the kathryn m. buder center for american indian …...the kathryn m. buder center for american...
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The Kathryn M. Buder Center for American Indian Studies promotes preparation of professionals to assume leadership positions in social services and governmental institutions dedicated to improving the lives of American Indians. Scholarships The Brown School has one of the largest social work financial aid programs in the country including scholarships, loans, and work-study programs.
The Kathryn M. Buder Charitable Foundation offers full scholarships to American Indian/Alaska Native students who plan to practice social work in American Indian communities. These scholarships provide tuition, monthly stipends, professional development opportunities, and books for two years of full-time study.
The Brown School’s Center for Social Development provides a Buder Doctoral Fellowship. This fellowship is awarded to an outstanding doctoral student with expressed interest in American Indian studies and social work.
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2015PowWowAgenda10:00am ContestRegistrationOpens VendorBoothsOpen11:00am GourdDancing
12:00‐4:00pm GrandEntry FlagSong VeteranSong VictorySong(PostColors) Invocation Introductions
IntertribalDancing CompetitionDancing– Youth,Teen&GoldenAgeCategories
4:00pm HandDrumContest DinnerBreak
5:00pm GourdDancing
6:00‐10:00pm GrandEntry FlagSong VeteranSong VictorySong(PostColors) Invocation Introductions
IntertribalDancing CompetitionDancing–AdultCategories
PowWowCommitteeRecognition Honorariums AnnounceWinners ClosingSong TakeOutColors ClosingPrayer
ASpecialThankYou!
ThePowWowCommitteewouldliketotakeamomenttoexpressourgratitudetothepeoplewhohelpedmakeourPowWowasuccess.Weappreciatetheirtime,
donations, inancialassistance,andattention.
DeanEdwardF.LawlorAngelaGilbreathAmericanIndianStudentAssociationArtHistory&ArcheologyDepartmentBiologyDepartmentCenterforDiversityInclusionCenterforHumanitiesDiversityAwarenessPartnershipEastAsianLanguages&CulturesProgramFirstUnitarianChurchofSt.Louis
KemperArtMuseumMetroSt.LouisMusicDepartmentPerformingArtsDepartmentKathrynM.BuderCharitableFoundationFaculty,Staff,andStudentsoftheBrownSchoolWashingtonUniversityinSt.LouisSt.LouisCommunitySt.LouisAmericanIndianCommunity
ThePowWowCommitteewouldliketothankthosewhodonatedtoourAnnualTriviaNight’sSilentAuction:
PiPizzaThePurpleCowRiverCityRascalsSalt&SmokeSandraZakSchla lyShanondoraBilliotSharonWaldmannSherryTalucSubterraneanbooksSwingAroundFunTownTheTaffaFamilyThomas&SusanLaSargeTravelingTeaTropicanaLanesTuttiFruittiUpperLimitsUrbanChestnutBreweryVonFassWizard’sWagon
AvalonExchangeBarnesandNobleBlueberryHillClaytonCarWashDewey’sPizzaGardenHeightsGatewayGrizzliesGourdJewelsIsaiahStewartJaneFitzgeraldJaniceBegayJoeTovarTheMaherFamilyMannyKingMassageEnvyMelanieLawMissouriBotanicalGardenMollyTovarParkwayHotelPhoenixRising
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Thisprojectwasfundedinpartbygrantsfromthefollowing:
AMBFoundation
StudentCoordinatingCounciloftheBrownSchool
TheWomen’sSocietyofWashingtonUniversity
SpecialThankstoHobi&SadieHaque
forPrintingOurPowWowT‐Shirts
www.skyyscreenprinting.com
Ya’at’eeh!Aho!Welcometothe25thAnnualWashingtonUniversityinSt.LouisPowWow.TheKathrynM.BuderScholarsandPowWowCo‐Chairsappreciateyourattendanceattheeventthisyear.Thisyear’sthemeforthePowWowis“HonoringOurEldersThroughTradition”AsNativepeoplelivinginthe21stcentury,ourenvironmentrequiresustobalanceourtraditionalwayoflifewithmainstreamnorms.OurNativeeldersintribalcommunitiesareseenasrespectablerolemodels.NativeeldershelpkeepthebalanceofsharingtraditionalknowledgeandstoriesaliveamongNativeyouthandfamilies.WewelcomeyoutojoinusinthiswonderfuloccasionbycelebratingthevibrantcultureofAmericanIndianandAlaskaNativecommunities.WeareheretohonortheindigenouswayandembracealinktothepastthatmaintainsNativetraditions.PleasetakesometimetowalkaroundtheinformationboothsandvisittheNativeartsandcraftsvendors.Enjoysomefrybreadandcheckouttheyouthactivitiesarea.Pleaserecycleanycontainerstoday.Ifyouneedanythingthroughouttheday,feelfreetoaskanyCommitteeMemberwearingaredPowWowshirtwith“STAFF”printedontheback.WeencourageyoutoviewourPowwowshirts,whichcanalsobepurchasedatthefrontentrancetable.Weareexcitedthatyouarehereandhopethatyouhaveagreatexperiencebeingapartofour25thAnnualPowwow!A’hee’hee!We‐Wa‐Hunn!(ThankYou!)
WynetteWhitegoat VeronicaBrueschCo‐chair Co‐chair
Welcometothe25thAnnualWashingtonUniversityinSt.LouisPowWow
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2015PowWowHeadStaff
HostNorthernDrum HostSouthernDrumLittleSoldierSingers LightningHorse
HeadMan HeadWomanAdrianPrimeaux JordanHarmon(IhanktowanDakota) (CreekNationofOklahoma)
HeadGourd ArenaDirectorTimRobinson JohnWhiteAntelope(Omaha) (NorthernArapaho)
HeadJudge MC
SteveByington IsaiahStewart(Choctaw/Delaware/Navajo) (OglalaLakota)
MeettheHeadStaffHeadManDancerAdrianPrimeauxisanenrolledmemberoftheIhanktowanDakotaTribe(YanktonSioux).AdriancurrentlyresidesinLawrence,KSwithhisbabyson.AdrianPrimeaux,isarespectedyoungleader&dancerinIndianCountry.HehashisBAinIndigenous&AmericanIndianStudiesfromHaskellIndianNationsUniversity.In2010‐2011,hewastheHaskellBravetitleholder&ambassadoratHaskell.AdrianwasbroughtupandraisedintheNativeAmericanChurchreligion,wherehispracticesNativeSongs
(NACSongs)&ceremoniesaroundtheUnitedStates.Healsobegandancingearlyinlifeatdifferentpowwowswithhisfamily.Hewasbroughtintothearenahavinghisculturalrighttodanceasa“grass‐dancer”.AdrianishonoredandpleasedtobeheadmandancerforWashingtonUniversityinSt.Louis25thAnnualPowwow.
Head Woman Dancer Jordan Lee Harmon is an enrolled member of the Muscogee (Creek) Nation, descended from Koweta Tribal Town, and is of the deer clan. She currently serves as the 2014-2015 Miss Indian Oklahoma & passionately champions her platform of Native Americans in Education in all areas of her life. Jordan graduated from Oklahoma State University with a B.A. in Political Science & a double minor in Spanish & American Indian Studies. During her time at OSU, Jordan worked for Stillwater Public Schools Indian Education as a coordinator for cultural activities & as a tutor for Native students in K-12. She also served as an executive member of the Native American Student Association & served as the 2011-
2012 Miss American Indian OSU. Jordan currently attends law school at the University of Tulsa College of Law, where she will graduate with a concentration in Native American Law. Upon graduation, Jordan hopes to represent the interests of tribes and Indian people in the area of natural resources and environmental law.
WOMEN’SCLOTHdancesareamorespeci ictypeofwomen’sdressdancingandcanbetracedtobothnorthernandsouthernroots.Women’sclothdanceregaliaiscrucialtoitsidenti icationasauniquedancetype.Theregaliawornrangesfromintricatelysewn,ribbon‐workclothdressestohide‐beadeddressescoveredwithcowryshells,elkteeth,silver,andotheradornments.Somedancerswilldanceclockwise,whileotherswillstandinoneplace,turningtoeithersidefromtimetotime.WOMEN’SFANCYSHAWLdancersarecomparedtothemovementsofthebutter ly;thesedancerswearbrightlycoloredshawlsovertheirshoulders.Beadworkandaccessoriesmatchthemulti‐fringedshawls,creatingasplendorofspinningandfancyfootwork.TINYTOTSDANCINGisperformedbychildrenasyoungastwoyearsold.Thisdancestyleisacombinationofseveralothermoretraditionalstyles.Tinytotdancingisastrongindicationoftheculturaltieswhichdancingprovides‐childrenaretaughtatayoungagethatceremonyshouldbevalued.TEEN&JUNIORDANCINGrepresentsanydancersundertheageof21.Liketinytotdancingandgoldenagedancing,juniordancingcombinesseveralotherdancestyles,makingitauniquecategory.
LookaboveandyouwillseetheveryspecialNationsontheTrail
In2004,St.LouisartistanddesignerNardiHoblercreatedthe irst11ofherpaintedbannersforaprojectshenamed“NationsontheTrail”:atributetothepeopleencounteredbyLewisandClarkontheirtranscontinentaljourneyof1804.
Those11bannershavebeendisplayedannuallyattheWashingtonUniversityPowWowsince2005.In2007,Nardicreatedanewbannertohonorandcelebratethe10NativeAmericangraduatestudentsintheUniversity’sKathrynM.BuderScholarshipprogram.EachprogrammemberbroughtNardisomethingtheywantedhertousetorepresentthemasindividualsandasmembersoftheirownindividualnations.
Asintheolddays,thecreationofthisnewestbannertookmanyhours,manyminds,andmanyhands.Itbecameavisionofthepast,thepresent,andthefuture.Itdrawsitsstrengthfromthepowerandspiritofallofitsparticipants.
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DanceCategoriesMEN’STRADITIONALdancetellsofformergloriouswarsorhuntingexpeditions;thesedancerspreservethe“oldway”ofdancing.Throughacombinationofgracefulanddramaticgestures,thetraditionaldancertellshisstory.Thesemenwearexquisitebeadworkandfeathersthatareusuallydesignedafteranindividual’sparticularNation.MEN’SGRASSdancerscanberecognizedbytheirmulti‐coloredfringethatisoftenmadeoutofyarn.Their lowing,sweepingmovementsresemblethetallswayinggrassinthebreeze.MEN’SSTRAIGHTDANCINGishighlyformal;regaliaistailoredandperformanceisprestigious.Itsoveralleffectisreassuringsolidarity,anditappearshighlypolishedandrehearsed.Everythingiscloselymatchedandcoordinated,expressingaveryholisticfeeling.Regaliaismostoftendarkblue,heavywool,anddancerswillcarryamirrorboardortailstick,whichisprovidedbythemoreexperienceddancers.Becausethedanceregaliaissoornate,thedanceisslowandproud.Theartofbeautifulstraightdancingconsistsofperfectingthelittlethingssuchasbodymovementandcontrolofregalia.Furthermore,knowledgeofdanceetiquettecanmakeoneanoutstandingstraightdancer.MEN’SFANCYdancersareknownfortheirstamina,highjumps,andquickfootwork;fancydancersliterallydazzle.Theirout itsareconstructedoftwomulti‐coloredbustleswornaroundtheneckandback,matchedbeadwork,andwhipswhichareheldtoemphasizetheelaborategesturesofthesespiriteddancers.ItoriginatedwiththePoncaNationinWhiteEagle,OK.MEN’S/WOMEN’SGOLDENAGEdancersmustbeovertheageof55.Thisdancestyleisgenerallyacombinationofmanydifferent,moretraditionaldances,anditexempli iesthepassionwhichAmericanIndiansembodywhendancing.Becausethereisnotasingletraitthatindicatesagoldenagedance,itisoftenuptothedancerstoprovidetheirownuniquetouchandmakethedancetrulytheirown.WOMEN’SBUCKSKINistheoldestformofwomen’sdancingandisconsideredadanceofelegance.Ladieswear ine,fully‐beaded,hand‐craftedbuckskindresses,adornedwithornatebreastplatesmadefromhairbonepipeandglassbeads.Buckskindancingisslowandpoised,andthedancerscirclethedrumwhilebobbingtothebeat.Themovementsofthisdanceareslight,butbecauseoftheintricaciesofthedanceregalia,theseslightmovementscreateabeautifulswayingmotion.WOMEN’SJINGLEDRESSdancesarereveredasahealingdanceandbaseduponanOjibweman’sdream.Conesshapedfromchewingtobaccolidsarepositioneduponmasterfullydesigneddresses.Traditionally,365coneshavebeenplacedonthedressestorepresentthedaysoftheyear.
HostSouthernDrumLightningHorseSingers.TheLightningHorseSingersconsistofacombinationofaccomplishedsingersrepresentingvarioustribes.MostofthemcomefromtheNorth‐CentralOklahomaarea.ThegrouphasservedasHostDrumformanygatheringswithinOklahoma,Kansas,andNebraska.Thegroupspecializesinsongsof
thePoncaTribeandSouthernStyleSinging.
HostNorthernDrumLittleSoldier.TheLittleSoldierSingersareasecondgenerationgroup.WearethesonsandnephewsoftheoriginalLittleSoldierSingersthatstartedthegroupinthe1970’s.WeallgrewuponthePrairieBandPotawatomiReservationnearMayetta,Kansasandthisiswherewecallourhome.Wealllovetosingatpowwowsandinourtraditionalceremoniesandall
havebeendoingsosincewewereaveryyoungage.ManyofthesingershavechildrenwhoarestartingtofollowinthefootstepsoftheirGrandfathersandDadsandUnclesandtheywillcontinuetocarryonthetraditionsthattheyhavebeenlearningsincetheywereyoung.TheLittleSoldierSingersarehonoredtohavebeenaskedandtoserveasthehostdrumforWashingtonUniversity’s25thannualpowwow.
HeadGourdDancerTimRobinsonSr.is a member of the Omaha Tribe of Nebraska and an active member of the Lawrence, KS community where he resides with his family. He enjoys attending Haskell Light House Lutheran Ministries and bringing hope, attention and care to our younger generation. Tim is a graduate of Haskell Indian Nations University and is working on finishing his Bachelors at Washburn University with an emphasis on
Drug and Alcohol counseling. In the last few years he has worked tirelessly to bring a Indian Center to the Lawrence native community and serves as President of the Indigenous Community Center board of directors. Along with his passion to serve others in his community his other love is the powwow trail! Tim is never happier then when he is sitting behind the drum with his brothers singing or dancing his favorite dance styles the mens Southern Straight and the Gourd Dance. Timothy is a member of the Kiowa Gourd Dance Society and the Omaha Ti-pah Society and is a whistle carrier. He has had the honor of being asked to be Head Man and Head Gourd dancer over the last several years for many different committees and tribes. He hopes everyone enjoys there time at the Powwow and he will see you down the road. Aho
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HeadJudgeSteveByington(Choctaw,Delaware,Navajo)residesinLawrence,KS,withhiswife,Michelle,andtwosons,EthanandNoah.HeisagraduateoftheUniversityofKansasandiscurrentlyemployedatHaskellIndianNationsUniversity.Stevebegandancingthegrassdancestyleat14andhastraveledallacrossthecountryattendingPowWowseversince.HealsoenjoyssingingandisamemberofthesouthernstylesinginggroupSizzortailofShawnee,OK.SteveishonoredtobeselectedastheHeadDanceJudgeforthisyear’sWashingtonUniversityPowWow.
MeettheHeadStaff,continued
BuderCenterStaff
MollyTovar PeteCoser,Jr.(Comanche/Hispanicdescent) (Muscogee‐Creek/Choctaw)Director ProgramManagerLynnMitchell LindsayElliottProgramAssistant AdministrativeAssistant
ArenaDirectorJohnWhiteAntelopeisanenrolledmemberoftheNorthernArapahoTribefromtheWindRiverReservationincentralWyoming.Johnisverypleasedtohavebeenaskedtobethe2015ArenaDirectorfortheWashingtonUniversityPowWow.JohnismarriedtoVictoriaNiwot‐WhiteAntelopeandhastwochildren,PriscillaWhiteAntelopeandTylerWhiteAntelope.Heandhischildrenlovetotravelbackhomefortheirceremoniesandtheyenjoyspendingtimewitheachother.HehopeseveryoneenjoysthiseventandsaystopleasefeelfreetointroduceyourselfatthePowWow.
MasterofCeremoniesIsaiahStewart:IsaiahisOglalaLakotafromPineRidge.HecurrentlyresidesinLawrence,KansaswhereheattendedHaskellIndianNationsUniversityandearnedhisAssociatesDegree.Soonafter,IsaiahattendedtheUniversityofKansas,wherehepursuedhisBachelorsDegreeinFineArtsandisnowintheprocessofearninghisMastersDegree.IsaiahisalsoaNativeartistandcompetitivePrairieChickenDancer.Hehasalovelywifeandadaughter.
Pow Wow Songs & Dances GRANDENTRYistheparadeofdancersthatmarksthebeginningofeachPowWowsession.ThedancersentertothesoundofthedrumandgathertocreatetheCircle.INVOCATIONisatime‐honoredtraditionthatcallsupontheCreator,theGreatSpirit,toblessthosewhohavegatheredtoparticipateintheceremonies.FLAGSONGSarepatrioticsongssunginaNativelanguageandaccompanytheraisingoftheAmericanFlagoverthedancearena.Duringthissong,allmotionisatastandstillandallarequiet.MEMORIALSONGShonorthemenandwomenwhohavedefendedandfoughtfortheirpeoplesinvariouswars.Thesingerssingaspecialhonoringsongtowhichonlyveterans—andsometimestheirfamilies—maydance.Allotherguestsshouldremovetheirhatsandstandinsilence.HONORSONGSarespecialsongssungtohonoreitheranindividualoragroup.Thedrumwillsingaspecialsongwhiletheonebeinghonoredandthepersondoingthehonoringwillbegintodancearoundthearena.Theyareusuallyaccompaniedbytheirfamilyandclosefriendsforthe irsttimearoundthearena.Onthesecondrevolution,allthedancersjoininanddancearoundthearenauntilthesonghasended.Atthistime,manyofthedancerslineuptocongratulatethehonoredperson.BLANKETDANCESbeginbyplacingablanketnearthedruminordertocollecttokensofappreciationforaspeci icsingerordancer.Donationsareusedtoassistinthereimbursementofexpenses.Theaudiencemayparticipateinthisdancebyrespectfullyenteringthearenaandplacingtheirdonationontheblanket.SOCIALDANCESaredancesinwhichaudienceparticipationisencouraged.TheyincludeRoundDances,TwoSteps,andCrowHops.TheRoundDanceistypicallyheldaftertheopeningceremonies.Itisacirculardance,thatrepresentsfriendshipandsymbolizesequalitytooneanother.TheTwostepisapartnerdanceinwhichparticipantsareledaroundthearenabytheHeadDancersinaseriesofdifferentpatternmovements.TheCrowHopisafast‐pacedandenjoyabledanceinwhichthedancersattempttoimitatethecrow.INTER‐TRIBALSaredancesinwhichpeopleofallnationsandagesareinvitedtoshareinthedancing.Audienceparticipationisencouraged.
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The Pow Wow “PowWowsareanopportunityforAmericanIndianstocometogether.AmericanIndianstravelmanymilestocomeandparticipateinthisevent.Thisisawonderfulopportunitytomakenewfriends,renewoldfriendships,honorthoseyoulove.”PattyGrant,EasternCherokee/Lakota,MSW2001BuderScholar.
AmericanIndianspiritualityisbaseduponthesacredunityofalllivingbeings‐people,animals,Earth.ThisreverenceissymbolizedbythecircleofthePowWowarenaanddrum.ThedrumcarriesheavyimportancewithinthePowWow,assongsandtheabilitytosingarebelievedtobegiftsfromtheCreator(God).Itrepresentslife,asthedrumbeatistheheartbeatoftheEarthandpeople.MuchofAmericanIndiancultureispasseddownthroughgenerationsoffamiliesintheformofsong.Songsfromthesingersatthedrumalsocarrymajorsigni icanceasitisbelievedthesongscanhealandbreathelifeintopeople.Moreover,thesesongsarealsomadeformanyreasons‐suchasspecialsongsforreturningsoldiersfromwarsoverseas‐andcanvaryintempo,words,andemotions.Singerstakeonspiritualandpersonaltrainingsinordertosingatthedrum.Itinvolvesmanytraditionalaspectsandrequirementstobecomeasinger.AlthoughthesingersatthedrumarecommonlyAmericanIndianmen,AmericanIndianwomenhaveavitalroleassingers.Theycommittheirlifetothesongsanddrum.Similarly,dancersfollowthesameelementsoftraditionallifeassingers.Itrequiresalotofpersonalandspiritualinvolvement.Regaliaarespeci ictothedancers’identities.Beforethedancingbegins,ablessingisgiventoallaspectsofthePowWowarena,participants,andspectators.Therefore,itisimportanttoobservecorrectPowWowetiquette.ThisisagreattimetobeapartoftheAmericanIndiancommunityinSaintLouisandWashingtonUniversity.Please,ifyouhaveanyquestions,donothesitatetovisitwiththeWashingtonUniversityPowWowof icials.Wehopeyouhaveagreattimeatthe25thAnnualWashingtonUniversityinSt.LouisPowWow!
CommitteeMembers
Volunteer
NgombeBitendelo MariaDeShields MatthewFrank (Nanticoke/Cherokee) (Navajo)
Dancing/Contesting
AmandaRhodes ShaynaWilliams CandiceYazzie(Cherokee) (EasternBandCherokee) (Navajo)
Vendor/InformationalBooths
MiquelaTaffa CourtneyRoelandts(LagunaPueblo) (Chippewa)
Media/MarketingCommitteeSheronnabahHarvey CandiceYazzie(Navajo) (Navajo)
FoodCommitteeStephanieGutierrez CourtneyRoelandts(OglalaLakota) (Chippewa)
Children’sBoothCommitteeRhondaCoursey‐Pratt LauraNewton (Nanticoke) (EasternBandCherokee)
AssessmentCommittee
NakomisMaher EmilyWolf CandiceYazzie(MashpeeWampanoag) (Navajo)
2015PowWowCommitteeCo‐Chairs
WynetteWhitegoat(Navajo)VeronicaBruesch(Wichita/Ponca)
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LogoContestWinners
1stPlace
AshleyThompson(Cherokee)
ThislogoincorporatestheBuderCenter’slogoandsignaturecolors.ItalsodisplaysaneldertofurthersignifytheBuderCenter’sthemeofhonoringtheeldersinIndianCountry.
2ndPlace
OrlandoBegay(Navajo)Forthecenterdesign,IhavekidssittinginacirclewatchinganelderdancetheTraditionalstyledance.Itrepresentsteachingbyshowinganddoing.Also,theyaresittingonadrumtorepresentpowwows.Thecolorsaretorepresentanoldschoolfeelandstyle.Theboldlookistorepresenttheyouthandthemodernstyle.
3rdPlace
RhondaCoursey‐Pratt(Nanticoke)&NakomisMaher(MashpeeWampanoag)
TheEldersatCahokiaWoodhenge
ThePowWowCommitteeheldits5thAnnualLogoCompetitionforthe25thAnnualWashingtonUniversityinSt.LouisPowWow.Herearethewinners:
PowWowEtiquettePleaserespectthedancersandaskpermission
beforetakingpictures.
TheMasterofCeremonies(MC)willprovideeveryonewithinstructions,rules,andannouncementsduringthePowWow.TheMCwillalsoremindeveryonewhenitisOKtoenterintothearena.
Ifyouwantadancertoposeforyououtsidethecircle,pleaseaskpermission irst.Youmustinformthedancerifyouareaprofessionalphotographerandmustgetpermissionifyouplanonusingthephotographinafutureproject.Itisnicetooffertosendthedancercopies.
Ifyouwanttotakeaphotoofthesingersorthedrum,pleaseaskpermission irst.Youmustinformthesingersifyouareaprofessionalphotographerandmustgetpermissionifyouplanonusingthephotographinafutureproject.
Pleasedonotsitwithinthearena.Thechairsinsidethearenaarereservedforthedancersandsingers.Usethebleachers&upstairsseatingonly.
Ifyouarenotwearingtraditionalregalia,youmaydanceduringsocialsongs,likeIntertribals,TwoSteps,BlanketDances,andHonorSongs.TheMCwillannouncepropertimesforeveryonetodanceandparticipate.
Standandremovehats(unlesstraditionalheadgear)duringtheGrandEntry,FlagSongs,Invocation,MemorialSongs,VeteransSongs,andClosingSongs.
Childrenareinvitedtodanceandparticipate.Again,pleaselistenforinstructionsfromtheMCoraskaWashingtonUniversityPowWowCommitteememberifyouhaveanyquestions.
Dancers’out itsarepersonal,traditional,andunique.Pleasegivethedancersandtheirregaliaproperrespect.
Ifyouareaskedtodancebyanelder,doso.Itisdisrespectfultodeclineandsay,“Idon’tknowhow.”Thisisanopportunitytolearnmoreaboutthedanceandculture.
Alcohol,drugs,andweaponsarenotallowed.
ThePowWowisatimeofjoyfulgatheringandthecelebrationoflife.ThisisagreattimetobeapartofAmericanIndianculture!Ifthereareanyquestions,pleasespeakwithoneoftheWashingtonUniversityPowWowCommitteemembers.
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LogoContestWinners
1stPlace
AshleyThompson(Cherokee)
ThislogoincorporatestheBuderCenter’slogoandsignaturecolors.ItalsodisplaysaneldertofurthersignifytheBuderCenter’sthemeofhonoringtheeldersinIndianCountry.
2ndPlace
OrlandoBegay(Navajo)Forthecenterdesign,IhavekidssittinginacirclewatchinganelderdancetheTraditionalstyledance.Itrepresentsteachingbyshowinganddoing.Also,theyaresittingonadrumtorepresentpowwows.Thecolorsaretorepresentanoldschoolfeelandstyle.Theboldlookistorepresenttheyouthandthemodernstyle.
3rdPlace
RhondaCoursey‐Pratt(Nanticoke)&NakomisMaher(MashpeeWampanoag)
TheEldersatCahokiaWoodhenge
ThePowWowCommitteeheldits5thAnnualLogoCompetitionforthe25thAnnualWashingtonUniversityinSt.LouisPowWow.Herearethewinners:
PowWowEtiquettePleaserespectthedancersandaskpermission
beforetakingpictures.
TheMasterofCeremonies(MC)willprovideeveryonewithinstructions,rules,andannouncementsduringthePowWow.TheMCwillalsoremindeveryonewhenitisOKtoenterintothearena.
Ifyouwantadancertoposeforyououtsidethecircle,pleaseaskpermission irst.Youmustinformthedancerifyouareaprofessionalphotographerandmustgetpermissionifyouplanonusingthephotographinafutureproject.Itisnicetooffertosendthedancercopies.
Ifyouwanttotakeaphotoofthesingersorthedrum,pleaseaskpermission irst.Youmustinformthesingersifyouareaprofessionalphotographerandmustgetpermissionifyouplanonusingthephotographinafutureproject.
Pleasedonotsitwithinthearena.Thechairsinsidethearenaarereservedforthedancersandsingers.Usethebleachers&upstairsseatingonly.
Ifyouarenotwearingtraditionalregalia,youmaydanceduringsocialsongs,likeIntertribals,TwoSteps,BlanketDances,andHonorSongs.TheMCwillannouncepropertimesforeveryonetodanceandparticipate.
Standandremovehats(unlesstraditionalheadgear)duringtheGrandEntry,FlagSongs,Invocation,MemorialSongs,VeteransSongs,andClosingSongs.
Childrenareinvitedtodanceandparticipate.Again,pleaselistenforinstructionsfromtheMCoraskaWashingtonUniversityPowWowCommitteememberifyouhaveanyquestions.
Dancers’out itsarepersonal,traditional,andunique.Pleasegivethedancersandtheirregaliaproperrespect.
Ifyouareaskedtodancebyanelder,doso.Itisdisrespectfultodeclineandsay,“Idon’tknowhow.”Thisisanopportunitytolearnmoreaboutthedanceandculture.
Alcohol,drugs,andweaponsarenotallowed.
ThePowWowisatimeofjoyfulgatheringandthecelebrationoflife.ThisisagreattimetobeapartofAmericanIndianculture!Ifthereareanyquestions,pleasespeakwithoneoftheWashingtonUniversityPowWowCommitteemembers.
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The Pow Wow “PowWowsareanopportunityforAmericanIndianstocometogether.AmericanIndianstravelmanymilestocomeandparticipateinthisevent.Thisisawonderfulopportunitytomakenewfriends,renewoldfriendships,honorthoseyoulove.”PattyGrant,EasternCherokee/Lakota,MSW2001BuderScholar.
AmericanIndianspiritualityisbaseduponthesacredunityofalllivingbeings‐people,animals,Earth.ThisreverenceissymbolizedbythecircleofthePowWowarenaanddrum.ThedrumcarriesheavyimportancewithinthePowWow,assongsandtheabilitytosingarebelievedtobegiftsfromtheCreator(God).Itrepresentslife,asthedrumbeatistheheartbeatoftheEarthandpeople.MuchofAmericanIndiancultureispasseddownthroughgenerationsoffamiliesintheformofsong.Songsfromthesingersatthedrumalsocarrymajorsigni icanceasitisbelievedthesongscanhealandbreathelifeintopeople.Moreover,thesesongsarealsomadeformanyreasons‐suchasspecialsongsforreturningsoldiersfromwarsoverseas‐andcanvaryintempo,words,andemotions.Singerstakeonspiritualandpersonaltrainingsinordertosingatthedrum.Itinvolvesmanytraditionalaspectsandrequirementstobecomeasinger.AlthoughthesingersatthedrumarecommonlyAmericanIndianmen,AmericanIndianwomenhaveavitalroleassingers.Theycommittheirlifetothesongsanddrum.Similarly,dancersfollowthesameelementsoftraditionallifeassingers.Itrequiresalotofpersonalandspiritualinvolvement.Regaliaarespeci ictothedancers’identities.Beforethedancingbegins,ablessingisgiventoallaspectsofthePowWowarena,participants,andspectators.Therefore,itisimportanttoobservecorrectPowWowetiquette.ThisisagreattimetobeapartoftheAmericanIndiancommunityinSaintLouisandWashingtonUniversity.Please,ifyouhaveanyquestions,donothesitatetovisitwiththeWashingtonUniversityPowWowof icials.Wehopeyouhaveagreattimeatthe25thAnnualWashingtonUniversityinSt.LouisPowWow!
CommitteeMembers
Volunteer
NgombeBitendelo MariaDeShields MatthewFrank (Nanticoke/Cherokee) (Navajo)
Dancing/Contesting
AmandaRhodes ShaynaWilliams CandiceYazzie(Cherokee) (EasternBandCherokee) (Navajo)
Vendor/InformationalBooths
MiquelaTaffa CourtneyRoelandts(LagunaPueblo) (Chippewa)
Media/MarketingCommitteeSheronnabahHarvey CandiceYazzie(Navajo) (Navajo)
FoodCommitteeStephanieGutierrez CourtneyRoelandts(OglalaLakota) (Chippewa)
Children’sBoothCommitteeRhondaCoursey‐Pratt LauraNewton (Nanticoke) (EasternBandCherokee)
AssessmentCommittee
NakomisMaher EmilyWolf CandiceYazzie(MashpeeWampanoag) (Navajo)
2015PowWowCommitteeCo‐Chairs
WynetteWhitegoat(Navajo)VeronicaBruesch(Wichita/Ponca)
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HeadJudgeSteveByington(Choctaw,Delaware,Navajo)residesinLawrence,KS,withhiswife,Michelle,andtwosons,EthanandNoah.HeisagraduateoftheUniversityofKansasandiscurrentlyemployedatHaskellIndianNationsUniversity.Stevebegandancingthegrassdancestyleat14andhastraveledallacrossthecountryattendingPowWowseversince.HealsoenjoyssingingandisamemberofthesouthernstylesinginggroupSizzortailofShawnee,OK.SteveishonoredtobeselectedastheHeadDanceJudgeforthisyear’sWashingtonUniversityPowWow.
MeettheHeadStaff,continued
BuderCenterStaff
MollyTovar PeteCoser,Jr.(Comanche/Hispanicdescent) (Muscogee‐Creek/Choctaw)Director ProgramManagerLynnMitchell LindsayElliottProgramAssistant AdministrativeAssistant
ArenaDirectorJohnWhiteAntelopeisanenrolledmemberoftheNorthernArapahoTribefromtheWindRiverReservationincentralWyoming.Johnisverypleasedtohavebeenaskedtobethe2015ArenaDirectorfortheWashingtonUniversityPowWow.JohnismarriedtoVictoriaNiwot‐WhiteAntelopeandhastwochildren,PriscillaWhiteAntelopeandTylerWhiteAntelope.Heandhischildrenlovetotravelbackhomefortheirceremoniesandtheyenjoyspendingtimewitheachother.HehopeseveryoneenjoysthiseventandsaystopleasefeelfreetointroduceyourselfatthePowWow.
MasterofCeremoniesIsaiahStewart
Pow Wow Songs & Dances GRANDENTRYistheparadeofdancersthatmarksthebeginningofeachPowWowsession.ThedancersentertothesoundofthedrumandgathertocreatetheCircle.INVOCATIONisatime‐honoredtraditionthatcallsupontheCreator,theGreatSpirit,toblessthosewhohavegatheredtoparticipateintheceremonies.FLAGSONGSarepatrioticsongssunginaNativelanguageandaccompanytheraisingoftheAmericanFlagoverthedancearena.Duringthissong,allmotionisatastandstillandallarequiet.MEMORIALSONGShonorthemenandwomenwhohavedefendedandfoughtfortheirpeoplesinvariouswars.Thesingerssingaspecialhonoringsongtowhichonlyveterans—andsometimestheirfamilies—maydance.Allotherguestsshouldremovetheirhatsandstandinsilence.HONORSONGSarespecialsongssungtohonoreitheranindividualoragroup.Thedrumwillsingaspecialsongwhiletheonebeinghonoredandthepersondoingthehonoringwillbegintodancearoundthearena.Theyareusuallyaccompaniedbytheirfamilyandclosefriendsforthe irsttimearoundthearena.Onthesecondrevolution,allthedancersjoininanddancearoundthearenauntilthesonghasended.Atthistime,manyofthedancerslineuptocongratulatethehonoredperson.BLANKETDANCESbeginbyplacingablanketnearthedruminordertocollecttokensofappreciationforaspeci icsingerordancer.Donationsareusedtoassistinthereimbursementofexpenses.Theaudiencemayparticipateinthisdancebyrespectfullyenteringthearenaandplacingtheirdonationontheblanket.SOCIALDANCESaredancesinwhichaudienceparticipationisencouraged.TheyincludeRoundDances,TwoSteps,andCrowHops.TheRoundDanceistypicallyheldaftertheopeningceremonies.Itisacirculardance,thatrepresentsfriendshipandsymbolizesequalitytooneanother.TheTwostepisapartnerdanceinwhichparticipantsareledaroundthearenabytheHeadDancersinaseriesofdifferentpatternmovements.TheCrowHopisafast‐pacedandenjoyabledanceinwhichthedancersattempttoimitatethecrow.INTER‐TRIBALSaredancesinwhichpeopleofallnationsandagesareinvitedtoshareinthedancing.Audienceparticipationisencouraged.
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DanceCategoriesMEN’STRADITIONALdancetellsofformergloriouswarsorhuntingexpeditions;thesedancerspreservethe“oldway”ofdancing.Throughacombinationofgracefulanddramaticgestures,thetraditionaldancertellshisstory.Thesemenwearexquisitebeadworkandfeathersthatareusuallydesignedafteranindividual’sparticularNation.MEN’SGRASSdancerscanberecognizedbytheirmulti‐coloredfringethatisoftenmadeoutofyarn.Their lowing,sweepingmovementsresemblethetallswayinggrassinthebreeze.MEN’SSTRAIGHTDANCINGishighlyformal;regaliaistailoredandperformanceisprestigious.Itsoveralleffectisreassuringsolidarity,anditappearshighlypolishedandrehearsed.Everythingiscloselymatchedandcoordinated,expressingaveryholisticfeeling.Regaliaismostoftendarkblue,heavywool,anddancerswillcarryamirrorboardortailstick,whichisprovidedbythemoreexperienceddancers.Becausethedanceregaliaissoornate,thedanceisslowandproud.Theartofbeautifulstraightdancingconsistsofperfectingthelittlethingssuchasbodymovementandcontrolofregalia.Furthermore,knowledgeofdanceetiquettecanmakeoneanoutstandingstraightdancer.MEN’SFANCYdancersareknownfortheirstamina,highjumps,andquickfootwork;fancydancersliterallydazzle.Theirout itsareconstructedoftwomulti‐coloredbustleswornaroundtheneckandback,matchedbeadwork,andwhipswhichareheldtoemphasizetheelaborategesturesofthesespiriteddancers.ItoriginatedwiththePoncaNationinWhiteEagle,OK.MEN’S/WOMEN’SGOLDENAGEdancersmustbeovertheageof55.Thisdancestyleisgenerallyacombinationofmanydifferent,moretraditionaldances,anditexempli iesthepassionwhichAmericanIndiansembodywhendancing.Becausethereisnotasingletraitthatindicatesagoldenagedance,itisoftenuptothedancerstoprovidetheirownuniquetouchandmakethedancetrulytheirown.WOMEN’SBUCKSKINistheoldestformofwomen’sdancingandisconsideredadanceofelegance.Ladieswear ine,fully‐beaded,hand‐craftedbuckskindresses,adornedwithornatebreastplatesmadefromhairbonepipeandglassbeads.Buckskindancingisslowandpoised,andthedancerscirclethedrumwhilebobbingtothebeat.Themovementsofthisdanceareslight,butbecauseoftheintricaciesofthedanceregalia,theseslightmovementscreateabeautifulswayingmotion.WOMEN’SJINGLEDRESSdancesarereveredasahealingdanceandbaseduponanOjibweman’sdream.Conesshapedfromchewingtobaccolidsarepositioneduponmasterfullydesigneddresses.Traditionally,365coneshavebeenplacedonthedressestorepresentthedaysoftheyear.
HostSouthernDrumLightningHorseSingers.TheLightningHorseSingersconsistofacombinationofaccomplishedsingersrepresentingvarioustribes.MostofthemcomefromtheNorth‐CentralOklahomaarea.ThegrouphasservedasHostDrumformanygatheringswithinOklahoma,Kansas,andNebraska.Thegroupspecializesinsongsof
thePoncaTribeandSouthernStyleSinging.
HostNorthernDrumLittleSoldier.TheLittleSoldierSingersareasecondgenerationgroup.WearethesonsandnephewsoftheoriginalLittleSoldierSingersthatstartedthegroupinthe1970’s.WeallgrewuponthePrairieBandPotawatomiReservationnearMayetta,Kansasandthisiswherewecallourhome.Wealllovetosingatpowwowsandinourtraditionalceremoniesandall
havebeendoingsosincewewereaveryyoungage.ManyofthesingershavechildrenwhoarestartingtofollowinthefootstepsoftheirGrandfathersandDadsandUnclesandtheywillcontinuetocarryonthetraditionsthattheyhavebeenlearningsincetheywereyoung.TheLittleSoldierSingersarehonoredtohavebeenaskedandtoserveasthehostdrumforWashingtonUniversity’s25thannualpowwow.
HeadGourdDancerTimRobinsonSr.is a member of the Omaha Tribe of Nebraska and an active member of the Lawrence, KS community where he resides with his family. He enjoys attending Haskell Light House Lutheran Ministries and bringing hope, attention and care to our younger generation. Tim is a graduate of Haskell Indian Nations University and is working on finishing his Bachelors at Washburn University with an emphasis on
Drug and Alcohol counseling. In the last few years he has worked tirelessly to bring a Indian Center to the Lawrence native community and serves as President of the Indigenous Community Center board of directors. Along with his passion to serve others in his community his other love is the powwow trail! Tim is never happier then when he is sitting behind the drum with his brothers singing or dancing his favorite dance styles the mens Southern Straight and the Gourd Dance. Timothy is a member of the Kiowa Gourd Dance Society and the Omaha Ti-pah Society and is a whistle carrier. He has had the honor of being asked to be Head Man and Head Gourd dancer over the last several years for many different committees and tribes. He hopes everyone enjoys there time at the Powwow and he will see you down the road. Aho
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2015PowWowHeadStaff
HostNorthernDrum HostSouthernDrumLittleSoldierSingers LightningHorse
HeadMan HeadWomanAdrianPrimeaux JordanHarmon(IhanktowanDakota) (CreekNationofOklahoma)
HeadGourd ArenaDirectorTimRobinson JohnWhiteAntelope(Omaha) (NorthernArapaho)
HeadJudge MC
SteveByington IsaiahStewart(Choctaw/Delaware/Navajo) (OglalaLakota)
MeettheHeadStaffHeadManDancerAdrianPrimeauxisanenrolledmemberoftheIhanktowanDakotaTribe(YanktonSioux).AdriancurrentlyresidesinLawrence,KSwithhisbabyson.AdrianPrimeaux,isarespectedyoungleader&dancerinIndianCountry.HehashisBAinIndigenous&AmericanIndianStudiesfromHaskellIndianNationsUniversity.In2010‐2011,hewastheHaskellBravetitleholder&ambassadoratHaskell.AdrianwasbroughtupandraisedintheNativeAmericanChurchreligion,wherehispracticesNativeSongs
(NACSongs)&ceremoniesaroundtheUnitedStates.Healsobegandancingearlyinlifeatdifferentpowwowswithhisfamily.Hewasbroughtintothearenahavinghisculturalrighttodanceasa“grass‐dancer”.AdrianishonoredandpleasedtobeheadmandancerforWashingtonUniversityinSt.Louis25thAnnualPowwow.
Head Woman Dancer Jordan Lee Harmon is an enrolled member of the Muscogee (Creek) Nation, descended from Koweta Tribal Town, and is of the deer clan. She currently serves as the 2014-2015 Miss Indian Oklahoma & passionately champions her platform of Native Americans in Education in all areas of her life. Jordan graduated from Oklahoma State University with a B.A. in Political Science & a double minor in Spanish & American Indian Studies. During her time at OSU, Jordan worked for Stillwater Public Schools Indian Education as a coordinator for cultural activities & as a tutor for Native students in K-12. She also served as an executive member of the Native American Student Association & served as the 2011-
2012 Miss American Indian OSU. Jordan currently attends law school at the University of Tulsa College of Law, where she will graduate with a concentration in Native American Law. Upon graduation, Jordan hopes to represent the interests of tribes and Indian people in the area of natural resources and environmental law.
WOMEN’SCLOTHdancesareamorespeci ictypeofwomen’sdressdancingandcanbetracedtobothnorthernandsouthernroots.Women’sclothdanceregaliaiscrucialtoitsidenti icationasauniquedancetype.Theregaliawornrangesfromintricatelysewn,ribbon‐workclothdressestohide‐beadeddressescoveredwithcowryshells,elkteeth,silver,andotheradornments.Somedancerswilldanceclockwise,whileotherswillstandinoneplace,turningtoeithersidefromtimetotime.WOMEN’SFANCYSHAWLdancersarecomparedtothemovementsofthebutter ly;thesedancerswearbrightlycoloredshawlsovertheirshoulders.Beadworkandaccessoriesmatchthemulti‐fringedshawls,creatingasplendorofspinningandfancyfootwork.TINYTOTSDANCINGisperformedbychildrenasyoungastwoyearsold.Thisdancestyleisacombinationofseveralothermoretraditionalstyles.Tinytotdancingisastrongindicationoftheculturaltieswhichdancingprovides‐childrenaretaughtatayoungagethatceremonyshouldbevalued.TEEN&JUNIORDANCINGrepresentsanydancersundertheageof21.Liketinytotdancingandgoldenagedancing,juniordancingcombinesseveralotherdancestyles,makingitauniquecategory.
LookaboveandyouwillseetheveryspecialNationsontheTrail
In2004,St.LouisartistanddesignerNardiHoblercreatedthe irst11ofherpaintedbannersforaprojectshenamed“NationsontheTrail”:atributetothepeopleencounteredbyLewisandClarkontheirtranscontinentaljourneyof1804.
Those11bannershavebeendisplayedannuallyattheWashingtonUniversityPowWowsince2005.In2007,Nardicreatedanewbannertohonorandcelebratethe10NativeAmericangraduatestudentsintheUniversity’sKathrynM.BuderScholarshipprogram.EachprogrammemberbroughtNardisomethingtheywantedhertousetorepresentthemasindividualsandasmembersoftheirownindividualnations.
Asintheolddays,thecreationofthisnewestbannertookmanyhours,manyminds,andmanyhands.Itbecameavisionofthepast,thepresent,andthefuture.Itdrawsitsstrengthfromthepowerandspiritofallofitsparticipants.
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Thisprojectwasfundedinpartbygrantsfromthefollowing:
AMBFoundation
StudentCoordinatingCounciloftheBrownSchool
TheWomen’sSocietyofWashingtonUniversity
SpecialThankstoHobi&SadieHaque
forPrintingOurPowWowT‐Shirts
www.skyyscreenprinting.com
Ya’at’eeh!Aho!Welcometothe25thAnnualWashingtonUniversityinSt.LouisPowWow.TheKathrynM.BuderScholarsandPowWowCo‐Chairsappreciateyourattendanceattheeventthisyear.Thisyear’sthemeforthePowWowis“HonoringOurEldersThroughTradition”AsNativepeoplelivinginthe21stcentury,ourenvironmentrequiresustobalanceourtraditionalwayoflifewithmainstreamnorms.OurNativeeldersintribalcommunitiesareseenasrespectablerolemodels.NativeeldershelpkeepthebalanceofsharingtraditionalknowledgeandstoriesaliveamongNativeyouthandfamilies.WewelcomeyoutojoinusinthiswonderfuloccasionbycelebratingthevibrantcultureofAmericanIndianandAlaskaNativecommunities.WeareheretohonortheindigenouswayandembracealinktothepastthatmaintainsNativetraditions.PleasetakesometimetowalkaroundtheinformationboothsandvisittheNativeartsandcraftsvendors.Enjoysomefrybreadandcheckouttheyouthactivitiesarea.Pleaserecycleanycontainerstoday.Ifyouneedanythingthroughouttheday,feelfreetoaskanyCommitteeMemberwearingaredPowWowshirtwith“STAFF”printedontheback.WeencourageyoutoviewourPowwowshirts,whichcanalsobepurchasedatthefrontentrancetable.Weareexcitedthatyouarehereandhopethatyouhaveagreatexperiencebeingapartofour25thAnnualPowwow!A’hee’hee!We‐Wa‐Hunn!(ThankYou!)
WynetteWhitegoat VeronicaBrueschCo‐chair Co‐chair
Welcometothe25thAnnualWashingtonUniversityinSt.LouisPowWow
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2015PowWowAgenda10:00am ContestRegistrationOpens VendorBoothsOpen11:00am GourdDancing
12:00‐4:00pm GrandEntry FlagSong VeteranSong VictorySong(PostColors) Invocation Introductions
IntertribalDancing CompetitionDancing– Youth,Teen&GoldenAgeCategories
4:00pm HandDrumContest DinnerBreak
5:00pm GourdDancing
6:00‐10:00pm GrandEntry FlagSong VeteranSong VictorySong(PostColors) Invocation Introductions
IntertribalDancing CompetitionDancing–AdultCategories
PowWowCommitteeRecognition Honorariums AnnounceWinners ClosingSong TakeOutColors ClosingPrayer
ASpecialThankYou!
ThePowWowCommitteewouldliketotakeamomenttoexpressourgratitudetothepeoplewhohelpedmakeourPowWowasuccess.Weappreciatetheirtime,
donations, inancialassistance,andattention.
DeanEdwardF.LawlorAngelaGilbreathAmericanIndianStudentAssociationArtHistory&ArcheologyDepartmentBiologyDepartmentCenterforDiversityInclusionCenterforHumanitiesDiversityAwarenessPartnershipEastAsianLanguages&CulturesProgramFirstUnitarianChurchofSt.Louis
KemperArtMuseumMetroSt.LouisMusicDepartmentPerformingArtsDepartmentKathrynM.BuderCharitableFoundationFaculty,Staff,andStudentsoftheBrownSchoolWashingtonUniversityinSt.LouisSt.LouisCommunitySt.LouisAmericanIndianCommunity
ThePowWowCommitteewouldliketothankthosewhodonatedtoourAnnualTriviaNight’sSilentAuction:
PiPizzaThePurpleCowRiverCityRascalsSalt&SmokeSandraZakSchla lyShanondoraBilliotSharonWaldmannSherryTalucSubterraneanbooksSwingAroundFunTownTheTaffaFamilyThomas&SusanLaSargeTravelingTeaTropicanaLanesTuttiFruittiUpperLimitsUrbanChestnutBreweryVonFassWizard’sWagon
AvalonExchangeBarnesandNobleBlueberryHillClaytonCarWashDewey’sPizzaGardenHeightsGatewayGrizzliesGourdJewelsIsaiahStewartJaneFitzgeraldJaniceBegayJoeTovarTheMaherFamilyMannyKingMassageEnvyMelanieLawMissouriBotanicalGardenMollyTovarParkwayHotelPhoenixRising
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The Kathryn M. Buder Center for American Indian Studies promotes preparation of professionals to assume leadership positions in social services and governmental institutions dedicated to improving the lives of American Indians. Scholarships The Brown School has one of the largest social work financial aid programs in the country including scholarships, loans, and work-study programs.
The Kathryn M. Buder Charitable Foundation offers full scholarships to American Indian/Alaska Native students who plan to practice social work in American Indian communities. These scholarships provide tuition, monthly stipends, professional development opportunities, and books for two years of full-time study.
The Brown School’s Center for Social Development provides a Buder Doctoral Fellowship. This fellowship is awarded to an outstanding doctoral student with expressed interest in American Indian studies and social work.