the river merchant’s wife - printing
TRANSCRIPT
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The River Merchants Wife:
A Letter
Li Po, trans. by Ezra Pound
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Li Po (about 701-762 CE)
a native of Sezchaun, China.
While still in his teens, heretired to mountains in the
north of the province to livewith a religious recluse bythe name of Tunyen-tzu. Thetwo of them were said tokeep strange birds as pets. Li
Po later travelled down theYangtze to Yun-meng, a townnorth of the river and Tung-ting Lake, where he married.
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From then on his occupation became that of awandering poet. Throughout his life heproduced an abundance of poems on many
different subjects: nature
wine
friendship
solitude
the passage of time.
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He stayed for a few years in various places,
travelled extensively, and became for a time
one of the Six Idlers of the Bamboo Valley,
who celebrated wine and song in the
mountains of Chu-lai. All this did not provide a
satisfactory existence for his first wife, who left
him with their two children. He appears to have married three times.
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Li Pos Poetry
Li Po entered the capital, Chang-an, in about 742and his poetry found great favor at the imperialcourt. However, court plotters found a way ofdemonstrating that one of his poems was a
malicious satire. Li Po found it prudent to retire tothe mountains again, and then wandered aroundChina for about ten years, becoming involved in amajor revolt. He was imprisoned under sentence
of death, which was commuted to perpetualbanishment to the southwest region of theempire.
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He had a strong imagination that was easily
set off by music and wine, both of which
received praise in his poetry. He became a
Taoist and some of his poetry, such as Chuang
TzuAnd The Butterfly,reflects this
He remained a poet who caught the nuances
of the human experience of nature and ofhuman friendship
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Ezra Pound (1885-1972)
Variant Name(s): Ezra Weston
Loomis Pound (full name);
William Atheling(pseudonym);
The Poet of Titchfield Street
(pseudonym); Alfred
Venison(pseudonym)
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Pound was born in Hailey, Idaho, in 1885, and
raised in Philadelphia, the son of Homer
Loomis Pound and Isabel Weston Pound. He
made his first visits to Europe with his family
in 1898 and 1902.
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He attended the Cheltenham MilitaryAcademy when he was twelve and soon afterattended the Cheltenham Township High
School.
Just before his sixteenth birthday, Pound
entered the University of Pennsylvania, and in1903 he transferred to Hamilton College,receiving his bachelor's degree in 1905.
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He taught Romance languages at Wabash
College in Indiana for a short time in 1907,but
was dismissed after a scandal involving a
stranded actress that he allowed to stay
overnight with him in his room.
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After this and a failed courtship with Mary S.
Moore, Pound decided to leave for Europe,
where he privately published his first volume
of poetry, 'A lume spento', in Venice in 1908.
He then moved to London and by 1911 was
immersed in the literary and intellectual
milieu and was a respected critic and poet.
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Around this time Pound founded a poetic
movement called Imagism, which linked
techniques derived from the Symbolist
movement and Oriental poetry, such as haiku.
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Pound spent much of his time concerned with
promoting the careers of many of the great
writers of the time and was a key figure in the
publication of many influential works,
including Ernest Hemingway's 'In Our Time',
and T. S. Eliot's 'The Waste Land'.
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In 1921 Pound moved to Paris and from there toRapallo, Italy, in 1924. In Italy Pound endorsedthe Fascist government of Benito Mussolini and
declared his political and anti-semitic beliefs in aseries of radio broadcasts during WorldWar II.After the war Pound was arrested by Americanallies and charged with treason. He was found
mentally incapable to stand trial and wascommitted to St. Elizabeth's Hospital inWashington D.C. in 1946.
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Upon his release in 1958 he returned to Italy.
He died in Venice in 1972 and is buried in San
Michele Cemetery on the island of San Giorgio
Maggiore.
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THE POEM
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'The River-Merchant's
Wife: A Letter' was
published in 1915 in Ezra
Pound's third collection of
poetry, Cathay:
Translations, whichcontains versions of
Chinese poems composed
from the sixteen
notebooks of Ernest
Fenollosa, a scholar of
Chinese literature.
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Pound called the poems in English which
resulted from the Fenollosa manuscripts
"translations, but as such they are held in
contempt by most scholars of Chinese
language and literature. However, they have
been acclaimed as "poetry for their clarity
and elegance. They are variously referred toas translations," "interpretations,"
"paraphrases," and "adaptations."
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Pound's study of the Fenollosa manuscripts
led to his preoccupation with the Chinese
ideogram (a written symbol for an idea or
object) as a medium for poetry.
He realized that Chinese poets had long been
aware of the image as the fundamental
principle for poetic composition that hehimself was beginning to formulate.
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the poetic image did not lose anything intranslation between languages nor was itbound by time, but effectively communicated
through time and across cultures, accruingmeaning in the process.
'TheRiver-Merchant's Wife: A Letter', forexample, communicates with depth andpoignance the human experience of sorrow atseparation, the human experience of love.