the italian renaissance: art

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The Italian Renaissance: Art

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The Italian Renaissance: Art. Medieval Art. Fusion of different styles Roman ideas (techniques of sculpture lost) Christian ideas Church richest, most powerful institution in Medieval world Had the money to support artists throughout Medieval period - PowerPoint PPT Presentation

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Page 1: The Italian Renaissance: Art

The Italian Renaissance: Art

Page 2: The Italian Renaissance: Art

Medieval Art Fusion of different styles

Roman ideas (techniques of sculpture lost)

Christian ideas Church richest, most

powerful institution in Medieval world

Had the money to support artists throughout Medieval period

Northern European “Barbarian” artistic tradition (Celtic, Germanic)

Byzantine (iconography) Much of the non-religious

medieval art is lost to us No concept of preserving

art outside of church

Page 3: The Italian Renaissance: Art

St. Francis’ Rule Approved

Giotto (1288-92?) Tempera (egg yolk

mixed with pigment) on wood and ground gold

Questions Glowing head? Realistic? Depth

perception?

Medieval Art: Religious Themes

Page 4: The Italian Renaissance: Art

The Crucifixion Giotto (1305) Tempera on wood

andground gold.

Questions Realism? Glowing

heads? Depth?

Medieval Art: Religious Themes

Page 5: The Italian Renaissance: Art

Characteristics of Italian Renaissance Art

1. Bright colors & oil paints (change in material used)

2. Focus on realism Natural poses

were life-like, realistic (like the GREEKS!)

Showed personality & emotion in the art

Expulsion fromthe GardenMasaccio1427First nudes sinceclassical times

Page 6: The Italian Renaissance: Art

3. Perspective

(Della Pittura – Alberti)

Use of perspective

(horizon line, vanishing point) Shadowing created

illusion of depth Made items in background smaller

Page 7: The Italian Renaissance: Art

Lamentation Over the Dead Christ, Andre Mantegna (1481)

Notes…Realistic?

…Perspective?

Page 8: The Italian Renaissance: Art

Perspective!

Betrothal of the Virgin

Raphael1504

Page 9: The Italian Renaissance: Art

Compare & Contrast Perspective

Page 10: The Italian Renaissance: Art

4. Classicism� Obvious Greco-

Roman influence� Individualism (free

standing figures)� Symmetry/Balance

Statue of HabacucDonatello (1423-25)

Page 11: The Italian Renaissance: Art

School of Athens - Raphael

Page 12: The Italian Renaissance: Art

5. Emphasis on Individualism� Batista Sforza & Federico de

Montefeltre: The Duke & Duchess of Urbino (Piero della Francesca, 1465-1466)

Page 13: The Italian Renaissance: Art

6. Geometrical Arrangement of Figures

� The Dreyfus Madonna with the Pomegranate

� Leonardo da Vinci (1469)

� The figure as architecture!

Page 14: The Italian Renaissance: Art

Raphael’s Canagiani Madonna, 1507

Page 15: The Italian Renaissance: Art
Page 16: The Italian Renaissance: Art

Lorenzo the Magnificent

1449-1492Grandson of CosimoRuled Florence, 1469 to deathPatron to Da Vinci, Michelangelo, Botticelli

Cosimo de Medici

1389-1464Medici bank = base of powerTook over Florence, 1433Patron to Brunelleschi, others

Page 17: The Italian Renaissance: Art

Adoration of the Magi

Entire Medicifamily shown

Who are the “magi”?

Who is in farright, lookingat viewers?

Page 18: The Italian Renaissance: Art

Brunelleschi’s Dome

Page 19: The Italian Renaissance: Art

Filippo Brunelleschi (1377-1436) Won competition to

design dome for new Cathedral in Florence

Before starting, he travelled around Italy for inspiration

Used the ancient Romans’ architectural concepts Parthenon, in Rome Used ribs to

support dome

Page 20: The Italian Renaissance: Art

Brunelleschi – ArchitectBuilt lightweight innerdome, then exterior domeof wind resistant material

Dimensions: 137 feet acrossWeight: 40,785 tons containingover four million bricksTime to construct: 16 years

Page 21: The Italian Renaissance: Art

Dome Comparisons

Il Duomo St. Peter’s St. Paul’s US Capitol (Florence) (Rome) (London) (Washington)

Page 23: The Italian Renaissance: Art

Madonna and Child, Fra Filippo Lippi 1406-1469Emotion of face -she looks like a real mother - tired, worn down

Page 24: The Italian Renaissance: Art

Leonardo da Vinci “Study of

Hands”

“Study of the Gradations of shadows”

“Self portrait”

Page 25: The Italian Renaissance: Art

Helicopter

Parachute“Vitruvian Man”

Notebook page(written backwards!)

Page 26: The Italian Renaissance: Art

Leonardo, the Inventor:

Pages from his Notebook

Machine gun

Tank

Helicopter

Page 27: The Italian Renaissance: Art

Leonardo, the Scientist (Biology):Pages from his Notebook

� An example of the humanist desire to unlock the secrets of nature.

Page 28: The Italian Renaissance: Art

Leonardo, the Scientist (Anatomy):

from his Notebook

Page 29: The Italian Renaissance: Art

Mona LisaLisa di Antonio Maria Gherandini“Mona” - Italian version of ‘Madonna’ or ‘my lady’

Page 30: The Italian Renaissance: Art

A Macaroni Mona

Page 31: The Italian Renaissance: Art

Mona Lisa – da Vinci, 1503-4

Page 32: The Italian Renaissance: Art

A Picasso Mona

Page 33: The Italian Renaissance: Art

An Andy Warhol Mona

Page 34: The Italian Renaissance: Art

Mona Lisa OR da Vinci??

Page 35: The Italian Renaissance: Art

Original, now

The Last Supper

What original might have looked like

Page 36: The Italian Renaissance: Art

horizontal

vert

ical

Perspective!

The Last Supper - da Vinci, 1498

Page 37: The Italian Renaissance: Art

A Da Vinci “Code”:St. John or Mary Magdalene?

Page 39: The Italian Renaissance: Art

The Pieta

Page 40: The Italian Renaissance: Art

David

Page 41: The Italian Renaissance: Art

15c

16c

What

a

difference

a

century

makes!

Page 42: The Italian Renaissance: Art

The Sistine Chapel

Page 43: The Italian Renaissance: Art

The Sistine Chapel Details

The Creation

of the Heavens

Page 44: The Italian Renaissance: Art

The Sistine Chapel Details

Creation of Man

Page 45: The Italian Renaissance: Art

The Sistine Chapel Details

The Last Judgment

Page 46: The Italian Renaissance: Art

The End