the doll house by: sarah atchison, shauntiara green, danielle walker

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The Doll House By: Sarah Atchison, Shauntiara Green, Danielle Walker

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Page 1: The Doll House By: Sarah Atchison, Shauntiara Green, Danielle Walker

The Doll House

By: Sarah Atchison, Shauntiara Green, Danielle

Walker

Page 2: The Doll House By: Sarah Atchison, Shauntiara Green, Danielle Walker

Theatre History

• Swiss theatre historically has been dominated by religious themes

• During the 18th century the government suppressed the performing arts, but in the 19th century patriotic plays emerged

• During the Nazi period in Germany (1933–45), Zurich's Schauspielhaus (German: “Playhouse”) was an important centre for theatre, where many refugee writers, directors, and actors performed or staged productions.

Page 3: The Doll House By: Sarah Atchison, Shauntiara Green, Danielle Walker

Theatre History

• Nineteenth-century theatre describes a wide range of movements in the culture of the 19th century.

• In the west, they include Romanism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau

• the theme of Realism in theater was likeness to life and this movement sought to create theater that was a laboratory for the nature of relationships.

• The goal of a realism-era play was to set forth a functional or dysfunctional situation in an objective manner to an impartial audience.

• The audience is meant to view the characters as a visitor observes animals in a zoo.

Page 4: The Doll House By: Sarah Atchison, Shauntiara Green, Danielle Walker
Page 5: The Doll House By: Sarah Atchison, Shauntiara Green, Danielle Walker

Costumes

• In 1914, the Bernese association devoted to the protection of regional traditions published a pamphlet criticizing what it described as the nonsense surrounding the styles in national costumes.

• In the 1920s, the artistic committee of the Swiss Association called on artists throughout the country to portray people in traditional costumes

Page 7: The Doll House By: Sarah Atchison, Shauntiara Green, Danielle Walker
Page 8: The Doll House By: Sarah Atchison, Shauntiara Green, Danielle Walker

Henrik Ibson

Page 9: The Doll House By: Sarah Atchison, Shauntiara Green, Danielle Walker

The Play

• A Doll’s house opens as Nora Helmer is telling Helene to hide the Christmas tree.

• Nora is treated as a childish, silly woman by her husband.

• a Doll’s house criticizes the traditional roles of men & women in the 19th century marriage.

• To many Europeans, this was scandalous

Page 10: The Doll House By: Sarah Atchison, Shauntiara Green, Danielle Walker

The play continued

• 1897 play by Norwegian playwright Hedrick Ibsen.

• Written 1 year after the Pillars of Society.

• The play was controversial when it first came out because it is critical to 19th century marriage norms

Page 11: The Doll House By: Sarah Atchison, Shauntiara Green, Danielle Walker

The play continued

• In Germany, the productions lead actress refused to play the part of Nora unless Ibsen changed the ending.

• In the alternate ending, Nora gives her husband another chance after he reminds her of her responsibility to their children

Page 15: The Doll House By: Sarah Atchison, Shauntiara Green, Danielle Walker

THE END!