the history of animation (part 1)

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    VISUAL

    COMMUNICATION

    AND

    ANIMATION

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    O

    HOW DOES

    VISUALCOMMUNICATION

    WORK? (This involves several questions andoffers several possibilities)

    How did the development of animation play a role?

    How does human perception affectvisual communication?

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    Humans have alwayswanted to communicate

    using

    MOTION

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    Well lets go back to the

    beginning, shall we

    How about back to the timebefore history

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    First we

    find aneight-

    leggedboar

    in the Altamira Cavesof Northern Spain

    Does it really have eight legs?

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    Then

    Wrestling

    takes over

    (of course)

    an Egyptianwall

    decorationcirca 2000

    B.C.

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    THE PERSISTENCE

    OF VISION

    T rue animation

    cannot be achieved

    without first understanding

    a fundamental principle

    of the human eye:

    BUT,

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    THE BLUE MAN GROUP

    WHO BETTERTO EXPLAIN THE

    CONCEPT THAN

    PLEASE ENJOY THE SHOW AND ENJOY LEARNING

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    How the human eye works

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    At night weperceive the worldas black and white.

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    How about howfast the eye sees?Lets consider:Frame Rate .

    It is related to but not identical

    to a physiological concept called theflicker fusion threshold or flicker fusion rate.

    http://en.wikipedia.org/wiki/Physiologyhttp://en.wikipedia.org/wiki/Flicker_fusion_thresholdhttp://en.wikipedia.org/wiki/Flicker_fusion_thresholdhttp://en.wikipedia.org/wiki/Physiology
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    o Light that is pulsating

    below a certain rate is

    perceived by humans as flickering o Light that is pulsating above this

    rate is perceived by humans asbeing continuous

    o Few people perceive

    flicker above about 75 hertz

    Consider how you perceive objects illuminated by a strobe light.

    http://en.wikipedia.org/wiki/Hertzhttp://en.wikipedia.org/wiki/Hertz
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    To understand

    this more clearlylets go back in time

    again (but not so far)

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    PAUL ROGET

    A Frenchman invented the

    thaumatrope in 1828

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    It was a disc with a string

    or peg attached

    to both sides.

    One side of the disc showed a bird,

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    When the disc was

    twirled, the bird

    appeared in the cage

    This proved that the

    eye retains images

    when it is exposed to

    a series of pictures,

    one at a time.

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    Because ofthe persistence of vision!

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    Other inventions

    helped to further

    the cause of animation

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    JOSEPH PLATEAU

    He invented the

    phenakistoscope in 1826

    It was a circular card with slitsaround the edge.

    Pictured is the later

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    The viewer heldthe card up to a

    mirror and peeredthrough the slitsas the card whirled.

    Through a series of drawings around

    the circumference of the card, the viewer

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    George Homer in 1834,

    improved the idea with a

    base and a drum with a strip of paper with a

    hand drawn sequence of

    pictures inserted.

    He called it the Daedalum

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    Some thirty years

    later in 1887, it waspatented almostsimultaneously by

    William F. Lincoln inAmerica and by M.

    Bradley in England.

    Mr. Lincoln renamed it the Zoetrope.

    Are you noticing a pattern here? Inventors building on each

    others work (or stealing the idea).

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    LATER GIANTSTRIDES

    WERE MADE

    BY CREATIVE PEOPLE LIKEYOU!

    So lets use our creativity and make our very ownthaumatropes.