the great war archive: how audiences engaged with ww1

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The Great War Archive: The Great War Archive: How audiences engaged How audiences engaged with WW1 with WW1 Kate Lindsay Kate Lindsay Manager for Engagement Manager for Engagement [email protected] @ktdigital

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Presents an audience analysis on the Great War Archive projects. Prepared for JISC, September 6th 2011.

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Page 1: The Great War Archive: How audiences engaged with WW1

The Great War Archive: How The Great War Archive: How audiences engaged with WW1audiences engaged with WW1

Kate LindsayKate Lindsay

Manager for EngagementManager for Engagement

[email protected] @ktdigital

Page 2: The Great War Archive: How audiences engaged with WW1

Project Aims

To collect and make available online digital version of WW1 memorabilia

held by the public.

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Year: 2008Length: 16 WeeksMain Country: UKCollection Days: 6Website: http://www.oucs.ox.ac.uk/ww1lit/gwa

The Great War Archive (GWA)

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Year: 2011 -Length: 6 Months (ongoing)Main Country: GermanyCollection Days: 8Website: http://www.europeana1914-1918.eu

Ester Weltkreg in Altagsdokumenten (EWA)

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Submissions

A submission is the objects + description contributed to the archive together.

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Submissions

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Files

Overall, GWA submissions have fewer files attached than EWA submissions (on average 3.4 and 14.5)

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People Contributing

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People Contributing (EWA)

Whilst audience data was not collected for the GWA, we do know that 1/3 of online contributors were uploading submissions on the behalf of someone else.

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Observations

• The audiences of GWA and EWA were largely over 45 yrs and male.

• The project audiences were often genealogists, military collectors and local

historians.

• Tapping into existing audiences, conversing with them in the spaces and places

that they already existed led to effective engagement.

• It is indicated that a significant proportion of our audience did not have the IT

literacy skills to engage with the project via technologies.

• Research needs to be done into finding “the hook” for younger audiences.