15,000 people Stage covered with a roof (often Audience covered with a awning to

protect them from the sun Trap doors common Around 78 B.C. a cooling system

put in place --- air blown over streams of water

Sand on the stage floor

http://www.youtube.com/watch?feature=player_detailpage&v=JwtxtmJInww

Potential Test QuestionsPotential Test Questions

Who was the 1st actor? Greek festivals were held in the ________. Roman festivals were held in the _______. Greeks used _____ to express emotion. Who is the chorus? What are the elements of Tragedy

Who was the 1st actor? Greek festivals were held in the ________. Roman festivals were held in the _______. Greeks used _____ to express emotion. Who is the chorus? What are the elements of Tragedy

Performance for Greeks/RomanPerformance for Greeks/Roman Get into groups of 5-6 and pick up 1 rubric Create a performance that has the following:

A who, what, where, and conflict A character of high status who “falls” because of a

fatal flaw A chorus and at least 2 characters Dynamic choreographed motivated movement

This assignment is worth 15 points and will be performed the last 30 minutes of class today

Get into groups of 5-6 and pick up 1 rubric Create a performance that has the following:

A who, what, where, and conflict A character of high status who “falls” because of a

fatal flaw A chorus and at least 2 characters Dynamic choreographed motivated movement

This assignment is worth 15 points and will be performed the last 30 minutes of class today

Medieval Theatre (950-1550)

Medieval Theatre (950-1550)

Theatre is dead in Europe but active in Asia Traveling Troupes performed on wagons which

opened to create a fixed stage - used props and costumes but in Europe no women performers

3 Types of plays performed Miracle Plays - enacted the lives of saints Mystery Plays - Bible stories sometimes also called

“passion plays” Morality Plays - taught moral lessons - right vs

wrong and the struggle between good and evil for the soul of Man

Theatre is dead in Europe but active in Asia Traveling Troupes performed on wagons which

opened to create a fixed stage - used props and costumes but in Europe no women performers

3 Types of plays performed Miracle Plays - enacted the lives of saints Mystery Plays - Bible stories sometimes also called

“passion plays” Morality Plays - taught moral lessons - right vs

wrong and the struggle between good and evil for the soul of Man

Potential Test QuestionsPotential Test Questions

True/False – Woman were allowed to perform in Medieval theatre.

Everyman is a ___________ play. _____________ stories teach right from wrong. Stories about the bible are ___________ plays. How does Medieval Theatre reflect what is going

on historically during this time period?

True/False – Woman were allowed to perform in Medieval theatre.

Everyman is a ___________ play. _____________ stories teach right from wrong. Stories about the bible are ___________ plays. How does Medieval Theatre reflect what is going

on historically during this time period?

Performance AssessmentPerformance Assessment Get into groups of 4-6. Create a performance with the following

A who, what, where, and conflict A type of medieval play (Morality, Mystery, or

Miracle) with the proper elements Appropriate character choices Choreographed and motivated movement.

This will be performed the last 30 minutes of class today. It is worth 20 points.

Get into groups of 4-6. Create a performance with the following

A who, what, where, and conflict A type of medieval play (Morality, Mystery, or

Miracle) with the proper elements Appropriate character choices Choreographed and motivated movement.

This will be performed the last 30 minutes of class today. It is worth 20 points.

Italian Renaissance (1470-1550)

Italian Renaissance (1470-1550)

Built indoor theaters Church no longer “calling the shots” Commedia Dell’Arte - 1st form of improvisation; still

traveling troupes that performed for $ from the crowd that gathered; plot summary learned by actors beforehand

Considered to be the 1st “professional” theatre First in Europe to put Women on stage

Built indoor theaters Church no longer “calling the shots” Commedia Dell’Arte - 1st form of improvisation; still

traveling troupes that performed for $ from the crowd that gathered; plot summary learned by actors beforehand

Considered to be the 1st “professional” theatre First in Europe to put Women on stage

English Renaissance (1470-1550)

English Renaissance (1470-1550)

Focused on the plays of Shakespeare, Marlowe, and Jonson

Theatre saw an incredible burst of energy and talent -- 1 in 8 people regularly went to the theatre

Purpose to entertain the rich. They got the good seats in the balcony and the poor stood below

Roles were played by men (including women roles

First time costumes fit the character

Focused on the plays of Shakespeare, Marlowe, and Jonson

Theatre saw an incredible burst of energy and talent -- 1 in 8 people regularly went to the theatre

Purpose to entertain the rich. They got the good seats in the balcony and the poor stood below

Roles were played by men (including women roles

First time costumes fit the character

Shakespeare April 24,1564-April 24,1616Shakespeare April 24,1564-April 24,1616

Noted to be the greatest playwright in history, although authenticity is questioned by many.

He was an poet, actor, playwright, and producer

Wrote 38 plays: histories, comedies, tragedies, and fantasies

Balanced plot and character

Noted to be the greatest playwright in history, although authenticity is questioned by many.

He was an poet, actor, playwright, and producer

Wrote 38 plays: histories, comedies, tragedies, and fantasies

Balanced plot and character

The Globe TheaterThe Globe Theater Built in 1599 - considered “indoor” Thrust Stage 3 Stories high Audience Sits

around the stage Little furniture Burned down in

1613 during a performance of Henry 8th

Built in 1599 - considered “indoor” Thrust Stage 3 Stories high Audience Sits

around the stage Little furniture Burned down in

1613 during a performance of Henry 8th

The Globe todayThe Globe today

The Globe TodayThe Globe Today

The Globe TodayThe Globe Today

French Renaissance (1550-1700)

French Renaissance (1550-1700)

Best playwright - Jean-Baptiste Moliere (1622-1672) wrote comedies that focued on social “rules”; also called “Comedy of Manners”

French Theatre had several rules Unities - time, place, and action had to be 24 hours or less Purity of Form - no mixing of Comedy and Tragedy “Verisimilitude” - the appearance of truth with the following

categories - Reality (could happen in real life), Morality (teach a lesson), Generality (normal attirbutes), and Decorum (stereotypes)

Best playwright - Jean-Baptiste Moliere (1622-1672) wrote comedies that focued on social “rules”; also called “Comedy of Manners”

French Theatre had several rules Unities - time, place, and action had to be 24 hours or less Purity of Form - no mixing of Comedy and Tragedy “Verisimilitude” - the appearance of truth with the following

categories - Reality (could happen in real life), Morality (teach a lesson), Generality (normal attirbutes), and Decorum (stereotypes)

Potential Test QuestionsPotential Test Questions

The Lazzi in Commedia Dell’Arte is a Piece of food Type of character Comedic bit None of these

What elements of modern entertainment do we see being borrowed from the Renaissance Era?

The Lazzi in Commedia Dell’Arte is a Piece of food Type of character Comedic bit None of these

What elements of modern entertainment do we see being borrowed from the Renaissance Era?

19th Century Theatre (1800-1900)19th Century Theatre (1800-1900) Naturalism (1850-1922)

The relationship between character and enviroment

2 important “creators” - Anton Chekhov (Russian playwright) and Konstantin Stanislavsky (1963-1938). Both men demanded natural reponses from their actors. Psychological reactions of the characters could be more important than the situation itself.

Stanislavsky created “The System” or “Method” acting - actor uses an “emotional memory” to create character/motivation.

Naturalism (1850-1922) The relationship between character and

enviroment 2 important “creators” - Anton Chekhov (Russian

playwright) and Konstantin Stanislavsky (1963-1938). Both men demanded natural reponses from their actors. Psychological reactions of the characters could be more important than the situation itself.

Stanislavsky created “The System” or “Method” acting - actor uses an “emotional memory” to create character/motivation.

19th Century Theatre (1800-1900)19th Century Theatre (1800-1900)

Realism (1850-1950) A style showing life as “it really is” reflects real life The FOURTH WALL is established as a result - the

idea that the actors can see through an invisible wall into the lives of the characters.

Henrik Ibsen (1828-1906) Playwright who saw theatre as a means to

challenge “mistakes” he saw in the society he lived in. Most famous play A Doll’s House helped pave the way for women to be seen as equals.

Realism (1850-1950) A style showing life as “it really is” reflects real life The FOURTH WALL is established as a result - the

idea that the actors can see through an invisible wall into the lives of the characters.

Henrik Ibsen (1828-1906) Playwright who saw theatre as a means to

challenge “mistakes” he saw in the society he lived in. Most famous play A Doll’s House helped pave the way for women to be seen as equals.