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LOGO DESIGNTHE BASICS OF LOGO DESIGN
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
THE HISTORYArchetypes
The meaning of primitive symbols
Archetypes are primitive symbols. They have the same
meaning in all cultures and evoke similar associations.
Knowing these associations, archetypes can be put to good
use when designing pictograms, logos, and much more.
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
THE HISTORYExample of Archetypes
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
The spiral:The spiral symbolizes the mother as a
central figure, whereby everything is
either moving towards to or away of her. It also reflects the situation of a
baby/child in its discovery phase.
Another meaning is that there is a
beginning and an end.
THE HISTORYExample of Spiral logo
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
THE HISTORYExample of Archetypes
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
The circle:It is the symbol of closeness, wholeness,
perfection and completeness. You can
find the circle in many cultures as Mandala. For example in Tibet, China,
India, but also in the Christian Europe and
in Platonism.
THE HISTORYExample of circle logo
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
THE HISTORYExample of Archetypes
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
The circle with a central point:The baby/child recognizes that there is
an interior and an exterior, things that
belong to it or not, and that it is allowed to do some things but not others. The
central point is the symbolic centre, and
is the point of origin of everything.
THE HISTORYExample of The circle with a central point logo
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
THE HISTORYExample of Archetypes
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
The dots:The dots represent pulse points,
something vibrant, dynamic. They signify
movement and life, expression of rhythmical flow, heartbeat and
breathing.
THE HISTORYExample of dot logo
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THE HISTORYExample of Archetypes
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
The cross:The child realizes that there is a top, a
bottom, a left and a right. The cross also
reflects its effort to walk upright. In addition, the cross is the basis of an
orientation in space. It reflects the
structured wholeness and stands for the
four directions.
THE HISTORYExample of cross logo
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Symbolism of MotionSymbolism of Motion of the Occidental Culture
When designing logos it is very important to pay attention to
the form and direction of the symbols and elements.
When a logo is reviewed, it can be very important whether
a line goes up or down, whether an animal jumps left to
right or vice versa.
In the following chapter, I'd like to give you a brief overview
of the symbolism of space and movement:
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Symbolism of MotionSymbolism of Motion of the Occidental Culture
In the following chapter, I'd like to give you a brief overview
of the symbolism of space and movement:
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Meanings:Top, sun, sky, power, strength, spirit, air,
height, health, vitality, upward
movement, up, rise
Symbolism of MotionSymbolism of Motion of the Occidental Culture
In the following chapter, I'd like to give you a brief overview
of the symbolism of space and movement:
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Meanings:Energy, strength, determination,
ascending, up coming, forward-
looking, goal-oriented, vital, healthy,
innovative
Symbolism of MotionSymbolism of Motion of the Occidental Culture
In the following chapter, I'd like to give you a brief overview
of the symbolism of space and movement:
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Meanings:Future, continue, forward motion, vision,
extroverted, future-oriented
Symbolism of MotionSymbolism of Motion of the Occidental Culture
In the following chapter, I'd like to give you a brief overview
of the symbolism of space and movement:
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Meanings:Earth, disease, disaster, misfortune,
depression, sloping, descending, falling
down, negative
Symbolism of MotionSymbolism of Motion of the Occidental Culture
In the following chapter, I'd like to give you a brief overview
of the symbolism of space and movement:
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Meanings:Earth, water, calmness, stagnation,
tradition, depth, nature, roots, present
Symbolism of MotionSymbolism of Motion of the Occidental Culture
In the following chapter, I'd like to give you a brief overview
of the symbolism of space and movement:
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Meanings:Beginning, past, sub consciousness,
conservative, cautious, past
Symbolism of MotionSymbolism of Motion of the Occidental Culture
In the following chapter, I'd like to give you a brief overview
of the symbolism of space and movement:
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Meanings:Regression, backward movement,
tradition, history, past, introverted,
reticent
Symbolism of MotionSymbolism of Motion of the Occidental Culture
In the following chapter, I'd like to give you a brief overview
of the symbolism of space and movement:
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Meanings:Religious, intellectual, meditation,
calmness, intangible, transcendence,
superior
Symbolism of MotionSymbolism of Motion of the Occidental Culture
In the following chapter, I'd like to give you a brief overview
of the symbolism of space and movement:
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Meanings:Middle, center, safety, protection,
present, symmetry, calmness, balance
Symbolism of MotionExample of symbolism of motion logo
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Symbolism of MotionExample of symbolism of motion logo
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Rules and Principles“Elements, Partitioning, Formats, Adjustment”
A good logo, of course, doesn't emerge accidentally. A
good logo has to be rationally contemplated and must be
premeditated. Finding an idea for the logo is something
different - this part is concerned with realizing the idea well.
There are a few rules and principles that help you
accomplish a good result more easily. If you abide by these
simple rules, you can avoid several mistakes.
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Law of Proximity“Multiple Elements, Interpreted as Shapes.”
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
It is easier for us to recognize
elements if they are in close
proximity. They are interpreted as a
whole shape.
For example, the dots in this image are perceived as a row of dots, not
just as individual dots.
Law of Proximity“Multiple Elements, Interpreted as Shapes.”
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
This occurs when we perceive a collection of objects as forming a
group as in the example above.
The placement of the different
shape elements in a way that it forms the letter “U”
Law of Closeness“What's missing is replenished”
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Let's have a look at the illustration
with an isosceles triangle where
one side is missing : In the first
image, our brain amends this side
and the shape is recognized as a
triangle anyway (Law of proximity).
Again, the law of closeness allowed
us to see a complete triangle,
because we are so familiar with triangles that the missing line was
amended instantly.
Law of Closeness“What's missing is replenished”
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
This captures the idea that we
perceptually close up, or
complete, objects that are not, in
fact, complete. In the WWF logo
we perceive the panda “head” & “body” although the shape we see
appear to blend with the white
space outside the black area.
Law of Similarity“Similar objects are interpreted as same”
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
This law describes the ability of our
brains to view objects with similar
qualities (shape, size, ...) that are in
close proximity as a whole.
Example: image is interpreted as an
accumulation of similar objects, even
though they are not similar. Our brain
detects that the objects are of the
same size, and that is enough to be
interpreted as similar objects by our
brain.
Law of Similarity“Similar objects are interpreted as same”
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
This captures the idea that
objects/elements will be perceived as
belonging to the same group or are
similar to each other. Similar shapes
and the solid black causes our mind to
view the logo as a whole.
Law of Experience“Amendment through knowledge / experience”
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Even though the illustration consists
only of three lines that are not even
connected, our mind immediately
recognizes the letter. An illiterate
wouldn't be able to recognize the
image, but we can recall saved visual information, amend the
missing lines and "see" the
character.
Law of Experience“Amendment through knowledge / experience”
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
This law should be kept in mind
when designing a new logo. If
previous knowledge of some kind is
necessary to understand a logo, it
could be ominous
- for example if the logo is used internationally. Other cultures could
be lacking this knowledge, so the
logo might not be understood.
Distinction Figure/Ground
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A logo could be misunderstood if
the viewer misinterprets the "figure-
ground-distinction". If this rule is not
bore in mind, it can easily happen
that a viewer associates an
element that is part of the figure
with the background, or vice versa.
Generally, just keep in mind that
smaller areas are always seen as
the figure, bigger areas as the background. Moreover, the spatial
arrangement, e.g. the allocation of black and white is an important
factor.
Law of Figure/Ground
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This captures the idea that in
perceiving a visual field, some objects take a prominent role (the
figures) while others recede into the
background (the ground). In this
case the running plumber takes a
prominent role while the plumb is
formed by the negative space.
Composition“Rules for image design”
In this chapter, we will find useful hints for the creative
process of combining or varying elements.
Moreover, the effects of contours, contrasts, hatchings or textures will be explained briefly.
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Combinations“How to combine elements”
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A combination is formed when multiple elements are taken
from an even greater amount of elements, and are
assembled or compiled.
++ Word =
Illustration Batch
Contours“The nature of contours”
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
In logo design, contours are often necessary to separate a
figure from the background (see Distinction
Figure/Ground). Contours can appear diversely.
Contrasts“Creating and sensibly applying contrasts”
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
In logo design, line thickness - or the combination of thin
elements with thick elements - is a very good way of creating contrasts. If they are wisely used, they result in a good outcome
in conjunction with proper spatial partitioning.
Hatchings“Establishing spatiality with hatchings”
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Hatchings are often used to add a sense of spatiality to
elements. It is frequently applied to areas, but may also be
used with text and all other elements.
Basic logo elementsBasic elements of logo design
In many cases, it is very important to know the effects of
these basic elements, and their respective fields of
application. With this information, it is possible to provoke a
specific association or to convey a particular emotion by
using such an element for a logo.
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Triangles
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A triangle can be used with the tip
pointing upwards (A shape) or
downwards (V shape). When
triangles are used, most times they are equilateral triangles. However,
a triangle can be (and is) also used
and displayed in any angle.
“Also called "A shape" or "V shape”
Squares and Rectangles
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Rectangles seem neutral to us. A
square is a special form of a
rectangle - namely an equilateral
rectangle - so its neutral effect is
even stronger.
“How squares and rectangles affect us”
Hexagons
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Hexagons and other polygons, like
octagons, are often used to form a
boundary for logos.
“... and other polygons”
Circles
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The circle is a very popular basic
element in logo design. It may be
used as an independent logo
element, or come into operation
within a text.
“On circles, dots, semicircles and sectors”
Crosses
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
With cross signs, an important
factor for their meaning is the
relative proportion of the lines. If the
lines are unequally long, we immediately think of the Christian
Cross, a death notice etc.
“The cross, often used as a plus”
Lines
• A GUIDE TO GRAPHIC DESIGN BY MS TINA
Lines are very versatilely
deployable. They can come into operation as hatchings of certain
parts or elements of the logo, they
can be graph lines, or just be used
as stilystic elements, separative elements or frames.
“For hachtings, diagrams, frames etc.”
Characters
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Of course, characters and words
are frequently used in logos as well
- some logos consist only of
characters. Logos don't coercively
need to be made up of characters.
There are lots of logos that are only
composed of symbols or shapes.
When using characters, you should keep in
mind that they need to be readable and
reproducible also in small sizes.
“company names, fancy names, additional names”
Classroom Exercise Research and draw out the logo with different basic element. Each element with 5 logo.
All the sketch logo should be available in current market.
Total 35 logo should be show to the lecturer.
Thank you & enjoy your research!!! @^v^@
• A GUIDE TO GRAPHIC DESIGN BY MS TINA