the jewel in the cabbage by vimalabandhu
DESCRIPTION
Here's a new version of the much-loved book 'The Jewel in the Cabbage' by Vimalabandhu, long-time Buddhist chef. Sub-titled "Cooking with Metaphors", it's a meditation on vegan cooking both delightful and profound. All proceeds from sales of the paperback edition to help the new 'Triratna Vegans' project. Click the 'more information' link below to get it for only £3.99! ($6). Connect with other vegan Buddhists (and others who are interested in veganism!) at The Buddhist Centre Online: thebuddhistcentre.com/vegansTRANSCRIPT
The Jewel in the Cabbage
cooking with metaphors
vimalabandhu
2nd edition 2013
available from www.lulu.com
Contents
Introduction 3
I
The Awakening of Faith 5
Through Wind and Fire 10
II
Back to Basics and Beyond 15
Your Own Way 20
In Search of Quality 26
The Resurrection of Spinach and Co. 30
The Buddha in the Aubergine 34
The Culinary Cult 41
Cooking Unbounded 45
III
A Pinch of Logic and Strategy 49
Blueprints from Starter to Sweet 58
Ingredients For Change 76
Lasagne beyond the Pigeon Hole 79
The Thousand Faces Of Cabbage 83
IV
Nurturing Nature 86
An Invitation to support the Vegan cause 91
Acknowledgements 92
The Jewel in the Cabbage 3
Introduction
The most important change in cooking happens when one becomes
a master of the art, when we can see through the culinary labyrinth
and experience cooking as a joy instead of a chore.
We can learn not only to cook a range of delicious food, but also
learn to prepare food with whatever ingredients are available and
work confidently in any situation.
Lack of courage or inspiration undermines our will to explore the
hidden richness of our daily cooking. The joy of creating, of sharing
and of savouring food, however small to begin with, is the
incentive, the metaphorical carrot that will help us embark on the
path of mastery.
This is an unconventional book on cooking. It is not a recipe book
although there are advice on how to create your own recipes.
Rather, it is a guide to discover the Jewel, the most precious thing
in the ingredients, in the act of cooking and in our life. The book
relates ideas and ideals to our cooking, using examples and
metaphors, to make it tangibly alive. It invites us to cook with our
whole being, with our sense of wonder and adventure. Metaphors
can help us to bring passion to the kitchen from any of our
favourite fields of activities.
How this book is organised
The book is divided in 4 parts, Part I is a short cooking biography,
from my initiation into the art at an early age in Indonesia up to
working as the chef at a vegetarian café in Manchester UK.
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Part II and Part III are the bulk of the book, addressing the
subjective and the objective aspects of cooking.
In Part II we look at what cooking is all about and glimpse its
“grammar”. We also need a vision to place cooking in the scheme
of our life.
Part III consists of practical tools, cooking information and advice
for changes. It shows the mechanics of cooking such as frying,
boiling and other ways of preparing food. It demonstrates how to
work with quantities and time management. It describes how to
make various dishes and how to adapt them. It also encourages us
to use unfamiliar ingredients to expand our cooking scope and to
keep our cooking fresh.
Part IV The book ends by viewing our cooking in the world context,
with its health, environmental and ethical issues. It is an invitation
to cook a brighter future.
All the food suggested in this book is vegan.
The Jewel in the Cabbage 5
CHAPTER 1
The Awakening of Faith
My mother woke me up and asked me to accompany her to the
market later in the morning. We lived in Indonesia, in a small city
called Sukabumi (local spelling of a Sanskrit word which means land
of happiness). So I was woken up in the Garden of Eden. Maybe I
was four years old, or it was Sunday, otherwise I would have been
at school. My mother was a very good cook. I liked to go with her to
explore the big world.
Usually she took a short cut, walking along the railway tracks,
passing through the station. It was forbidden but nobody took any
notice of it. The fascination of the hissing and steaming locomotives
was part of the excitement of the trip.
I knew that if I was with her I could request her to prepare a dish I
fancied and learn to track down the necessary ingredients. The
market was a labyrinth; we moved along through the gaps between
the stalls. It was shadowy. Pieces of cloth, palm leaf thatch or
tarpaulin suspended above the stalls protected people and the
merchandise from the fierce sunlight. The market always changed
its configuration because smaller stalls didn’t have a fixed position,
but fortunately we could use some permanent stalls as land marks.
The other part of the market was spread along the streets, on the
pavement in the front of the shops.
I liked meat but I didn’t like to be in the section where they sold it,
the smell of blood, grease, entrails and decay pervaded the place.
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Of course there was no refrigeration and there were many flies. The
fish market was a little better, yes it smelt too but fish smells more
or less the same raw or cooked and there, I could watch fresh water
fish swimming in the tanks or in waterproofed bamboo baskets.
We usually didn’t buy chicken at the market, they were too
unwieldy to carry, particularly alive. In the absence of any cooling
system, preserving their life was a means of keeping their meat
fresh. Anyway there were enough sellers coming round to the
houses with chicken.
The rest of the market consisted of the fruit and vegetable stalls.
Fruit, and to a lesser extent vegetables, gave me both surprises and
disappointments; bananas, papayas and oranges for example were
always available throughout the year, but mangoes, rambutan and
many other exotic varieties were seasonal and the yearly cycle was
too long to follow for a child of four.
My father ran a dairy farm across from where we lived, just outside
the city centre. We had milk cows in the stalls, and chickens and
ducks in the yard. There was a rice mill and a garden with fruit trees
which grew pretty much at random; bananas, orange, avocado,
mango and coconut as well as shrubs with aromatic or edible
leaves.
So it was a happy land of milk and honey. Luckily enough the food
didn't come automatically to the table, otherwise how could I have
the excitement of climbing the orange and mango trees or of
entering the chicken coop with many chickens half my size, to
collect their eggs?
The kitchen was where everything happened and I watched my
mother cook. When we celebrated birthdays or festive days, cake
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making was the most important event for me. She asked us children
to grease the cake tin, sift flour and separate yolks from the egg
whites. Beating and mixing yolks with sugar and butter seemed
never-ending; but to beat egg whites until they became firm with a
hand held whisk was a real feat.
Soon after the cake mixture went into the oven, the kitchen would
be pervaded with sweet, rich fragrance; the sign that the magical
process was under way. Magical because in contrast to other food
preparation, all the ingredients were transformed beyond
recognition into one delicious substance.
So I was woken to my birthright to eat, doesn’t everybody who is
born have this right? But in my case, it was not just food but good
food, not only to eat but also to make, to find and if necessary to
grow food. Naturally I played and went to school and did other
things kids used to do, but none was closer to my heart than the
magic and mystery of cooking; its seed was planted there .
Twenty years later, in Holland at the dinner table in my brother's
house where I lived, his wife asked me what I thought of the food-
my brother had cooked. I hesitated, my Dutch was not up to much,
especially not for socialising, it was barely enough to cope with the
basic issues of technology which didn't demand nuances. I had just
arrived in Holland to study physics. I fell back on Indonesian custom
of toning down the adjectives, as I understood it, in contrast to
Western exaggeration, I said it was ok, it was edible. What I meant
to say was that it was good and I enjoyed it. She was furious, she
was proud of his cooking. To add to her grievance, I said in my
ignorance that it wasn't a big deal, that anybody could cook.
“In that case” she retorted, ”you have to cook next Sunday as we
have invited guests for dinner”. I agreed and the dinner went well,
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to everybody's satisfaction. I didn't tell anybody that I had never
cooked before except for heating up rice and frying eggs.
Is there a sudden path to becoming a cook? I did consult a cookery
book at that time, but I realised later that one never learned
cooking from a book. Most, if not all, cookery books are only useful
for somebody who already knows how to do it, they just add more
variety on the same theme.
What is learning? How can one become a cook? Aristotle is reputed
to have said that learning and doing take place at the same time. To
believe that one can learn before doing is the arrogance of the
intellect and believing that one learns after doing the very thing one
wants to learn contradicts logic. Knowing about swimming in theory
doesn’t make one a swimmer, but as soon as he jumps in the water,
if he is lucky, he is a swimmer and he can improve his skill by
attending to the interaction of his body and the water. It is a
sudden and gradual process.
One becomes a cook in the act of cooking. One needs courage or
faith to put the 'what ifs', the hypothetical situations, aside. Books
or other advice promise to answer the 'what ifs'; but they rarely can
rescue us. Firstly because their 'what ifs' are usually different to
ours, and secondly and most importantly, learning is not to answer
the 'what ifs' but how to deal with the 'what is really happening'.
No speculation but a direct and immediate response then and
there.
My sister-in-law gave me the challenge and my mother gave me the
faith. When these two met, the Master arrived. After this incident, I
realised that I could actually cook, I was already a cook somehow.
From then on I volunteered happily to cook for my student friends.
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The more I cooked the better I became; the better I became the
more eager people were to ask me. It was an exhilarating time.
The Jewel in the Cabbage 10
CHAPTER 2
Through Wind and Fire
A physicist by default
At the end of my school years I couldn't decide what I wanted to
study; a careers advisor couldn't help me much either. I knew only
that I wanted to be an engineer like most of my brothers. In the end
I chose applied physics just to postpone making a definite
commitment, thinking that physics was the source of all
engineering. As a kid I liked playing with Meccano, or building
simple structures or toys such as a turbine driven by the stream
running behind our house. My father kept broken tools, bits and
pieces of machinery and leftover building materials all mixed up
together in a barn, our hunting ground when I and my friends
needed something to complete our projects.
Maybe I was misled by the word "physics": "ilmu alam" in
Indonesian, which literally means the science of nature. I soon
realised that there wasn’t much nature as I knew it in physics. The
study became less and less interesting and, of course, more and
more difficult. I completed my degree, not because I enjoyed it but
just because I didn't want to fail. At the end of the five year course I
was granted the equivalent of a MSc, but the physics in me didn't
come to life, it lacked the spirit, the love which could have unified
and animated the many pieces of information.
Could one become a master of a lifeless science? Didn't Aristotle
say that one becomes a physicist by doing physics, i.e. by searching
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and solving the actual problem and not by collecting the answers of
'what if's'? What I did as a kid was more like doing physics ( looking
for wire or pieces of metal in the barn) whereas what I did at
university was more like my father, gathering junk in the barn in
case it would be useful for something, sometime somehow.
The wind of cooking
Zen master Baoche of Mount Mayu was fanning himself. A monk
approached and said, “Master, the nature of wind is permanent and
there is no place it does not reach. Why, then, do you fan yourself?”.
“Although you understand that the nature of the wind is
permanent,” Baoche replied, “you do not understand the meaning
of its reaching everywhere”. “What is the meaning of its reaching
everywhere?” asked the monk again, The master just kept fanning
himself. The monk bowed deeply.
Dogen, Genjo Koan
Cycling against the wind in the Low Countries I was exhausted, the
engineering track was dusty and arduous. At the end I just laid
down on the couch to dream of other tracks and winds. The
Master’s voice became clearer telling me to go to France to follow
the fragrant wind. France, where people obeyed culinary laws,
where cafes and restaurants were the places of worship.
When I arrived in Chambery in Haute Savoy for a cookery course, I
could just understand the class room lessons and the kitchen
instructions. The cooking in spite of its French guise had its own
“logic”. However the students puzzled me, their French argot was
beyond my grasp. We learned the properties of the ingredients, we
learned basic food processing techniques and we learned to
worship food and the kitchen luminaries too.
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The school applied the principle of becoming a cook by doing the
cooking. They ran a restaurant with the students as the employees
right from the beginning. While one group of students was in class,
the other ran the restaurant. This arrangement alternated weekly
and there were no other workers to fall back on.
With the new Master voice in charge I could start using old skills:
home trained mindfulness, school discipline or even knowledge of
heat transfer and construction theory. All these helped prevent
errors and accidents, helped construct pastry casing, plan and
execute menus on time.
Lack of money, blew me back to Holland where I started work as a
freelance caterer, providing food for private parties. I enjoyed the
cooking but finding the contracts was hard. So I applied for a job as
a part time cook instead. It was in a refuge for battered women and
their children. Haute cuisine for the oppressed? Unfortunately not,
the food budget was low and they wanted normal food, nothing
strange, they already had enough crisis to cope with.
A friend opened a small luxurious conference centre with hotel
facilities where they ran seminars and ongoing courses. She posed a
challenge by asking me to prepare food for the ongoing groups
without repetition over two years . They came for a week every two
months, so I worked through more than a hundred different menus.
She also organised Sunday afternoon concerts, which were
followed by a dinner. The dinner had to be adjusted to the culinary
tradition either of the main composer or the soloist of the event.
The Master fanned himself vigorously.
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Through the rings of fire
The laboratory of physics was too cold. In the warmer kitchen I
came to life. Having been nourished with the gentle and rich spices
of Indonesian cooking and the succulent and sparkling Chinese
tradition, with the newly acquired French sensibility I started
roaming in the world’s kitchen happy go- luckily. Life was light and
colourful for a while.
Gradually, however, damp, smoke and tiny oil drops began to settle
on the walls, the ceiling and in my heart. Existential crisis set in.
Washing the grime with a little wine or cognac didn’t help. I needed
a thorough cleaning, through another fire, a sulphuric bath. I went
to warm Spain.
While immersing myself in a psychosynthetic workshop, I saw a
vision, a video recording of a talk by Sangharakshita, the founder of
the Triratna Buddhist Order. It was “The Taste of Freedom”, an
unlikely combination of seeing a talk on taste. However I managed
to taste the lack of it, that I wasn’t free. The kitchen fire didn’t cook
me enough. True, I could and did choose a new country and career
but I missed a deeper purpose of my life, I was still easily pulled by
greed, pushed by frustration and confused in between.
Wandering and wondering I knocked at the doors of the retreat
centres of the Triratna Buddhist Community to find the fire of the
Dharma, the Truth, the fire that can soften and evaporates the
grime that blocked my pure vision. For more than ten years I
worked with kitchen fire and Dharma fire, mainly in England but
also in Spain, on the mountain in a secluded valley.
“ Master Daie said “ Zen practised in a state of activity is superior a
million fold to that practised in quietude”...... like a lotus flower
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which blooms in the midst of fire increases its beauty and glowing
lustre the more it faces the blazing flame................”
Hakuin – Orategame
I didn’t practice in quietude. Being the cook I was not on retreat
most of the time and although meditation was not my main
practice, I took the challenge. I assumed that Hakuin’s saying was
also applicable to practising ethics, friendliness and mindfulness,
practices that can help us to be less egoistic and to live more
genuinely. I moved to Manchester. With friends from the
Manchester Buddhist Centre we started the Earth Café, a
vegetarian café in the city centre, a fire where these magical lotus
flowers, our full potentiality might bloom.
The Jewel in the Cabbage 15
CHAPTER 3
Back to Basics and Beyond
The spirit of cooking
Almost everybody can cook somehow, many can cook their
favourite food very well, but most of us will find cooking unfamiliar
dishes difficult. Can we cook confidently using unknown ingredients
or when we have to cook for a large number of people?
If we feel at a loss without a recipe, we will realise that we are like a
cooking machine, that can run only with a program. Unfortunately
most cookery books do program us by telling us what to do instead
of teaching us how to make decisions and choices .
To be able to cook confidently, we need to know what cooking is in
its essence. So let us look at this spirit of cooking, any cooking, from
roasting vegetables on a camp fire to creating a complicated dish in
a laboratory like kitchen. It can be represented in the following
definition.
Skilful cooking is preparing desirable food by making the best use
of the available resources.
Although it is simple, this definition places our cooking in a context
and gives us direction. Firstly it demands us to clarify our goal, we
have to consider the range of possible products we want to make,
and secondly it demands us to inspect our means, i.e. we have to
take stock of the equipment and ingredients that are at our
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disposal. It also urges us to acquire some skill to carry out the task
in the best way. From the tension between what is desirable and
what is available, we can find a solution. This is the way to discover
a new dish or a new approach, the way to keep our cooking alive
and growing.
Here is an example of skilful cooking in action ;
Imagine that we stay in a friend’s bungalow during a holiday. We
are preparing a dinner and we have the ingredients our friend left
us to use. However there is no potato, rice or any other
carbohydrate containing ingredient except for a packet of flour. The
oven is broken. The shops are closed, but luckily we have enough
time to spend. So, what could we do? Although baking bread or pie
is excluded, we could still use flour to make dough pieces and cook
them by steaming, boiling, frying or even grilling on a metal plate.
How about making noodle, pasta or chapatti? So, we need to chose
the option that will go best with the rest of the meal we are
considering to make. Of course we have to find out whether the
necessary pieces of equipment are there. Could we, for example,
improvise a rolling pin by using any cylindrical bottle, to roll out
dough?
The open secret
It is almost unbelievable that to enjoy anything we need a skill. Can
we enjoy writing a story, playing the flute or even watching a
cricket match if we don’t understand what we are doing?
To be skilful in cooking, first of all we need to have interest and the
confident in learning it. However the essential elements for skilful
cooking are awareness, the ability to notice things or processes,
and care, the effort to make them go well. Without awareness and
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care no matter how many other ingredients or cooking gadgets we
use, we will never accomplish our work well.
From our definition of skilful cooking we can see that awareness is
needed in every aspects of cooking. We need it to be able to chose;
* the most desirable food at that particular moment.
** the available and potential resources.
*** the best way of using the resources.
Heightened awareness cuts through our limited habitual responses
and opens up new exciting possibilities.
Cooking metaphors
We know more than what we are conscious of knowing. When we
walk to the bus stop, for example, we forget the movements of our
feet and how to keep our balance. We speak our mother tongue
even if we are unaware of learning its grammar. Usually we don’t
clutter our mind with innumerable learning steps, but if we forget
all of them completely, it will be a great loss. Some aspects of
learning are transferable and metaphors are the vehicles to carry
out this task. The word metaphor is derived from a Greek word that
means to transfer.
So, why don’t we learn cooking from other experiences? To be able
to do so we need to be specific. Recognising that swimming is like
cooking, for example, is not enough, we need to know which
aspects and in which way they are similar. We need also to
remember how we mastered those aspects of swimming and
explore their relevance to our cooking.
Before we learned swimming, maybe we were afraid of being in
water, afraid of losing our solid foothold. But seeing others, even
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children younger than ourselves playing and diving into the water
merrily, helped us to override our fear.
The kitchen, with its fire, hot oven and sharp knives, is also a
strange and dangerous place if we are a beginner. There are so
many unfamiliar things to do, and to make it worse, some of them
need to be done at the same time as well. To convince us that
cooking can be done safely, we have only to see somebody
triumphantly coming out of the kitchen and serving a delicious
dinner. But the most important lesson from the swimming
metaphor is that our preconception didn’t match with the reality,
that our solid body can actually float in the water. Once we
overcome our fear, our common sense will discover the
appropriate movements for our limbs. Without fear and other
preconceptions, the kitchen too becomes a place for discovery.
From the art of painting, as another example, we would noticed
that using other colours and brushes than what we habitually
applied, could change our approach and choice of objects. To
expand our cooking repertoire, why don’t we introduce some
unknown ingredients or utensils as a prod?
If we look again at our definition of skilful cooking, we can see that
cooking is just one example of creative effort. Therefore any
effective way of revealing potential truth, beauty or goodness ,
lends itself as a metaphor for cooking.
Cooking metaphors can help us organise and make some sense of
the bewildering business of cooking. In this way they work as a
cooking grammar.
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Metaphors from various activities speak to us from different sides
of our being. They will hence ‘flavour’ our cooking with our other
life experiences. Metaphors are antidotes to literal-mindedness and
fragmented life, they connect the seemingly unconnected.
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CHAPTER 4
Your Own Way
I don’t believe that painting by numbers, putting prescribed colours
on numbered segments of a drawing, can teach us to paint. It
doesn’t teach the essentials, negotiating with forms and colours.
Elaborate recipes with prescribed list of ingredients and detailed
instruction might be able to help us to reproduce someone else
favourite dish, but if we don’t know why, for what purpose
particular actions are chosen, we will keep struggling to find our
own way of cooking.
When we cook, we have to find a solution for a specific culinary
situation. For example, I want to treat a friend to a good meal,
something a little bit special, colourful, with a variety of taste and
texture, to express my appreciation of her company. I don’t have
much time to do the shopping and the cooking and I can’t afford
more than six pounds. She is a vegan and she can’t eat gluten or
food that is too spicy. At home I have potatoes and a good sized
aubergine which I would like to use. Do you think that you could
find a recipe which will match all these requirements? It is unlikely,
but even if you could, you would miss the joy of finding your own
answer. The joy which will feed your confidence in living and
playing with new challenges.
“... Whether we are listening to a Bach concerto, looking at a
painting by Giotto, or grasping the logic of a theorem in
mathematics, a considerable part of the satisfaction we obtain is
derived from our appreciation of order and balance. And if we
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ourselves, in however humble a way, succeed in creating order
where none existed, by making sense out of the obscure, wresting a
garden from the wilderness, or even arranging a bowl of flowers in
a way which we find satisfying, we achieve a fulfilment which can
be as gratifying as the satisfaction of our nutritional or sexual
requirements. .....”
Anthony Storr - The Dynamics of Creation
Playing piano in the battle field
In French restaurant kitchen jargon, the collection of the kitchen
equipment is called “batterie de cuisine”, a mixture of associations
of a battlefield with the chef as the chief commander and an
orchestra because they refer to the cooker as a piano too. With
efficiency the troop conquers the task through destruction,
slaughtering, cutting to pieces and then it creates by regrouping
and transforming the prepared materials into new forms. So there
you are in the middle of a battlefield, what are you going to do?
Look for a cookery book? Check the recipe? The cookery books tell
you of another battle, where there are ingredients or utensils you
don’t have. And usually they tell you to cook by numbers, grams,
minutes, centilitres or centigrade which blur your sight of things
you’ve got at hand.
The middle way in the kitchen
Was it a battle? No, not necessarily so, because we can also see it
as a game, an arena for negotiation. We transcend the struggle by
finding and following the middle way. It is not the way of
mediocrity but of excellence, it is not the middle between good and
bad, but the overcoming of two opposite bad extremes, just like
riding a bicycle without falling to the left or to the right. In cooking
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we have to overcome many pairs of extremes, like burnt or
uncooked, too spicy or bland, too much or little, too wet or dry,
serving it too late or early etc., etc. To cook well, we need to
negotiate all these pairs of extremes at the appropriate time. It is
only daunting if we see it as a battle field against many errors, but
cooking is more like an exciting playing field for improvement and
perfection. If you are a pianist, why can’t you play the French
kitchen ‘piano’ with the same ease, without worrying too much
about the pitfalls of the loudness or duration, but with the joy of
homing in on the perfect phrasing, dynamics or tempo? You could
improvise or add ornamentation too.
Ziggy, our pastel-drawing teacher told us that we need to know
when to stop, not to work too long and put too many layers of
colours or our drawing will end up like an overcooked meal, dead,
having lost its character. He was of course using cooking as a
metaphor for drawing, but the metaphor could be applied in the
opposite way too.
Don’t try too hard to find the exact correspondence between
cooking and its metaphors, you won’t succeed, but let your
intuition work for you.
Unstoppable success
”.. For example, someone who wishes to steal a precious jewel, to
attack a formidable enemy, or to make the acquaintance of a
beautiful woman must, at all times, watch intently for opportunity,
adjusting to changing events and shifting circumstances. Anything
sought for with such intensity will surely be gained. If the desire to
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search for the Way becomes as intense as this, you will succeed no
matter how high you must shoot or no matter how deep you must
plumb........”.
Zen Master Dogen - A Primer of Soto Zen
In addition to the two main components of cooking; awareness and
care, we also need interest and confidence. We need awareness to
know our purpose, what we want, and we need awareness to
assess our situation, to find the means available to achieve our
goal. Without being aware of our purpose, we can’t even start, we
are already lost in the jungle of possibilities. On the other hand if
our purpose is too rigid and narrow we will face insurmountable
obstacles and we will miss good or even better alternatives.
Do we have the confidence to proceed? With awareness, care and
confidence, we can walk on the middle way, maintaining the
conditions for excellence. In this way we develop our cooking
sensibility.
Cooking is not a theoretical knowledge, it is an art learned in the
kitchen and at the dining table. We learn from experience how
much flour and margarine thicken a sauce, for example. Cookery
books can only help us when we have this sensibility, without it, we
have to follow instructions slavishly, adding indigestible information
and obscuring our genuine perception.
Confidence in cooking is based on self confidence, that we can
manage our life, that we can learn to live well. Maybe we forget
how we learned confidence, as in the case of walking or speaking.
We crave for a trick that can help us to by-pass the process of
gaining confidence. Many people see a recipe as one of these tricks.
The Jewel in the Cabbage 24
Once, when I invited a friend for a meal, he was delighted with the
food and asked me whether I had a recipe for it. To remind him, to
be in touch with his confidence and proceed from there, I asked
him whether he had a recipe for seducing a woman, something he
was skilled in. His face lit up and he smiled and agreed that recipes
were beside the point.
Actualised by myriad things
To cook well, one needs to be aware of the benchmark of good
food. For most people, it must be delicious or filling, for some
people the food needs to be healthy, for others food needs to be
ethically produced without harming the environment. Let us be
more ambitious, why don’t we aim to cook food that fulfils all the
requirements. A daunting challenge. But remember that with
confidence, awareness and care we can go far.
To accomplish anything successfully, we need to see the situation
as it really is, clearly, free from our biases. Here is what Dogen says
about understanding reality; “To study the Reality is to study the
self, to study the self is to forget the self, to forget the self is to be
actualised by myriad things...”.
To cook well, we too have to study ourselves. We need to know
who we are, where we are at, our habits, our conditionings, our
wants and needs, we have to be authentic. When we cook it is not
Delia Smith or Jamie Oliver, or our mother that cooks. To forget the
self is to forget our fixed view and ideas, to go back to “beginner’s
mind”, to be prepared to accept whatever is happening, loosening
our attachment and self identification. To forget views such as; "I
always hated spinach and I am never going to like it” or “this is my
style of cooking and there is no better way". To be actualised by
The Jewel in the Cabbage 25
myriad things is to do what is needed, facing the challenges and
using the opportunities provided by the actual situation.
Perhaps “ to forget the self is to be actualised by myriad things”
means also that when we go back to the freshness of a beginner’s
mind, things like ingredients or utensils, will get the chance to show
their hidden characteristics. When this happens, new ways of
combining and processing food will come to the front.
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CHAPTER 5
In Search of Quality
With all senses on duty
To appreciate food we use all of our sense faculties; taste, touch,
smell, sight and hearing if we include the sound of nuts and biscuits
crushed in our mouth. Our imagination, ideas and associations
colour the eating experience too. So there are innumerable
combinations of perceptions that can influence our food evaluation.
When we eat in a restaurant for example, firstly we have a concept
to deal with, the menu. Then when the food arrives on the table we
can see how the ingredients are cut, prepared and arranged into a
pattern of colours, how the gravy coats the roast or the sauce
blends bits and pieces into a warm tinted stew. Maybe we can get a
whiff of its aroma too. As soon as we start eating, each morsel
reveals its composition of flavours and fragrances. It reveals also its
consistency and its temperature. Eating takes time and the order
and the duration of these sensations determine our experience too.
Indeed the impression is influenced even before we eat. Doesn’t
food taste better when we are hungry?
Eating gives us a great opportunity to sharpen our perception, but
on many occasions we don’t make use of it because our attention
isn’t fully there. It is a pity, it is like going to a concert and reading a
newspaper oblivious to the music. We are what we eat. Without
being aware of what we eat and that we are eating, we are lost,
disoriented in one mode of our life and disconnected from the
reality of the nourishing world. It is not only that we miss one of the
The Jewel in the Cabbage 27
sources of enjoyment, we miss knowing what is good or bad for our
well-being too.
Talking about food during a meal can give a focus to our eating
experience, enabling us to appreciate the sensations better. It is
almost like adding salt to our cooking, it can make the food more
interesting if we add a small quantity but it will ruin the experience
if we overdo it.
Sharper taste, wider palette
Our taste can become blunt because of too much and too strongly
flavoured food. How can we be aware of subtle tastes if we eat a
very hot, spicy dish, especially if we are addicted to it? Our sense of
taste will also diminish if we always eat the same type of food. The
sense of taste goes to sleep through boredom. Travelling and
exposure to other culinary traditions can open a new register. The
taste also can be masked by something like tomato ketchup or soya
sauce. It is destroyed when, without that particular sauce, we
experience the food as tasteless.
To refine taste we need to free it from the numbing effect, from the
smothering blanket and to wake it up to multi varied culinary
sensations. Woken up we can taste things beyond our habitual
responses, we can taste the real combination of sweet, sour and
bitter flavours of an orange for example. With a sharper taste we
create a wider palette to paint with, a wider palate to appreciate
and to articulate culinary refinements. Instead of only one orange
there are many shades of it.
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Breadth and depth
We've been looking at widening our breadth of experience, but to
explore the whole range of possibility, we need to focus too. Self
imposed limitations release us from the tangles of trivia and force
us to look deeper for what is truly desirable.
Only after stopping eating meat and fish did I start to discover the
richness and diversity of the vegetarian world. From just a few
vegetables playing side roles, many new ones turned up on the
stage, capable of playing in the foreground.
The following illustrations show how we can use limitation to spur
our learning. We can ask ourselves for example, what kind of dish
or snack can we make with potatoes? Can we make a starter with
it? Soup? Salad? How many variations? Side dish? Main dish?
Dessert? Boiled, baked, roast, gratin, pan fried, deep fried, mashed,
grated, cut into sticks, as a pie, cake or croquettes, on its own or
with other ingredients? In this way, we can discover the rich
potentiality of the potato and learn to appreciate it better.
We can search in other directions too. For example if we can only
serve soup, can we make it with banana or peanuts or rice or
whatever is available? This will stretch our understanding of soup.
Gifts from the uninvited
Accidents happen occasionally, like overcooking, using wrong herbs
or spices, adding sugar instead of salt or burning some of the
ingredients. An “accident”, because it is unexpected and outside of
our routine can teach us a new way of cooking. We shouldn’t be
deterred by them, we can see it as an opportunity, a challenge to
make the best use of this new situation. For example, instead of
making a lightly cooked stir-fry, can we create a stew by adding
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beans and a thickish sauce? Or can we substitute or just omit the
affected ingredients? Might this be a good opportunity to try an
unusual mix of herbs?
Torch for the dark corners
Recipes, like ideas and concepts, can conceal or distort our direct
understanding, but they can also help us like a pointer or a torch, to
bring light to the shady areas we are barely aware of. They can
change our perspective by giving us a new context. Although
designing our own meal by using our own intuition and experience
gives us more satisfaction than just following cooking instruction,
great recipes can take our cooking to another level. There are
always ingredients or methods of cooking unknown to us to be
discovered. So, cookery books and great recipes can be useful when
we are ready.
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CHAPTER 6
The Resurrection of Spinach and Co.
We are conditioned beings; we tend to use an old strategy to face a
new situation. If we are not aware of this, we become
dysfunctional. Complete dependence on the parents, for example,
is an adequate way of living for a very young child, but it becomes
an illness if we maintain that kind of dependency throughout our
life. We too can have a richer experience of life, culinary life in
particular, if we can free ourselves from our old, no longer
appropriate ways of choosing our food.
Perhaps we buried the taste of spinach or curry ceremoniously with
a vow to never eat it again. It could also happen that some
vegetables fell out of favour in our family and slowly slid into
oblivion. Whatever the cause may be, if we end up with only a very
limited option of ingredients, then it is time for "soul" searching,
ours, and also the souls of the dead spinach, cabbage and co. to
bring them back to life again in our imagination.
We need to recall when and where we left the spinach behind, for
instance. If the event was too painful maybe it is completely
deleted from our memory, leaving us with the conviction that we
always disliked spinach. Our parents or other older relatives can be
of help in our search, but if they themselves never liked spinach, it
is almost certain that we didn't have any direct experience with
spinach and our dislike of it is based merely on prejudice. On the
other hand over exposure through having to eat it time after time
could kill our taste for the spinach too.
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If we lost our liking for it when we started eating at the boarding
school, we can then ask ourselves whether it was our decision or
because other children didn't like it and we succumbed to group
pressure. If it was our decision, was it because the spinach was
always badly prepared or because we had an unrealistic
expectation, like wanting it to taste the same as carrot? Maybe
conforming with others was the right choice at that time, but we
don't need to continue avoiding spinach forever.
Some vegetables or ingredients can be sacrificed for the sake of self
image. For example cabbages being inexpensive , can be banned
from the household by a person who thinks of himself as rich and
having sophisticated taste. This happens in the other direction too,
vegetables like artichokes or asparagus because of they are thought
of as luxury food, are anathema for people who consider
themselves ordinary. Garlic and curry spices are only for the
foreigners but not for the ultra nationalists. Some people still think
that kale or millet are food for cows and birds.
Of course we don't have to like or to eat everything edible, but to
live happily we need to make our decision consciously based on
actual facts. I am a vegetarian, not because I don't like meat or fish,
but I don't want to eat them out of my ethical considerations. I
don't like to spend a lot of money on food because of my limited
resources, but if I were given chanterelles or truffles I would readily
cook them. Not only kale and millet but young nettles and
dandelion leaves are good enough to spark my curiosity for culinary
adventures.
For one reason or another, in our world of taste some ingredients
or dishes disappeared through the gate "not for me", they are dead
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and forgotten or even worse, falsely remembered. Our health,
wealth and social circumstances change with years, the availability
of food and ways of preparing food change too. If we want to keep
up with the reality, we need to re-evaluate our decisions
appropriately. Only if we dare to suspend our judgement on the
damned, is there a chance that they will be redeemed. By bringing
to light the occasion when we forsook them, we might remember
the reason. Maybe we can see now that our reasoning was biased
by inadequate and out of date facts, unfounded fears, spurious
assumptions, superstitions or emotional needs. Once we have seen
the error of our ways, we can start to rehabilitate those doomed
vegetables, dishes etc. and bring them back to our dinner table.
Remember that we are exploring food we don't like, but not food
that we are allergic to. While some people say that they are allergic
to something meaning that they don't like it, it happens too that
some people are allergic to something they like. So we need to be
careful if we are genuinely allergic, because allergic reactions can
be fatal.
When we can suspend our prejudices we can learn to appreciate
the food anew through direct experience. We are able to sense it
with full awareness, giving full attention to its smell, taste and
texture. If we can keep our attention on what is happening, our
experience will override ideas, memories and associations. It is very
hard to do; maybe we have to begin with re-evaluating food we
habitually reject although we can't remember its actual taste any
longer.
The easiest way to appreciate food and to overcome prejudice, is
through love, even just falling in love. Love expands our sphere of
The Jewel in the Cabbage 33
concern reaching to our beloved. We are curious why our lover or
friend likes spinach, for example. I started to appreciate wild
flowers and animals when I fell in love with a nature devotee.
Falling in love with a foreign country or its cultural / culinary
tradition will stretch our food appreciation too.
The process of discovering and rediscovering the culinary world, is
like enlarging and rectifying our vocabulary, it helps us to
understand and enjoy life with more scope and depth and therefore
it will improve our ability to share life’s richness with others.
The Jewel in the Cabbage 34
CHAPTER 7
The Buddha in the Aubergine
“Handle even a single leaf of green in such a way that it manifests
the body of the Buddha. This in turn allows the Buddha to manifest
through the leaf...”
Dogen – Instruction for the Zen Cook
Arts and science in the kitchen
Kitchen activity can be mystifying to some, because they see it
either as sacred or as something below their dignity. When this
happens, their normal ability is paralysed, forgetting that in
cooking, science and common sense still apply.
My friend, a carpenter who can saw planks straight and to size,
amazed me time and again with his jagged slices of potato or loaf.
Don’t be surprised by a scientist friend of yours, if he is making
soup for 12 people and he doesn’t know the right size of pot to use.
Painters too can overlook the many colours of ingredients and mix
them up into a nondescript meal.
Calculation shouldn’t be the base of friendship, but if friends travel
together, for example, they still need calculation to know how to
plan and finance the journey. So it is in cooking, the function of
inspiration, metaphors and poetical imagination is not to replace
our rational mind but to place it in its appropriate context.
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Three kitchen graces
It is common to accept that some art forms, such as music can
elevate and expand our consciousness. Dogen, as quoted above,
urges us to broaden the scope, to let even a single leaf of green
show its real nature.
How can cooking expand our awareness? We have seen before that
to cook well we need awareness and care and that we learn by
doing. Here, we are going to look at the importance of beauty, truth
and goodness, the three graces, on our cooking path.
Let us explore how we can appreciate a lemon through beauty,
even beauty from outside the culinary world, through the poem of
Pablo Neruda
..we opened
two halves
of a miracle,
congealed acid
trickled
from the hemispheres
of a star,
the most intense liqueur
of nature,
unique, vivid,
concentrated,
born of the cool, fresh
lemon,
of its fragrant house,
its acid, secret symmetry...
Ode to the lemon, translated by M. S. Peden
The Jewel in the Cabbage 36
Was it outside the culinary world? Yes and no. It is beautiful as a
poem and because of that, the lemon becomes more vivid. The
poem makes us aware of the lemon’s fragrant fresh acidity.
When we cook well, we make something delicious, i.e. something
with a beautiful taste, in doing so we make the eaters aware of a
particular aspect of an ingredient. As an example; a lightly salted
slice of aubergine fried with little olive oil, will reveal its hidden
beautiful taste and texture. Different ways of cooking aubergine
will show us its many other qualities.
Cooking can also reveal truth hidden behind our superficial and
habitual thinking. When we think of a curry, we assume that there
is a fixed dish, apart from any other things, but when we cook we
realise for ourselves that there is no such thing as “curry”, it is only
a name added when we have prepared and put together certain
ingredients. We can also see that we are not the proper creator of
the “curry” either, our cooking is only a link of a long and complex
chain of food processing. After we cook our “curry”, soon it will
become whoever eats the meal, perhaps our friend. In this way
cooking can help us to see the interdependency of life.
We can also learn to appreciate nettles, for example through
goodness. Once I spent a whole week on my own just outside of
forest. I went there to enjoy the tranquillity and the beauty of the
nature. I brought some provisions with me to the caravan where I
stayed, but after several days I realised that my vegetable supply
wouldn’t be enough. It was in the spring and there were nettles
which grew in abundance along the footpath. I knew that nettles
were edible and nutritious especially when they were still tender.
Milarepa, a Tibetan yogi, lived on nettles for a long while. I
The Jewel in the Cabbage 37
collected them and prepared them as if they were spinach, I made
potato and nettle soup and the day after I made pancakes with
nettle and onion filling.
Here, goodness, doing the right thing for one self and others,
consisted in clearing the nettles from the path for the caravan’s
owner and cooking them well to nourish myself. Such prepared
nettles were not only good but also had a beautiful taste.
If I serve such nettle filled pancakes to a friend on a different
occasion, as an act of goodness, this can challenge her view and
shift her awareness. Nettles are not only nasty stinging weeds.
Maybe next time when she sees a clump of weeds she will wonder
whether they are nettles and look at them with more attention.
Probably she will notice too the lively, almost transparent green
colour of the beautiful serrated leaves.
Beauty calls our attention, truth shows things as they are and
goodness urges us to act according to the beauty and truth we have
seen, they form a powerful combination and with awareness they
enhance each other.
The poetry of mashed potatoes
Oscar, a Mexican friend, used to say " It's poetry!" when it
happened that a dish turned out to be very delicate and tasty,
especially when it was made with an unexpected combination of
common ingredients or made in an unusual way.
I imagine that if there is poetry in cooking, there will also be its
parallels in the unimaginative use of language and set phrases. To
cook just following the accepted nutritional requirements of
vitamins or calories for example, is very prosaic, the same with
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cooking which is dictated only by price considerations. Reproducing
dishes through standard recipes disregarding specific needs and
circumstances is like using clichés. Some people like to sprinkle
tomato ketchup or chilli sauce indiscriminately on their food, just
like a person who adds expletives or trifling words every time he
speaks.
How frequently do we take short cuts and sacrifice beauty in the
kitchen? We need to remember that no matter how busy we are,
when we cook, that moment is our life. A moment we can't afford
to overlook. There is more poetry in cooking a simple meal well
than in preparing a more complicated one with half measures.
Poetic cooking unveils beauty ignored by a pragmatic approach. It is
said that beauty jolts us from our presumed centre of the universe.
Beauty reminds us that there is something else in the world that is
more interesting than ourselves. Beauty catches our attention,
relaxes the grip of ego. When we let go of our self preoccupation,
our worry, planning and scheming, our consciousness expands so
that we can see things unnoticed before, the hidden beauty. It is
not a circular but an augmentative process, beauty cleanses
awareness and a cleaner awareness perceives more beauty.
Continuing with our writing metaphor; to write a poem or a piece
of prose, familiarity with the language, its grammar, its vocabulary
etc. is indispensable. In prose, we use our knowledge to let the
language say what we want. Poetry is more like a dialogue with the
language to find beauty. With cooking, we need to know its
grammar too, the basic cooking principle and its vocabulary, the
wide range of ingredients. To cook poetically, we have to be
sensitive to the many qualities of the ingredients and aware of how
The Jewel in the Cabbage 39
the ingredients can complement each other. Eating the food or
reading the books of great cooks can help us to imbibe this
sensitivity.
No poetry will emerge without a set of principles of good taste.
With cooking, taste is not only figurative but also literal. It is a direct
experience in the mouth. Presumably taste is connected with our
survival, it is our ability to discriminate good food from bad food.
Unfortunately in industrialised society many of our acquired tastes
are for processed food, that is, food without its freshness and
contaminated with additives which usually are also addictive. What
is good for the survival of the food industry may not be good for us.
We can reinvigorate our genuine sense of taste by exploring the
array of flavours of natural ingredients like fresh fruit and
vegetables, and their combination in good cooking.
The spirit of joy and magnanimity
Another way to improve cooking I received from the thirteenth
century Zen Master Dogen in the form of his “Instructions for zen
cooks”. Dogen lived in Japan when Buddhism was in decline, when
the practice became either highly esoteric and elitist or superficial
and meaningless. He went to China to find a genuine teaching and a
better way of practising to reinvigorate Buddhism in Japan. His
encounter with some monastery cooks impressed him greatly and
stretched his idea of practice beyond just meditation and studying
the scriptures. Dogen asked his disciples to “strive to maintain a
spirit of joy and magnanimity, along with the caring attitude of a
parent”. Why shouldn’t we be joyful if we have the opportunity and
capability of serving others? A magnanimous mind is like a
mountain, stable and impartial, it accepts the ups and downs of life,
the easy and difficult tasks, the inferior and exquisite ingredients,
The Jewel in the Cabbage 40
the noble and lowly guests with equanimity. The caring attitude of a
parent is needed not only towards people we cook for but also
towards the utensils and the ingredients.
In his “ Instruction for the zen cooks” Dogen didn’t concern himself
so much with what to cook, but rather with the attitude towards
cooking. He inspired his students to become good cooks by
becoming good people. He mentioned nevertheless the traditional
prerequisites for good food which include the harmony of six
flavours and three qualities (The flavours are bitter, sour, sweet,
salty, mild and hot. The qualities are light and flexible, clean and
neat, conscientious and thorough).
The Jewel in the Cabbage 41
CHAPTER 8
The Culinary Cult
We sometimes see things as idols, objects of worship and
sometimes as icons, symbols of greater reality. An idol is a
materialised ideal or an idea in a definite form and it is identified
with what it represents. For example, one can make sex an idol for
happiness, with one’s awareness narrowed down and coloured by
the sexual urge, one sees the world as a sexual arena and people as
sexual objects.
Food, like sex is another popular idol, worshipped through the TV,
books and glossy magazines. It is a powerful one, in the affluent
society it manages to make obesity almost the norm. Food
advertisements try to convince us that we can have a good life by
buying their goods. They make us want to consume when we aren't
hungry.
Food idolatry sets in if we over identify ourselves with our taste
sense. We keep eating, in spite of our full stomach, wilfully
forgetting its bad effect on our heart, our health in general and our
mental state. Idolatry turns food into poison. If we are too far
astray on the idol path, we are like the fly that entered the room
through the door and got trapped at the closed window. Only the
pain from banging our head again and again against the glass of
reality, will make us realise our error.
In contrast, an icon is an open door to freedom, a pointer to
something beyond itself. It provides one with a larger perspective
The Jewel in the Cabbage 42
and a deeper understanding of reality. One can only see an icon as
an icon if one can see with clear awareness, and paradoxically with
clear awareness one can see everything, including "idols", as icons.
With awareness we can de-idolise any idol.
Overcoming kitchen’s temptations
We sometimes want to be admired as a great chef, the creator of
an exquisite dinner. Maybe we acknowledge the role of our
“special” ingredient or our favourite technique in our success.
However with just a dash of awareness we can realise how little our
contribution was compared with what went into the long
production and distribution chains of any of our raw materials or
cooking utensils.
It is seductive to think that we will become a better cook if only we
buy a new cooking gadget. How many times, for example, have I
been tempted to the point of near obsession to acquire a trendy
new set of knives, a food processor or other equipments? Most of
the time I haven't bought them and after a while realised that I
didn't actually need them. Occasionally I bought something new,
but what it mainly did was clutter the space and collect dust.
Cooking ordinary vegetable with skill and care for the satisfaction of
our guests can free ourselves from our needs of props and of self
preoccupation. With genuine awareness we realise that everything,
including ourselves, is already special. We are the result of our
particular conditioning.
To transform an ordinary thing into an icon, Dogen instructs his
monastery cook that when he cooks rice, to see the pot as his own
The Jewel in the Cabbage 43
head and the water as his own blood, admonishing him to act
considerately in the interconnected world. Dogen also asks the
cook to handle a single leaf of a green in such a way that it
manifests the body of the Buddha.
To remind the monastery cook that cooking is a practice of serving,
before he serves the meal the cook should perform a ritual by
facing the hall where everyone is practising, offering them incense
and bowing nine times.
Transference of merits is another spiritual practice in the kitchen. It
is to remind the cook not to appropriate whatever good he had
achieved, but use it for the benefit of others, not only the food but
also his skills and reputation.
Discovering elixir at dinner table
A moment of silence before we start eating can help us to
disengage from other activities and preoccupation. This will allow
us to be more aware of our body and of the food we are going to
eat, it can make us more aware of our eating companions too.
Do we feel hungry or thirsty? Do we need rich food or just light
fare? Eating without being aware of our needs is like shopping
without knowing what we are really looking for, exposing ourselves
to the danger of overeating.
Be aware of the food in front of you. What is it? We need to go
further than its name tag, to look behind the cloud of associations
or promotion gimmicks. We can bypass these veils by being in the
present and relying on our direct experience. Look at it attentively,
smell it, feel its texture and temperature and taste it for yourself.
The Jewel in the Cabbage 44
Be aware of our eating companions. Maybe they need food as
much or even more than we do.
Feeling hungry and thirsty is the real call of nature, it reminds us
that we are a dependent being. Acknowledging, being grateful for
the support from nature and paying close attention to the feedback
we receive through our senses, will help us to see food as an icon.
As an icon, food turns into elixir and makes us healthy. It may even
help us to realise that we have never been born as a separate
identity, and we are just part of the interconnected and changing
reality.
The Jewel in the Cabbage 45
CHAPTER 9
Cooking Unbounded
We cook for different practical purposes; some people cook for
relaxation as I did when I had a nine-to-five job, to wind down from
the working day and rush-hour traffic. Trimming, cutting and
arranging vegetables of different shades of colours can be very
soothing. It is like preparing a zen garden on a chopping board.
Some see cooking as a hobby, an opportunity to try out new
recipes, or to play and improvise, creating new dishes, or recreating
those seen or tasted before. Now and again we cook to express our
care for our friends by treating them to a special meal. Sharing food
can communicate sentiments that words cannot. Of course many
cook simply to live well and healthily. Using ingredients which are in
season, is not only important due to quality and price
considerations, but also it will keep us in touch with the cycle of
Nature.
If we cook regularly, whether it is every weekend or every day,
some routines will creep in and we can lose our enthusiasm.
Cooking something different can help us to refresh our vigour.
Inviting new friends or cooking in other environments can help us
too.
But the most important thing is to remember that cooking can be a
powerful and joyful exercise. It is a practice that can help us to be in
the real world, rid us from our fantasies and be alive to what is
The Jewel in the Cabbage 46
actually happening. Cooking is joyful only if we are committed to
learning, if we can accept our mistakes as teachings.
In the talk mentioned earlier “The Taste of Freedom”,
Sangharakshita points out that one cannot be free unless one
breaks the fetters of habit, superficiality and vagueness. Here we
are going to apply this only to one aspect of us, our cooking. When
our cooking becomes free, by using metaphors we can expand our
freedom to other activities, maybe even to our whole life.
Habit, superficiality and vagueness are the antitheses of our
definition of skilful cooking, namely “ preparing desirable food by
making the best use of the available resources”. Our appetite, need
and desire for food change during the day, the week and the year,
so do the available resources. Habit wouldn’t be able to respond to
these demands. With superficiality we can only make a botch of our
cooking. Vagueness, not knowing what it wants, will mess up
opportunities, it will make our cooking grey and insipid.
Overcoming habit
Do we cook the same food most of the time? Perhaps we cook with
regularity, like preparing the same roast for Sundays or another
fixed menu for each day of the week. Maybe we always cook curry
or pasta without consideration of the changing circumstances, we
cook it for lunch, for dinner, at home or when we are on holiday
abroad. To break the habit we need to be aware of it and convinced
that habit is not always advantageous to us. It is like having the
same answer to all sort of situations. It is boring and utterly
unsatisfactory. Habit evades questions we need to face.
For example, if people praised a curry when we made it once, we
may become attached to it. Our early success can compel us to
The Jewel in the Cabbage 47
reproduce again and again the same ‘frozen’ curry. Our fear of
taking new challenges prevents us moving further on our culinary
path. Habit is also not as practical as commonly believed. When we
do our shopping, it is more profitable to buy whatever good stuff is
on offer than to blinker our eyes just looking for curry ingredients.
Do we only invite curry lovers for dinner?
Why don’t we retrace our cooking back to where it was free from
the smothering habit. It doesn’t matter how far, even if it leaves us
with only a simple food preparation, like frying eggs. The important
thing is to regain the feel of genuine cooking, with life in it. We
know for example, why we use a certain number of eggs, why we
break them in a particular way or add other ingredients, what sort
of pan and type of fat we use, the fire intensity etc. If we know
these, we can adjust our cooking to match the need, whether it is a
simple fried egg for breakfast or a Spanish tortilla for high tea.
It is like retrieving the living ember from an untended bonfire,
buried under a thick layer of ash, and kindling it back to its vigour.
The joy of the rediscovery of creative cooking will evaporate our
stale habit.
Overcoming superficiality
Our cooking will be superficial if we always follow recipes, tips and
tricks without understanding. Tinkering and patching our dish with
readymade sauces to make it look different, may actually confuse
us further. To overcome superficiality, we need to free ourselves
from bewildering and incoherent do’s and don’ts. We need to learn
to see that each handling has a different function and how the
steps we take are in line with our scheme of skilful cooking.
Our curiosity to find an alternative to the familiar can help us pierce
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through superficiality. We can even use craving for some less than
ideal food, for a breakthrough.
Eating a certain type of food can only be wrong in a context. With a
deeper understanding we can breach the superficial rule of not
eating it and find a way to compensate the action. Sugar rich and
greasy food is bad if we are overweight. Maybe when we take a
slice of rich cake we could restore the balance by having less fat and
less sugar in our meal. Isn’t this an opportunity to discover or invent
low calorie dishes?
Overcoming vagueness
Vagueness will creep into our cooking when we start without
deciding what to cook, hoping things will be o.k. of their own
accord and proceeding aimlessly. With vagueness, our cooking will
be pushed in different directions by our changing mood and pulled
by varieties of irrelevant external conditions.
Free from vagueness, we can make a strategy and prioritize our
actions. It doesn’t mean that we should exclude intuitions and odd
chances, but we need clarity to be able to discern the helpful from
the unhelpful ones.
Once we overcome habit, superficiality and vagueness, we can taste
freedom in cooking. We can cook anywhere, anytime, just as having
learned to walk or to speak, we love to exercise these skills on any
appropriate occasions. The spirit of cooking has manifested in us
and we are ready to respond to the changing culinary challenges.
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CHAPTER 10
A Pinch of Logic and Strategy
We can plan our cooking successfully only if we have a clear target
and we know our facilities and restrictions.
Here is an example from chapter 4:
... I want to treat a friend to a good meal, something a little bit
special, colourful, with a variety of taste and texture, to express my
appreciation for her company. I don’t have much time to do the
shopping and the cooking and I can’t afford more than six pounds.
She is a vegan and she can’t eat gluten or food that is too spicy. At
home I have got potatoes and a good sized aubergine which I would
like to use.
Our target: meal which is colourful with variety of taste and texture
Ingredients available: aubergine, potatoes and others worth less
than six pounds
Restrictions: vegan, gluten free, not too spicy, not much time for
shopping and cooking.
I would choose the aubergine as the main feature, as the ingredient
for ratatouille. Flavoured with garlic, herbs and olive oil, this
aromatic dish is coated with red tomato sauce.
To balance the soft texture of ratatouille, we can make crisp potato
“pancakes” as a side-dish. A quick way to prepare, is by grating the
potatoes and spreading a portion in a hot and lightly oiled frying
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pan and frying it until it turns golden.
To complete the play of colours and the protein requirement, I
would chose dark green spinach leaves dotted with marinated
white tofu pieces for salad. With good planning, this three part
meal can be prepared in forty five minutes or less.
In this way, the cooking strategy, plan of action, appears almost of
its own a accord. However a grasp of basic cooking methods,
techniques and familiarity with the preparation of model dishes,
will make our task easier. We will deal with these issues in the rest
of this chapter and the next one.
Cooking methods
From the frying pan to the open fire A recent study reveals not only that we need to eat a variety of
vegetables, but also that we benefit most if we eat each different
vegetable prepared in various ways. Of course cooks have known
this for ages, intuitively or guided by their taste, as it is apparent
from the plethora of recipes. There are many ways of cooking such
as frying, boiling, steaming, using an oven or an open fire. Each has
its own merit. Although most of the cooking methods are straight
forward, I would like to draw your attention to some less obvious
aspects.
With pan frying we make use of the heat from the bottom of the
pan as much as possible. Cutting the ingredients into flat and thin
slices and adding a little oil will improve the contact with the pan’s
surface. Oil will also prevent the pieces from sticking to the pan.
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Deep frying is a quick way to cook chunks or compound pieces. The
heat comes through the hot oil from all directions, it evaporates
water from the food and makes it dry and crispy. If the oil is hot
enough it will seal the surface of the pieces quickly by forming
crusts. The crust will prevent the oil penetrating from the outside
and also keep the inside of the piece moist. Certain pieces need a
coating like batter to provide the crust.
Cooking in the oven is cooking in dry hot air. It is relatively slow, air
is not a good heat conductor, but some ovens have a fan to blow air
through the heating elements to spread the heat better. Obviously
cooking in the oven is a way to make food that shouldn’t be soggy
or greasy, food like bread, cake, pies or pieces of vegetable like
parsnip or pumpkin. It can also be used as an alternative to frying, it
is practical when we have to cook in batches or when we have to
cook items too fragile for pan frying. Compared to ordinary frying,
oven cooking can produce less greasy food, the pieces need only a
thin coating of oil.
Boiling food in water was an ingenious invention, in spite of its low
profile. How can we eat rice, dried pulses, pasta and many other
dehydrated foodstuff without boiling? It gives the moisture back, it
cooks and with other condiments it enhances the taste too. Unlike
oil, water being free from high calorie fat, animal or even plant
products, is free from dietary restrictions. Its boiling temperature
being lower than oil, prevents food from getting burnt.
Steaming is a gentler way of cooking, but beware steam can burn
our fingers easier than dry hot air. Steaming keeps the food moist
and retains more of its flavour and nutrients than boiling. We can
also cook delicate forms, food that otherwise would disintegrate in
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boiling water; stuffed vegetables for example. If the steamer is fully
loaded, with only small gaps between the pieces, the heat will be
unevenly spread. A two tier steamer is more practical than a simple
one, it provides larger floor surface and exchanging the positions of
the tiers will improve the heat distribution.
Open fire is the natural heat source, working with the elemental
force directly can invigorate us. Potatoes or sweet potatoes cook
well in the hot ashes under the embers of burning wood. In
Indonesia people used to cook some types of food by wrapping it
tightly with banana leaves and immersing it in the hot ash. Corn on
the cob or skewered vegetable pieces will be enriched with a smoky
flavour when they are grilled on the fire.
Cutting to size It is important to cut ingredients into a regular size, the size can be
different for each different ingredient. This will give a pattern, a
sort of rhythm to the dish we make, an important aspect that is
frequently overlooked. Also if we cut the harder-to-cook vegetable
into smaller pieces than the softer one, the vegetables will have the
same cooking time. To create more variety, we can cut carrots for
example, into half moon slices for one dish and into sticks for
another. Naturally we have to cut the vegetables into manageable
sizes depending on how the food is going to be served and eaten.
Planning and timing When I cooked at a friend’s place, he was amazed that I cooked the
same meal he frequently did in less than half the time he usually
needed. The meal consisted of lentil stew, stir-fried vegetables and
brown rice, He cooked the dishes in sequence and prepared each of
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them in progressive steps. He didn’t realise that he could cook parts
of a dish separately. The simple logic is; the more elements of the
menu we can cook simultaneously, the shorter total cooking time
will be. We have also to make sure that the various dishes will be
ready at the required time during the meal.
The brown rice has the longest cooking time and it can be cooked
straight away, so we should start with this.
The lentil stew consists of lentils and vegetables. Although lentils
cook relatively quick, it is good to start boiling it soon after we have
started cooking the rice. Except for washing, the lentils can be
cooked straight away to make use of free gas rings.
The preparations of the vegetables for the stew can be done while
the lentils are on the fire. To finish the stew, we have to fry the
vegetables and add them to the simmering lentils. My friend would
start with preparing the vegetables before starting to cook the
lentils, making the total cooking time of the stew longer.
The same principle is applicable for preparing stir fry; don’t wait
until all the vegetables have been washed and chopped, but start
with the ingredients that need to be fried first. Onion and ginger for
example, because they are the givers of the background taste.
Harder vegetables like winter carrots need to be cooked earlier
than the others because they need a longer cooking time.
Using herbs and spices Here too our experience is the best source of learning, but why
shouldn’t we find out how the people in Italy, South of France or
Spain for example, use thyme, oregano or rosemary, these herbs
grow in abundance there and have been used for hundreds of years
in the regional cooking. Adding herbs or spices is like putting
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colours on a drawing to reveal and emphasise a feature or to invoke
a mood. Spices are usually stronger than herbs. Beware of
overwhelming delicate-tasting vegetables.
An Indian friend doesn’t like potato very much, most of the time
when potato is served to him, he leaves the bits on his plate. But he
can cook amazing potato curry, one of his favourite dishes. For him
the potatoes are the carrier of added taste, maybe he is an abstract
painter.
Right quantity People tend to misjudge quantities and cook too much, either by
oversight or because of fear. We often forget that things add up.
When we prepare a dish with many ingredients we need only a
small quantity of each, but we are tempted to use more because
each seems too little on its own. If we plan a meal with more
courses, we need to adjust the quantities too.
Cooking too much for fear of not having enough food to serve is
regrettable. We need to learn to cook just enough. Food
appreciation diminishes soon after we have satisfied our need. We
would like to eat beyond that point when our sense of ‘having’
overrides our judgement. Serving too much food is wasting
resources and the opportunity to enjoy it in the best way.
Cooking for a large number If we are used to cooking for four it will be easy enough to cook for
eight or ten. But when we have to cook for fifty people or more, it
will be more complicated even if we can cook in a bigger kitchen.
We need to cook differently; just multiplying the amount of the
ingredients and extending the cooking time won’t do.
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As an example, consider the preparation of vegetable curry for a
large number of people. We need carrots, courgettes, aubergines,
garlic, onions, ginger and other spices, things we know from our
usual way of cooking curry, we can also guess roughly how much of
each ingredient is required.
When we have trimmed and cut the vegetables, keep each
separately, we can make a better estimation of the portions we can
produce. Firstly we have to estimate how many servings the heap
of carrots would provide if we were to cook a dish with carrot as
the only ingredient. In the same way we estimate the servings
obtainable from other heaps of vegetable. We can then add the
portions together and adjust our initial guess if necessary. We have
to bear in mind that the vegetables will shrink, but this will be
compensated for by the added liquid and other ingredients, during
the cooking process.
It will take a long time to cook a large amount. To prevent the
vegetables from becoming mushy, we have to cook them
separately. This will also shorten the cooking time as we can fry
different vegetables on separate gas rings simultaneously. We can
start preparing the curry base using the onions, garlic etc., at the
same time too. The vegetables need to be slightly undercooked
considering that they are to be finished as a whole. At the end we
have to put all the parts together in a large pot and cook them until
ready.
Another way of cooking the right amount of a stew-like dish is by
calculating the volume. If a person needs a serving of 150 ml, then
for 50 people we’ll need 7.5 litres, of course we’ll need more if we
make allowance for second helpings. Before we start cooking, we
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can fill our cooking pot with water just to see what 7.5 litres looks
like in the pot. We can then mark the surface level or measure its
distance from the rim as an indicator for the desired quantity.
Dealing with dietary requirements In a group of twenty, it is likely that there will be a person who has
to avoid certain ingredients, such as wheat, dairy products or
particular spices. For someone who isn’t used to catering for a large
number, having to take an extra precaution, can be stressful. I’ll
give you three approaches to deal with this challenge.
i) Plan a menu, which doesn’t need any of the problematic
ingredients. In theory, this would be the easiest solution, but it can
be difficult if we have to avoid common ingredient such as onions.
It may also mean that we have to sacrifice the opportunity of using
strawberries, as another example, when they at their best just
because of one person.
ii) Plan two different menus to fulfil two different requirements.
This is easier because the choice is larger, however it needs more
time and equipment/facilities to prepare two separate meals.
iii)The combination of the previous approaches; firstly prepare the
common base with ingredients permissible for all and then
supplement it with other ingredients to make different meals as
required.
As an illustration of the last approach, we are going to cook a Dutch
style green split pea soup, which uses celeriac and black pepper as
ingredients. But one of our guests can’t eat celeriac and another
one can’t eat black pepper.
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Except for the celeriac and the black pepper, we can make the soup
in the usual way, i.e. simmering the split pea with onion, leeks,
carrots, potato, thyme, bay leaves and salt. Cook the celeriac
separately. When the soup is done, take two portions, to make one
portion without celeriac and the other portion without black
pepper. For everybody else add the cooked celeriac and season it
with pepper to taste. For one of the guest, you could replace the
missing celeriac with mushroom for example and for the other
replace the black pepper with a herb or another spice.
If none of the three approaches can help alleviate your worry, you
can still ask someone else to prepare or buy the special meal, or
you can even explain and request the person concerned to provide
her or his own food. Acknowledging our limitations can reduce
pressure and anxiety.
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CHAPTER 11
Blueprints from Starter to Sweet
The previous chapter is to familiarise ourselves with the technical
aspects of cooking, such as heating processes, planning, time and
quantity management. This chapter deals with the way we prepare
the parts of a meal, such as soups, salads, sauces etc.
There are recipes that can lift one’s cooking up to a dazzling level
but leave one perplexed and helpless without them. It is like
reaching a mountain’s top by using a cable railway. The guidelines
in this chapter are more like instructions for hill walking and
climbing. They are to help you to find your own way and to make
your own discoveries in the culinary landscape.
The blueprints, the cooking procedures presented here, do not
specify ingredients and quantities rigidly. We have to chose the
herbs or spices and the cooking time according to the need of each
occasion. Being aware of what is needed and adjusting the process
to achieve our goal is essential for learning. The procedures
selected here are from various cooking traditions.
Grains, pasta, potato and pastry
The basic preparation of staple foods is simple and straight forward.
In hunger no one can afford to wait for elaborate procedures.
You can cook rice or pasta by boiling it in water and drain it as soon
as it is ready. To cook pasta you need a lot of water to facilitate
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stirring and moving the pieces, to prevent them from sticking to
each other.
However, cooking rice or other grains like millet, buckwheat and
quinoa, with surplus of water and draining it afterward, will dilute
the taste and reduce the nutritive value. So, try to cook rice in a
covered pot, with water just enough to be completely absorbed
when it is done. The instruction provided on the packaging, usually
with water about twice of the amount of rice, is good enough, but
you can adjust the quantity of water to get moister or dryer rice
according to your preference.
Pilaf, risotto or paella. This is a rich rice dish, prepared with
vegetables and other ingredients. It can be served as a meal on its
own. To bring the taste out, you need to fry onion, garlic and/or
other ingredients lightly, before you add the rice grains. Fry the
mixture with rice for another minute or so and add boiling water or
stock. Estimate the quantity of the water as for plain rice, or less if
the other ingredients contain a lot of moisture. Cover the pot and
cook on a low fire, stir occasionally and add more boiling liquid if
needed. The Indian, Italian or Spanish variant differ from each other
due to their specific herbs or spices. You can treat other grains in a
similar way too.
Potato is a miracle, it responds well to all cooking treatment, from
the most primitive bonfire method to microwave cooking, from
simple boiling to deep frying in a wire mould to create bird’s nest
like casings.
For change, here is an alternative, a way of preparing potato “pan
cakes”. Grate the potatoes and put a portion in a hot frying pan,
spread it with a spatula into a pan cake form. You need just enough
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oil to prevent it from sticking to the pan. Fry until it turns golden
and drain it on absorbent paper. An average size baking potato is
needed to make a portion.
Bread We don’t need a bread machine to make bread. Kneading
the dough, forming or rolling it out with our hands to make pizza
base or buns, nurtures our sense of touch and connects us
intimately with cooking.
The basic ingredients of bread dough are flour ( preferably strong
flour, white or wholemeal), yeast ( fast action dried yeast in sachet
is the easiest to get and to work with) and warm water. Salt and oil
in small quantities are also usually added to the mixture. Traditional
French bread, for example, is fat-free but it needs to be eaten fresh.
To make a large loaf of about 1 Kg:
Mix 800 g flour and 1 sachet of dried yeast in a large bowl add salt
and oil if needed. Mix all the ingredients together.
Add ca. 1/2 L warm water, mix it to make a sticky ball and knead it
on floured surface for 5 to 10 minutes into a soft elastic dough.
Shape it and place into the tin, cover it and leave it in a warm place
to rise until it has doubled in size.
Bake it in a hot oven ca. 200 C for about 45 minutes.
We can design the taste, the texture and the shape of our bread, by
adjusting the ingredients for the dough and forming it
appropriately. Why don’t you try to make beautifully green or
orange coloured bread by partially substituting the warm water for
the dough by spinach or pumpkin purée. Part of the flour can be
substituted with rye or other flour. For sweets, besides sugar you
can add cinnamon, raisins, nuts, banana or whatever you fancy.
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Shortcrust pastry As bread dough, this pastry is versatile and easy
to make. It can be used as the base for a quiche, a pie or as pasty
cases. Its basic ingredients are flour and cold margarine. We need
twice as much flour as margarine in weight. Put the flour in a bowl,
add the margarine and start cutting the margarine with two knives,
continue cutting until the mixture becomes a heap of crumble, add
a pinch of salt if desired. Sprinkle a little with cold water, just
enough to help the crumble to stay together when we press it to
form a ball. Avoid kneading the mixture, or it will become a dough
and the crust will be hard during the baking. With a food processor
and its cutting blades we can do this operation in a few seconds.
Soup
All sorts of soups, clear, smooth or with soft bits in, can be
consumed with ease. Eating soup soothes and relaxes us. Soup is a
flexible dish, it can accommodate luxuries or very strict diets, it can
fulfil refined or simple taste and it can be served throughout the
day. Although soup is a foolproof dish, to make an excellent one,
some imagination and creativity are indispensable.
The very,very basic way to make soup is to put water and the rest
of the ingredients in a pot and bring it to boil and let it simmer till
done. Surprisingly, even that isn’t basic enough, because people still
can make soups like Gazpacho without any cooking at all.
To make the soup more interesting you could fry some of the
ingredients before you add the water or stock.
For a velvety thick soup, you have to add and mix flour into the
fried ingredients before you add the liquid, about a tablespoon full
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is enough for four portions. Alternatively you can include root
vegetables or ‘floury’ vegetables such as garden peas and
cauliflower as the ingredients. You have to liquidize the soup at the
end of the process.
Beans are excellent for soups, but if you use dried beans, soak and
cook them before hand. Liquidizing some of the cooked beans will
thicken the soup too.
Adding some bouillon powder or yeast extract to our soup, will give
it “body”, will make it tasteless watery. The soup will become richer
if we add fat in the form of coconut cream or tahini. Try a sprinkle
of freshly chopped herbs, toasted nut flakes or seeds as garnish.
Sauces
Sauce with its power to transform ordinary fare into a culinary
highlight used to be considered as a magic concoction. The fame of
traditional French cooking was based on its extensive range of
sauces. Even now, the vast assortment of ready-made sauces
available on the market, suggests that we still believe in their
power.
Unfortunately the magic wears off when it is mass produced or
when we use the same one too frequently. So we need to create
our own sauce, our magic, purposefully for each occasion.
Here we are going to look at some basic sauces as examples:
Tomato Sauce This sauce is widely used, beyond the boundary of
pizza or pasta dishes. Enriched and concentrated it can be served as
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spreads and dips. It is also readily to be transformed into soups or
as an important part of stews.
The ingredients of basic tomato sauce are; chopped sun ripe
tomatoes, fresh or tinned, olive oil, chopped garlic and onions,
thyme, basil, oregano, salt and pepper. Fry the garlic and onion in
the olive oil and add the rest of the ingredients. It needs simmering
for about 30 minutes to develop its taste and to get rid of some of
its acidity.
White sauce Traditional white sauce is made with flour, butter and
milk. It is popular in non vegan cooking due to its creamy texture
and cheesy taste. The vegan version can be made with flour, olive
oil or other fat and soya milk, this creamy sauce can carry the
flavour of garlic or other condiments efficiently. It mixes well with
steamed and boiled vegetables. We can make an au gratin dish by
putting a layer of white sauce over the prepared ingredients and
topping it with bread crumbs or sesame seeds. It will turn golden
under the grill or in the oven.
Here is the procedure to make the basic white sauce. To make
about 1/2 litre of sauce; heat up 50 ml of olive oil in a saucepan,
add 50 gram of flour, stir the mixture until it bubbles, add a pinch of
salt, pepper, nutmeg and 1/2 litre of soya milk. Keep stirring and let
it simmer for 5 to 10 minutes till the flour is cooked.
The sauce will have a nutty taste and a light brown colour if you fry
the flour a little bit longer. The sauce thickness can be adjusted by
changing the amount either of the flour or the liquid. To give it a
garlicky taste, you can fry chopped garlic before adding the flour.
Salt can be replaced by stock powder and you can add mustard
paste or other condiments to the sauce. With less oil, you can still
The Jewel in the Cabbage 64
make white sauce but you’ll need a blender to eliminate the lumpy
flour bits.
Nut and seed based sauces These sauces are substantial due to the
protein and fat content. Of course you can just add peanut butter,
coconut cream or tahini as it is to your prepared food, but try the
spicy Indonesian gado-gado sauce below. This sauce is usually
served with steamed vegetables or uncooked vegetables like sliced
cucumber/ tomato or bean sprouts. It is also good for dips. As a
barbecue sauce it is known as satay sauce.
Gado-gado sauce With freshly roasted and crushed peanuts you
can make a crisp sauce, but short of these, crunchy peanut butter is
also o.k. To make 0.5 litre of sauce you’ll need about 125 gr. of
peanut butter. Other ingredients are; 1 clove of garlic, 1 medium
size onion, about 1 cm of fresh ginger and 1 green or red chilli, you
need to chop each of these finely. Further you need a half
teaspoonful each of ground cumin and coriander, about 125 ml
coconut cream, half of lemon or lime, some salt, oil and soya sauce.
In a sauce pan fry the chopped garlic, onion, chilli and ginger for a
couple of minutes until the onion becomes soft, add cumin and
coriander, fry further for another couple of minutes. Turn the heat
down and add peanut butter, coconut cream, lemon juice, one or
two tablespoons of soya sauce and a cup of water, stir the mixture
to make it smooth. Keep stirring and bring the sauce to boil. Add
water if the sauce is too thick, and adjust the taste with more
lemon juice, spices or salt as you wish.
Mayonnaise This sauce is to be served cold or at room
temperature, it can be used as a salad dressing, as a dip or as a
component for sandwich filling. Traditionally it has egg yolk as an
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ingredient, but here is a vegan version. Being home- made we can
assure that it is free from artificial flavouring, thickening agents or
colourant too.
Its basic ingredients are soya milk, vinegar or lemon juice and oil.
Put the soya milk in a jug, add a dash of vinegar or lemon to curdle
the milk, add salt and other ingredients of your choice such as
garlic, herbs or mustard. To make it you have to whisk it vigorously
or to use a blender. Start whisking or blending and add the oil
gradually until the mixture coagulates and reaches the desirable
consistency. It needs about three times as much oil as soya milk to
make a thick and creamy sauce, so for a trial, 100 ml of soya milk
will be enough. If you want to reduce its fat proportion without
making it too runny, you have to add liquidized fine textured tofu,
low fat purée or finely chopped pickled vegetables.
Stir-fry
When we don’t have much time to cook but fancy a dish with a
zest, stir-fry is the answer. The efficiency of the preparation is
reflected in its vitality. Stir-frying is a quick way of cooking over a
high heat with little oil. It is as simple as the word suggests, but you
still need to pick up the knack of frying various vegetables to
release their aroma without burning or overcooking.
Experimentation will give you the chance to know their cooking
time. You have to manage that the different ingredients get cooked
perfectly at the same time. Try one or the combination of the
following options.
- cut harder vegetables into smaller pieces than softer ones.
- start frying with the hardest vegetable and add the softer ones in
turn.
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- fry the vegetables in batches according to their cooking time and
add them together at the end.
Another practical point, if you want to include a sauce in the stir-fry
you have to add it after the frying is done, cooking the ingredients
in the sauce will change your stir-fry into a stew.
Here is an example of how to make a sauce for a Chinese style stir-
fry; fry chopped onion, garlic and ginger, add small amount of soy
sauce and tomato purée, a dash of sesame seed oil and finally add
about a teaspoonful corn flour mixed with a small cup of water. The
sauce will thicken and be ready as soon as it boils.
Stew
A stew is a homely dish, a thing that we can prepare between other
housekeeping activities. While it cooks slowly and steadily, its
aroma pervades the place invoking sensations of warmth and ease.
We prepare a stew by simmering the ingredients in a sauce, which
can be either made during the same cooking process or made
separately beforehand. Let us look at the preparation of a
vegetable curry as an example of the former and at the preparation
of ratatouille as an example of the latter.
Vegetable curry Basic curry ingredients are garlic, onion, fresh
ginger, chilli, coriander, cumin and mustard seeds and ground
turmeric. To discover your own curry you can add one or more
ingredients such as; curry leaves, cardamom, galangal, lemon grass,
lemon rind, coconut cream, tomato purée and coriander leaves.
Most vegetables can be used for curry, but for the sake of the
quality and to keep our curry distinct, don’t blur the intricate taste
with too many varieties of vegetables.
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Cooking procedure. Heat up a small quantity of oil in a pot to pop
cumin and mustard seeds, the oil needs to be very hot. Add
chopped garlic and chilli, fry them till they become slightly brown,
add chopped onion and fry for a couple of minutes. Add the rest of
the spices and if you use hard vegetables like carrots, add this too,
turn the fire down, add some water and let the pot simmer for a
while. If you use a softer vegetable add it now, the same with
coconut cream, continue simmering till the stew is ready. Check
and adjust the seasoning and garnish it with chopped coriander
leaves.
Ratatouille is a stew of aubergine, pepper and courgette in tomato
sauce. Prepare the sauce as indicated earlier in this chapter. The
aubergines need to be sliced or cubed and sprinkled with salt to
extract some of the unpleasant sap. The process will take at least
20 minutes, so start with this as soon as possible. Meanwhile slice
the peppers and courgettes and fry them lightly in olive oil. Rinse
and drain the aubergine pieces and fry these until they become
soft. Most of the vegetables are acceptable or even preferable
when they are slightly under cooked, but not so for aubergine.
Finish the cooking by simmering the vegetable pieces in the tomato
sauce.
Eggless egg dishes
I remember a vegetarian who said that he avoided eating any living
thing that would run away from the threat of being killed, so he was
at ease with eating vegetables, fruit and eggs. But if you happen to
be like him, you don’t need to be shy of enjoying egg less egg
dishes, because they are tasty and better than egg dishes as they
can be cholesterol-free and more ecologically produced.
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In the following examples I use tofu as an egg substitute. Tofu is
rich in protein, low in fat and easy to process. Egg less egg dishes
give me an opportunity to combine two established culinary worlds,
the traditional egg dishes from the West and the use of tofu from
the East.
Here are some examples;
Scrambled tofu You need a piece of tofu about 250 g, crumble it
with your fingers or chop it into small pieces. Fry some chopped
onion and garlic with olive oil in a frying pan, add some herbs like
basil or oregano, add the tofu and finally season it with salt and
pepper or chilli sauce if you prefer. Don’t fry too long, the tofu
pieces should stay moist. You can spread it on toast for example, it
will serve three or four portions.
Perico is a Venezuelan egg dish, the name means “parrot”, because
of its colour. Besides the tofu, you’ll need onion, garlic, tinned
peeled tomatoes, about half of a 400 gr. tin for one block/ 250 gr.
of tofu. You’ll need also a pinch each of cumin and turmeric,
chopped fresh coriander leaves, oil, salt and pepper. Fry the onion
and garlic, add the cumin and turmeric. Drain the tomatoes, chop
them roughly and add to the frying pan. Chop the tofu into small
pieces, add these also to the pan, finally adjust the seasoning and
mix the coriander leaves in.
Mushroom and spinach “quiche” (for 5 or 6 portions)
We will need a quiche dish or a small baking tray (about 20 cm by
20 cm and 2,5 cm deep) to be lined with the shortcrust pastry.
Prepare the pastry by using 125 g of margarine and 250 g of flour as
indicated a few paragraphs earlier.
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For the filling;
250 g mushroom, wash and slice or quarter them
250 g chopped spinach, fresh or frozen
1 onion medium size to be chopped finely
1 block (about 250 g) of tofu
2 tbs. of chickpea flour a.k.a. gram flour
ground black pepper
a pinch of nutmeg
salt and/or vegetarian bouillon powder
2 tbs. oil
Fry the onion in a cooking pot until soft, add the mushrooms and
add the spinach. Just cook until the spinach and mushroom pieces
reduce some of the liquid.
In a blender liquidize the tofu, add the gram flour and add the liquid
from the fried vegetables, add some water if necessary to make the
mixture like a thickish porridge. Add the mixture to the cooking pot
and combine it with the pieces of the vegetables. Add the pepper,
nutmeg, salt/bouillon powder to your taste.
Roll out the pastry with a rolling pin. Line the quiche dish with the
pastry, add the filling and spread it evenly. Put the dish in a
preheated oven with medium setting for about 45 minutes. The
tofu and gram flour mixture will solidify a little during the baking
making a firm but moist “quiche”.
Salad
Salad is a model of culinary freshness, it perks us up, its taste and its
crisp texture refresh our appetite, its colourful ingredients revive
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the eyes and it is usually served cold too. The uncomplicated way of
preparation combined with a mind that is open to new possibilities
ensure the salad freshness.
The very name “salad” betrays its origin, it is derived from the word
salar, which means to season with salt. To keep the salad fresh, not
wilted, it is very important that the seasoning, the salad dressing
should be light. It is just to harmonise and unify diverse ingredients
without smothering their character.
To dress is an art of revealing and concealing, even for a salad. It is
to make the salad more attractive. Let us look at the salad
dressing’s basic components. Salt stimulates the production of our
saliva, making us more sensitive to subtle taste. It can also mask
bitterness and acidity. Oil softens stark contrast of taste, it
lubricates and makes chewing easy. Lemon juice or aromatic
vinegar enhances salad freshness. Try and discover for yourself the
effect of various herbs and spices. The dressing can be liquid,
creamy or emulsion like mayonnaise.
The great freedom we have in composing salad, makes it an ideal
dish to enliven our menu with the appropriate colours and texture.
Mysterious bites Occasionally we want to be pleasantly surprised. We are curious
about things concealed, especially when they are beautifully
wrapped. A shepherd’s pie, for example, although familiar holds
under its golden crust a secret. There is no recipe for a surprise,
except avoiding the standard and surpassing the average. Why
can’t we try to make the shepherd’s pie base green with spinach or
yellow with a curry taste?
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The real joy of eating pie or pasty is to discover a matching taste to
its attractive appearance. So, forget any old leftovers, unless you
can transform them into something delicious first.
As well as looking good, pie casing or wrap needs to be firm enough
to hold the stuffing together and to give an extra texture. As a
casing we can use puff, filo or shortcrust pastry or even bread
dough. Vegetables like peppers, cored courgettes or cabbage leaves
can also serve this purpose. Obviously vegetable purée, such as
mashed potato, although it can serve as a crunchy pie’s topping,
needs a mould to hold it together.
The filling, on the contrary, doesn’t need to look brilliant on its own,
it can be soft, crumbly or even runny. It is an irony that a confined
stuff is freer to behave. However, a stronger tasting filling will give
these snacks more character.
A stew can be use as pie filling, a stir-fry is ready to fill pasty but we
can also prepare a simpler filling such as chopped olives, fried
mushrooms, nuts, spiced up beans or tofu.
Dangerous food I avoided as much as possible writing recipes in this book because I
don’t believe that readymade recipes will help us to understand the
basic principles of cooking. But life is full of inconsistencies. In the
following pages you will find quick-fix tips and recipes. Worse still, it
is about how to make tempting but unhealthy food. Unhealthy if
you eat it too often. It is about fritters, cream and cakes.
The crucial step in learning to cook is to go into the kitchen. The
fritters and cream are not only delicious and seductive but also easy
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to make. They might lower your kitchen threshold and once you are
there enjoying your successes, your courage will grow.
Fritters batter
The main ingredient is chick pea flour, also known as gram flour,
you can find it in Indian shops or large supermarkets. It is almost
ready for use, you need only to whisk/blend it with water. The
batter is prolific, it gives a crispy coating for deep-fried vegetables.
It also binds a vegetable mix together, such as sliced onion and
mushroom, to make flat and round fritter pieces known as bhajis or
tempuras. The batter can also be used for preparing sweets such as
apple or banana fritters. As well as water we need to add salt or
sugar and herb or spices to the chick pea flour according to our
purpose. The batter should be thick enough to give a spoon a good
coating after being dipped in it. To make the fritters crisp, the frying
oil needs to be very hot.
Soya cream This cream is like the vegan mayonnaise described
earlier but here we use sweetener instead of salt and we can add
vanilla or other flavouring. The basic ingredients are soya milk and
sunflower oil. To make ca. 1/2 l of cream; put 125 ml of soya milk in
a jug, add a tablespoon of concentrated apple juice which will
curdle the soya milk. Add other flavouring if needed. Start whisking
and add the sunflower oil in a gradual trickle. The curdled soya milk
will absorb the oil to form an emulsion, which will thicken as we
add more oil. Stop the process as soon as the cream reaches the
desirable thickness. With a blender we can make it in seconds.
If we use sugar or concentrated juices with little acidity, we need to
curdle the soya milk with a dash of lemon juice or vinegar before
whisking. We can use almond oil or other fancy oil, but avoid strong
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flavoured oil such as olive oil for a delicate cream, bear this also in
mind if you decide to use aromatic vinegar.
Cakes Why do we need a recipe to learn to make a cake?
Cake making differs from the straightforward way of preparing
soup, stew or stir-fry. Here we cannot follow or adjust our handling
during the cooking process. Once we put our cake mix in the oven
we can only hope that it will turn out all right. We can still design
our own cake later by using the cake we made as a starting point,
we can adjust the quantities of its ingredients to our taste. Limit the
changes to one or two ingredients to begin with, otherwise we’ll
lose track of the effects of our attempt. As an experiment we can
substitute some of the ingredients too.
Carrot cake This is one of my favourite vegan cakes. If you are used
to making an ordinary cake, this cake will challenge your idea of
cake. It doesn’t contain any eggs or butter and it contains vinegar!
Nevertheless it is delicious, so some magic must be involved in the
process.
You’ll need a spring form cake tin. Line it with grease proof paper.
Ingredients;
400 g peeled carrots
400 g wholemeal flour
225 g sugar
2 tsp bicarb soda
2 tsp ground cinnamon
1 tsp ground nutmeg
1 tsp ground cardamom
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100 g raisins
250 ml soya milk
150 ml sunflower oil
2 Tbs. vinegar
Grate the carrots. To make them soft, put these in a cooking pot,
sprinkle with a little bit of oil and water, cover the pot and put it on
a low fire for about five minutes.
Sift the bicarb and the ground spices into a large bowl, add the flour
and the sugar and mix these dry ingredients evenly.
Put all the liquid ingredients in a jug, mix them together.
Add the soft grated carrot to the dry mixture and gradually stir in
the liquid ingredients to make a smooth paste. Pour this into the
lined spring form and bake it in a preheated oven with medium
setting for about 50 minutes.
If you want to try to make a banana cake from this recipe by
replacing the grated carrot with mashed banana, bear in mind that
banana has more sugar and moisture content than carrot.
Pumpkin pie Use a quiche dish and line it with the shortcrust pastry
in the same way as for a quiche.
For the filling;
500 g of pumpkin or butter nut squash, peeled and diced
100 g of margarine
100 g of sugar
grated rind of half of a lemon
1 tsp of ground cinnamon
200 g of ground almonds
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Put all the ingredients except the ground almonds in a cooking pot,
add some water, about 50 ml, just to prevent burning. Simmer it
and cover the pot until the pumpkin becomes soft and
disintegrated. If the mixture is too liquid, remove the lid to
evaporate the water, it needs to be like a paste. Cool it down a little
and mix the ground almonds in. Fill the lined dish with the mixture
and bake it in preheated oven, medium heat for 50 minutes.
Leave it to cool and taste it. Enjoy it, but keep the mind open to
evaluate your work. Adjust your pie next time if it is needed. If it is
not firm enough for example you can make the paste drier, either
by evaporating it longer or by adding more ground almonds or even
flour. You can add or reduce the sugar or other flavourings too.
This chapter and the previous one deal with cooking processes and
procedures, showing us the mechanics of cooking and how to
prepare various elements of a meal. The next three chapters are
suggestions for expanding our repertoire.
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CHAPTER 12
Ingredients For Change
Even if your mother didn't take you to the market when you were a
child, the opportunity to be enchanted by food is still there, even
now. However visiting the familiar markets is unlikely to mystify
you. For the sake of discovery you could explore something
unknown like ethnic food stores.
Following the noodle thread
As an example I would like to take you to a Chinese food store.
Don't be deterred by strange things you'll find there such as dried
lotus leaves, desiccated shrimps or ‘thousand year’ ducks eggs.
Look at the varieties of fresh vegetables, roots, aromatic leaves and
exotic fruit. Notice also the ranges of tofu, rice and other enigmatic
colourful jars, tins and packets of food. All this stuff and ordinary
things like flour, oil and onions are set out seemingly at random as
if specially to sharpen your attention.
I wasn't bewildered as a kid in that chaotic Indonesian market, but
my mother was there. So to encourage your first visit and to
prevent you from disorientation, here is a pointer in the form of a
task: buy ingredients for a simple but delicious noodle soup. What I
have in mind is a substantial soup to be served on its own for a
lunch, a dinner or even as breakfast, which is popular in the Far
East.
Try to find :
-a packet of fresh or dried noodles, not that ubiquitous flavoured
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instant noodles with hardly anything except taste enhancer, just
plain noodles.
-a packet of fresh tofu.
-a packet of dried tofu, in the form of sticks. You need to cut the
sticks into short pieces and discard the hard bits. Soak the pieces in
hot water for 20 minutes. The texture is like that of chicken meat.
-a packet of dried Chinese mushrooms; their caps are dark and the
flavour is much stronger than ordinary mushrooms. They need
soaking in hot water for about 30 minutes.
-a small amount of sesame oil. It is for flavouring rather than for
frying.
-a small bunch of Chinese greens, a variety from the Brassica family,
known as pak choi.
-a small bunch of coriander leaves or spring onions.
Of course you can find the more common ingredients like ginger,
garlic and soya sauce too. Hopefully the description of these
ingredients is intriguing enough for you to want to discover, to
experiment with and to taste the things themselves.
If you have never had Chinese noodle soup before, the quantities
and the procedure given below might give you some idea. To make
two portions of soup, you’ll need about 100 g of dried noodles, 2 or
3 pieces of dried mushrooms, 1/4 packet of dried tofu (ca. 50 g). A
table spoon of chopped onion, a clove of garlic, a small piece of
fresh ginger, 100 g of cubed fresh tofu, a handful of shredded
Chinese greens, a table spoon of cooking oil, a dash of sesame oil, a
dash of soya sauce, salt or bouillon powder, black pepper and
coriander leaves for garnish.
Cook the noodle in boiling water, drain and leave it aside. Prepare
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the dried tofu and mushrooms as indicated. The stalks of the
mushrooms are tough, so use the caps only; cut them into thin
slices.
Fry chopped garlic and onion in cooking oil, add finely chopped
ginger, add 2 cups of water. Bring it to boil, add the prepared dried
tofu and mushrooms, add the fresh tofu, the greens, add salt (or
bouillon powder), pepper, a dash of sesame oil and soya sauce.
Bring it back to boil and let it simmer for a couple of minutes. Add
the cooked noodle and adjust the seasoning. Serve it hot in two
bowls and sprinkle the coriander leaves on the top. Chilli sauce goes
well with this soup.
If you are familiar with the Chinese shop already, why don't you
give an Indian supermarket a try, a gateway to another rich cooking
tradition, another world with different colours and scents.
However, if order is more appealing to your imagination than
labyrinthine shops, South European outdoor markets or market
halls, can help you. I have good memories of them in France, Spain
and Italy. They looked like a large mosaic, fruit and vegetables were
arranged neatly revealing their vivid colours and textures. If you
happen to be in one of these markets, buy some fruit or vegetables
just because of their beauty or unfamiliarity. Ask the seller for some
advice if needed or just prepare them according to your intuition
and fantasy.
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CHAPTER 13
Lasagne beyond the Pigeon Hole
We don’t achieve the mastery of the culinary art by reproducing
stereotypical dishes, but by being able to modify and multiply them
with new variants.
Lasagne, for example, doesn't have to be firm and garlicky, neither
creamy nor saturated with tomato sauce. You can have it as you
wish, tailor-made just to fit you! Let us explore the range of
budding lasagne hidden in this multilayer dish.
Basically lasagne consists of three components; lasagne sheets,
tomato sauce and white sauce. Unless you make the sheets
yourself, which is rather elaborate, you don't have much control
over their quality, so buy your favourite brand! Everything else is in
your hands.
Ask yourself how much lasagne you want to eat. A piece consisting
of three single sheets interspersed with layers of white and tomato
sauce, will make a good portion. Lasagne is not meant to be made
for one portion, probably not to be eaten alone either, it is not
practical. It takes almost as much time and energy to make one or
four portions and it is difficult to find a one person lasagne dish too.
Why don't you invite a friend or two who are eager to participate in
your culinary exploration for dinner, maybe even to cook together.
You might have to compromise your taste, but sharing activity with
friends is a joy and who knows, their taste might be better than
yours.
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Let us continue with our estimation, for one portion of lasagne, as
well as the three sheets you have to estimate how much sauce will
be needed; probably half a mug of tomato sauce and half a mug of
white sauce. So, for four portions of lasagne we need two mugs of
each sauce.
Tinned peeled tomatoes are more suitable for making sauce
because the fresh ones we can get in Britain usually lack the taste
or colour of the Italian tomatoes. For the quantity we need, open
two of 400 g tin, drain and liquidize the tomatoes. Prepare the
sauce as indicated on page(xx) but to make the lasagne a complete
meal you need to add some protein source. Traditionally lasagne
contains mince meat. For vegetarians, you can use one of the
following alternatives; finely chopped tofu, cooked lentils, quorn
mince or boiled tvp mince. When you decide on the quantity of
ingredients, bear in mind that the lasagne sheets will absorb some
of the liquid.
To make two mugs of the white sauce you need margarine (or olive
oil) and flour in equal weights. To give you some idea, say 50 gram
each. Further you need milk, salt and some herbs or spices. A
simple way of preparing it is as follows: melt the margarine in a
cooking pot, add the flour, leave the mix to fry a little until it
becomes bubbly, add a pinch of nutmeg and black pepper, finally
whisk the mixture and add milk gradually until you get a sauce with
the right thickness and free of lumps. Add salt if you wish. Leave the
sauce to simmer for about five minutes.
For the white sauce alone, if we consider two alternatives for each
ingredient, like the choice between margarine or olive oil, white
flour or wholemeal, frying the mix ( also known as roux) lightly or
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until it becomes slightly brown, cow’s milk or soya milk, with or
without nutmeg, pepper or no pepper, salt or bouillon powder, you
will have more than a hundred variations to choose from. The
possibilities are almost inexhaustible: you can add spinach or
cheese or its vegan substitute, mustard or whatever you prefer to
adjust the sauce to your taste. Of course, in the same way there are
abundant varieties of tomato sauce to choose too.
Adhering to a single recipe will deprive you of discovering new
varieties, and are you going to let yourself forgo the lasagne just
because of the lack of a particular herb?
Let us proceed with the cooking. Switch the oven on and set it at
medium heat, about 180 centigrade. Now you can start to assemble
the lasagne, you need an oven proof lasagne dish about 5 cm deep,
preferably a rectangular one. Put half of the tomato sauce at the
bottom of the tray and spread it evenly, cover this with a single
layer of lasagne sheets without overlapping each other, maybe
you'll need to break some to fit the edges. Spread half of the white
sauce over the lasagne sheets and cover the white sauce with more
sheets as before, continue with spreading the rest of the tomato
sauce, another layer of lasagne sheets and finally the rest of the
white sauce on the top.
You could improve this basic lasagne by adding grated cheese or its
vegan alternative or grated tofu mixed with some oil and stock
powder as the topping. Put the assembled lasagne in the oven until
the lasagne sheets become soft and the topping becomes golden.
Without evaluation there will be no mastery. Are you happy with
your lasagne? You’re lucky if you are, but if you’re not, you can see
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it as an experiment and you have to pinpoint the sources of your
dissatisfaction. To improve your next lasagne is usually
straightforward, it is a matter of reducing salt if it is too salty and
adding liquid if it is too dry. If one sticks to one's observations, how
can cooking be difficult? Of course you have to start with the
gravest problem, if the lasagne is burnt, any speculation whether it
might be too peppery for example, is beside the point.
Experimentation needs measurements, or at least reliable
estimations as points of reference, so, numbers can be useful to
help you to establish your knowledge. Don't fix the numbers too
rigidly though, or your lasagne will lose its vitality
The Jewel in the Cabbage 83
CHAPTER 14
The Thousand Faces Of Cabbage
“ Put your awakened mind to work, making a constant effort to
serve meals full of variety that are appropriate to the need and the
occasion...”
Regulations for Zen Monasteries .
Even in the monastery where people live with simplicity they try to
ensure the food is served well. Life is not for self punishment nor
for indulgence. We do have to eat but we do not have to eat bad or
boring food. Maybe we can’t afford or we don’t want to spend
money on expensive ingredients. We need to remember that cheap
things are not necessarily inferior, they are cheap only because they
are in great supply or are easily available.
Cabbage is one of the most common vegetables and is often
underrated. To bring about a new appreciation of it, let us look at
the many possibilities of preparing cabbage, on its own or in
conjunction with other easily available ingredients.
To begin with, there are various types of cabbage; each possesses a
different texture, smell and shade of colour. If we want to use a
particular cabbage, we need to know its characteristics. Consider
for example, how the white cabbage with its rather strong taste and
crispy texture matches the creaminess of mayonnaise and the smell
of fresh onion when we make coleslaw. With the deep green of
savoy cabbage or the purple of the "red" cabbage we can
effectively change the colour composition of our meal.
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Instead of asking which soups or salads we can make with cabbage,
we are going to look at using the features of different cabbages. Its
large leaves for instance, are suitable to wrap and hold crumbly
mixtures. Bearing in mind this property, we can design various
snacks, side and main dishes, that can be cooked under the grill, in
the oven, as a casserole or in a steamer. We can improve the
flexibility of the leaves by soaking them in boiling water for a couple
of minutes.
As an illustration, to make a succulent side dish we can steam small
packets of cabbage leaves stuffed with cooked rice, grated cheese
or smoked tofu and herbs. We can grill them too, but we need to
brush them with oil and secure the wrapping with cocktail sticks. As
a casserole we can chose more substantial fillings like beans and
nuts and also we can use more sturdy cabbage leaves. Covering
them with sauce will improve the taste and the cooking process.
As well as using cabbage leaves as wrappers, we can use them as
filling for pasties or pies. For pasties, we need to cut them into
small strips and fry lightly to develop a nutty taste. Adding other
vegetables or finely cut tofu, and some herbs or spices, we'll have
spring roll or samosa stuffing. Chopped cabbage makes a good
ingredient for vegetarian shepherd's pie.
Shredded savoy cabbage leaves are firm enough for deep frying,
either straight away which will turn them dark green and very
crispy like fried seaweed , or with a batter to make fritters with
moist cores. On the other hand, Chinese cabbage has tender and
light green leaves, an excellent ingredient for a refreshing salad.
Combine peeled orange segments and toasted almond flakes to
bring the colours more alive and enrich the texture.
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Red cabbage, because of its distinctive colour and its milder taste, is
suitable for making an attractive fruity side dish if we add sweet
smelling spices like cloves or cinnamon. We can stew the cabbage
with a small amount of sliced apples to make a good complement
for a roasted dish. Sprinkling a dash of vinegar will brighten the
colour of the red cabbage.
One of my favourite cabbage dishes and easiest to prepare, is
sautéed cabbage almost on its own with just a little bit of garlic, salt
and seeds like fennel or herbs such as dill.
For those who really enjoy the taste of cabbage, sauerkraut
presents an amplified aroma. It can be used to add an interesting
flavour to various dishes like soups, salads or even mashed
potatoes. Because of its acidity, it is a good complement for greasy
fried food.
We can add cabbage into rice dishes such as risotto, paella or fried
rice and it is also good for noodle dishes.
All types of cabbage lend themselves to stir frying or soup making,
because with these flexible cooking processes we can incorporate
cabbages with different texture at different time.
By watching attentively from every side we allow the cabbage to
reveal its many faces and we also notice that behind the cabbage,
scores of other vegetables are waiting to be considered in the same
way.
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CHAPTER 15
Nurturing Nature
Cooking changes us profoundly
To cook well we need to know what to cook, the techniques tell us
only how to do it. We need to know both but the first is more
difficult to find out. Some traditions prescribe the characteristics of
good food, like having six flavours and three qualities, as quoted by
Dogen.
Here in the West, we are more concerned with its nutritional
contents and we also tend to follow the French style of cooking,
which avoids the repetition of predominant ingredient at the same
meal.
However cooking has far reaching consequences, more than what
we usually think of. It has shaped us in the last hundred thousand
years, not only our social life but also our very body. Eating food
that needs cooking requires more organisation and co-operation
than eating raw food, which can be consumed wherever one finds
it. Cooking and eating together promoted primeval bonding.
Cooked food is easier to digest and gives the body more nutritive
energy to survive, maybe this is the reason why no culture without
any cooking skill has been discovered. Agriculture would not have
developed without knowing how to process wheat, rice, potato or
other difficult to digest produces. Eating more nutritious food
changed our digestive system, it made our gut smaller, compared to
other primates, and our brain larger.
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We are still cooking and eating, and undoubtedly it continues to
shape us. Our world with its mighty food-producing and processing
businesses is different than the world at the past; the forests are
disappearing, the sea and the oceans are overfished, the globe
becomes warmer and dirtier. Our body too is different; it is more
susceptible to food related illness such as obesity, cancer and heart
disease. Can we let our civilisation be doomed by our cooking?
To meet the new challenges, we have to re-asses our cooking ideal
and resist the alluring products that stealthily harm our body and
destroy the earth. This is an arduous task, because we have to
change our eating habits and acquire new tastes for good food and
also because the vested interests will undermine any efforts that
threaten their position.
However, with a clear and appealing alternative, a large number of
us can shape a better future. No government, or multinational can
afford to disregard the choice of billions of people. We can vote
directly and compellingly, every day, by buying only wholesome
products. The question of what to cook or not to cook, is indeed of
utmost importance.
A call for compassion
‘Hate is not overcome by hate; by love alone is hate appeased ....... ’
Dhammapada
Sooner or later we will realise that some food can cause illness and
death, not only to us, the eaters, but also to others who suffer from
starvation and pollution due to its production.
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I single out meat and dairy products, firstly because research
asserts the correlation of the consumption of meat products with
cancer and heart disease, and secondly because it is reported that
the livestock sector generates 18 percent of greenhouse gas
emissions, more than transport, and it is also a major source of land
and water degradation.
Meat production has other dark shadows. It is a wasteful process
that depletes the world food resources, it uses about three times as
much grain or pulses to yield the same amount of nutriment and it
pushes the price of the crop up. While hundreds of millions of
people suffer from hunger, a large proportion of corn and soy
grown in the world feeds cattle, pigs and chicken. And of course
billions of these animals are suffering. They are maltreated,
confined, drugged and fed unnaturally to push their meat or egg
production. They end their life in a horrible way.
To guard our health, to improve the environment and to abolish
suffering, we have to co-operate, including with the perpetrators of
the harm. The meat industry can change and start producing veggie
burgers, for example, if there is less demand for meat products. It
won’t happen tomorrow and it won’t start happening before we
ourselves change.
We need each other for support and inspiration. Any action in the
right direction, from just reducing meat consumption, becoming
part-time or semi- vegetarian, to becoming a strict vegan, will help
erode the meat establishment. Dogmatism will only estrange
ordinary people and we cannot bring about significant changes
without the majority support.
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The inexhaustible carrot
The threat of meat engendered illness and environmental disaster,
like a big stick, spurs us onto the vegetarian path. However most of
us are not strong enough to stop our meat consumption, not for
long, if our rational decision is not supported by our emotions.
Fortunately, the vegetarian path is strewn with juicy carrots in the
form of Truth, Beauty and Goodness.
Beauty, the exquisite taste and visually attractive vegetarian food,
can give our choice an emotional backing. The appreciation of the
beauty of the living animals and of nature, will also call for our
feeling of care. It takes time to acquire new taste and new way of
seeing, remember that for some, an animal’s ‘beauty’ is only to be
found in the butcher’s shop or on the plate.
The goodness of being a vegetarian, consists of eating healthy food
and harming less animals and the world. To eat is to destroy but
vegetarianism gives a brake to our tendency of treating living
beings as mere objects, it reminds us that the defenceless animals
can suffer and need protection. The joy of having a clear
conscience, will help us to stay on the vegetarian course.
Without a Truth-seeking attitude, changes for the better are
unlikely to happen. More and clearer information about food can
strengthen our resolve. It is easy enough to find new recipes, but it
is less straightforward to find our way amongst diverse diets.
Harder still is to see the pervasive cruelty against animals, because
we prefer not to feel upset. We would like to believe, for example,
that eating eggs and using dairy products are free from killing,
ignoring that half, the male genus of these species, are killed in
their early life and the other half follows the same fate as soon as
their productivity drops. We will also realise that some vegetarian
The Jewel in the Cabbage 90
products are harmful, either in their production or when we
consume them. Finding the truth can be uncomfortable, but it is a
process of waking up.
Vegetarian cooking is a mission amongst the non-vegetarians,
nevertheless when we cook our task is not to talk about it, but to
cook well. The intention of this book is just that.
Cooking a brighter future
“A real tradition is not the relic of a past that is irretrievably gone; it
is a living force that animates and informs the present........”
I. Stravinsky -Poetics of Music.
The precariousness of the environment gives our cooking a new
turn. Our definition; skilful cooking is preparing desirable food by
making use of the available resources, is still applicable, but we
have to re-evaluate its terms e.g. desirability and availability. The
effects of our cooking reach far beyond the boundaries of our
neighbourhood and circle of friends. In this larger context, if we
also take Truth, Beauty and Goodness as our guidance, as ‘ a living
force that animates and informs’ our cooking, then a new tradition
will emerge. A tradition that can inspire and help us to make
choices in the many steps of our cooking.
As our food becomes more beautiful and tasty, more ethical and
beneficial, it turns into an irresistible message for change. To purify
the world’s food production by cooking with awareness, will take
long a time and it is surely not going to happen without other
measures. However we don’t need to be disheartened because
every step forward toward Truth, Beauty and Goodness is a reward
in itself. Our joy of discovery and sharing our creation will loosen us
from the grip of food fads and consumerism.
The Jewel in the Cabbage 91
An Invitation to support the Vegan cause
This book has been produced and is being sold at the lowest price
possible to make it available for many. If you enjoyed reading it,
you can treat your friends with a copy. All readers are warmly
invited to donate to the Triratna Vegan Project to promote
veganism in the wider Buddhist Community and beyond.
For more details please visit: www.justgiving.com/triratnavegans
The Jewel in the Cabbage 92
Acknowledgements
This book wouldn’t come into being without the encouragement
and assistance of many people. For many years café customers
asked me to write about my cooking, but I had to wait until
Manjusvara with the “Wolf at the Door” workshop convinced me
that everybody could write. The Earth Café gave me the laptop. A
dozen of friends, kindly helped me, with limited success, straighten
my English. I also, at different stages of the draft, received feedback
from Padmakara, Vilasavajra, Anjali, Paul Thung, Vajradevi,
Yogaratna, Rosemary Wild, Amritasukha, and Ratnaghosha. They
assisted me to weed out errors and cut through the tangles of
unclarity. Ratnaghosha also helped me to open new windows on
my impenetrable computer screen. Jayaraja took my photograph
and Guhyaraja put the cover together. I feel very grateful to all of
them. I only hope that I have managed to make good use their
generous offering.
I’m much indebted to my devoted mother who shared her love for
cooking unstintingly, to Vajrayogini who helped me to re-orientate
my life and to Venerable Sangharakshita who brought the Buddhist
treasury to light and created the Triratna Buddhist Order, the
context for practising the Dharma in the modern world.
And finally, this second edition is published thanks to kind support
from Lokabandhu.