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Health Soc Care Community. 2020;00:1–14. wileyonlinelibrary.com/journal/hsc | 1© 2020 John Wiley & Sons Ltd
1 | INTRODUC TION
Suicide is a significant public health concern and it is estimated that approximately 800,000 people die by suicide globally each year (World Health Organization, 2018). The role that media plays in contributing to suicide rates has been the focus of much debate and research. The idea that portrayal or reporting of suicide in the media can lead to imitation or contagion effects has been referred to historically as the Werther Effect. This term was named after a book published in 1774 called The Sorrows of Young Werther, in which the protagonist dies by suicide. It is believed that through the re-lease of the book, large numbers of imitation suicides across Europe occurred. The Werther Effect has been tested by a large body of research. Much of this research has focused on the reporting of ce-lebrity suicides in the media- in television, print media, radio and internet-based news, and meta-analyses have concluded that media reporting of celebrity or high-profile suicides are associated with in-creased suicide rates and suicide method chosen (Niederkrotenthaler
et al., 2012). Many reviews have concluded that media reporting of suicide and the portrayal of suicide in both fictional and nonfic-tional media, can increase suicidal behaviour, and there is sufficient evidence to suggest that this link is causal (Pirkis & Blood, 2001a, 2001b; Stack, 2005).
Within the last two decades, research has progressed from look-ing broadly at association between suicide portrayed in the media and impact on suicide rates, to increasingly examining the more nu-anced effects of portrayals of suicide in the media and how factors or conditions can alter or mediate impact. In contrast to the Werther Effect, The Papageno Effect has also increasingly been researched and refers to possible protective or positive effects that media re-porting of suicide can have, such as bringing about necessary aware-ness and stigma reduction, and education about help and support options.
Media reporting recommendations have been established by various organisations including the World Health Organization (World Health Organisation, 2017). These recommendations
Received: 11 February 2020 | Revised: 20 May 2020 | Accepted: 2 July 2020
DOI: 10.1111/hsc.13112
R E V I E W A R T I C L E
The impact of screen media portrayals of suicide on viewers: A rapid review of the evidence
Miriam Posselt MPsychClin, PhD | Heather McIntyre BA(Hons), GradDipAppSci | Nicholas Procter MBA, PhD
Mental Health and Suicide Prevention Research Group, UniSA Clinical and Health Sciences, University of South Australia, Adelaide, South Australia, Australia
CorrespondenceMiriam Posselt, Mental Health and Suicide Prevention Research Group, UniSA Clinical and Health Sciences, University of South Australia, GPO Box 2471, Adelaide, South Australia, Australia.Email: [email protected]
AbstractThis rapid review aimed to review recent published literature and describe the cur-rent evidence regarding the impact, on viewers, of portrayals of suicide in screen/ moving-image fiction and non-fiction media, such as television/web series, films and documentaries. We searched various databases for research conducted within the past decade (2009–2019). A total of 16 articles were eligible for inclusion. The litera-ture reported varying impacts of portrayals of suicide through moving-image media such as increased suicidal ideation and behaviour, as well as positive impacts such as increased help-seeking behaviour. While there is limited evidence which focuses specifically on the impact of moving-image media, the studies included in this re-view highlight concerning trends regarding the impact of media portraying deaths by suicide on subsequent suicidality. However, positive impacts on suicide awareness, literacy and help-seeking behaviour were also identified.
K E Y W O R D S
documentaries, film, media, self-harm, suicidal ideation, suicide, television
2 | POSSELT ET aL.
outline the importance of not using sensationalist language, avoiding mention or imagery of the location, avoiding reference to the method and or means and providing the media consumer with support options (Mindframe, 2019; World Health Organisation, 2017).
While there are several reviews that examine portrayal of sui-cide in media broadly, such as the impact of various and mixed forms of media, none appear to focus on the specific impact of portraying suicidal behaviour in fiction and non-fiction moving-image media, such as television, videos, films and documentaries. We believed it was important to differentiate between the effect of print media/media about celebrity suicides from screen/moving-image media. This is because there has been a large focus on media reporting of suicides, mostly celebrity suicides and this has dominated conver-sations and understandings about the contagion effects of media on suicide. There has been much less focus on the impact of screen media, such as television, movies, documentaries and music vid-eos. The present review has been conducted at a time where there has been considerable public, media and research attention paid to possible Werther and Papageno Effects of a popular web series, 13 Reasons Why. The series depicts a fictional character ending her life in the final episode of the first season, after documenting the 13 reasons that led to her decision to suicide. The first season was released in 2017 and was followed by much discussion concerned with the potential glamorising of suicide and depicting it as a solu-tion to the problems and events documented. Despite criticism, the second season was released in 2018 and there have been two more seasons released since then. Coinciding with this, in 2018 a documentary film was released called The Ripple Effect in which the non-fiction personal story of Kevin Hines, who attempted suicide at age 19 years is shared. The film is intended to be educational and inspirational, sharing a message of hope and gratitude to have sur-vived his attempt. However, coupled with images of the location of his attempt and at times graphic descriptions of suicide methods, it is possible that the film has the potential for triggering of nega-tive effects in addition to possible Papageno effects. Although, to our knowledge these possibilities have not been explored by any research.
It is important to examine the evidence specifically in relation to moving-image media because there is evidence that a portrayal of suicide in the media is more likely to be associated with in-creased suicidality if it is broadcasted on television versus other media platforms, such as radio and print media (Pirkis, Burgess, Francis, Blood, & Jolley, 2006). Furthermre, research has found that films are increasingly portraying suicidal behaviour and that ratings for films with explicit suicidal content are increasingly being classified at lower classification levels such as PG rather than R (Jamieson & Romer, 2011). This research highlights the im-portance of understanding the unique impact of screen media and isolating and synthesising research specifically conducted on this topic.
Our research aimed to undertake an independent rapid review of the evidence regarding possible impacts of portraying suicide in
moving-image media involving both fictional and non-fictional char-acters, on the consumers of that media.
2 | METHODS
2.1 | Rapid review
We performed a time-limited rapid review to efficiently capture the current and recent evidence regarding the impact of portraying sui-cidal behaviour in moving-image media involving both fictional and non-fictional characters, on the consumers or viewers of that media. Rapid reviews have been found to yield similarly rigorous results when compared to systematic reviews (Watt et al., 2008). In this rapid review, we followed guidelines published by the World Health Organization (WHO) on conducting rapid reviews to strengthen health policy and system (Tricco, Langlois, & Straus, 2017), as well as the Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA) guidelines (Moher, Liberati, Tetzlaff, & Altman, 2009). See Figure 1 for PRISMA flow diagram.
2.2 | Search strategy
The research team developed the search strategy. The search was conducted in March 2019 in the following databases: Academic Search Premier, Communication Mass Media, Embase, Health and Society, Humanities and Social Sciences, Medline, ProQuest Social Sciences, Psychology and Behavioural Sciences and PsycInfo. Various terms were used including suicide, self-harm, mass media,
What is known about this topic?
• Past reviews have focused on the impact of mixed-me-dium media portrayals of suicide.
• Some evidence suggests that media reporting of suicides is more likely to lead to increased suicidality if broad-casted on television versus other platforms. Therefore, there is justification to review the evidence on specifi-cally screen/ moving-image media portrayals.
What this paper adds?
• This review highlights imitation and contagion effects arising from moving-image media portraying suicide.
• Viewer characteristics such as higher levels (or histories) of depression, suicidality, dissociation, thought suppres-sion and identification with the protagonist appear re-lated to increased risk of suicidality.
• For some viewers, narratives of hope, help-seeking and portrayals of overcoming/ coping with a suicidal crisis can lead to positive outcomes.
| 3POSSELT ET aL.
media. Search terms were limited to titles, abstracts and keywords, where this was a feature of the database. Limits were applied includ-ing: English language and time range of 2009–2019. See Appendix A for search strategy. Reference lists of included articles were also hand searched to obtain important additional results.
The research team engaged in a three-stage screening and study selection process as follows: (a) preliminary screening conducted by two reviewers (HE, MP) for any clearly inappropriate results (e.g. non peer-reviewed journal articles or not on topic); (b) all remaining ar-ticles were uploaded to review management software (Covidence) and a title and abstract screen was conducted by two reviewers (HE, MP); (c) full-text screening was then conducted with all remain-ing results by two reviewers (HE, MP). The research team (HE, MP, NP) discussed the results and any conflicts were resolved through discussions to achieve 100% agreement. Key information was ex-tracted from all studies into a structured data table. Two authors (HE, MP) conducted and cross-checked data extraction.
Studies were eligible for inclusion if the article was peer-re-viewed, primary research (any study design including mixed meth-ods, quantitative or qualitative), included an exposure/portrayal of suicide in moving-image media, included a measure of suicidal ide-ation, behaviour or literacy (knowledge, awareness, attitudes and help seeking) and published between 2009 and 2019. Studies must include moving-image media (e.g. films, videos, television series/web series and documentaries), either fiction or non-fiction. An age range was not applied to participants. Studies were excluded if the re-search focused on moving-image media combined with other forms such as television reporting of suicides combined with print media, and if it did not separate the impact of television from mixed media.
We excluded studies focused on internet media, such as social media or websites, given that this typically concerned individuals seeking pro-suicide information from websites or posting their own images or stories to the internet such as forums, blogs, social media and online communities.
Two authors independently conducted a risk of bias assessment using quality appraisal tools that corresponded to the study design of the included articles. Five appraisal tools were used to assess risk of bias: Joanna Briggs Institute (JBI) Critical Appraisal Checklist for Case Control Studies; JBI Critical Appraisal Checklist for Analytical Cross-Sectional Studies; JBI Critical Appraisal Checklist for Cohort Studies, JBI Critical Appraisal Checklist for Quasi-Experimental Studies, JBI Critical Appraisal Checklist for Randomized Controlled Trials (Moola et al., 2017). The JBI tools required a response of the following four options: yes, no, unclear, not applicable. Any discrepancies between the two reviewers in checklist ratings were resolved by discussion to gain 100% consensus. The research team agreed on the follow-ing percentages for quality: 90%–100% exceptionally high quality, 80%–90% high quality, 70%–80% moderate to high quality.
A narrative synthesis method was used due to the heterogeneity of study contexts, study designs, samples, measures and outcome variables. Therefore, all relevant data from the studies that met in-clusion criteria and critical appraisal criteria have been descriptively summarised. The summarised findings relate to the reported key im-pacts of portraying suicide in moving-image media, on the consum-ers of that media.
3 | RESULTS
From initial database searching, a total of 4,277 publications were identified. After removing duplicates (n = 1,122) and articles that were clearly not relevant to the research question (n = 2,954), 201 articles were included for title and abstract screening. A total of 130 articles were excluded at this stage and full text screening was con-ducted on 71 articles. Of these, 16 articles met inclusion criteria and were deemed eligible for inclusion.
3.1 | Characteristics of included studies
Thirteen studies examined the impact of fictional portrayals of deaths by suicide, whereas four studies examined the impact of portraying deaths by suicide of non-fictional characters. The studies were conducted across five different countries. Sample sizes ranged from 60 to 21,062. However, one study (which analysed Google searches) did not state participant numbers but referred to search numbers (Ayers, Althouse, Leas, Dredze, & Allem, 2017). See Table 1 for study locations and sample sizes.
Six studies analysed the effect of suicidal content in a fiction film (Pouliot, Mishara, & Labelle, 2011; Stack, Kral, & Borowski, 2014; Till, Herberth, Sonneck, Vitouch, & Niederkrotenthaler, 2013; Till, Niederkrotenthaler, Herberth, Vitouch, & Sonneck, 2010; Till, Strauss,
F I G U R E 1 PRISMA flow diagram (Moher et al., 2009)
Records identified through database
searching (n = 4268)
Additional records identified
through other sources (n = 9)
Records after duplicates removed (n =3155)
Preliminary screening
(n = 3155) Records excluded (n = 2954)
Titles and abstracts
screened for eligibility
(n = 201)
17 Wrong intervention
3 Editorial
2 Wrong outcomes
31 Wrong study design
1 Conference paper, no FT
1 Does not compare
reporting to suicide rate
Full-text articles assessed
(n = 71)
Studies included (n = 16)
Records excluded (n = 130)
4 | POSSELT ET aL.
TAB
LE 1
Ke
y fe
atur
es o
f inc
lude
d st
udie
s
No.
Stud
y/re
fere
nce
Coun
try
Med
ia ty
pe: e
.g.
docu
men
tary
, film
; fic
tion/
non
-fic
tion
Stud
y ai
ms
Sam
ple
size
and
ch
arac
teris
tics
Rele
vant
out
com
e m
easu
res
Key
findi
ngs r
elat
ed to
impa
ct
on s
uici
de re
late
d va
riabl
es
Criti
cal
appr
aisa
l sc
ore
1A
rend
t, F.
, Sch
err,
S., P
asek
, J.
, Jam
ieso
n, P
. E.,
& R
omer
, D
. (20
19).
Inve
stig
atin
g ha
rmfu
l and
hel
pful
eff
ects
of
wat
chin
g se
ason
2 o
f 13
Reas
ons
Why
: Res
ults
of a
tw
o-w
ave
U.S
. pan
el s
urve
y.
Soci
al S
cien
ce &
Med
icin
e,
232,
489
–498
.
USA
TV s
erie
s— ‘1
3 Re
ason
s W
hy’—
Ser
ies
2Re
view
the
effe
cts
of‘1
3 Re
ason
s W
hy’—
Serie
s 2
n =
729
F =
81.
6%M
= 1
8.4%
(age
18
–29
year
s)1/
3 pa
rtic
ipan
ts
wer
e H
ispa
nic
Suic
ide
Prob
abili
ty S
cale
(S
PS);
Brie
f ver
sion
of B
eck'
s H
opel
essn
ess
Scal
e;N
on-s
uici
dal s
elf-
inju
ry;
Yout
h Ri
sk B
ehav
ior
Surv
ey;
Surv
ival
and
cop
ing
belie
fs s
ubsc
ale
of B
rief
Reas
ons
for L
ivin
g sc
ale;
thre
e ite
ms
from
Gen
eral
So
cial
Sur
vey;
Inte
ntio
n to
pro
vide
hel
p to
sui
cida
l ind
ivid
uals
(H
elp
scal
e);
Expo
sure
to ‘1
3 Re
ason
s W
hy’;
Expo
sure
to o
ther
sui
cide
st
orie
s;Ex
posu
re to
war
ning
m
essa
ge;
Hel
p M
essa
ge;
Did
the
show
spu
r di
scus
sion
with
frie
nds
Fict
iona
l sto
ries
with
con
tent
ab
out s
uici
de c
an h
ave
harm
ful
or h
elpf
ul e
ffec
ts
8/9
(89%
)
2Ay
ers,
J. W
., A
lthou
se, B
. M
., Le
as, E
. C.,
Dre
dze,
M
., &
Alle
m, J
. P. (
2017
). In
tern
et s
earc
hes
for s
uici
de
follo
win
g th
e re
leas
e of
‘13
Reas
ons
Why
’. JAM
A In
tern
al
Med
icin
e, 1
77, 1
527–
1529
.
Not
st
ated
; in
tern
et
base
d
TV s
erie
s—‘1
3 Re
ason
s W
hy’ S
erie
s 1
Com
pare
Inte
rnet
se
arch
es fo
r sui
cide
af
ter t
he p
rem
iere
of ‘
13
Reas
ons
Why
’, ser
ies
1,
with
ant
icip
ated
sea
rch
num
bers
Not
sta
ted;
inte
rnet
ba
sed
Sear
ch tr
ends
incl
udin
g th
e te
rm s
uici
de w
ere
anal
ysed
incl
udin
g th
e to
p 25
term
s an
d th
e ne
xt fi
ve m
ost r
elat
ed
term
s.Su
icid
e qu
erie
s w
ere
divi
ded
by th
e to
tal
num
ber o
f sea
rche
s fo
r ea
ch d
ay
Suic
ide
sear
ches
wer
e 19
% (9
5%
CI,
14%
–24%
) hig
her f
or 1
9 da
ys
follo
win
g th
e re
leas
e of
‘13
Reas
ons
Why
’/ (9
00,0
00–1
.5
mill
ion
mor
e se
arch
es th
an
expe
cted
.)Fo
r 12
of th
e 19
day
s st
udie
d,
suic
ide
quer
ies
wer
e si
gnifi
cant
ly g
reat
er th
an
expe
cted
. ‘13
Rea
sons
Why
’ ha
s bo
th in
crea
sed
suic
ide
awar
enes
s w
hile
incr
easi
ng
suic
idal
idea
tion
6/8
(75%
)
(Con
tinue
s)
| 5POSSELT ET aL.
No.
Stud
y/re
fere
nce
Coun
try
Med
ia ty
pe: e
.g.
docu
men
tary
, film
; fic
tion/
non
-fic
tion
Stud
y ai
ms
Sam
ple
size
and
ch
arac
teris
tics
Rele
vant
out
com
e m
easu
res
Key
findi
ngs r
elat
ed to
impa
ct
on s
uici
de re
late
d va
riabl
es
Criti
cal
appr
aisa
l sc
ore
3C
oope
r, M
. T.,
Bard
, D.,
Wal
lace
, R.,
Gill
aspy
, S.,
&
Del
eon,
S. (
2018
). Su
icid
e at
tem
pt a
dmis
sion
s fr
om
a si
ngle
chi
ldre
n's
hosp
ital
befo
re a
nd a
fter
the
intr
oduc
tion
of N
etfli
x se
ries
‘13
Reas
ons
Why
’. Jou
rnal
of
Ado
lesc
ent H
ealth
, 63,
68
8–69
3.
USA
TV s
erie
s—‘1
3 Re
ason
s W
’—Se
ries
1Id
entif
y tr
ends
in s
elf-
harm
ad
mis
sion
s to
a c
hild
ren'
s ho
spita
l aft
er th
e re
leas
e ‘1
3 Re
ason
s W
hy’ S
erie
s 1
n =
775
F =
73%
M =
17%
(age
4–1
8 ye
ars;
m
ean
age
15.2
[SD
2.
1])
Patie
nt re
cord
s an
alys
is
for t
hose
pre
sent
ing
to
the
ED w
ith S
HID
/SI
-Sig
nific
ant i
ncre
ase
in S
HID
/SI
adm
issi
ons
afte
r the
scr
eeni
ng
of ‘1
3 Re
ason
s W
hy’ S
easo
n 1.
Pre
dict
ed (v
ersu
s ac
tual
) nu
mbe
r of a
dmis
sion
s fo
r SH
ID/
SI in
May
201
7 w
as 1
2 (v
ersu
s 31
)
6/8
(75%
)
4H
ong,
V.,
Ewel
l Fos
ter,
C. J
., M
agne
ss, C
. S.,
McG
uire
, T.
C.,
Smith
, P. K
., &
Kin
g,
C. A
., (2
018)
. ‘13
Rea
sons
W
hy’:
Vie
win
g pa
tter
ns a
nd
perc
eive
d im
pact
am
ong
yout
hs a
t ris
k of
sui
cide
. Ps
ychi
atric
Ser
vice
s, 70
, 10
7–11
4.
USA
TV s
erie
s –
‘13
Reas
ons
Why
’ — S
erie
s 1
Exam
ine
expo
sure
to a
nd
patt
erns
of e
ngag
emen
t w
ith th
e ‘1
3 Re
ason
s W
hy’
— S
erie
s 1
and
the
impa
ct
on y
outh
s pr
esen
ting
with
su
icid
e-re
late
d co
ncer
ns
to a
psy
chia
tric
ED
dur
ing
the
year
aft
er th
e se
ries'
prem
iere
n =
87
Pare
nt-y
outh
dya
dsYo
uth
—F
= 7
1%M
= 2
6%N
onbi
nary
= 2
%
(age
10–
17 y
ears
; m
ean
age
= 1
4.6
[SD
+ 1
.8])
Yout
h Q
uest
ionn
aire
;Re
ynol
ds A
dole
scen
t D
epre
ssio
n Sc
ale,
(R
AD
S−2)
;Su
icid
al Id
eatio
n Q
uest
ionn
aire
–—Ju
nior
(S
IQ-J
R) (2
9);
44-it
em q
uest
ionn
aire
to
asse
ss s
ever
al a
spec
ts o
f yo
uths
' int
erac
tions
with
‘1
3 Re
ason
s W
hy’;
Posi
tive
and
Neg
ativ
e A
ffec
t Sch
edul
e (P
AN
AS)
;Id
entif
icat
ion
with
fe
mal
e/m
ale
lead
act
ors;
Perc
eptio
ns o
f whe
ther
th
e se
ries
had
an im
pact
on
the
yout
h's
own
suic
ide
risk
and
on th
e lik
elih
ood
of e
ngag
ing
in s
uppo
rt-s
eeki
ng
beha
viou
rs;
open
-end
ed q
ualit
ativ
e qu
estio
nsPa
rent
Que
stio
nnai
re:
36-it
em;
Iden
tical
PA
NA
S re
spon
ses
to th
e se
ries
n =
21
(51%
) bel
ieve
d w
atch
ing
the
serie
s in
crea
sed
own
risk
of
suic
ide.
Iden
tifyi
ng w
ith c
hara
cter
re
sulte
d in
hig
her S
I (n
= 4
7,
df =
43,
p =
.001
) and
de
pres
sive
sym
ptom
s (n
= 4
3,
df =
43,
p =
.004
).Pa
rtic
ipan
ts d
o (v
ersu
s do
not
) be
lieve
the
serie
s gl
orifi
es o
r no
rmal
ises
sui
cide
and
men
tal
illne
ss n
= 1
3 (v
ersu
s n
= 1
2).
Part
icip
ants
repo
rted
the
serie
s m
ade
them
less
like
ly
(ver
sus
mor
e lik
ely)
to ta
lk to
ot
hers
n =
12%
–28%
(ver
sus
n =
12%
–28%
).51
% b
elie
ved
the
serie
s in
crea
sed
thei
r sui
cide
risk
to a
no
n-ze
ro d
egre
e;Pa
rtic
ipan
ts w
ith m
ore
depr
essi
ve s
ympt
oms
and
SI
wer
e m
ore
likel
y to
iden
tify
with
the
lead
cha
ract
ers
and
repo
rt n
egat
ive
affe
ct w
hile
vi
ewin
g.
10/1
0 (1
00%
)
TAB
LE 1
(C
ontin
ued)
(Con
tinue
s)
6 | POSSELT ET aL.
No.
Stud
y/re
fere
nce
Coun
try
Med
ia ty
pe: e
.g.
docu
men
tary
, film
; fic
tion/
non
-fic
tion
Stud
y ai
ms
Sam
ple
size
and
ch
arac
teris
tics
Rele
vant
out
com
e m
easu
res
Key
findi
ngs r
elat
ed to
impa
ct
on s
uici
de re
late
d va
riabl
es
Criti
cal
appr
aisa
l sc
ore
5K
ing,
K. E
., Sc
hlic
htho
rst,
M.,
Spitt
al, M
. J.,
Phel
ps,
A.,
& P
irkis
, J. (
2018
). C
an a
do
cum
enta
ry in
crea
se h
elp-
seek
ing
inte
ntio
ns in
men
? A
rand
omis
ed c
ontr
olle
d tr
ial.
Jour
nal o
f Epi
dem
iolo
gy
and
Com
mun
ity H
ealth
, 72,
86
–92.
Aus
tral
iaD
ocum
enta
ry- n
on-
fictio
n— ‘M
an U
p’D
oes
‘Man
Up’
incr
ease
m
en's
help
see
king
for
pers
onal
and
em
otio
nal
prob
lem
s?
n =
337
Inte
rven
tion
= 1
69C
ontr
ol =
168
(age
18
+ y
ears
)Pa
rtic
ipan
ts a
ll m
ale
Gen
eral
Hel
p Se
ekin
g Q
uest
ionn
aire
(GH
SQ)
This
stu
dy d
emon
stra
tes
that
m
edia
-bas
ed p
ublic
hea
lth
inte
rven
tions
that
focu
s on
tr
aditi
onal
mas
culin
ity a
ffec
ting
men
's he
alth
out
com
es
posi
tivel
y.Fo
r the
inte
rven
tion
grou
p,
help
see
king
sco
res
wer
e si
gnifi
cant
ly g
reat
er th
an th
e co
ntro
l gro
up.
13/1
3 (1
00%
)
6Po
ulio
t, L.
, Mis
hara
, B. L
., &
Lab
elle
, R. (
2011
). Th
e W
erth
er E
ffec
t rec
onsi
dere
d in
ligh
t of p
sych
olog
ical
vu
lner
abili
ties:
Res
ults
of
a pi
lot s
tudy
. Jou
rnal
of
Affe
ctiv
e D
isord
ers,
134,
48
8–49
6.
Can
ada
Fict
ion—
film
s (v
ario
us)
The
poss
ible
impa
ct to
yo
ung
peop
le o
f exp
osur
e to
a fi
lm w
ith s
uici
dal
cont
ent
F =
71
M =
29
Und
ergr
adua
tes
(mea
n ag
e 23
yea
rs
[SD
= 4
.27]
);
32 it
ems
expo
sure
to
*sui
cide
sto
ries;
*d
urat
ion
of d
istr
ess;
*n
egat
ive
affe
ctiv
e;
*cog
nitiv
e re
actio
ns.
IES-
R;Su
icid
e Pr
obab
ility
Sca
le,
(SPS
);Tr
ait D
isso
ciat
ion
Que
stio
nnai
re (T
DQ
);Th
e M
ehra
bian
’ Tra
it A
rous
abili
ty S
cale
(TA
S);
Whi
te B
ear T
houg
ht
Supp
ress
ion
Inve
ntor
y (W
BSI).
70%
repo
rted
bei
ng d
istr
esse
d by
the
port
raya
l of a
sui
cide
in a
fic
tiona
l film
.33
% fe
lt di
stre
ssed
for s
ever
al
days
to s
ever
al w
eeks
.M
ajor
ity (7
1%) s
tate
d be
ing
men
tally
pre
occu
pied
and
ex
perie
nced
intr
usiv
e m
emor
ies
(68%
).55
% o
f mal
es w
ere
dist
ress
ed
com
pare
d to
76%
of f
emal
es.
From
this
sub
-gro
up, 3
3%
stat
ed th
eir d
istr
ess
last
ed fr
om
a fe
w d
ays
to le
ss th
an a
mon
th.
13%
fear
ed th
ey w
ould
eng
age
in
the
sam
e su
icid
al b
ehav
iour
as
the
prot
agon
ist,
and
repo
rted
th
at th
e id
ea c
ross
ed th
eir m
ind
to a
ct o
n it.
8/8
(100
%)
7Re
tam
ero,
C.,
Wal
sh, L
., &
O
tero
-Per
ez, G
. (20
14).
Use
of t
he fi
lm ‘T
he B
ridge
’ to
aug
men
t the
sui
cide
cu
rric
ulum
in u
nder
grad
uate
m
edic
al e
duca
tion.
Aca
dem
ic
Psyc
hiat
ry, 3
8, 6
05–6
10.
Not
st
ated
, po
ssib
ly
USA
Doc
umen
tary
- non
-fic
tion—
‘The
Brid
ge’
Is th
e m
ovie
‘The
Brid
ge’
com
plem
enta
ry to
the
suic
ide
curr
icul
um fo
r m
edic
al s
tude
nts?
n =
180
Seco
nd-y
ear
med
ical
stu
dent
s
Surv
ey re
gard
ing
belie
fs
abou
t sui
cide
and
abo
ut
lear
ning
abo
ut s
uici
dal
conc
epts
in th
e fil
m
Stud
ents
repo
rted
‘The
Brid
ge’ i
s va
luab
le a
nd b
elie
ved
it sh
ould
be
sho
wn
to p
eopl
e in
the
med
ical
fiel
d; 8
0% o
f stu
dent
s co
mm
ente
d ab
out a
t lea
st o
ne
pers
on in
the
stor
y or
abo
ut th
e st
ory
in g
ener
al
7/9
(77%
)
TAB
LE 1
(C
ontin
ued)
(Con
tinue
s)
| 7POSSELT ET aL.
No.
Stud
y/re
fere
nce
Coun
try
Med
ia ty
pe: e
.g.
docu
men
tary
, film
; fic
tion/
non
-fic
tion
Stud
y ai
ms
Sam
ple
size
and
ch
arac
teris
tics
Rele
vant
out
com
e m
easu
res
Key
findi
ngs r
elat
ed to
impa
ct
on s
uici
de re
late
d va
riabl
es
Criti
cal
appr
aisa
l sc
ore
8Ro
sa, G
. S. D
., A
ndra
des,
G.
S., C
aye,
A.,
Hid
algo
, M. P
., O
livei
ra, M
. A. B
. D.,
& P
ilz, L
. K
. (20
19).
‘Thi
rtee
n Re
ason
s W
hy’:
The
impa
ct o
f sui
cide
po
rtra
yal o
n ad
oles
cent
s' m
enta
l hea
lth. J
ourn
al o
f Ps
ychi
atric
Res
earc
h, 1
08,
2–6.
Braz
ilTV
ser
ies—
‘13
Reas
ons
Why
’, Ser
ies
1To
inve
stig
ate
the
influ
ence
of
med
ia p
ortr
ayal
s of
su
icid
e on
ado
lesc
ents
' m
ood,
focu
sing
on
‘13
Reas
ons
Why
’
n =
7,0
04F
= 5
,870
(84%
)M
= 1
,134
(16%
)Su
icid
al id
eatio
n n
= 4
9%;
Suic
ide
atte
mpt
n
= 1
2% (a
ges
12–1
8 ye
ars)
Moo
d (s
adne
ss a
nd la
ck
of m
otiv
atio
n) p
rior t
o w
atch
ing
the
serie
s, a
nd
prev
alen
ce o
f sel
f-ha
rm,
suic
idal
idea
tion,
or
suic
ide
atte
mpt
s
23.7
% re
port
ed w
orse
ning
of
moo
d af
ter w
atch
ing
‘13
Reas
ons
Why
’. Tho
se p
rior t
o w
atch
ing
the
mov
ie w
ho h
ad
mor
e fr
eque
nt a
nd in
tens
e fe
elin
g of
sad
ness
and
lack
of
mot
ivat
ion
expe
rienc
ed
wor
seni
ng m
ood
or re
port
ed
suic
idal
idea
tion/
self-
harm
/su
icid
e at
tem
pt
6/8
(75%
)
9Sc
herr
, S.,
& R
eine
man
n, C
. (2
011)
. ‘Be
lief i
n a
Wer
ther
Ef
fect
: thi
rd-p
erso
n ef
fect
s in
the
perc
eptio
ns
of s
uici
de ri
sk fo
r oth
ers
and
the
mod
erat
ing
role
of
dep
ress
ion’
Sui
cide
&
Life
-thr
eate
ning
Beh
avio
r, 41
, 62
4–63
4.
USA
Mus
ic v
ideo
with
sui
cida
l co
nten
t: ‘Je
rem
y’ b
y Pe
arl J
am
To e
xam
ine
stud
ents
' ra
tes
of s
elf-
risk
of
depr
essi
on a
nd s
uici
de
and
perc
eptio
ns o
f oth
ers'
suic
ide
risk.
n =
133
F =
74
M =
59
Und
ergr
adua
tes
(Mea
n ag
e w
as
19.1
3 ye
ars
[SD
= 2
.35]
).C
ontr
ol =
66
Expe
rimen
tal =
67
Part
icip
ants
sel
f-re
port
ed
estim
ates
of t
he ri
sk o
f de
pres
sion
and
sui
cide
fo
r the
mse
lves
and
for
othe
rs
Part
icip
ants
repo
rted
risk
of
suic
ide
as h
ighe
r for
oth
ers
than
for t
hem
selv
es a
fter
bei
ng
expo
sed
10/1
2 (8
3%)
10Sc
hlic
htho
rst,
M.,
Kin
g, K
., Sp
ittal
, M.,
Reife
ls, L
., Ph
elps
, A
., &
Pirk
is, J
. (20
18).
Usi
ng
a te
levi
sion
doc
umen
tary
to
prev
ent s
uici
de in
men
and
bo
ys. A
ustr
alas
Psy
chia
try,
26,
160–
165.
Aus
tral
iaD
ocum
enta
ry- n
on-
fictio
n—‘M
an U
p’W
as th
e se
ries
‘Man
U
p’ e
ffec
tive
in ra
isin
g aw
aren
ess
for m
ales
' of
soc
ieta
l pre
ssur
es to
co
nfor
m to
mas
culin
e no
rms
and
affe
ct th
eir
likel
ihoo
d of
hel
p se
ekin
g an
d co
nnec
ting
with
thei
r m
ale
frie
nds?
n =
1,2
87A
ll m
ale
Gro
up
A =
476
(com
plet
ed th
e pr
e-sc
reen
ing
surv
ey);
Gro
up B
= 1
92
(com
plet
edth
e po
st-s
cree
ning
su
rvey
and
had
not
vi
ewed
‘Man
Up’
);G
roup
C =
619
(c
ompl
eted
the
post
-scr
eeni
ng
surv
ey a
nd h
ad
view
ed ‘M
an U
p’)
Hel
p-se
ekin
g be
havi
our
Vie
win
g M
an U
p di
d no
t inc
reas
e lik
elih
ood
of h
elp
seek
ing
8/8
(100
%)
11St
ack,
S.,
Kra
l, M
., &
Bor
owsk
i, T.
(201
4). E
xpos
ure
to s
uici
de
mov
ies
and
suic
ide
atte
mpt
s:
A re
sear
ch n
ote.
Soc
iolo
gica
l Fo
cus,
47, 6
1–70
.
USA
Fict
ion—
film
s (v
ario
us)
A re
tros
pect
ive
stud
y as
sess
ing
the
impa
ct o
f cu
mul
ativ
e, v
olun
tary
ex
posu
re to
sui
cide
m
ovie
s.
n =
260
Col
lege
stu
dent
s.
No
othe
r det
ails
gi
ven
rega
rdin
g ag
e or
gen
der
Relig
iosi
ty—
a si
ngle
-item
m
easu
re u
sed
in th
e W
orld
Val
ues
Surv
eys;
Dep
ress
ion—
Yout
h Ri
sk
Beha
vior
Sur
veys
;Bu
rden
som
enes
s—Jo
iner
s' ni
ne-it
em in
dex;
Risk
of a
ttem
pted
sui
cide
in
crea
sed
by 4
7.6%
with
eac
h ad
ditio
nal m
ovie
exp
osur
e
7/8
88%
TAB
LE 1
(C
ontin
ued)
(Con
tinue
s)
8 | POSSELT ET aL.
No.
Stud
y/re
fere
nce
Coun
try
Med
ia ty
pe: e
.g.
docu
men
tary
, film
; fic
tion/
non
-fic
tion
Stud
y ai
ms
Sam
ple
size
and
ch
arac
teris
tics
Rele
vant
out
com
e m
easu
res
Key
findi
ngs r
elat
ed to
impa
ct
on s
uici
de re
late
d va
riabl
es
Criti
cal
appr
aisa
l sc
ore
12Ti
ll, B
., St
raus
s, M
., So
nnec
k,
G.,
& N
iede
rkro
tent
hale
r, T.
(201
5). D
eter
min
ing
the
effe
cts
of fi
lms
with
sui
cida
l co
nten
t: A
labo
rato
ry
expe
rimen
t. Br
itish
Jour
nal o
f Ps
ychi
atry
, 207
, 72–
78.
Aus
tria
Fict
ion—
film
s‘N
ight
, Mot
her’,
‘A S
ingl
e M
an’ o
r ‘El
izab
eth-
tow
n’.
To e
xam
ine
the
impa
ct o
f th
ree
dram
a fil
ms
with
su
icid
al c
onte
nt th
at
with
var
ying
out
com
es
and
test
ing
the
base
line
suic
idal
ity o
f the
pa
rtic
ipan
ts.
n =
95
F =
65
M =
30
(mea
n ag
e w
as
27.3
2 ye
ars
[SD
10
.43]
)H
igh
scho
ol
grad
uate
(ave
rage
le
vel o
f edu
catio
n)
Aff
ectiv
e St
ate
Scal
e (m
ood)
;Er
lang
er D
epre
ssio
n Sc
ale;
Satis
fact
ion
with
Life
Sc
ale;
Self-
wor
th s
ubsc
ale
of
Wor
ld A
ssum
ptio
ns
Scal
e;Re
ason
s fo
r Liv
ing
Scal
e;Be
nevo
lenc
e of
the
wor
ld
subs
cale
of t
he W
orld
A
ssum
ptio
ns S
cale
;C
ohen
's Id
entif
icat
ion
Scal
e (s
uici
dalit
y)
Whe
n ex
pose
d to
a fi
lm
disp
layi
ng s
uici
de, p
artic
ipan
ts
with
low
er v
ulne
rabi
lity
expe
rienc
ed m
ore
emot
iona
l re
actio
ns. P
artic
ipan
ts w
ith
high
er v
ulne
rabi
lity
expe
rienc
ed
high
er S
I—pa
rtic
ular
ly if
they
id
entif
ied
with
pro
tago
nist
. Po
rtra
yals
of m
aste
ry o
f a c
risis
m
ay h
ave
bene
ficia
l eff
ects
for
thos
e w
ho a
re m
ore
vuln
erab
le
10/1
2 (8
3%)
13Ti
ll, B
., H
erbe
rth,
A.,
Sonn
eck,
G.,
Vito
uch,
P.,
& N
iede
rkro
tent
hale
r, T.
(2
013)
. ‘W
ho id
entif
ies
with
su
icid
al fi
lm c
hara
cter
s?
Det
erm
inan
ts o
f id
entif
icat
ion
with
sui
cida
l pr
otag
onis
ts o
f dra
ma
film
s'.
Psyc
hiat
ria D
anub
ina,
25,
15
8–16
2.
Aus
tria
Fict
ion
– fil
ms
‘It's
My
Part
y’ o
r ‘Th
e Fi
re
With
in’
How
influ
entia
l is
sim
ilar
iden
tific
atio
n (i.
e. s
ex,
age,
and
edu
catio
n) b
y a
part
icip
ant w
ith a
sui
cida
l pr
otag
onis
t of a
film
as
wel
l as
by th
e pa
rtic
ipan
ts'
empa
thy
and
suic
idal
ity?
n =
60
M =
23
(38.
3%),
(mea
n ag
e of
37
.65
year
s [S
D =
18.
78]);
F =
37
(61.
7%),
(mea
n ag
e of
43
.32
year
s[S
D =
23.
06]).
Empa
thy
(Inte
rper
sona
l Re
activ
e In
dex)
;Id
entif
icat
ion;
Suic
idal
ity;
Soci
o-de
mog
raph
ics
Part
icip
ants
' ide
ntifi
catio
n w
as
not a
ssoc
iate
d w
ith s
ocio
-de
mog
raph
ic s
imila
rity
or th
e vi
ewer
's su
icid
ality
10/1
2 (8
3%)
14Ti
ll, B
., V
itouc
h, P
., H
erbe
rth,
A.,
Sonn
eck,
G
., &
Nie
derk
rote
ntha
ler,
T. (2
013b
). ‘P
erso
nal
suic
idal
ity in
rece
ptio
n an
d id
entif
icat
ion
with
sui
cida
l fil
m c
hara
cter
s’. D
eath
St
udie
s, 37
, 383
–392
.
Aus
tria
Fict
ion
– fil
ms
‘It's
My
Part
y’ o
r ‘Th
e Fi
re
With
in’.
Ana
lyse
per
sona
l sui
cida
lity
on id
entit
y w
ork
and
iden
tific
atio
n du
ring
film
s w
ith s
uici
dal c
onte
nt w
ith
part
icip
ants
with
low
su
icid
ality
sco
res.
n =
150
F =
95
M =
55
(Mea
n ag
e 36
.05
year
s)C
auca
sian
30 p
artic
ipan
ts p
er
grou
p
Suic
idal
ity Id
entif
icat
ion;
Iden
tific
atio
n w
ith a
sp
ecifi
c ch
arac
ter;
Suic
idal
itySo
cio-
dem
ogra
phic
s;Id
entif
icat
ion;
Iden
tity
No
rela
tions
hip
betw
een
suic
idal
ity a
nd id
entif
icat
ion.
Pe
rson
al s
uici
dalit
y di
d no
t co
rrel
ate
sign
ifica
ntly
with
th
ose
wat
chin
g ce
nsor
ed
vers
ions
of t
he fi
lm b
ut d
id
with
thos
e w
atch
ing
the
orig
inal
(sui
cide
) ver
sion
s of
the
film
s. H
ighe
r SI i
n th
e gr
oups
w
atch
ing
the
orig
inal
film
s.
Part
icip
ants
use
d th
e fil
m fo
r th
eir o
wn
prob
lem
sol
ving
9/12
(75%
)
TAB
LE 1
(C
ontin
ued)
(Con
tinue
s)
| 9POSSELT ET aL.
No.
Stud
y/re
fere
nce
Coun
try
Med
ia ty
pe: e
.g.
docu
men
tary
, film
; fic
tion/
non
-fic
tion
Stud
y ai
ms
Sam
ple
size
and
ch
arac
teris
tics
Rele
vant
out
com
e m
easu
res
Key
findi
ngs r
elat
ed to
impa
ct
on s
uici
de re
late
d va
riabl
es
Criti
cal
appr
aisa
l sc
ore
15Ti
ll, B
., N
iede
rkro
tent
hale
r, T.
, Her
bert
h, A
., V
itouc
h,
P., &
Son
neck
, G. (
2010
). Su
icid
e in
film
s: T
he im
pact
of
sui
cide
por
tray
als
on
nons
uici
dal v
iew
ers'
wel
l-be
ing
and
the
effe
ctiv
enes
s of
cen
sors
hip.
Sui
cide
&
Life
-thr
eate
ning
Beh
avio
r, 40
, 31
9–32
7.
Aus
tria
Fict
ion
- film
s‘It
's M
y Pa
rty’
or ‘
The
Fire
W
ithin
’ or ‘
Phen
omen
on’
Wha
t is
the
effe
ct o
f sui
cide
fil
ms
and
cens
ored
film
s on
vie
wer
s' em
otio
nal a
nd
men
tal s
tate
?
n =
150
F =
95
M =
55
(Mea
n ag
e 36
.05
year
s)C
auca
sian
30 p
artic
ipan
ts p
er
grou
p
Beck
er m
ood
scal
e;A
djec
tive
chec
k lis
t (a
ctiv
atio
n an
d in
ner
tens
ion)
;Se
lf-es
teem
sca
le;
Satis
fact
ion
with
life
sc
ale;
Dep
ress
ion
scal
e;Su
icid
ality
;A
ttitu
des
to s
uici
de;
Empa
thy
(Inte
rper
sona
l Re
activ
e In
dex)
;Id
entif
icat
ion;
Qua
lity
of re
latio
nshi
p w
ith p
aren
ts.
Det
erio
ratio
n of
moo
d an
d an
in
crea
se in
inne
r ten
sion
and
de
pres
sion
sco
res
afte
r vie
win
g th
e fil
ms,
follo
wed
by
a ris
e in
se
lf-es
teem
and
life
sat
isfa
ctio
n an
d a
drop
in s
uici
dalit
y.N
o si
gnifi
cant
diff
eren
ces
betw
een
film
gro
ups.
Neg
ativ
e ef
fect
s w
ere
grea
ter t
he m
ore
a su
bjec
t ide
ntifi
ed w
ith th
e pr
otag
onis
t
10/1
2 (8
3%)
16Zi
mer
man
, A.,
Cay
e, A
., Zi
mer
man
, A.,
Salu
m, G
. A
., Pa
ssos
, I. C
., &
Kie
ling,
C
. (20
18).
Revi
sitin
g th
e W
erth
er E
ffec
t in
the
21st
Cen
tury
: Bul
lyin
g an
d su
icid
ality
am
ong
adol
esce
nts
who
wat
ched
‘1
3 Re
ason
s W
hy’. J
ourn
al o
f Am
eric
an A
cade
my
of C
hild
&
Adol
esce
nt P
sych
iatr
y, 57
, 61
0–61
2.
Braz
ilFi
ctio
n –
web
ser
ies—
‘13
Reas
ons
Why
’, firs
t se
ries
Doe
s w
atch
ing
‘13
Reas
ons
Why
’ inc
reas
e SI
?n
= 2
1,06
2C
ontr
ol g
roup
: n
= 2
,323
Recr
uitm
ent
thro
ugh
Face
book
fo
r Uni
ted
Stat
es
or B
razi
lA
ge =
12–
19 y
ears
Mos
tly fe
mal
e an
d 15
–17
year
s
Surv
ey re
-bul
lyin
g an
d SI
;Pa
tient
Hea
lth
Que
stio
nairr
e−2
(PH
Q−2
)—de
pres
sion
, su
icid
al id
eatio
n.
Thos
e w
ith h
isto
ries
of p
ast S
I ex
perie
nced
16.
5% m
ore
SI;
59.2
% le
ss S
I; 24
.2%
no
chan
ge.
Thos
e w
ithou
t a h
isto
ry o
f SI
had
a 6.
4% in
crea
se in
sui
cida
l th
ough
ts.
Dec
reas
es in
SI w
ere
mor
e pr
onou
nced
in th
ose
with
no
depr
essi
ve s
ympt
oms.
Part
icip
ants
with
dep
ress
ion
and/
or p
rior s
uici
dal i
deat
ion,
co
uld
be m
ore
nega
tivel
y af
fect
ed b
y w
atch
ing
the
show
. Th
ere
was
a n
egat
ive
affe
ct fo
r hi
gh ri
sk in
divi
dual
s.Pr
e-ex
istin
g ps
ycho
path
olog
y is
a c
ausa
l cha
ract
eris
tic fo
r SI
afte
r wat
chin
g th
e sh
ow.
4.7%
of t
hose
with
out S
I fel
t m
ore
SI a
fter
wat
chin
g th
e sh
ow.
6/8
(75%
)
Abb
revi
atio
ns: E
D: e
mer
genc
y de
part
men
t; SH
ID: S
elf-
harm
with
inte
nt to
die
; SI:
Suic
idal
idea
tion.
TAB
LE 1
(C
ontin
ued)
10 | POSSELT ET aL.
Sonneck, & Niederkrotenthaler, 2015; Till, Vitouch, Vitouch, Herberth, Sonneck, & Niederkrotenthaler, 2013), six studies analysed the effect of watching the web series 13 Reasons Why (Arendt, Scherr, Pasek, Jamieson, & Romer, 2019; Ayers et al., 2017; Cooper, Bard, Wallace, Gillaspy, & Deleon, 2018; Hong et al., 2018; Rosa et al., 2019; Zimerman et al., 2018), three studies analysed documentaries (King et al., 2018; Retamero, Walsh, & Otero-Perez, 2014; Schlichthorst et al., 2018) and one study looked at the suicidal content of a music video (Scherr & Reinemann, 2011).
3.2 | Participant characteristics
Out of the 16 studies, 11 focussed on adults (Arendt et al., 2019; King et al., 2018; Pouliot et al., 2011; Retamero et al., 2014; Scherr & Reinemann, 2011; Schlichthorst et al., 2018; Stack et al., 2014; Till et al., 2010, 2015; Till, Vitouch, et al., 2013; Till, Vitouch, et al., 2013), two on adolescents and young adults (Rosa et al., 2019; Zimerman et al., 2018), one on children and young adults (Cooper et al., 2018), one on children, young adults and parents (Hong et al., 2018) and one study focussed on internet searches (Ayers et al., 2017).
Participant gender was reported in 13 studies. Combining stud-ies that reported participant gender reveals a sample of 31,630 participants and shows that the gender distribution was overwhelm-ingly female (83% females, 17% males). Two studies included male participants only (King et al., 2018; Schlichthorst et al., 2018) and two large scale surveys reported that the majority of their partici-pants were female (89.4% female in Zimerman et al., 2018 and 84% female in Rosa et al., 2019).
3.3 | Study methods
Six studies were randomised control trials (RCTs; King et al., 2018; King et al., 2018; Scherr & Reinemann, 2011; Till et al., 2010, 2015; Till, Vitouch, et al., 2013; Till, Vitouch, et al., 2013), five studies were quasi-experimen-tal (Arendt et al., 2019; Ayers et al., 2017; Cooper et al., 2018; Retamero et al., 2014; Schlichthorst et al., 2018), four studies were cross-sectional (Pouliot et al., 2011; Rosa et al., 2019; Stack et al., 2014; Zimerman et al., 2018) and one study was a case series (Hong et al., 2018).
3.4 | Critical appraisal
Critical appraisal revealed four studies with ‘exceptionally high quality’ (100%) scores as determined by the tool checklists (Hong et al., 2018; King et al., 2018; Pouliot et al., 2011; Schlichthorst et al., 2018). Six studies scored ‘high quality’ (80%–90%) (Arendt et al., 2019; Scherr & Reinemann, 2011; Stack et al., 2014; Till et al., 2010, 2015; Till, Vitouch, et al., 2013). Six studies scored ‘moderate to high quality’ (70%–80%) (Ayers et al., 2017; Cooper et al., 2018; Retamero et al., 2014; Rosa et al., 2019; Till, Vitouch, et al., 2013; Zimerman et al., 2018).
3.5 | Key findings
The key potential impacts of moving-image media portrayals of sui-cide on the viewer included suicidal ideation and behaviour; suicide literacy (knowledge/awareness, help-seeking, attitudes); and emo-tional distress and psychological impacts. Table 1 outlines key infor-mation of the included studies.
3.6 | Suicidal ideation and behaviour
Overall, nine studies (53%) found evidence for potential increases in suicidal ideation and behaviour following exposure. Four studies (24%) found no change in suicidal ideation and behaviour follow-ing exposure. Three studies (18%) found evidence for potential de-creases in suicidal ideation and behaviour following exposure.
Cross-sectional data suggested that exposure to films portray-ing suicide can lead to increased consideration of imitating the suicidal behaviour, or actual suicide attempts (Pouliot et al., 2011; Stack et al., 2014; Zimerman et al., 2018). This included individuals reporting that they had considered imitating the suicidal act of a protagonist in a film (Pouliot et al., 2011), evidence that cumula-tive exposure to films portraying suicide could increase likelihood of a suicide attempt being reported by nearly 50% with each ad-ditional movie exposure (Stack et al., 2014) and increased suicidal ideation reported after watching 13 Reasons Why (Zimerman et al., 2018).
Characteristics found to influence these relationships in-cluded histories of suicidal ideation (Pouliot et al., 2011; Zimerman et al., 2018), and greater dissociation and thought suppression levels (Pouliot et al., 2011).
A case series analysis also found evidence of increased suicidal risk among young people following 13 Reasons Why (Hong et al., 2018). Among this sample (n = 87) 13 participants believed the series glori-fied or normalised suicide, however, 12 participants did not.
Several quasi-experimental studies (Arendt et al., 2019; Ayers et al., 2017; Cooper et al., 2018) also reported evidence of increased suicidal ideation and behaviour associated with the Netflix web se-ries 13 Reasons Why. For example, hospital admissions for suicidal ideation and self-harm with intent to die were found to be signifi-cantly higher than predicted (based on a 5-year prediction model) following the release of the series (Cooper et al., 2018). Increased numbers of people searching the internet for ways to die by sui-cide such as using search terms ‘how to commit suicide’ and ‘how to kill yourself’ were also observed following the release of the series (Ayers et al., 2017).
Finally, in a study where participants completed surveys pre- and post-viewing the second season of the series, increased suicidal ide-ation and risk of suicide was observed among those who reported being exposed to only some or part of the second season when com-pared to those who watched the entire series (Arendt et al., 2019). In this study, participant characteristics that were reported to influ-ence the relationship included those with lower levels of education
| 11POSSELT ET aL.
and those who were current students. These groups were more likely to exhibit increased suicide risk (Arendt et al., 2019).
Identification with the protagonist was found to be a relevant factor by several researchers. Hong et al. (2018) found that par-ticipants who more strongly identified with the protagonist in 13 Reasons Why, reported higher levels of suicidal ideation and more strongly believed that the series contributed to their increased risk. Regarding film media, there is some inconsistency in findings re-garding whether identification with the protagonist is an influencing factor in the relationship between media portrayal of suicide and outcome. Across the three RCTs conducted by Till and colleagues where participants were randomised to different film conditions, two of the studies found no relationship between identification with the protagonist and viewer suicidality, however, the most recent of these studies (Till et al., 2015) found that identification was signifi-cantly associated with baseline suicidality and those with a stron-ger identification with the protagonist experienced the greatest increase in suicidality after exposure to the film which contained the protagonist's suicide.
3.6.1 | No observed changes in suicidal behaviour
Not all studies found evidence of increased suicidality among viewers and several studies have found either no increase in sui-cidal ideation or behaviour as a result of the media portrayal. For example, the study conducted by Scherr and Reinemann (2011) found no differences between the two groups on self-reported su-icide risk following one group viewing a music video that ended in a graphic depiction of a suicide, however, they did find that partici-pants in the experimental group rated the suicide risk for others as higher than those in the control group, suggesting a ‘presumed Werther effect’.
3.7 | Suicide literacy: knowledge, awareness, attitudes, help-seeking and helping others
Five studies (30%) found evidence for positive impacts such as in-creased suicide literacy (suicide awareness, stigma reduction, more positive attitudes and help-seeking behaviour) following exposure.
Some researchers found evidence of beneficial effects of view-ing the 13 Reasons Why series, particularly among certain viewers such as those who watched the entire second season, female view-ers and those who reported greater suicidal ideation and who sub-sequently reported increased help-offering behaviour. For example, in addition to increased internet searching of ways to die by suicide, Ayers et al. (2017) found the release of 13 Reasons Why to lead to increases in numbers of people searching for ‘suicide prevention’ and ‘suicide hotlines’. Arendt et al. (2019) found that those who watched the entire second season of 13 Reasons Why experienced higher lev-els of optimism, and females who watched the series reported re-duced suicide acceptance. Exposure to other suicidal stories among
viewers was associated with visiting the help-site which accompa-nied the second season. Finally, those viewers who reported greater suicidal ideation were more likely to report helping suicidal others (Arendt et al., 2019).
Increased help-seeking among young people and adults was reported in some of the literature regarding documentaries and television series. Significant increases (from baseline to follow-up) in help-seeking were observed in an RCT (n = 337) where the intervention group watched a documentary (Man Up) regarding masculinity, mental health and suicidality, which portrayed men speaking about their experiences of mental distress and suicid-ality (King et al., 2018). However, in another study by the same researchers (Schlichthorst et al., 2018), found that viewing Man Up did not increase likelihood of help-seeking. It should, however, be noted that although this study had a greater sample size (n = 476 pre-viewing and n = 619 post-viewing), it was less methodologi-cally rigorous than the RCT and rather than surveying the same individuals before and after viewing the documentary as King et al. (2018) did, Schlichthorst et al. (2018) did not follow the same participants over time.
In the Hong et al. (2018) study of young people presenting to emergency departments, they found that equal proportions of par-ticipants reported that 13 Reasons Why made them both more (28%) and less (28%) likely to talk to others about their mental health and suicidal thoughts (Hong et al., 2018). However, 80% reported discuss-ing the series with their friends, 34% reported discussing with their parents and of the participants who spoke with their parents about the series, n = 7 reported discussing the topic of suicide. Therefore, the series clearly prompted some discussion and depending on how this conversation was received, might determine whether such dis-cussion could lead to desirable outcomes, for example, help-seeking attitudes or stigma reduction (Hong et al., 2018).
In another study of a documentary portraying suicide, The Bridge was found to increase understanding of suicide and significantly reduce the belief that there is nothing one can do to help if some-one has a suicide plan, among a group of medical students (n = 180; Retamero et al., 2014).
3.8 | Emotional and psychological changes
Emotional distress and other psychological impacts of suicide por-trayals were reported in several studies; however, emotional distress and these other constructs did not necessarily correspond to sui-cidal ideation or behaviour.
In a large cross-sectional survey of young people (n = 7,004) who were asked questions about changes in mood and suicidality resulting from viewing 13 Reasons Why, it was found that 23.7% re-ported a worsening of mood after viewing. Importantly, worsening of mood was related to increased risk of suicide among this sample (Rosa et al., 2019). Those participants who reported past suicidal ide-ation, self-harm and suicide attempts reported a greater worsening of mood.
12 | POSSELT ET aL.
4 | DISCUSSION
This review examined the evidence regarding the impact of por-traying suicide in moving-image fiction and non-fiction media on the consumer/viewer of that media. Given that the emphasis of previous reviews has been on looking at the impact of mixed and varied forms of media portrayals of suicide, we deemed it impor-tant to consider the specific impacts of screen/ moving-image portrayals of suicide on viewers. This was considered to be of im-portance in contemporary society given the increased availability of moving-image media through internet screening of television, movies and documentaries, and given changes in the ways in which viewers engage with this media, for example, by so called ‘binge watching’.
From a total of 16 articles that were identified in the literature from the past 10 years, the majority of these were in relation to fictional media (n = 13) versus non-fiction (n = 3). The literature highlighted that the portrayal of suicide in moving-image media can impact on a viewer's suicidal ideation and behaviour, suicide literacy, such as knowledge/awareness and help-seeking attitudes and be-haviour leading to emotional distress and psychological impacts. Key individual differences that may influence the relationship between viewing a screen portrayal of suicide and subsequent suicidality in-clude level of identification with the protagonist in terms of social demographic similarities and levels of empathy that the viewer has towards the protagonist. Pre-existing histories of suicidal ideation and suicidal behaviour also appear to be important considerations as these viewers may be more vulnerable to the negative impacts, however, depending on the way in which suicide is portrayed (e.g. a protagonist overcoming a suicidal crisis and seeking help), may also increase the possible beneficial effects of the portrayal such as in-creased help-offering to suicidal others.
It is important to note that the relationship between exposure and outcome is clearly not a simple one, as some studies found that portrayals of suicide could lead to both increases and decreases in suicidal ideation and behaviour depending on several factors including the individual characteristics of the viewer. Individuals with histories of past suicidal ideation and suicide attempts may be more affected by portrayals of suicide in screen media. For exam-ple, Till et al. (2015) found that a fictional film with a suicide scene increased suicidality among those with higher baseline vulnera-bility and suicidal ideation, versus no change in overall suicidality for the sample when considered as a whole. However, there were inconsistencies in this finding. For example, for participants with histories of suicidal ideation in the study by Zimerman et al. (2018), 59.2% reported a reduction in suicidal ideation after watching 13 Reasons Why (season 1). The survey by Zimerman et al. (2018) is limited by the cross-sectional design making us unable to draw conclusions about causal directions and by retrospective report-ing (after having watched the series). The sample was also mostly female (89.4%) and had a mean age of 15 years, so the findings may be mostly relevant to young females with histories of suicidal ideation.
The findings regarding identification, although inconsistent, may add to the understanding of how characteristics of the viewer influ-ence the relationship between portrayal and outcome. Some find-ings reported that stronger identification with the protagonist leads to increased likelihood of experiencing adversity as a result of the exposure. While Till, Vitouch, et al. (2013) found no association be-tween identification and suicidality, they did find that identification is not always in relation to socio-demographic similarity but can relate to the level of empathy that the viewer possesses. Till et al. (2015) found that baseline suicidal ideation was strongly associated with level of identification with the protagonist and that those who more strongly identified with the protagonist, experienced a greater in-crease in suicidality resulting from the exposure. Viewer similarity to the protagonist and viewers' depression level has been previously found to influence interest in the story (print media) with depression in the viewer increasing intention to read similar material in the fu-ture through identification with the role model (Niederkrotenthaler, Arendt, & Till, 2015).
In the study by Scherr and Reinemann (2011), no direct im-pact of the graphic depiction of suicide in the music video was found. The lack of a direct adverse impact could be time-related, given that the length of exposure was relatively short. However, previous research has found that exposure to media reporting of suicide, including through television news stories can lead to con-tagion effects, and presumably these news stories can be relatively short. Of the studies included in this review, consideration of the duration of the exposure to suicidal content was not adequately explored.
The heterogeneity of types of suicide portrayals is an import-ant limitation of this review and of the evidence in general. This is beyond length of exposure and whether there are Papageno effects or positive messages embedded within the film/series/documentary. Outcome of the protagonist is also an important factor to consider as evidenced by the studies by Till et al. (2015) and Arendt et al. (2019). Past research has found that news sto-ries about completed suicides rather than ideation and attempts were associated with greater subsequent suicidal behaviour (Pirkis et al., 2006).
The research also examines potential positive impacts of por-trayal of suicide in media in terms of suicide awareness, stigma re-duction, modelling of preferred language to use when talking about suicide and help-seeking behaviour. The findings that those who viewed the entire second season of 13 Reasons Why experienced benefits and were at lower risk of suicide than those who viewed only some of the season suggests that there was an element that counteracted the suicidal content that could be accessed by watch-ing the season in its entirety or the end part of the season. Arendt et al. (2019) considered whether the positive message of the protag-onist's mother saying that ‘staying alive is always better than ending it’, which appeared to help another key character overcome his own suicidal thoughts, was an important protective element. This the-ory is also consistent with the findings from Till et al. (2015) that for those randomised to view the film featuring the protagonist
| 13POSSELT ET aL.
positively coping with a suicidal crisis, those with higher suicidal tendencies experienced more beneficial effects such as increased satisfaction with life.
There is evidence that fictional stories portraying suicide result in less imitation effects than non-fiction (Stack, 2005). Interestingly, of the non-fiction studies included, the results did not find evidence of negative impacts of portrayals of suicide, however, given the large body of work that has found non-fic-tion television or internet news reporting of deaths by suicide to be associated and followed by increases in imitative suicidal behaviour, the finding regarding non-fiction media in this re-view is more likely due to the low numbers of studies examining moving-image media on its own (and within the last 10 years) than any real differences between fiction and non-fiction. Furthermore, the studies by King et al. (2018) and Schlichthorst et al. (2018), although robust, did not measure personal suicid-ality and the findings relevant to this review were limited to suicide literacy, specifically, help-seeking behaviour. It should also be noted that given that a large proportion of the evidence included in this review related to the series 13 Reasons Why, for which the study participants were generally adolescents and majority female, our findings might be particularly pertinent to young females.
4.1 | Implications and future research
There is evidence for imitation and contagion effects arising from moving-image media portraying suicide which appears to be stronger under certain conditions. Taken together, these studies highlight that for some people and for some types of ex-posure, the risk of these portrayals leading to harmful outcomes are higher. Every viewer engages differently with media and this alters the potential outcomes. For individuals with higher lev-els (or histories) of depression, suicidality, dissociation, thought suppression and levels of identification with the protagonist, the potential harmful effects of viewing such media may be greater. In some instances, and for some people, narratives of hope, seeking help and portrayals of an individual overcoming or positively coping with a suicidal crisis can lead to positive outcomes. However, it remains unclear whether these potential benefits are enough to outweigh the potential harmful effects, for which there appears to be a larger evidence base. The WHO have recently published a resource regarding screen and stage portrayals of suicide which identifies ways in which positive im-pacts of portrayals of suicide in such media can be increased, and the potential negative impacts can be minimised (World Health Organization, 2019). Consistent with our findings, they suggest portrayals emphasise the importance of seeking help, looking after oneself and others, and shares a message of hope. More research is clearly needed on the impact of portraying suicide in non-fiction screen media such as documentaries. The current evidence makes it difficult to determine the impact of
documentary portrayals of suicide on viewer suicidality due to the current studies regarding non-fiction documentaries not di-rectly measuring suicidal ideation or behaviour in the viewers and instead only measuring suicide literacy outcomes (aware-ness, attitudes, help seeking).
4.2 | Strengths and limitations
The strengths of this review include the comprehensiveness of the searches conducted, the specific focus on this type of media and the rigorous study selection process. The review team were inde-pendent researchers with no conflict of interest in the topic. The articles included in this review were of varying methodological qual-ity and therefore the findings need to be considered in light of this. The reliance on self-reported outcome measures in almost all the studies included may be seen as a limitation, however, the self-re-port measures used were almost all reliable and valid measures of the outcomes of interest, for example, suicidality. Because of the rapid review methodology enabling a more efficient search, the nar-rowed date range and exclusion of studies not published in English or grey literature may mean that some relevant studies may have been excluded.
5 | CONCLUSION
The literature reported varying impacts of portrayals of suicide through moving-image media such as increased suicidal ideation and behaviour, as well as positive impacts such as increased help-seeking behaviour. While there is limited evidence which focuses specifically on the impact of moving-image media, the studies included in this review highlight concerning trends regarding the impact of media portraying deaths by suicide on subsequent suicidality. However, positive impacts on suicide awareness, literacy and help-seeking be-haviour were also identified.
ACKNOWLEDG EMENTThis work was supported by the South Australian Premier's Advocate for Suicide Prevention and the Government of South Australia.
CONFLIC TS OF INTERE S TThe authors have no conflicts of interest.
ORCIDMiriam Posselt https://orcid.org/0000-0003-1668-9933 Heather McIntyre https://orcid.org/0000-0001-8475-769X Nicholas Procter https://orcid.org/0000-0002-7289-3165
T WIT TERMiriam Posselt @MiriamPosselt Heather McIntyre @HeatherEaton01 Nicholas Procter @MHReasearchUniSA
14 | POSSELT ET aL.
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How to cite this article: Posselt M, McIntyre H, Procter N. The impact of screen media portrayals of suicide on viewers: A rapid review of the evidence. Health Soc Care Community. 2020;00:1–14. https://doi.org/10.1111/hsc.13112