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THE TRADITION OF GERMAN- JEWISH ORGAN MUSIC BEFORE & AFTER 1938 Dr. Tina Fruehauf Columbia University Introduction by Dr. Renee Louprette John J. Cali School of Music, Montclair State University Presented by The College of the Arts, College of Humanities and Social Sciences, the Global Education Center, Harry A. Sprague Library, Jewish American Studies, Hillel, Office of Equity and Diversity, George Segal Gallery and the Holocaust and Genocide Resource Center of Montclair State University. Sponsored by New Jersey Council for the Humanities, Holocaust Council of Greater MetroWest and Temple Ner Tamid of Bloomfield. This program series was made possible by a grant from the New Jersey Council for the Humanities, a state partner of the National Endowment for the Humanities. Any views, findings, conclusions or recommendations in this series do not necessarily represent those of the National Endowment for the Humanities of the New Jersey Council for the Humanities. Dr. Fruehauf discusses what happened as a result of the violence in 1938 and traces the history of organ music in German-Jewish liturgy and cultural life from the 19 th Century to its rebirth in modern times. She is an Adjunct Assistant Professor of Music at Columbia University and Editor at Répertoire International de Littérature Musicale in New York. In addition to her work as a scholar, she is an organist and church musician. Her German and English publications include articles in the Journal of Jewish Music and Liturgy and Orgel International, numerous book chapters and encyclopedia contributions on the German-Jewish music culture, organs and organ music, the piano and the violin. Wednesday October 30, 2013 at 7PM Adelina Granita Ferraro Courtyard (UN 1106) ♪ ♫ ♪ ♩

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Page 1: THE TRADITION OF GERMAN- JEWISH ORGAN MUSIC · PDF fileTHE TRADITION OF GERMAN-JEWISH ORGAN MUSIC BEFORE & AFTER 1938 Dr. Tina Fruehauf Columbia University Introduction by Dr. Renee

THE TRADITION OF GERMAN-JEWISH ORGAN MUSIC

BEFORE & AFTER 1938

Dr. Tina FruehaufColumbia University

Introduction by Dr. Renee LoupretteJohn J. Cali School of Music, Montclair State University

Presented by The College of the Arts, College of Humanities and Social Sciences, the Global Education Center, Harry A. Sprague Library, Jewish American Studies, Hillel, Office of Equity and Diversity, George Segal Gallery and the Holocaust and Genocide Resource Center of Montclair State University. Sponsored by New Jersey Council for the Humanities, Holocaust Council of Greater MetroWest and Temple Ner Tamid of Bloomfield.

This program series was made possible by a grant from the New Jersey Council for the Humanities, a state partner of the National Endowment for the Humanities. Any views, findings, conclusions or recommendations in this series do not necessarily represent those of the National Endowment for the Humanities of the New Jersey Council for the Humanities.

Dr. Fruehauf discusses what happened as a result of the violence in 1938 and traces the history of organ music in German-Jewish liturgy and cultural life from the 19th Century to its rebirth in modern times. She is an Adjunct Assistant Professor of Music at Columbia University and Editor at Répertoire International de Littérature Musicale in New York. In addition to her work as a scholar, she is an organist and church musician. Her German and English publications include articles in the Journal of Jewish Music and Liturgy and Orgel International, numerous book chapters and encyclopedia contributions on the German-Jewish music culture, organs and organ music, the piano and the violin.

Wednesday October 30, 2013 at 7PMAdelina Granita Ferraro Courtyard (UN 1106)

♪♫♪♩

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