The Justice Issue || Portfolio: Portraits of Artists

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Irish Pages LTDPortfolio: Portraits of ArtistsAuthor(s): John MinihanSource: Irish Pages, Vol. 1, No. 2, The Justice Issue (Autumn - Winter, 2002/2003), pp. 67-73Published by: Irish Pages LTDStable URL: http://www.jstor.org/stable/30057485 .Accessed: 16/06/2014 06:26Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp .JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact support@jstor.org. .Irish Pages LTD is collaborating with JSTOR to digitize, preserve and extend access to Irish Pages.http://www.jstor.org This content downloaded from 194.29.185.230 on Mon, 16 Jun 2014 06:26:00 AMAll use subject to JSTOR Terms and Conditionshttp://www.jstor.org/action/showPublisher?publisherCode=ipageshttp://www.jstor.org/stable/30057485?origin=JSTOR-pdfhttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jspPORTRAITS OF ARTISTS John Minihan Francis Bacon at the Claude Bernard Gallery, Paris 1977 John Minihan is one of Ireland's foremost photographers. His most recent book of photographs is An Unweaving of Rainbows: Portraits of Irish Writers (Souvenir Press, 1998). A selection of his portraits of writers appeared in the inaugural issue of Irish Pages. 67 This content downloaded from 194.29.185.230 on Mon, 16 Jun 2014 06:26:00 AMAll use subject to JSTOR Terms and Conditionshttp://www.jstor.org/page/info/about/policies/terms.jspIRISH PAGES Photographer Bill Brandt, London 1977 68 This content downloaded from 194.29.185.230 on Mon, 16 Jun 2014 06:26:00 AMAll use subject to JSTOR Terms and Conditionshttp://www.jstor.org/page/info/about/policies/terms.jspIRISH PAGES Doavid Hocknej, Notting Hill Carnival, London 1976 69 This content downloaded from 194.29.185.230 on Mon, 16 Jun 2014 06:26:00 AMAll use subject to JSTOR Terms and Conditionshttp://www.jstor.org/page/info/about/policies/terms.jspIRISH PAGES Artists Gilbert and George, London 1989 70 This content downloaded from 194.29.185.230 on Mon, 16 Jun 2014 06:26:00 AMAll use subject to JSTOR Terms and Conditionshttp://www.jstor.org/page/info/about/policies/terms.jspIRISH PAGES Samuel Beckett, London 1984 71 This content downloaded from 194.29.185.230 on Mon, 16 Jun 2014 06:26:00 AMAll use subject to JSTOR Terms and Conditionshttp://www.jstor.org/page/info/about/policies/terms.jspIRISH PAGES Photographer Karsh, London 1991 72 This content downloaded from 194.29.185.230 on Mon, 16 Jun 2014 06:26:00 AMAll use subject to JSTOR Terms and Conditionshttp://www.jstor.org/page/info/about/policies/terms.jspIRISH PAGES LA HUME WEEGEE Shop window, Paris, showing photographs by American photographer Weegee 73 This content downloaded from 194.29.185.230 on Mon, 16 Jun 2014 06:26:00 AMAll use subject to JSTOR Terms and Conditionshttp://www.jstor.org/page/info/about/policies/terms.jspArticle Contentsp. 67p. 68p. 69p. 70p. 71p. 72p. 73Issue Table of ContentsIrish Pages, Vol. 1, No. 2, The Justice Issue (Autumn - Winter, 2002/2003), pp. 1-248Front MatterRetablo II [p. 6-6]The View from the Linen Hall [pp. 7-10]Poem & EssaySome Further Words [pp. 11-15]A Citizen's Response to the National Security Strategy of the United States [pp. 16-29]Today Was the 11th of December [pp. 30-35]From the Diarists [pp. 36-49]Prose & Three PoemsReality and Justice: On Translating Horace Odes, 1, 34 [pp. 50-53]Horace and the Thunder [p. 54-54]The Lift [pp. 55-56]Nonce Words [pp. 56-57]Six PoemsThe Visitors [p. 58-58]Knock [p. 59-59]Nightwatch [p. 60-60]Adagio Molto [p. 61-61]The Rowan Tree [p. 62-62]The Red Gate [p. 62-62]Three PoemsSnapshots [p. 63-63]Shanty [p. 64-64]Recent History [p. 65-65]PoemNot the Delft School [p. 66-66]Portfolio: Portraits of Artists [pp. 67-73]Our Cosmic Habitat [pp. 74-85]Three PoemsOn Revision [p. 86-86]Another Attempt to Learn Venetian [p. 86-86]Philosophy, Theology: An Introduction [p. 87-87]Twelve Poems & ProseOverhead [p. 88-88]Ashes [p. 88-88]Up There [p. 88-88]Lost [p. 89-89]On the Farm [p. 89-89]Dusk [p. 89-89]Marsh Marigolds [p. 90-90]Posterity [p. 90-90]Taxonomy [p. 90-90]Irish Hare [p. 91-91]Wooden Hare [p. 91-91]We Are All Greeks [pp. 92-93]The Group [pp. 93-94]Punishing Horses [pp. 95-107]Etchings [pp. 108-111]Last Stand in the Kalahari [pp. 112-113]From "The Inferno of Dante Alighieri" [pp. 114-124]In Homage: W. G. SebaldA Final Poem: Marienbad Elegy [pp. 125-132]Elegy: Redundant Epitaphs [pp. 133-135]Elegy: A Parting from Max Sebald [p. 136-136]A Mystery and a Confession [pp. 137-139]Two PoemsLights [pp. 140-141]Whispers to Young Ahmed [p. 142-142]The Stepinac File [pp. 143-158]In Other Words: From the BosnianSarajevo Poems [pp. 159-164]The Wasteland [pp. 165-170]From the Irish Archive: Five EssaysThe Psychic Partition (1975) [pp. 171-173]Catharsis (1962) [pp. 174-180]Stony Grey Soil (1975) [pp. 181-188]Vernacularism (1963) [pp. 189-194]My First Visit to the Gaeltacht (1974) [pp. 195-198]PoemThe West [p. 199-199]Ag an Stisin [pp. 200-203]DantaAn Fear Glas / The Green Man [pp. 204, 207]Alt / Thanksgiving [pp. 204-205, 207-208]An teargal / Errigal [pp. 206, 209]PoemOctober Night, Meenala [p. 210-210]The Braan Salmon & Six PoemsThe Braan Salmon [pp. 211-217]Pipistrelles [p. 218-218]The Hill-Track [p. 219-219]Basking Shark [p. 220-220]For When the Grape-Vine's Sap [p. 221-221]Hame [p. 222-222]The Wallace and the Bruce [pp. 222-223]The Prospect of Cornucopia [pp. 224-233]The Publishing SceneDoom and Expertise [pp. 235-240]Dot.com Lite [pp. 241-245]Back Matter