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Fife

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i //-/*£' J7(>/in,Hautjbof a?idGermattF/ute

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Wliere Books o£ Inftrizctxons for all Inftruments are Sold

I&.jThe Tunes in this Book are Proper for tie German Flute

JSTEWInstruct ioks

T OR THEFIFE

The firft thing lo be learned on this Inftrument, is the

blowing or filling it fufficiently to found the Notes clear

and (filtinct, obftrve therefore your Lips muft be clofe ex,

_cept juft in the middle to give paffage to the Wind, and

likewife contracted fmooth and even. Then reftingthe Fife

Juft under the opening of the Lips, place the mouth hole of

the Fife oppofite this opening and blow aflant into the hole,

turning the Fife outward or inward till you can make it found.

Its not a great quantity of Wind that is wanted to make the

Fife found, but the manner of difpofing of it, letting it.

come out quick and in as fmall a quantity as is neceffary

according to the height of the Notes you want to play, the

lower the Notes are the more gently you muft blow,$c the

higher they are the ftronger.When you can make the Fife fpeak put down the three 1 .

Fingers of your left hand upon the three holes neareft

the mouth hole, and the three firft Fingers of your right

hand upon the other three holes,placing your Thumbs on

the oppofite fide between each of the two firft Fingerstaking care to ftop the holts firm and clofe. then blowgently and you found the Note D. To found E. take off

the third Finger of your right hand and fo on for the

other Notes as you'll find in the following Scale.

The Scale or Gamut

P:=#=RH— F#^M=tfw- -#- P

i*npfeF^ff

D E F

-#

G A

i—9

—

B FHc D E F

-J—G

•

A

9

l

i

ft

ii i^ **'i

"Natural, Sharp,and Flat "Notes

fe*H

I gi I

B E F G F-m-

+-+

The fix dots underneath the Note D. reprefent the fix

holes of the Fife ftop'd, where there are no dots the Fin-

i jjers are to be taken off thofe holes.

All the Notes above Care call'd in Alt, to diftinguifh

them from thofe below, of which they are only a repetition,

and thofe above C.in Alt are call'd double D. double E.dou-

_ble F. and double G.in Alt.

When you can found the Notes of the firft Octave try the

next, to perform which you muft draw your Lips tighter and

let the Wind come finer and ftronger. when you have learnd

that;try at the remainder ftill forcing the wind out ftronger,

and then practice the whole from bottom to top and top to

bottom untill you have learn'd every "Note perfect and can

play all the Notes in the Gamut without ftopping. dont

attempt to play any fort of tune untill you have perfectly

learn'd the Gamut and do thoroughly underftand the charac-

_ ters thereunto belonging.

An Octave is eight Notes either afcending or defcending

as from D. to D. from E. to E . from F.to F. and fo on, as you

will fee in the following Example.

^^rrUJJ'rrm^ mi

The tails of Notes may be turned upward or downward for

the conveniency of tying together, thofe above the middle

line being turnd down and thofe below turnd up, only that

they may be kept as much within the middle of the lines as

poffible. The different characters made ufe of in Muficwith their names are as follows . A Cliff Jl A Sharp #.A Flat b . A Natural t . A Slur ^A Shake h*J A Paufe T»A Repeat X. A Direct w . A Bar, I I I Adouble Bar II

: |j.

Semibreve. Minim. Crotchet. Quaver. Semiquaver

JL £ 'X^

Refts belonging to each Note.

The following Characters are ufed for fhewingthe Time

Common Time is mark'd thus Q.or(f).3)-

or "^ith figu

as thus ?.or ^.and Triple Time in this manner §. ?. jj .

Explanation of the. ahove Characters

res

or

A Cliff is always placd at the beginning of the Stave withthe wi deft part of it aero is the 2. of the five lines, &c knownby the name of the Treble or G. Cliff becaufe the line onwhich it ftands is calld G. which no other does but itfelf

.

A Sharp when placed on any line or fpace at the beginningof the five lines, fhews that all the Notes upon that line orfpace muft be play'd half a tone fharper or higher than it

is in the Natural Scale and likewife, whenever you, fee it pla-ced before one or more Notes in any other part of a Move--ment,it fignifies that all the Notes that comes on thatline or fpace muft liXewife be play'd half a tone fharperuntill it is contradicted by a Natural tj .

4. /A Flat, when placd on any line or fpace at tht beginning

of the five lines , fhens that all the Notes upon them lines

or fpaces muft be playd half a tone lover than they natu~

-rally are, and likemife when it is plac'd before one or moreNotes in any other part of a movement it fhews that all the

Notes npon that line or fpace on -*hich it is plac'd are like

_wife to be played half a tone flater or lower than they are

in the natural Scale untill it is contradicted by a Natural .

The meaning of a Natural is, when any one or more Notes

have been made Sharp or Flat hy the two Characters above

mentiond it reduces thofe Notes to their natural Tone . .

A Slur is part of a circle, when placd over the heads of

any number of Notes ,it fhews that all them Notes are to

be playd without tongueinjJ and with one brtath .

A Shake, is a character that when plac'd over a Note ihews

that, that Note muft be fhaked,in order to perform this;you

muft fhake the next Note above, which is done by moving

that Finder off and on as quick as you can fhake it but be

fure to let the real Note be heard at laft .

A Paufe is the next Character , which fignifies at fuch a

mark all the Performers in a Concert muft ftop, letting the

Tone die away gradually v*ith a total ceffation thorough the

whole Band, and it is often placed over a Note at the end of

amovement fignifying that the tune or movement ends there .

A Repeat fignifies that fuch a part of a Sonfi or Leffon

muft be playd twice over from the place whereon it is fet.

A Direct is placed at the end of a ftave to fhew the place

of the-firft Note in the next ftave.

A diminutive Note or grace marked thus J J f is fet

before a real Note'and is only meant to prepare that real

Note and not reckoned into the time.

A finale Bar is placed acrofs the five lines and ferves

to divide and regulate the time.

Minims

A double Bar is alfo plated acrofs the five lines this fhfcws

and divides the firft part of any movement from the ffctond

and if there are t*o Hots on each fide, it fhews that fuch part

or parts are to he played twice over before you go to the 2 (.

and HTcewife the fecond part to be played twice over before

you begin again at the firft , hut when you fee two dots but on

one ii((e of the double Bar you muft play that part on which

fide they ftand,but once over. When you fee the word DaCapo placed at the latter end of a movement , it fliers that

you begin aijain ami end •with the firft part, over the laft

Note of which you generally find a Paufe^Example of the Time

Common Time Triple Time

Semibreve o Minim R

J Crotchetsf

I

Crotchets P f Quavers t-^ f h

Explanation of the Time

Common Time confifts of an equal number of Minims Crot-

chets or Quavers in a Bar,howmany each Bar contains may

be known at the firft fight by looking how it is marVd at the

beginning of t-vt-rv frefh movement, if it is markd *ith a

character"fomething refembling a C. which character you'll

find defcribed at the beginning of thefe Inftructions there

are 2 Minims or 4 Crotchets, I don't mean that the Bars thro'

the whole movement confifts of them very identical Motesonly, but equal to them in point of time . The next fort of

Common Time is markd thus ?. which fhews there are twoCrotchets or four Ouavt rs in a Bar.

Triple Time confifts of either 3 Minims 3 Crotchets or 3Quavers in a Bar, and is to be known'by theft as follows 3

.

fignifies 3 Minims ^ three Crotchets 3 three Quavers •? nineQuavers ^ fix Quavers ^

2 twelve Quavers in a Bar.In order to keep regular Time in the performance of Mu

_fic,you muft acruftom your felt to keep a motion with

your Toe. when Mufic confifts of an even number of Crot-^chets or Quavers in a Bar, your Toe muft fio down with the

Is. Note in the Bar and rife at the half or middle, as in the

following Kxamples where the letter (d)fhews where it muft

jjy down and the letter (ii) where it muft rile .

Example

-^^rrrr

irri i

rfrfcrir-Q^iiW#fi^«rt ii 'd ii d ii d u d u d u d u d u

|^; j ^l rrco4#^#q^#ibd

In Triple Time which confift of 3 Minims 3 Crotchets three

Quavers in a Bar the Toe muft fio down with the firft V rife

with the third as in the following Kxamples.

j" i

MlJ "Miir^r^m^rfT^

ii d u d ii d -ii d u d « d

^£a^ta%^'J^niDa^p„ d u d u d ii d ii d ii d u d

The English Duty

The Kevt illv^^m Uunrrir-wr

sfeiywm p^fe^

bThe General k ***

^^

pauMi^^j^feiTo Arms

/lu ii.

yi uij i it i

^iWii^iijTroop or AfTt.mblinjJ

Da Capo

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ri

ri rH*

jV^ini 1,1! iMiUl/Nl I'll ml

^^^^^^^m

8Doublings of the Troop

ir .rrr

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rrf mJLEf |

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rri

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Troop

m^^mwmm^^MU-L? i rj^^^M^i^g!

m^ l^mmDoublings

¥nrmr^^\[Ss n \ m^]=$*-$UJ1 Jl^T^ci/ler/^rlJ a

W£&£^&ms \

n J i^ffl

^^rjiriCttfl i-ttJJjini^

^•=*c V ^U-H

Troop for the Colour*

fS^X^M *=J» j^EBji

f^ JOTij Mkgyfl i

jtji cjg£

$m£ isg= •* .

n Colours is receivtf£

Doublings vhen Col o ii r s is receivtf

ifl ^Q?F£=11 fr-pr

Doublings

frrxXnLcii r icJJci;-^?'

r rr r

i

rrrri

r rjT^ir-gy

JLLLJ

grm i r r rrlCtr f^UJ*

10Troop

&^M \ ttjtfi&tthJUA

m ^^4^£B^^^Doublings

Grenadiers March

iViggirrrirP P

£

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f cjij ii n

ftf&$tmt#f\ rt\rtiw

m l if l 'f I IHtf#%*3E5^

li K gTflJlUilJ!^^#^ff-fffff^^^l^

11

Foot March 8 Divifions

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irg lea a r rrti»fT^r^fTtmjrjp^ £^

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^-m L r-JK- ri^^^^

12Tattoo

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^f irfjrwtWri ^JTi^

f \•

i

-rrj-] jtji ^ airrj* r/n

End of the En^lifh duty,

The Scotch Duty.The Ktveilly

^^rf^rl-^gr^+^trl-E^^sBM^TxtrTuj 1

1ii

"

The General-^gj f rTnrmiii^iUi

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J

c/' rcr

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1 MTo Arms10 Arms

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The Gathering13

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Grenadiers Marc

if i I J -i J3 ^g M^# cm pep

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r r r<-Ui^rr

i r-'J9^

fUT^irJ^j i ^ciNJ' J

?*cj/cZf rrJT^i

jntf'r ri cx^g

Hiii ^ § 13Foot March

^^^§gj r*|i <^JJ3t2rp*HT^ i j i f ry-^g

^jTfrN^^^ I

14Retreat

=§kmR{U\f%$

Tattoo

iftl I Jfr

IJ:HftH3

=^h g 1 1 Luuttrrrttrn^^

^ f'Cj-mrrji ^The Drums call

End of the Scotch duty.

Ps # in^LLf I r-H4eJ f I rqt^

Kodues March ,

r^#icfr i frcfiffitj(i£f i ui i

1^ ejjiJ J t r r

i r^WmaB«. ntntfto£J

JL*_* ii

15Scotch Reveilly^gM wuut^-t

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.

1

1 jp j ir n-^^fe^

—*HhThe Queen of Hungary s Tattooine yueen ot Hungary s lattoo

atmj-jL t-LflLf r!cH^?

y^^ i

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i?rn\jrr{ \

n=&&=*The Heffian Tattoom ^

i

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1 1 1 1 1 1 11 M^f n

16Tattoo .Ahel. part to be continued-while the Drum rolls)

ffi^j^\r\ \ u #B '

i

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fm^-^in j* g yn=frtpp

fr rr rh r|

J ^ ^WWThe French Troop

Lori ^Ji^i^flj^i J]^i JJ3U*^rf i

6Bcrri

6ccrg

^^ggi rtCrrCcri r- i

»The Singling of a Troop by M? Weideman

^pgliBBP11

^OTi fJiJTJlJ i^irrfir^ifsq

f^t^Wfe^t^ftf^

Lord Loudon s Singling of a Troop*T

^WilXf i n^Kccrrn^Jn

Foot March

/^ v^j c#wwfoafr Jr-

^[frff^ if^ J ^JJ'Tf^JJJj J i i

The Bank

J'ujj uluj i ntfffrn rrrr i

-

jfirtfrjV'niiig S ITSingling of Johnfons Troop^f^^i j Jfflfr^rf^

^f^Y^ si ^

tr , ' ^ " I f— "Da tap"*)Doublings of Johnfon s Troop . H- ^uoubiincs ot Jonnlons irooy mmm — " _ i

ȣ3

Ijba K-3C

fef f •

I

JP JP

I

JTjna£

18The Singling of Pool's Troop

f '

luj-i 1

11

1T

1 1 u 1

1

n n in

!

nf&mtm

0i§mtgmmmM^ P Laft part but once .

j- J ic;rrf^

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^ t

tccfrfi<

ifr i rGrrJ3

i

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gfo J^jij-%rrr!'Nujpj.uijJi

t*-if,

j /, Lfis

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Prince Eugene* March19

j'li|;,|,l|t|-rJ|f

Wm WtN i .i'iivr

fjftf?# \\ t p p ft p f\~CI

p* #c

*Trrrtr i rr.LUXQjtfcr irrJJ

r WW W w -H?^^^^^^The Marquifs of Granhys March

-j'''i'f rrrf^ i fJjriJ.ijrm^efirf £j£t£S T^tfrf^f1 0000

j iujin.11111

' i"'niiii|iUMii |1

^^^^^mtimj^^^^Atm^^^r^^^

20March in Jurfas Macchabeus

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f^w&j\ts\itfWmm.* • ?

yrcfrri' :

i ^i^fjTriT[r i

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l^rr i rcrrr i frrni^fi' i. i .i B

^d ifrjjrriy.iifr.rfrrn'iictfri

y*^JJ4X4|J_^ i r*^

^njj]jr

i jj]jrt rfffr|fffff|m^

00Trr r r

rif g ffff^f^

21

March in the Defertf.r

£ff%urttftatariam^*4»P#u \ iv\i&t\ttu ii \ diu

Ar L/iLfSgf^gfgtg^

f^tj/ i^ itf-^-NrjiW^

is Jtrp:

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f c?#Fp

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JlJ'

l L£tt^prj i fcrirTlr i ccjj

i..j

i,

'ff£f i ra,

iOTf i jctfCfi jr cr i r^

Quick March for the Foot Guards

|S m r $m w& in^rr ^r

i ^ s ttxt=zmv i -g F-

^j^^q^f^t^fi^p^

22Dulse of Glofters new Mar* h

h* h h* h

iiffifcf^il^l

Lallan Lee

f4^$m^m0$gfw%a rrnfrrjri T*=F+^mft^gj\rrr^ftjj^r^nM

La Promenade Cotillon

rj*t 1 1 V[ r ixmq%rf^fHim^

i^^p JCZtM H^frfmf^iif rr ?1/ 1 ^

^rrf r irJT-:ii; ^rf i c£rrrjfi^

^^tttfrer^fcfti^g

^fj^i£OtJtf.Jcjr ii [j'4^

23Marionets Cotillon

p?tf pttr|

fdTirf.r(^iE£jL^pig ptLT|t£fr

i

rrr

g^ r i i eg~n r &.r ^fc9 V=^

m m tttt&Ff AParfdv MhacX^^^^^^

f^tefff^Mto^ i^i^i

i P i E£^£f--U^£ftl^

.fcrrcx/i crti^tfgj+te^i

The Irifh Widow

^KCfCCf l^MC^ J^I .U"B^

24The Pantheon Cotillon

y;; rrrp |^Jl [ JJ^|J^lrm^mujjn i

j3tfffrrir

F ftft

rrmrw mmmVi

^iiJ./TJ l^ l^ l^ftTrrifcrr i ff.ctf i fTJtfi D a Cay> 5^

The Marquifs ofGranbys or!'. Troop of Horfe Grenadiers March=p v S'\(-fy&gfmf

m&MHob or Nob

ipSippiii jsii

^ipsas?fc S^itt

Tlu 2. Grenadiers Guards March

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%5The Dukes March

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fTTTrf i rrrCfiJJ^M--t

jfjjjji^^j^irrrri^j^j'j^j

CfiJ^j

ri

c/d

,

JJij.tCay>t. Moneys March

f^n \ ^^\r^ \^m\ni^fCfrcfirrrcr i rcfJJ i

JJJt;

yftr rcj irrr;i tffrJJ i JJ:J-ii

Prince Ferdinands March

££3f-rm

'mw=& B^^^jg

^j3^^^ai:^rr|jjj ti

26"Lord LoncCons Grenadiers March

The Turks March.

^i^ttom^IV 2 V

l4mri^iQ^^-^^^*PSl F » F »

/-J—

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PPs *?= s*-r si

-^mm^^m^mu^The train of Artillerys Grenacfiers March

fi ri^ r ri rrnrcf iS^

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fe^Ir l dzTt^i rCrirt i

=>*iIP ±±§ £j l Pjlum

2 7The Foot March

1^XI

t£

d d*

4*!V .* a. (j**ir -

«ft^ »B#^gg1 ^^0T^g£^gl

* 7*.h

Ir

ijj;i'iiir i''iur i iu:I •

PS i gUgS I;i?ian Drag

*=

Tht HeiTian Dragoons March

l%cli£fef t; i ct&^^

28Turkifh March

fHi^r-tf^ XiMET^

wmm

m H-f f f-j> | pp f[J J -It

Count Browns MarchV" Mil %. KM I "" II ,1 lUA ' ' 'I J^^^

^J^J^|

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^er^fcmto^i

fjftffCrrcr i rj jiJfl i v»

Piimetrs March

p^^FS^tQH-^^ltO' cp- 1

J - --ir'^g

Jtlfcx

^?#

i&-M^tffwmiff- i Jrr' i JfCfri

p ffiff i ccrccfi-y^-

f

The Shambuy29

mm i uj 1 jjj u 1r 1

j'rfrffrrriif fi^ i jjLjiifi

^siMarch in Rinalrfa

Cb==;:

^a^tftffl^^ cfi Tin-rig^ tr-

^tf^^a^^ggfrrn^The Want ickfh ire March /%* /sw«i. jftvl

e^tt'J J^g ^ PP# #

#—<» n

£ E-gj r• i #-^inn^

j^£f-F-^^=^I J Jl Jrff

30

f%m^m^k^M sgpiiii^fefe^tj

frJ"fl1

y^^rt HLur<{ Carmarthen s March

I

^LL^Ahhtf

g^£ :£££*£=£if

/TiP 35 ^irrc-Cif-f^

^W^^^^rrfTf^gThe Coronation March

.^'rj£p

.

rnThe Wiltfhire March

m^fumnj mfp^f*^rr l n^c/[r^^r^^li££f£fe=

,

The BeHforrf ilii re March

P^g# sl^

^^^^^gU4J^ ):I

Sir Charles Sedltyk Mnimt

P^Wi ^PPjlB

32Capt

1.' KtfeHs or the 3 . Kt£* of Guards March

^Trf:ffffl^

Igi^llg^^s^£c^fe€£M£a mrc/r^

mgr^tf^S

The norffctfhirt Marrh - -—^

a*er

f**fjT^

#^H#^M^^ >•

33

i#, #-^*#

f^i^ rjiJ^ ij^y

/u^jOu]jJ^]JJJ^ir crr^

j'ujiJjJif&^xjf^frFrmg

fi

•j *i 4 ,t^ms^^^The DuXe of Glofters March

^j naj^jgi

A^^^x^ i^j j

fmffi^gsm^tmw

34Colcfftream or 2. Re£. of Guards March

yirr^TrTOr i fJ t q, | f

U-$\

P r ii j j u^r-£e=F

gfesgljpfeM^^Hi* ir-MrJj f I fr f J fetg ^

fe^rirr/fQ' icrf^^^^J4PiJ^JiJ[jcicriT^

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ipy^Pj^ r r ri f-

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^^^m^^^^^Tn^^ffrr&jtza^rog 3 I