the river merchant’s wife - printing

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    The River Merchants Wife:

    A Letter

    Li Po, trans. by Ezra Pound

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    Li Po (about 701-762 CE)

    a native of Sezchaun, China.

    While still in his teens, heretired to mountains in the

    north of the province to livewith a religious recluse bythe name of Tunyen-tzu. Thetwo of them were said tokeep strange birds as pets. Li

    Po later travelled down theYangtze to Yun-meng, a townnorth of the river and Tung-ting Lake, where he married.

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    From then on his occupation became that of awandering poet. Throughout his life heproduced an abundance of poems on many

    different subjects: nature

    wine

    friendship

    solitude

    the passage of time.

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    He stayed for a few years in various places,

    travelled extensively, and became for a time

    one of the Six Idlers of the Bamboo Valley,

    who celebrated wine and song in the

    mountains of Chu-lai. All this did not provide a

    satisfactory existence for his first wife, who left

    him with their two children. He appears to have married three times.

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    Li Pos Poetry

    Li Po entered the capital, Chang-an, in about 742and his poetry found great favor at the imperialcourt. However, court plotters found a way ofdemonstrating that one of his poems was a

    malicious satire. Li Po found it prudent to retire tothe mountains again, and then wandered aroundChina for about ten years, becoming involved in amajor revolt. He was imprisoned under sentence

    of death, which was commuted to perpetualbanishment to the southwest region of theempire.

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    He had a strong imagination that was easily

    set off by music and wine, both of which

    received praise in his poetry. He became a

    Taoist and some of his poetry, such as Chuang

    TzuAnd The Butterfly,reflects this

    He remained a poet who caught the nuances

    of the human experience of nature and ofhuman friendship

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    Ezra Pound (1885-1972)

    Variant Name(s): Ezra Weston

    Loomis Pound (full name);

    William Atheling(pseudonym);

    The Poet of Titchfield Street

    (pseudonym); Alfred

    Venison(pseudonym)

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    Pound was born in Hailey, Idaho, in 1885, and

    raised in Philadelphia, the son of Homer

    Loomis Pound and Isabel Weston Pound. He

    made his first visits to Europe with his family

    in 1898 and 1902.

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    He attended the Cheltenham MilitaryAcademy when he was twelve and soon afterattended the Cheltenham Township High

    School.

    Just before his sixteenth birthday, Pound

    entered the University of Pennsylvania, and in1903 he transferred to Hamilton College,receiving his bachelor's degree in 1905.

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    He taught Romance languages at Wabash

    College in Indiana for a short time in 1907,but

    was dismissed after a scandal involving a

    stranded actress that he allowed to stay

    overnight with him in his room.

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    After this and a failed courtship with Mary S.

    Moore, Pound decided to leave for Europe,

    where he privately published his first volume

    of poetry, 'A lume spento', in Venice in 1908.

    He then moved to London and by 1911 was

    immersed in the literary and intellectual

    milieu and was a respected critic and poet.

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    Around this time Pound founded a poetic

    movement called Imagism, which linked

    techniques derived from the Symbolist

    movement and Oriental poetry, such as haiku.

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    Pound spent much of his time concerned with

    promoting the careers of many of the great

    writers of the time and was a key figure in the

    publication of many influential works,

    including Ernest Hemingway's 'In Our Time',

    and T. S. Eliot's 'The Waste Land'.

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    In 1921 Pound moved to Paris and from there toRapallo, Italy, in 1924. In Italy Pound endorsedthe Fascist government of Benito Mussolini and

    declared his political and anti-semitic beliefs in aseries of radio broadcasts during WorldWar II.After the war Pound was arrested by Americanallies and charged with treason. He was found

    mentally incapable to stand trial and wascommitted to St. Elizabeth's Hospital inWashington D.C. in 1946.

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    Upon his release in 1958 he returned to Italy.

    He died in Venice in 1972 and is buried in San

    Michele Cemetery on the island of San Giorgio

    Maggiore.

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    THE POEM

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    'The River-Merchant's

    Wife: A Letter' was

    published in 1915 in Ezra

    Pound's third collection of

    poetry, Cathay:

    Translations, whichcontains versions of

    Chinese poems composed

    from the sixteen

    notebooks of Ernest

    Fenollosa, a scholar of

    Chinese literature.

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    Pound called the poems in English which

    resulted from the Fenollosa manuscripts

    "translations, but as such they are held in

    contempt by most scholars of Chinese

    language and literature. However, they have

    been acclaimed as "poetry for their clarity

    and elegance. They are variously referred toas translations," "interpretations,"

    "paraphrases," and "adaptations."

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    Pound's study of the Fenollosa manuscripts

    led to his preoccupation with the Chinese

    ideogram (a written symbol for an idea or

    object) as a medium for poetry.

    He realized that Chinese poets had long been

    aware of the image as the fundamental

    principle for poetic composition that hehimself was beginning to formulate.

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    the poetic image did not lose anything intranslation between languages nor was itbound by time, but effectively communicated

    through time and across cultures, accruingmeaning in the process.

    'TheRiver-Merchant's Wife: A Letter', forexample, communicates with depth andpoignance the human experience of sorrow atseparation, the human experience of love.