the ancient egyptians
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The Ancient Egyptians. Part I 7,000 to 3,100 BCE. The Nile River, North Africa. The Nile is the longest river in the world and runs South to North, emptying into the Mediterranean Sea. The Gift of the Nile. Two major Neolithic civilizations before 7000 BCE Lower Egypt in the North - PowerPoint PPT PresentationTRANSCRIPT
The Ancient Egyptians
Part I7,000 to 3,100 BCE
The Nile River, North AfricaThe Nile is the longest river in the world and runs South to North,
emptying into the Mediterranean Sea
Two major Neolithic civilizations before 7000 BCE
Lower Egypt in the NorthAgricultural CommunitiesUsed stone toolsMade Ivory and bone objects (art) Made hand-built pottery
Each had own, local gods confinedto a particular district, or nome
Upper Egypt in the South
Upper Egypt in the South along the Nile River
The Gift of the Nile
Each year, the Nile would flood, soaking the earth
along the river banks with rich, black silt from the swollen river, creating incredibly fertile soil.
The Ancient Egyptians became dependent on this flood, as well as the sunny, cloudless sky.
When these two natural events changed or failed to occur, the Egyptians turned to their gods for help.
“Every natural phenomenon, especially the daily return of the sun and the annual flood of the Nile, seemed a continual rebirth”
Flooding and Rebirth:The central Theme to Egyptian Religion
Polytheists Gods manifest in every aspect of nature Influenced human lives and ordered the
universe They could appear in human or animal form They could appear in various combinations of
human and animal forms
Religion
Egyptian Gods
Gods had “spheres of influence” that could
intersect or overlap, producing many compound deities.
Single gods could have multiple aspects Horus-the-child: the potential power of a child Horus-in-the-horizon: the power or day break or
sunset Like most polytheists, they incorporated new
deities from other cultures into their own, creating new combinations of gods with a combination of powers.
Religion (cont.)
Death was not the end but the transition to a similar existence on
another plane Many personal items were also placed along side of the deceased
to ensure a fortuitous afterlife Three parts to the soul:
the ka, akh, and ba The ka, or soul, was said to be able to enter into the afterlife
either through his/ her preserved body or an image of the deceased
The akh was resided in the heavens The ba moved freely in and out of the body, depicted as a bird
with a human head Many of the art we see is Funerary Art found along with the
preserved human remains due to the dry, desert climate
Death and the Afterlife
King Tut
The Boy King
After the unification of Upper and Lower Egypt
in 3,100 BCE, Egypt was ruled by Pharaohs, or Kings.
Absolute rule Art was used as political propaganda,
promoting the pharaoh as the absolute ruler of the people deemed fit to rule by the devine right of the gods
Pharaohs
A divine state Kings mediated between their people and the gods The pharaohs themselves were considered gods Insestuous marriages to keep the royal liniage as
tighly nit as possible to set the royal family apart from their people so that
they could maintain power to be more like the gods political reasons
Usually only for men (there are a few exceptions)
The Egyptian Concept of Kingship
First king to unite Upper and Lower Egypt
“For thousands of years under his rule, Egypt had many periods of durable power, when artists worked for the state and its rulers within the confines of a political and religious hierarchy” (Art Across Time, p.82)
King Menes’ Reign
Palette of Narmer 3100 BCE
Upper Egypt Side white crown
Lower Egypt Sidered crown
Upper EgyptThought to be King Menes, the first pharaoh of Egypt wearing the white crown of Upper EgyptImage of powerLow reliefEgyptian Convention:Conceptual view of human figureSide view of head with one eyeBoth shoulders in viewOne foot in front of the otherSystem of hierarchical proportionsKing largest, enemy lower, slave smaller holding king’s shoes (on holy ground)Gods always watching (Horus)
Lower EgyptTop Register: 1) King Menes in red crown, again, larger than everyone else; ten decapitated bodies of his enemies lay with their heads between their legs meant to be seen as from aboveCentral Register:2) two felines (serpapards) frame an indented circle meant for mixing eye makeupLower Register:3) a bull (Menes) subdues another fallen enemy before architectural symbols