the history of rock ‘n’ roll the sound of america

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The History of Rock ‘n’ Roll The Sound of America

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Page 1: The History of Rock ‘n’ Roll The Sound of America

The History of Rock ‘n’

RollThe Sound of America

Page 2: The History of Rock ‘n’ Roll The Sound of America

How would you

describe Rock ‘n’

Roll?

Page 3: The History of Rock ‘n’ Roll The Sound of America

Where did Rock ‘n’ Roll originate?

???????

Page 4: The History of Rock ‘n’ Roll The Sound of America

Where did Rock ‘n’ Roll originate?

Page 5: The History of Rock ‘n’ Roll The Sound of America

Where did Rock ‘n’ Roll originate?

Detroit, Michigan

Page 6: The History of Rock ‘n’ Roll The Sound of America

Detroit, Michigan

Page 7: The History of Rock ‘n’ Roll The Sound of America

Detroit, Michigan

Motown, USA

Page 8: The History of Rock ‘n’ Roll The Sound of America

Why is Detroit called Motown?

Motown is also known as Motor City.

Detroit is referred to as Motor City because it has been the center of America’s motor vehicle production since Ford opened the Ford Motor Company in 1903.

Page 9: The History of Rock ‘n’ Roll The Sound of America

Detroit, before R ‘n’ R

In the 1950s, people from the south were moving to Detroit in hopes of landing a job in the automobile industry.

Many people congregated to the East Side of Detroit, which ended up creating a “rough and tumble” neighborhood.

In this neighborhood, the beat of the blues could be heard in the streets.

Artists like John Lee Hooker were popular.

Page 10: The History of Rock ‘n’ Roll The Sound of America

“The Sound of Young America”

Motown’s motto: “The Sound of Young America.”

Motown’s blend of gritty urban blues mixed with pop and soul music made the sound appeal to both black and white young adults listeners.

Page 11: The History of Rock ‘n’ Roll The Sound of America

Berry Gordy

Berry Gordy was the founder of “Motown Records”

Gordy almost single handedly helped create and promote the “Motown Sound.”

The “Motown Sound” involved the upbeat catchiness of pop music, the soulfulness of rhythm and blues, and the intensity of gospel music.

Page 12: The History of Rock ‘n’ Roll The Sound of America

Smokey Robinson

Smokey Robinson founded The Miracles, a singing group, while still in high school.

Smokey Robinson and The Miracles were the first singing group that Berry Gordy signed.

Robinson encouraged Berry Gordy to start the Motown Record company

Page 13: The History of Rock ‘n’ Roll The Sound of America

Smokey Robinson

Smokey eventually became the Vice President of Motown Records.

Smokey wrote songs for The Miracles, but also for The Temptations, Marvin Gaye, and others.

Smokey eventually went solo and was very successful.

Page 14: The History of Rock ‘n’ Roll The Sound of America

The Temptations

Page 15: The History of Rock ‘n’ Roll The Sound of America

The Supremes

Page 16: The History of Rock ‘n’ Roll The Sound of America

The Four Tops

Page 17: The History of Rock ‘n’ Roll The Sound of America

Martha and the Vandellas

Page 18: The History of Rock ‘n’ Roll The Sound of America

Marvin Gaye

Page 19: The History of Rock ‘n’ Roll The Sound of America

Marvin Gaye

Page 20: The History of Rock ‘n’ Roll The Sound of America

Stevie Wonder (and Grover)

Page 21: The History of Rock ‘n’ Roll The Sound of America

Stevie Wonder

Page 22: The History of Rock ‘n’ Roll The Sound of America

Stevie Wonder

Page 23: The History of Rock ‘n’ Roll The Sound of America

Jackson 5

Page 24: The History of Rock ‘n’ Roll The Sound of America

Jackson 5

Page 25: The History of Rock ‘n’ Roll The Sound of America

Why Motown was so successful?

Berry Gordy was a master at finding talented performers, composers, arrangers, and producers.

Motown has the best of everything (stylistically).

It’s stars promoted an image of upright, clean, and wholesome fun.

Page 26: The History of Rock ‘n’ Roll The Sound of America

Find out more about MotownYour assignment is to use your laptops and the web to find 10 informative facts about any Motown artist. It should be new information and interesting. NO WIKIPEDIA ALLOWED!! Send it to me over first class when you are done

Page 27: The History of Rock ‘n’ Roll The Sound of America

Motown Artists

The Four Tops

Marvin Gaye

Berry Gordy

Jackson 5

Martha and the Vandellas

Smokey Robinson

The Supremes

The Temptations

Stevie Wonder

Page 28: The History of Rock ‘n’ Roll The Sound of America

Where did Rock ‘n’ Roll originate?

Los Angeles, California

Page 29: The History of Rock ‘n’ Roll The Sound of America

Los AngelesCalifornia

Page 30: The History of Rock ‘n’ Roll The Sound of America

Los Angeles before RnR

In the 1950s LA was competing with Detroit for the highest number of automobile manufacturers.

Factories were popping up everywhere. People were traveling to LA for jobs in sewing factories, furniture factories, in radio broadcasting stations, and in motion pictures.

Rail car systems were being shut down and replaced with bus systems, which contributed to the massive amount of pollution that LA is famous for having.

Page 31: The History of Rock ‘n’ Roll The Sound of America

Southern California

had developed a “surf sound.”

Page 32: The History of Rock ‘n’ Roll The Sound of America

What do you think the “surf sound” sounded like?In music, how might composers and artists convey this

“surf sound?”

Page 33: The History of Rock ‘n’ Roll The Sound of America

What group of people do you think this sound appealed to most?

White American Teens

Page 34: The History of Rock ‘n’ Roll The Sound of America

The Beach Boys

Page 35: The History of Rock ‘n’ Roll The Sound of America

Overdubbing

Layering the tracks during the recording process.

Record one track, then play it back and add another track on top of it, etc.

This was a very common way for recording for the Beach Boys and other bands.

Page 36: The History of Rock ‘n’ Roll The Sound of America

The Beach Boys

Page 37: The History of Rock ‘n’ Roll The Sound of America

How did this differ from the sound of Motown?

Motown:

LA Sound:

Page 38: The History of Rock ‘n’ Roll The Sound of America

Why do you think this sound didn’t appeal to older

generations, or to black teens as well?

Page 39: The History of Rock ‘n’ Roll The Sound of America

California’s folk music sceneIn the 1960s, LA had a growing interest in folk music. People would gather at coffee shops and hootenannies to listen and play folk music.

Page 40: The History of Rock ‘n’ Roll The Sound of America

What in the world is a hootenanny?

A hootenanny is similar to what we might call an “open mic night” in which anyone could come and perform for 5-10 minutes a piece.

Hootenannies were very popular in the 60s, especially among college students.

Page 41: The History of Rock ‘n’ Roll The Sound of America

Folk Music

Folk music has been heard for many years in the US and in other countries.

In folk music, the most important part of the music is the story the music tells.

During the 1960s, people wrote folk music about the Vietnam War, the opposition to the government and the Civil Rights Movement.

If you wrote a folk song today, what might you write about?

Page 42: The History of Rock ‘n’ Roll The Sound of America

Folk Music

Folk music is most often passed down by rote.

Passing things on by rote means that people learn the music by listening to it, not by reading music. “Learn by hearing.”

What songs might you have learned by rote?

Page 43: The History of Rock ‘n’ Roll The Sound of America

Joni Mitchell

Page 44: The History of Rock ‘n’ Roll The Sound of America

The Byrds

The Byrds were greatly influenced by many different artists.

They brought many different styles together to create a new “electric folk-rock” sound.

They were influenced equally by Bob Dylan and by the Beatles.

Roger McGuinnDavid CrosbyGene Clark

Chris HillmanMichael Clark

Page 45: The History of Rock ‘n’ Roll The Sound of America

The Byrds

Page 46: The History of Rock ‘n’ Roll The Sound of America

The Troubado

urThe center of LA’s

hit music scene

Page 47: The History of Rock ‘n’ Roll The Sound of America

The Troubadour

The Troubadour opened as a jazz club in the 1950s.

It was THE hotspot for music in LA.

During the 1960s they featured artist like Crosby, Stills, Nash, and Young.

Many artists that played there ended up gaining great commercial success.

Page 48: The History of Rock ‘n’ Roll The Sound of America

Crosby, Stills, Nash, and Young

Page 49: The History of Rock ‘n’ Roll The Sound of America

During the 1960s…

LA seemed to be swarmed with singer/songwriters, but in reality it featured a very diverse musical culture….

Page 50: The History of Rock ‘n’ Roll The Sound of America

Bonnie Raitt

Page 51: The History of Rock ‘n’ Roll The Sound of America

Bonnie Raitt

Page 52: The History of Rock ‘n’ Roll The Sound of America

Randy Newman

Page 53: The History of Rock ‘n’ Roll The Sound of America

Randy Newman

Page 54: The History of Rock ‘n’ Roll The Sound of America

The Eagles

Page 55: The History of Rock ‘n’ Roll The Sound of America

By 1976, LA was the

center of the music industry

The Eagle’s “Hotel California” was a major

climax in the LA music scene

Page 56: The History of Rock ‘n’ Roll The Sound of America

Hotel California

Page 57: The History of Rock ‘n’ Roll The Sound of America

Around 1980 LA’s music industry declined

and the focus was turned back to New York where punk, New Wave, and rap were

gaining popularity.

Page 58: The History of Rock ‘n’ Roll The Sound of America

Study Time!There will be a quiz

next class over Motown and LA. All questions in

your follow along worksheets may or may

not be on the quiz!

Page 60: The History of Rock ‘n’ Roll The Sound of America

Where did Rock ‘n’ Roll originate?

San Francisco, California

Page 61: The History of Rock ‘n’ Roll The Sound of America

San Francisco

California

Page 62: The History of Rock ‘n’ Roll The Sound of America

San Francisco before RnR

San Francisco attracted many artists, musicians, and social rebels during the late 1960s.

Long before this time, SF had become a “literary bohemia” which attracted many non-conformists.

Bohemia: “a district inhabited by persons, typically artists, writers, and intellectuals, whose way of life, dress, etc., are generally unconventional or avant-garde.”

Page 63: The History of Rock ‘n’ Roll The Sound of America

Non-conformist

Someone who doesn’t want to adhere to the rules or laws applied to them.

Someone who goes “against the flow.”

In LA, many non-conformists were into what genre of music?

Folk

Page 64: The History of Rock ‘n’ Roll The Sound of America

San Francisco, CA

"There was a community in need of music, and music in need of a community," explained Grateful Dead drummer Mickey Hart.

San Francisco people were very free thinking, and it made sense that these kind of people could have created a whole new style of music.

Page 65: The History of Rock ‘n’ Roll The Sound of America

SF’s contribution to music

Songs were no longer confined to two or three minutes in length. Some songs were 20 minutes long!

SF artists changed the way music was performed and experienced.

Page 66: The History of Rock ‘n’ Roll The Sound of America

Quicksilver Messenger Service

Page 67: The History of Rock ‘n’ Roll The Sound of America

psychedelic“of or noting a mental state characterized by a profound sense of intensified sensory

perception, sometimes accompanied by severe

perceptual distortion and hallucinations and by

extreme feelings of either euphoria or despair.”

Visual

Page 68: The History of Rock ‘n’ Roll The Sound of America

The Grateful Dead

http://www.youtube.com/watch?v=ReEIOJBYOeA

Page 69: The History of Rock ‘n’ Roll The Sound of America

Fueling the Movement

Sweeping changes in concert promotion and FM radio fueled the movement.

Underground radio was born here, as local stations KSAN and KMPX embraced the daring new music.

Rock journalism found a literate voice in such San Francisco-based publications as Rolling Stone. 

Page 70: The History of Rock ‘n’ Roll The Sound of America

Other psychedelic elements

Not only did musicians use a “psychedelic sound” but they also appealed to listeners visually.

Old ballrooms and halls were converted into spaces that were for live music performances.

Light shows developed, and soon the audience was experiences a whole multimedia performance.

Page 71: The History of Rock ‘n’ Roll The Sound of America

Experiencing Music

What does it mean to experience music?

While watching this next video, come up with some ways that you think the artists changed the way music was performed or experiences.

Page 72: The History of Rock ‘n’ Roll The Sound of America

Jefferson Airplane

Page 73: The History of Rock ‘n’ Roll The Sound of America

Haight-Ashbury

A neighborhood around Golden Gate Park which had many

Victorian houses which could be rented for a

small amount.

This was the center of San Francisco’s music

movement in the 1960s.

Page 74: The History of Rock ‘n’ Roll The Sound of America
Page 75: The History of Rock ‘n’ Roll The Sound of America

Country Joe and the Fish

http://www.youtube.com/watch?v=dATyZBEeDJ4