thames & hudson distributed publishers spring 2016 catalogue
DESCRIPTION
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Distributed TitlesJanuary – June 2016
If you are interested in features, review copies or author
interviews for titles distributed by Thames & Hudson, please
get in touch directly with the nominated press contacts at the
publishers listed below. For publishers not listed, and for general
publicity enquiries regarding distributed titles, please contact:
Mark Garland
T 020 7845 5031
F 020 7845 5055
ApertureAlexandra IsraelE [email protected]
Art / BooksAndrew BrownE [email protected]
British Museum PressLaura FoxE [email protected]
ContrastoValentina NotarberardinoE [email protected]
Distributed Art PublishersLuke P. BrownE [email protected]
FlammarionSam EvansE [email protected]
FUELDamon MurrayE [email protected]
Laurence KingLewis GillE [email protected]
National Portrait Gallery Hattie Clark E [email protected]
Royal AcademyE [email protected]
Royal Collection TrustE [email protected]
SchiltYasmin KeelE [email protected]
Scriptum EditionsDavid ShannonE [email protected]
Skira EditoreLeslee HoldernessE [email protected]
SteidlClaudia GlenewinkelE [email protected]
David Zwirner BooksMolly SteinE [email protected]
Contents
Cooper Hewitt 2
The Museum of Modern Art, New York 4
The Museum of Fine Arts, Boston 12
Fondation Cartier pour l’art contemporain 14
Ludion 16
Cahiers d’Art 18
RM 19, 40
MCA Australia 20
Walther König 21, 46
Distributed Art Publishers 24, 37
Art/Books 25
Circa Press 28
FUEL 32
Fontanka 34, 43
Editions Didier Millet 36
Braun 38
Niggli 38
Max Ström 39, 42
Contrasto 44
Front cover image: A whale off the coast of Norway by Alexander Voitsekhovsky,
taken from A Visit to the Museum of Electricity and Other Encounters,
published by Fontanka. See page 35.
2
Cooper Hewitt
3
BeautyCooper Hewitt Design Triennial
Edited and with an Introduction by Andrea Lipps and Ellen Lupton
Design
235 illustrations • 32.5 x 22.5cm • 276pp
ISBN 978 1 942 303114 • April
£35.00
Beauty honours the voices of designers from
26 countries around the world by conducting
original interviews about their works and
processes – showing that aesthetic innovation
can drive change, whether materially, structurally
or ethically.
Beauty is an object to be touched, smelled
and savoured. Each of the book’s seven sections is
printed on a luxurious Japanese matte paper with
its own fifth accent colour. A smaller signature of
pages – printed on its own creamy pink paper at the
centre of the book – is called the heart. It contains
the responses from designers to the questions:
What comes to mind when you hear the word
beauty? What is the most beautiful time of day?
What is the most beautiful place you’ve visited?
The authors have selected the designers for the
book and exhibition with a group of international
curatorial advisors: Adélia Borges (Brazil), Claire
Catterall (England), Kenya Hara (Japan), Mugendi
M’Rithaa (South Africa), Sarah Scaturro (United
States), Annemartine van Kesteren (Netherlands)
and Suvi Saloniemi (Finland).
Andrea Lipps is Assistant Curator and Ellen Lupton is Senior Curator of Contemporary Design at Cooper Hewitt, Smithsonian Design Museum.
Cooper Hewitt
4
The Museum of Modern Art, New York
DegasA Strange New Beauty
Edited by Jodi Hauptman
Art
230 illustrations • 25.4 x 20.3cm • 224pp
ISBN 978 1 633 450059 • March
£32.00
A towering figure in 19th-century art, Degas is
best known as a painter and chronicler of the
ballet. In the 1870s, Degas was introduced to the
monotype process, a technique in which the artist
draws in black ink on a metal plate that is then run
through a press, typically resulting in a single print.
Captivated by the medium’s potential, Degas took
the medium to new and radical heights, inventing
a new repertoire of mark-making that included
wiping, scratching, abrading, finger printing and
rendering via removal. Degas explored a variety of
subject matter in these works, including scenes of
modern life; harshly illuminated café singers; ballet
dancers onstage, backstage, or in rehearsal; the life
of the brothel; intimate moments at the bath; and
landscapes.
Published to accompany an exhibition at The
Museum of Modern Art, this richly illustrated
catalogue presents approximately 120 Degas
monotypes along with some 60 related works,
including paintings, drawings, pastels, sketchbooks
and prints. Essays and case studies by curators,
scholars and conservators explore the creative
potency of Degas’s rarely seen monotypes, and
highlight their impact on his wider practice.
Jodi Hauptman is Senior Curator in the Department of Drawings and Prints, The Museum of Modern Art, New York.
5
The Museum of Modern Art, New York
6
The Museum of Modern Art, New York
What Degas SawSamantha Friedman • Illustrations by Cristina Pieropan
Children’s | Art
Illustrated throughout • 29.8 x 22.9cm • 40pp
ISBN 978 1 633 450042 • March
£12.95
What Degas Saw looks at the world through a
beloved artist’s eyes and provides insight into his
creative process. Walking through the streets of
Paris with cape and cane, the French artist Edgar
Degas observes the world around him, finding
inspiration at every turn. From the blurry faces
of passersby glimpsed through a bus window to
the sun-dappled landscape seen from a moving
train, from the hunched profiles of laundresses at
work to light-bathed ballerinas on the opera house
stage, the artist – with open eyes and a curious
mind – collects impressions of the people and
places he sees. This book will inspire children to
make their own art about the people and places
around them.
Samantha Friedman is an assistant curator in the Department of Drawings and Prints at The Museum of Modern Art in New York. She is the author of Matisse’s Garden, among other books on modern art. Cristina Pieropan is a children’s book illustrator who uses the technique of etching to illustrate her prints. She has published more than 20 books and works with publishers in Italy, Switzerland, England, Korea, and Taiwan. Cristina lives in Castelfranco Veneto, Italy with her husband, three children, and a big black dog.
7
The Museum of Modern Art, New York
Marcel BroodthaersEdited by Christophe Cherix and Manuel J. Borja-Villel
Art
450 illustrations • 30.5 x 24.1cm • 352pp
ISBN 978 0 870 709623 • February
£50.00
Marcel Broodthaers’s extraordinary output across
mediums placed him at the center of international
activity during the transformative decades of the
1960s and 1970s. Broodthaers occupied a unique
position throughout his career, often operating
as both innovator and commentator. Setting a
precedent for what we call installation art today,
his work has had a profound influence on a broad
range of contemporary artists, and he remains
vitally relevant to cultural discourse at large.
Published to accompany the artist’s first
retrospective in New York, Marcel Broodthaers
examines the artist’s work across all mediums.
Essays by the exhibition organizers Christophe
Cherix and Manuel J. Borja-Villel, along with a
host of major scholars, including Benjamin H.
D. Buchloh, Jean François Chevrier, Thierry de
Duve and Doris Krystof, provide historical and
theoretical context for the artist’s work. The
book also features new translations of many of
Broodthaers’s texts.
Christophe Cherix is The Robert Lehman Chief Curator of Drawings and Prints, The Museum of Modern Art, New York. Manuel Borja-Villel is Director, Museo Nacional Centro de Arte Reina Sofía, Madrid. Other contributors: Benjamin H.D. Buchloh, Jean-François Chevrier, Thierry de Duve, Doris Krystof, Cathleen Chaffee, Kim Conaty, Rafael García Horrillo, Christian Rattemeyer, Sam Sackeroff, Francesca Wilmott and Teresa Velázquez.
8
The Museum of Modern Art, New York
Francis PicabiaOur Heads Are Round so Our Thoughts Can Change Direction
Edited by Anne Umland and Cathérine Hug
Art
500 illustrations • 30.5 x 24.1cm • 368pp
ISBN 978 1 633 450035 • June
£50.00
Among the great modern artists of the past
century, Picabia is one of the most elusive, given
his extreme eclecticism and persistent acts of
self-contradiction. Published in conjunction
with the first large-scale retrospective of the
artist’s work in the USA since 1970, this volume
thoroughly surveys his profoundly innovative and
influential career. It presents over 100 paintings,
complemented by works on paper, publications
and film, exploring the full range of Picabia’s
oeuvre in some 500 illustrations and 14 essays.
Authors including Anne Umland and Cathérine
Hug, distinguished professors George Baker, Briony
Fer and David Joselit, and renowned Picabia
scholars Carole Boulbès and Arnauld Pierre discuss
a varied series of topics, including the corporeal
character of Picabia’s abstractions, his unexpected
turn to mechanical painting, his experiments
with materials and source imagery, the problems
of his politics, and his contemporary legacy. A
richly illustrated chronology details the expanded
nature of Picabia’s visual production – from press
polemics to party organizing.
Anne Umland is Curator of Painting and Sculpture at The Museum of Modern Art, New York. Cathérine Hug is a curator at the Kunsthaus, Zürich.
9
The Museum of Modern Art, New York
A Japanese ConstellationToyo Ito, SANAA and Beyond
Edited by Pedro Gadanho and Phoebe Springstubb
Architecture
200 illustrations • 30.5 x 24.1cm • 256pp
ISBN 978 1 633 450097 • March
£38.00
A Japanese Constellation focuses on the work
of a small group of architects and designers
influenced by and gravitating around the architect
Toyo Ito and the architectural firm SANAA.
Beginning with an overview of Ito’s career and
his influence as a mentor to a new generation of
Japanese architects, it presents a richly illustrated
portfolio of recent works by three generations of
internationally acclaimed designers, including Sou
Fujimoto, Akihisa Hirata, and Junya Ishigami.
It also reveals a network of influence and cross-
pollination that has become particularly relevant
at the start of the 21st century. Essays by curators,
architectural historians, and critics reflect on the
transmission of an architectural sensibility, and suggest
an alternative model to what has been commonly
described as an individuality-based ‘star-system’
in architecture. Offering a panorama of interlinked
settled or up-and-coming stars, the publication
reveals how shared architectural themes travel across
generations of architects, creating a strong identity for
a regional practice with global impact.
Pedro Gadanho is a Curator in the Department of Architecture and Design, The Museum of Modern Art, New York.
10
The Museum of Modern Art, New York
An Auteurist History of FilmCharles Silver
Cinema
50 illustrations • 25.4 x 20.3cm • 256pp
ISBN 978 0 870 709777 • paperback • April
£22.50
Beginning in 2009, The Museum of Modern Art
offered a weekly series of film screenings titled
An Auteurist History of Film. Inspired by Andrew
Sarris’ seminal work The American Cinema, which
developed on the idea of ‘auteur theory’ first
discussed by the critics of Cahiers du Cinéma in
the 1950s, the series presented cinematic works
from MoMA’s expansive collection with particular
focus on the role of the director as artistic author.
For the five years that the series was presented,
film curator Charles Silver wrote a concise post to
accompany each screening. These texts described
the place of each film in the oeuvre of its director
as well as its significance to wilder film history.
Following the end of the series’ long run, the
Museum has collected these posts for publication,
bringing together Silver’s insightful and often
humorous readings of the series’ films into a single
volume. This volume is an invaluable guide to
key directors and works of cinema as well as an
excellent introduction to auteur theory.
Charles Silver is a former curator in Department of Film at The Museum of Modern Art, New York.
11
MoMA Dance
Dance
Each book: c. 40 illustrations • 24.8 x 16.5cm • 160pp
Paperback • June
£19.95
MoMA Dance is a new series of monographs
exploring dance makers in the twenty-first
century. Each volume focuses on a single
contemporary choreographer, presenting a rich
collection of newly commissioned texts along
with a definitive catalogue of the artist’s projects.
Accessible, informative, and inspiring, they are
indispensible guides to contemporary dance for
fans and scholars alike.
Boris Charmatz
Edited and with text by Ana Janevski. Text by Gilles Almavi, Jérôme Bel, Cosmin Costinas, Bojana Cvejić, Tim Etchells, Mark Franko, Gabriella Giannachi, Adrian Heathfield, Noémi Solomon, Peter Tolmie, Christophe Wavelet, Catherine Wood
Ralph Lemon
Edited and with text by Thomas J. Lax. Text by Doryun Chong, Adrienne Edwards, Saidiya Hartman, Deborah Jowitt, Ralph Lemon, André Lepecki, Fred Moten, Okwui Okpokwasili, Katherine Profeta, Will Rawls
Sarah Michelson
Edited and with text by David Velasco. Text by Ralph Lemon, Gia Kourlas, Jay Sanders, Debra Singer
The Museum of Modern Art, New York
ISBN 978 1 633 450080ISBN 978 1 633 450073ISBN 978 1 633 450066
12
William Merritt Chase
Erica E. Hirshler
Art
55 colour illustrations • 24.1 x 19.0cm • 84pp
ISBN 978 0 878 468393 • paperback • June
£12.00
Praised for his jewel-like landscapes, park
scenes, and sympathetic images of women,
William Merritt Chase was a leading American
Impressionist painter and an influential teacher
in the late 19th century. This beautifully illustrated
volume provides a compact introduction to
Chase’s paintings and pastels, reproducing
45 works in brilliant colour, grouped by five
thematic chapters.
Erica E. Hirshler is Croll Senior Curator of American Paintings at the Museum of Fine Arts, Boston.
The Museum of Fine Arts, Boston
European Painting and Sculpture after 1800
Emily A. Beeny and Marietta Cambareri
Art
125 colour illustrations • 22.8 x 17.7cm • 208pp
ISBN 978 0 878 468409 • paperback • June
£15.00
This new title in the MFA HIGHLIGHTS series
presents 100 important works of painting and
sculpture from the MFA, Boston, with emphasis
on its stellar collections of Impressionist art. With
an introduction that describes the phenomena
that helped chart the course of art in the period,
it includes such masterpieces as Renoir’s Dance
at Bougival, Gauguin’s Where Do We Come From?
What Are We? Where Are We Going?, Degas’s Little
Dancer and Turner’s Slave Ship.
Emily A. Beeny is Associate Curator at the Norton Simon Museum, Pasadena, California. Marietta Cambareri is Curator, Decorative Arts and Sculpture, and Jetskalina H. Phillips Curator of Judaica, Art of Europe, Museum of Fine Arts, Boston.
13
The Museum of Fine Arts, Boston
Megacities AsiaAl Miner and Laura Weinstein
Art
68 colour illustrations • 24.1 x 17.8cm • 120pp
ISBN 978 0 878 468355 • paperback • April
£12.00
More than half of the world’s megacities – cities
with populations of ten million or more – are in
Asia. This compact and dynamically designed
book introduces the work of several artists from
the megacities of Seoul, Beijing, Shanghai, Delhi
and Mumbai who are fuelling their practices with
materials found in those places and responding
with large, immersive sculptures indelibly marked
by their urban contexts. Like the cities in which
they were conceived, the towering accumulations
of stainless steel vessels, plastic wares, discarded
architectural elements, grocery products and
other found objects by artists Ai Weiwei, Choi
Jeong Hwa, Subodh Gupta, Han Seok Hyun, Hu
Xiangcheng, Aaditi Joshi, Song Dong, Hema
Upadhyay, Asim Waqif, Yin Xiuzhen and the
collective flyingCity dazzle us with their sheer
mass and strange transformative power, and
envelop us in complex global issues of migration,
consumption, sustainability and cultural heritage.
Al Miner is Assistant Curator, Contemporary Art at the Museum of Fine Arts, Boston. Laura Weinstein is Ananda Coomaraswamy Curator of South Asian and Islamic Art at the Museum of Fine Arts, Boston.
14
Fondation Cartier pour l’art contemporain
The Great Animal OrchestraBernie Krause, Bruce Albert and Vinciane Despret
Art
150 illustrations • 28.0 x 22.0cm • 264pp
ISBN 978 2 869 251236 • June
£30.00
Published to accompany the exhibition opening
in June 2016 at the Fondation Cartier pour l’art
contemporain in Paris, this catalogue introduces
an exclusive acoustic and sensory experience,
unveiling the fascinating musical complexity of
the living world. Highlighting the incomparable
work of musician and bio acoustician Bernie
Krause, it offers an aesthetic, scientific and
philosophical exploration of the animal world.
Following Bernie Krause’s approach, this cri
du coeur argues that the secrets hidden in the
natural world’s shrinking sonic environment
must be preserved, not only for our scientific
understanding, but for our cultural heritage and
humanity’s physical and spiritual welfare. With
powerful illustrations and in-depth and original
contributions by specialists from different
scientific fields, this book is a manifesto for the
appreciation and protection of biodiversity.
Bernie Krause has been travelling the world recording and archiving the sounds of living creatures and natural environments since 1968. Working in different research sites, he identified the concept of biophony based on the relationships of individual creatures to the total biological soundscape as each establishes frequency and/or temporal bandwidth within a given habitat.
15
Fondation Carter pour l’art contemporain
Daido TokyoDaido Moriyama
Photography
377 illustrations • 27.0 x 18.0cm • 248pp
ISBN 978 2 869 251229 • February
£26.00
Daido Moriyama, a legendary figure in Japanese
photography, is to be the subject of a solo
exhibition at the Fondation Cartier pour l’art
contemporain from February to May 2016.
Moriyama invented a new visual language in his
work from the mid-1960s onwards; frenetic and
tormented, it depicted a reality that was grainy,
blurry and out-of-focus.
In 2003, the Fondation Cartier pour l’art
contemporain organized a landmark solo
exhibition of Moriyama’s black and white work.
His lesser-known colour photography will feature
in this latest exhibition, ‘Daido Tokyo’. Depicting
underground neighbourhoods in the Japanese
capital – a favourite location for the photographer
– these images reference the motifs that are
omnipresent in the artist’s work, as well as his
penchant for textures and shaky compositions.
Daido Moriyama (b. 1938, Japan) has published more than 150 monographs so far. He has had major solo exhibitions at the Philadelphia Museum of Art, the Tokyo Metropolitan Museum of Photography, the Fotomuseum of Winterthur in Switzerland and SFMoMA in San Francisco. His work is in the collections of MoMA, New York, the Getty Museum of Los Angeles, the Museum of Fine Arts in Boston and the Centre Pompidou in Paris, as well as the Fondation Cartier pour l’art contemporain in Paris.
16
Ludion
Marthe DonasA Woman Artist in the Avant Garde
Peter J. H. Pauwels with Kristien Boon
Art
320 illustrations • 32.0 x 24.0cm • 320pp
ISBN 978 9 491 819414 • April
£35.00
This is the first monograph in English on Belgian
artist Marthe Donas (1885–1967), a pioneer
of avant-garde art who is finally achieving
the international recognition she deserves. It
encompasses both her surviving work and much
of what was lost and probably destroyed during
the Second World War. Written by the secretary
of the Marthe Donas Foundation, Peter J. H.
Pauwels, it features high-quality reproductions
of the artist’s drawings and paintings – including
Nature Morte M, Portrait de Georgette, Jeux
and Composition abstraite N°5 – as well as a
chronological list of her exhibitions. In clear,
accessible language, the authors interweave close
biographical details with insightful criticism,
allowing us to understand the evolution of her style
from cubism to the abstract. Donas was a friend
of many important figures in the avant-garde, and
exhibited with all the greats of the period, from
Picasso to Mondrian, Braque to Modigliani. But
more importantly, she was an exceptional artist in
her own right, as this luxuriously produced book so
emphatically demonstrates.
Peter J. H. Pauwels is the secretary of the Marthe Donas Foundation, created in 2003 to ensure the preservation and promotion of the works of the painter Marthe Donas.
17
Ludion
Bosch in DetailTill-Holger Borchert
Art
200 illustrations • 32.0 x 25.0cm • 256pp
ISBN 978 9 491 819513 • April
£29.95
Hieronymus Bosch (1450–1516) is one of the
most important and famous artists in the history
of Netherlandish painting. This book, the latest
in the successful series that began with Van Eyck
in Detail and Bruegel in Detail, explores his best-
known paintings and drawings, showing them
as never before in stunning, full-page details. It
is organized by typical themes in Bosch’s work,
such as faces, heaven and hell, the four elements,
landscapes, and creatures both fantastic and
monstrous. Readers are treated to an exceptional
view of masterpieces like The Garden of Earthly
Delights, The Haywain Triptych, The Temptation of
St Anthony and The Seven Deadly Sins. Till-Holger
Borchert, Director of the Bruges Museums and an
expert on Netherlandish art, guides us through the
painter’s oeuvre in clear and accessible language,
and from less familiar and surprising angles.
Till-Holger Borchert is the director of Musea Brugge, which comprises the museums and historic sites of Bruges, Belgium. A noted art historian and authority on Netherlandish art of the 14th, 15th and 16th centuries, he has curated a number of major exhibitions, including ‘Memling’s Portraits’, which showed in Bruges, New York and Madrid.
Available again Bruegel: The Complete Paintings, Drawings and Prints ISBN 978 9 461 300423 £45.00
Available again
18
Cahiers d’Art
Cahiers d’Art Special Issue, 2015 Picasso: In the StudioBrigitte Léal, Ann Hindry, Marilyn McCully, Elizabeth Cowling, Vérane Tasseau and Cécile Godefroy
Art
225 illustrations • 31.5 x 24.5cm • 286pp
ISBN 978 2 851 171832 • paperback • April
£50.00
This special issue of the revue reveals rare and
previously unpublished photographs of Picasso
in his studio and his work in progress, offering
a rich and detailed exploration of the artist’s
creative process. Each of its seven chapters is
devoted to a particular technique examined
through photographs by such leading 20th-
century photographers as Yves Manciet, Edward
Quinn, David Douglas Duncan, Lee Miller, Lucien
Clergue and Nick de Morgoli, as well as images
from the Archives of Olga Ruiz-Picasso. Each
chapter is followed by an illustrated interview with
a contemporary artist, including Miquel Barceló,
George Condo, Sheila Hicks, William Kentridge,
Jeff Koons, Robert Longo and Tatiana Trouvé,
all of whom comment on their work and their
relationship to Picasso. Picasso’s relationship with
former Cahiers d’Art publisher Christian Zervos
is also examined through key articles published
during the artist’s lifetime.
Brigitte Léal, Ann Hindry, Marilyn McCully, Elizabeth Cowling, Vérane Tasseau and Cécile Godefroy are all noted art historians.
Also available Cahiers d’Art N°1, 2014: Hiroshi Sugimoto ISBN 9782851171795 Cahiers d’Art N°1, 2015: Calder in France ISBN 9782851171818 Cahiers d’Art N°1-2, 2013: Rosemarie Trockel ISBN 9782851171764
19
RM
CalderDiscipline of the Dance
Alexander Calder, Alexander S.C. Rower, Jose Esparza, Chong Cuv, Juan Garcia Ponce and Jose Revueltas
Art
200 illustrations • 28.0 x 24.5cm • 430pp
ISBN 978 8 416 282265 • April
£35.00
Published to accompany and build on the
exhibition ‘Calder: derechos de la danza’ at the
Museo Jumex, Mexico City, this catalogue not
only offers a vision of the American artist’s
wide-ranging production, but also explores his
participation in the Cultural Olympiad organized
by Mathias Goeritz on the occasion of the 1968
Olympic Games in Mexico City.
It includes reproductions of around 100
works presented at the exhibition, in addition to
numerous photographs and documents from the
archive of the International Meeting of Sculptors
which was held at the Olympiad. Finally, the
book details the design process, fabrication and
installation of El sol rojo, a sculpture by Alexander
Calder that was part of the ‘Route of Friendship’
and can still be seen on the esplanade of the
Estadio Azteca in Mexico City.
Alexander Calder was an American sculptor known as the originator of the mobile, a type of moving sculpture made with delicately balanced or suspended shapes that move in response to touch or air currents.
20
MCA Australia
Grayson PerryMy Pretty Little Art Career
Rachel Kent, Grayson Perry, Julian Baggini and Louisa Buck
Art
250 illustrations • 27.0 x 21.5cm • 260pp
ISBN 978 1 921 034787 • slipcased • April
£32.00
Grayson Perry is one of the best known artists
of his generation, acclaimed for his ceramics,
sculptures, drawings, prints and tapestries. With
a keen eye for detail and a love of the popular
and vernacular, Perry infuses his artworks with
a sly humour and reflection on society past and
present. The artist’s highly decorated pots in
particular reveal a panoply of imagery ranging
from the highly personal to the political, their
subjects including his own family, the art world,
Biblical stories, the royal family, and images of
warfare and sexual fantasy. Perry’s feminine alter
ego ‘Claire’ emerges through his practice as a
recurring visual motif. He has forged a distinctive
career that sits apart from the cooler theoretical
approach of some of his peers, favouring a more
flamboyant, accessible aesthetic that blurs the
division of high art and popular culture.
This volume, published to accompany Perry’s
first major Australian exhibition, covers the full
spectrum of his practice from the early 1980s to
the present, including new work.
Rachel Kent is Chief Curator at the Museum of Contemporary Art, Australia. Julian Baggini is editor-in-chief of The Philosophers’ Magazine. Louisa Buck is contemporary art correspondent for The Art Newspaper.
21
Walther König
Olafur Eliasson: Reality MachinesEdited by Matilda Olof-Ors Texts by Daniel Birnbaum, Olafur Eliasson and TImothy Morton
Art
75 illustrations • 29.7 x 21.0cm • 300pp
ISBN 978 3 863 358624 • paperback • January
£38.00
Olafur Eliasson’s diverse artworks – in sculpture,
painting, photography, film and installations
– have been exhibited widely throughout the
world. Not limited to the confines of the museum
and gallery, his practice engages the broader
public sphere through architectural projects and
interventions in civic space.
Olafur Eliasson: Reality Machines was
conceived and designed by Irma Boom, one of
the world’s most celebrated graphic designers,
to bring to life in book form Eliasson’s artwork
and ideas. Published by Moderna Museet and
König Books on the occasion of the exhibition
‘Verklighetsmaskiner / Reality machines’ at
Moderna Museet in Stockholm, it takes the form
of an artist’s book in which essays and images
interact with tactile papers and transparent films.
Essays by Timothy Morton and Matilda Olof-Ors,
as well as a conversation between Eliasson
and Daniel Birnbaum, director of Moderna
Museet, accompany Anders Sune Berg’s vivid
installation photography.
Olafur Eliasson (b. 1967, Denmark/Iceland) is one of the world’s most acclaimed artists. Daniel Birnbaum has been the director of Moderna Museet since the autumn of 2010. Timothy Morton is the Rita Shea Guffey Chair in English at Rice University, in Houston. Matilda Olof-Ors is a curator at Moderna Museet.
22
Walther König
Wolfgang Tillmans: What’s Wrong with Redistribution?Text by Tom McDonough
Art | Photography
250 illustrations • 24.0 x 28.0cm • 336pp
ISBN 978 3 863 358228 • January
£38.00
Since Wolfgang Tillmans first exhibited his
multi-part installation on tables with the title
‘Truth Study Centre’ ten years ago, this group
of works has become an integral component of
his exhibitions. Frequently rooted in the local
conditions and the period of their inception,
these collages composed of texts, images and
objects seek to gain a clear perspective on
our increasingly complex age. The question of
redistribution also plays an important role for
Tillmans in the majority of his other truth study
centre installations: ‘asking this question kind of
innocently, may remind oneself that the specific
way something is distributed today, is not done so
by following a law of nature, but by a complex set
of moral and political choices’, states Tillmans.
The scope and complexity of this long-term
project is revealed for the first time in this book
and in the parallel exhibition at Hamburger
Bahnhof. An essay by Thomas McDonough places
Tillmans’ project within the context of 20th-
century collage, from Hannah Höch to Robert
Rauschenberg.
Thomas McDonough is professor for comparative literature at Birmingham University, New York, and regularly publishes articles on contemporary art in magazines such as Afterall, Artforum and OSMOS.
23
Walther König
Francesca Woodman On Being an AngelEdited by Anna Tellgren Foreword by Daniel Birnbaum and Ann-Sofie Noring Introduction by Lena Esseling Texts by Anna Tellgren, Anna-Karin Palm and George Woodman
Photography
105 illustrations • 23.5 x 17.0cm • 232pp
ISBN 978 3 863 357504 • January
£22.50
Francesca Woodman (1958–1981) created a
fascinating body of photographic work in a few
intense years before her premature death. Her
oeuvre has been the subject of numerous in-depth
studies and exhibitions in recent years, and her
photographs have inspired artists all over the
world. Woodman’s photographs explore gender,
representation, sexuality and the body. Her work
includes several self-portraits, using herself and
her friends as models. The figures are often placed
behind furniture and other interior elements;
occasionally, the images are blurred in such a
way that their identity is hidden from the viewer.
Woodman worked in unusual settings such as
derelict buildings, using mirrors and glass to evoke
surrealist and occasionally claustrophobic moods.
This book accompanies and augments a major
exhibition at the Moderna Museet, which has been
produced in association with the Woodman Estate.
It presents a compilation of photography from
the Museum’s collection that shows Woodman in
context and which will increase our understanding
of her work.
Francesca Woodman studied at the Rhode Island School of Design from1975 to 1978.
24
Distributed Art Publishers
Donald Judd: Complete Writings 1959–1975
Donald Judd
Art
300 illustrations • 27.9 x 21.6cm • 240pp
ISBN 978 1 938 922930 • paperback • April
£30.00
Originally published in 1975, reprinted in 2005
and out of print for many years, this collection
of Donald Judd’s writings is now a sought after
classic. His uncompromising reviews avoid the
familiar generalizations so often associated with
artistic styles emerging during the 1950s and 60s.
Here, Judd discusses in detail the work of more
than 500 artists showing in New York at that time,
and provides a critical account of this significant
era in American art.
Donald Judd (1928–1994) began his artistic career as a painter, but switched to making objects in the early 1960s, convinced that ‘colour could continue no further on a flat surface … colour to continue had to occur in space.’
On Curating 2Interviews with Fourteen International Curators
Carolee Thea
Art
88 illustrations • 24.1 x 16.5cm • 136pp
ISBN 978 1 938 922909 • paperback • April
£19.95
On Curating 2, Carolee Thea’s new volume of
interviews with 14 of today’s leading curators,
explores the lively system of art biennials that is
thriving around the world – particularly outside
Europe and America. The new generation of
curators hail from cities as diverse as Bogotá,
Dakar, Havana, Jakarta, Jerusalem, Lagos, Mumbai,
Seoul and Zagreb, and they are the subjects of the
interviews collected in this book.
Carolee Thea is the author of On Curating: Interviews with Ten International Curators and foci: interviews with ten international curators.
25
Art/Books
Could Have, Would Have, Should HaveInside the World of the Art Collector
Tiqui Atencio
Art
30 illustrations • 23.0 x 15.2cm • 240pp
ISBN 978 1 908 970244 • May
£22.50
Based on interviews with around 80 of the world’s
best-known and influential collectors active
today, this entertaining book by the prominent
international collector Tiqui Atencio reveals the
myriad ups and downs, joys and heartaches of
buying and owning contemporary art. In a series
of thirty chapters – among them ‘Serendipity’,
‘Obsessions’, ‘Auction moments’, ‘What was I
thinking?’, ‘To sell or not sell’, ‘Being custodians’
– the collectors reveal to Atencio their highs
and lows, the successes and regrets, the shared
passions and intense rivalries, the works that got
away … and the ones that perhaps should have
done. Their anecdotes and recollections reveal
the many practical and emotional aspects of
collecting art, all the unexpected pleasures and
challenges. What emerges is a frank and honest,
surprising and eye-opening, and sometimes
hilarious account of a lifelong dedication that is
described by some as a heroic commitment and
by others as a crazy sickness. Cartoons throughout
the book by celebrated artist and satirist Pablo
Helguera complement the humorous and
enjoyable tone of the text.
Tiqui Atencio is a collector of Latin American, pre-Columbian and contemporary art.
26
Art/Books
Clare WoodsStrange Meetings
Texts by Michael Bracewell, Rebecca Daniels, Jennifer Higgie, Andrew Marr and Simon Martin
Art
200 illustrations • 28.0 x 22.0cm • 240pp
ISBN 978 1 908 970268 • April
£29.99
Clare Woods is internationally regarded as one
of the most significant painters working today.
Her highly colouristic paintings hover somewhere
between abstraction and representation,
expressing both a poetic romanticism and an
unnerving psychic charge. This beautifully designed
and illustrated volume is the first monograph on
her art. It presents all the major works from her
career to date, from small-scale intimate paintings
and prints to ambitious large-scale architectural
projects. The dynamic layout of the book, with a
varied mix of close-up detail and installation shots,
gives the reader a strong sense of the diverse scale
and immersive, push-pull nature of the paintings.
Five prominent writers consider various aspects
of her practice, including her use of photographic
source material; her engagement with the
traditions of landscape and figurative art; her
relationship with artistic forebears; the context of
painting practice today and 21st-century culture;
and the connections between her life and work.
Clare Woods is a British artist. Michael Bracewell is the author of Perfect Tense and England Is Mine. Rebecca Daniels is an art historian. Jennifer Higgie is co-editor of frieze magazine. Andrew Marr is a British broadcaster and journalist. Simon Martin is the Artistic Director of Pallant House Gallery, Chichester.
27
Art/Books
StrandStuart Haygarth Texts by Robert Macfarlane and Deyan Sudjic
Art
56 colour illustrations • 21.0 x 26.0cm • 128pp
ISBN 978 1 908 970251 • April
£28.00
Stuart Haygarth gathers discarded or overlooked
objects and elevates them into art. He makes
exquisite designs and stunning installations out of
common detritus and everyday waste. For Strand,
he walked the entire length of the English south
coast, from Gravesend to Land’s End, picking up
hundreds of man-made items left washed up on
the shore. Combs, lighters and baby dolls, plastic
balls, toys, containers and shoes were just some
of the many objects he gathered on the 450-mile
trip. Back in the studio, he categorized every item
by type and colour before arranging them into
precise compositions and photographing them.
Displaying the formal rigour of the designer and
the aesthetic eye of the artist, the resulting images
seduce with their beauty and visual immediacy.
The objects form an archive of sorts, a fragmented
narrative of unknown people’s lives, as well as a
material document of Haygarth’s journey. But his
beautiful pictures tell another tale too: the story of
our reckless pollution of the environment, for each
of these manufactured objects has been thrown
away and then carried by the world’s oceans and
seas. They are the flotsam and jetsam of daily life.
Stuart Haygarth is an award-winning British artist and designer. Robert Macfarlane is an academic and award-winning travel writer. Deyan Sudjic OBE is the director of the Design Museum in London.
28
Circa Press
International Space StationArchitecture Beyond Earth
David Nixon
Architecture
300 illustrations • 23.5 x 23.5cm • 416pp
ISBN 978 0 993 072130 • March
£65.00
In 1984 President Ronald Reagan gave NASA the
go-ahead to build a Space Station. A generation
later, the International Space Station is an
established and highly successful research centre
in Earth orbit. The history of this extraordinary
project is a complex weave of powerful threads –
political, diplomatic, financial and technological
among them – but none is more fascinating than
the story of its design. This book provides the first
comprehensive account of the International Space
Station’s conception, development and assembly
in space. As a highly accessible chronicle of a
complex piece of design and engineering, it will
appeal to readers far beyond the space field.
NASA Astronaut Nicole Stott, a veteran of
International Space Station Expeditions 20 and 21
and Shuttle Missions STS-128, STS-129 and STS-
133, introduces the book with a personal memoir
– ‘A Home in Space’.
David Nixon is an architect with a particular interest in designing for space exploration. In 1978 he co-founded Future Systems with Jan Kaplický and was among a handful of architects to collaborate on the design of the International Space Station. In 2000 he formed a space venture named Astrocourier to develop miniature spaceflight experiments for schools. His book on the International Space Station is the result of seven years of work.
29
An Igloo on the MoonExploring Architecture
David Jenkins Illustrator: Adrian Buckley
Children’s | Architecture
57 illustrations • 25.5 x 25.5cm • 132pp
ISBN 978 0 993 072116 • January
£19.95
Aimed at young, enquiring minds, An Igloo on the
Moon explores how and why we build. Beginning
with the igloo, whose origins are lost in time, and
culminating in the latest 3D-printing technology
for building dwellings on the Moon, the book
weaves together themes and ideas to create an
unfolding visual narrative.
Illustrated with a sequence of extraordinary
images, specially created for the book by artist
Adrian Buckley, An Igloo on the Moon is structured
under seven thematic headings, each of which
ranges through history and across architectural
styles: Simple Forms of Shelter; Keeping Cool and
Staying Warm; Exploring New Types of Structure;
Living Beneath the Ground; Habitable Bridges and
Heroic Spans; Reaching up to the Sky; and Visions
of the Future.
Underlying the narrative is an acute awareness
of environmental issues and the need to reconnect
with sustainable patterns of building. It is a book
to engage and excite the next generation of
architects – and their parents and grandparents.
David Jenkins has written and edited numerous books, including Norman Foster Works (Volumes 1 to 6), The Strange Death of Architectural Criticism and a monograph on the architect Pierre Koenig. Adrian Buckley is a graphic artist whose work collages images and references from across time and disciplines.
Circa Press
30
Circa Press
Jan Kaplický DrawingsIvan Margolius and Richard Rogers
Architecture
300 illustrations • 30.0 x 30.0cm • 212pp, plus 32 tipped-
in pages • ISBN 978 0 993 072109 • January
£95.00
Jan Kaplický (1937–2009) was a visionary
architect with a passion for drawing. It was his
way of discovering, describing and constructing;
and through drawing he presented beguiling
architectural imagery of the highest order.
Many of his sketches, cutaway drawings
and photomontages are brought together
and celebrated in Jan Kaplický Drawings. These
drawings date from the early years of his
independent practice, Future Systems, in the
1970s, to his final ink drawings, executed in the
mid-1990s. Featured projects range from design
studies for the International Space Station,
undertaken with NASA, to the Media Centre at
Lord’s Cricket Ground in London, winner of the
1999 Stirling Prize.
Kaplický was one of the world’s last great
architect-poet-draughtsmen, upholding a heritage
that has its roots in the early Renaissance and
has since all but vanished with the advent of
computer-aided design. If this book has one
central message for architects, it is that drawing as
an art and a discipline must not be forgotten.
Richard Rogers is an architect of global renown. He was one of the first people to recognise Jan Kaplický’s talent and offer him a place in his studio. Ivan Margolius is an architect and author. He collaborated on a number of books with Jan Kaplický, including For Inspiration Only.
31
Death DriveThere Are No Accidents
Stephen Bayley
Design | Culture
75 illustrations • 21.0 x 16.0cm • 232pp
ISBN 978 0 993 072123 • March
£29.95
Cars have a talismanic quality. No other
manufactured object has the same disturbing
allure. More emotions are involved in cars and
car design than in any other product: vanity,
cupidity, greed, social competitiveness and cultural
modelling. But when all this perverse promise ends
in catastrophe, these same talismanic qualities
acquire an extra dimension.
The car crash is a defining phenomenon
of popular culture. Death Drive is both an
appreciative essay about the historic place of
the automobile in the modern imagination and
a detailed exploration of the circumstances of
twenty celebrity car crashes, from Isadora Duncan
in an Amilcar, in 1927, to Helmut Newton in a
Cadillac SRX, in 2004.
En route the narrative traces one very big
arc – the role of the car in extending or creating
the personality of a celebrity – and concludes by
confronting the imminent death of the car itself.
Stephen Bayley is an author, critic, columnist, consultant, broadcaster, curator and founding director of the influential Design Museum. Over the past thirty years his writing has changed the way the world thinks about design.
Circa Press
32
FUEL
The Music LibraryRevised and Expanded Edition
Jonny Trunk Editors: Damon Murray and Stephen Sorrell Foreword by Jerry Dammers
Music | Design
640 illustrations • 25.0 x 25.0cm • 248pp
ISBN 978 0 993 191138 • April
£35.00
The first edition of The Music Library came out
in 2005. It brought together over 325 sleeves
with information about these rare and elusive
albums. This highly sought after book influenced
both graphic artists and music collectors around
the world, quickly becoming known as the
music library ‘bible’. The Music Library sparked a
resurgence of interest in the subject over the last
ten years, with many new libraries and recordings
coming to light. As a result this revised and
expanded edition contains twice the content,
featuring 625 rare sleeves from 230 music library
companies of the 1960s, 1970s and early 1980s.
The amazing cover designs of over 100 newly
discovered libraries are beautifully reproduced
(alongside all the sleeves contained in the first
book) accompanied by exhaustive updated
captions.
Jonny Trunk started Trunk Records in 1995. The first release was the library compilation ‘The Super Sounds Of Bosworth’. Still obsessed by library and film music, Trunk continues to issue rare lost recordings, DJs internationally, broadcasts on television and radio and sources beautiful and often strange music for television and film.
33
Russian Criminal Tattoo Police Files Volume IArkady Bronnikov Edited by Damon Murray and Stephen Sorrell
Popular Culture
186 illustrations • 20.0 x 12.0cm • 256pp
ISBN 978 0 956 896292 • March
£19.95
This book features over 180 photographs and
accompanying texts of Russian criminal tattoos
from the Arkady Bronnikov collection. From the
mid-1960s to the late-1980s Bronnikov worked as a
senior expert in criminalistics at the USSR Ministry
of Internal Affairs. It was here that he interviewed,
gathered information and took photographs of
convicts and their tattoos, building one of the most
comprehensive archives of this phenomenon.
The Bronnikov collection was made exclusively
for police use, to further the understanding of the
language of these tattoos and to act as an aid in
the identification and apprehension of criminals in
the field. Unimpeded by artistry, these vernacular
photographs present a guileless representation of
criminal society. Every image discloses evidence of an
inmate’s character: aggressive, vulnerable, melancholic,
conceited. Their bodies display an unofficial history,
told not just through tattoos, but also in scars and
missing digits. Closer inspection only confirms our
inability to comprehend the unimaginable lives of this
previously unacknowledged caste.
Arkady Bronnikov is Russia’s leading expert on tattoo iconography.
Also available Russian Criminal Tattoo Encyclopaedia Volume I ISBN 978 0 955 862076 £18.95
Russian Criminal Tattoo Encyclopaedia Volume II ISBN 978 0 955 006128 £18.95
Russian Criminal Tattoo Encyclopaedia Volume III ISBN 978 0 955 006197 £18.95
FUEL
Also available
34
Fontanka
Capability Brown and Hampton CourtMikhail Dedinkin and David Jacques
Landscape Design
130 illustrations • 32.0 x 23.0cm • 160pp
ISBN 978 1 906 257224 • April
£32.00
This album publishes, for the very first time, 100
hitherto unknown watercolours/drawings of
Capability Brown’s designs for Hampton Court
Palace gardens. These were purchased by Empress
Catherine the Great of Russia through her own
gardener James Meader, a disciple of Capability
Brown, and then forgotten in the Hermitage
stores. John Spyers, the artist to whom the albums
have been attributed by Hermitage curator Mikhail
Dedinkin, was Brown’s surveyor. Catherine the
Great paid the huge sum of 1,000 roubles for
them in the early 1780s and they were clearly
bought as Capability Brown drawings. Almost
no other visual material about Hampton Court
and its gardens and park at the period when
Lancelot ‘Capability’ Brown was the resident Royal
Gardener has survived, so the importance of these
views, which have never been published or on
exhibition before, cannot be overstated.
This book accompanies the exhibition ‘The
Empress and The King’s Gardener’ at Hampton
Court Palace from 27 April to 4 September 2016.
Mikhail Dedinkin is Deputy Head of Western European Fine Art at The Hermitage Museum. David Jacques is a garden historian and consultant.
35
A visit to the Museum of Electricity and other encountersAlexander Voitsekhovsky
Art
55 illustrations • 32.5 x 24.5cm • 120pp
ISBN 978 1 906 257170 • March
£24.00
Alexander Voitsekhovsky was originally a doctor
who drew in his spare time. In 1994 Alexander’s
friends, without his knowledge, assembled the
pictures he’d given them, put them in frames,
transferred the commentaries he’d written on
the back to labels, and hung them in a gallery
on the Moika river in St Petersburg. Then they
invited people along, including the artist. In 2000
Alexander quit his job and started to travel the
world with his pictures. He has exhibited widely,
in the UK, USA and Europe, as well as Russia.
Wherever he goes, the charming, idiosyncratic
humour of his work finds an appreciative audience.
This beautifully designed book showcases
these paintings and drawings and allows them to
speak for themselves – for they genuinely create
an entire world of their own.
Alexander Voitsekhovsky lives in St Petersburg. He trained as a doctor in the Emergency Services and only started working as a full-time artist in 2000.
Fontanka
36
Editions Didier Millet
Indonesian Tribal ArtBruce W. Carpenter
World Art
Over 400 illustrations • 30.0 x 28.0cm • 332pp
ISBN 978 9 814 610100 • January
£55.00
Illustrated by more than 400 beautifully
photographed masterpieces from one of the
world’s largest private collections and published
in a large and sumptuous folio, Indonesian Tribal
Art promises to be one of the most important
books ever published on the subject. The works,
which were collected by Rodger Dashow of Boston
over a period of 30 years, not only include many
unpublished pieces but also types that have been
rarely seen.
Bruce W. Carpenter provides the main text.
The book also features an introduction by Andrew
Gurevich and Robert Walter, the president and
chairperson of the Joseph Campbell Foundation,
concerning the continuing relevance of the work
of that seminal philosopher and bestselling author
in the field of tribal studies.
Written for the interested layman, the book
provides a clear overview of the subject and also
discusses the significance of the recent scientific
discovery that Indonesia is home to some of the
oldest art on earth. Every art piece illustrated in
the book is accompanied by descriptive captions
and measurements.
Bruce W. Carpenter is the author or co-author of more than twenty books and scores of articles on Indonesia’s art, history and culture.
37
Nick Brandt: Inherit the DustNick Brandt
Photography | Natural History
66 illustrations • 33.6 x 38.7cm • 128pp
ISBN 978 0 692 520543 • April
£45.00
With Inherit The Dust, Nick Brandt returns to East
Africa to photograph, in a unique and dramatically
different way, the escalating changes to the
continent’s natural world and its animals. In a
series of epic panoramas, Brandt photographs
in places where the animals used to roam, but
due to the impact of man, no longer do. In each
location, Brandt erects a life-size panel of portrait
photographs that include groups of elephants,
rhinos, giraffes, lions, cheetahs and zebra setting
the panels within a world of explosive urban
development, factories, wasteland and quarries.
The panoramas constitute two thirds of the book.
The final third features portraits of the animals
that were featured in the panels, the kind of iconic
animal portraiture for which Brandt is globally
recognized.
Kathryn Bigelow, Film Director (The Hurt
Locker), writes: ‘Nick Brandt’s unvarnished,
harrowing but stunning new work brings us face to
face with a crisis, both social and environmental,
demanding the renewal of humanity itself.’
Nick Brandt photographs exclusively in Africa, using medium format black-and-white film without telephoto or zoom lenses. Born in Britain and currently based in Southern California, Brandt co-founded the Big Life Foundation in September 2010, which helps protect the endangered wildlife inhabiting a large area of East Africa.
Distributed Art Publishers
38
Modern Architecture Kuwait1949–1989
Roberto Fabbri, Sara Saragoça Soares and Ricardo Camacho
Architecture
950 illustrations • 26.0 x 20.0cm • 416pp
ISBN 978 3 721 209488 • paperback • February
£35.00
This book features more than 150 Kuwaiti
buildings, all fully illustrated and analysed in
order to understand the dynamics of change
and innovation they represent. It examines a
wide range of buildings selected as examples of
particular design methodologies or typologies,
or for the various forms of adaptation to the
peculiarities of local environmental conditions.
Roberto Fabbri is a UN Development Programme consultant for the Dar al-Athar al-Islamiyyah’s (DAI) galleries in Kuwait. Ricardo Camacho is curator of the Conference on Kuwait Modern Architecture. Sara Saragoça Soares has been working in Kuwait since 2012.
Braun | Niggli
Building Berlin, Vol 5The latest architecture in and out of the capital
Architektenkammer Berlin
Architecture
350 illustrations • 27.0 x 21.0cm • 192pp
ISBN 978 3 037 682050 • paperback • March
£24.95
As it does every year, Building Berlin presents the
most important and interesting projects from
the past year in Berlin. Approximately 70 projects
in eight chapters are accompanied by essays on
specific aspects. Particularly noteworthy are an
analysis on postwar buildings and ‘XS Living’,
which looks at the current trend of living in the
city in limited space and its consequences.
Architektenkammer Berlin – the Berlin Chamber of Architects – is made of approximately 8,100 architects, interior designers, landscape architects and urban planners.
39
United NationsThe Story Behind the Headquarters of the World
Photography by Åke E:son Lindman Text by Mark Isitt
Architecture | Photography
207 illustrations • 30.6 x 23.0cm • 244pp
ISBN 978 9 171 263438 • April
£35.00
This lavish book tells the dramatic story behind
the building of the UN Headquarters, never before
related as revealingly as it is here. The authors take
us on an exclusive tour around the entire complex
through 150 specially commissioned photographs.
The idea for locating the United Nations
Headquarters in an evil-smelling slaughterhouse
district sprang from an astute real estate broker;
the finance came from the Rockefeller family;
and the architecture from Le Corbusier, Oscar
Niemeyer and Sven Markelius, among others.
In a few months of intense creativity the team
conjured up a symbol for peace in the form of a
set of ultramodern buildings that still inspire hope
for a better future.
This large-format book is probably the most
exquisite book on the architecture of the UN
Headquarters ever published.
Åke E:son Lindman’s photographs are published internationally, and he has contributed to a large number of books, including Seventeen Swedish Embassies and the retrospective Pure Architecture. Mark Isitt has contributed to books on Gert Wingårdh, Monica Förster and White arkitekter among others, and in 2008 was awarded the Spot City Prize for his articles in the daily Göteborgs-Posten on urban planning and segregation.
Max Strom
40
RM
Gloria Cortina – MexicoGloria Cortina, Carlos Amorales and Jay Merrick
Interior Design
176 illustrations • 39.1 x 26.7cm • 296pp
ISBN 978 8 416 282326 • slipcased • April
£80.00
Designed in London by the studio Aloof Design
to the highest production standards, this huge,
lavishly illustrated slipcased volume is the first
survey of the work of Gloria Cortina, Mexico’s
most renowned interior designer. ‘If I can
contribute something beautiful in my designs
that relates to my Mexico, that the world can
see, I’m going to do it because it’s in my DNA,’
says Cortina. Her compositions arise from a
strong, deeply rooted commitment to the history,
physical beauty and craft-skills of Mexico in ways
that create meaningful connections between
history and modernity. This commitment is
equally evident in the design of her collectable
GC Ediciones furniture, which has also been
successfully exhibited internationally.
There is no look-at-me-but-don’t-touch about
Cortina’s designs: they are the antithesis of bling.
The moment you sit in one of her chairs, or run
your palm across one of her handcrafted table-
tops, or walk across a hand-loomed rug, you feel
at home. Her work carries an immediate sense of
tactile, visual and spatial invitation – and so does
this beautiful, covetable book.
Gloria Cortina is the principal of her eponymous design studio. She worked under architects David Ling and Ricardo Legorreta before forming the multidisciplinary design firm A5 Arquitectura with a group of peers.
41
RM
Reveal and DetonateContemporary Mexican Photography
Sergio Raúl Arroyo, Ana Casas Broda, Gabriela González Reyes, Sergio González Rodríguez, Gerardo Montiel Klint and Itala Schmelz
Photography
457 illustrations • 32.5 x 24.4cm • 416pp
ISBN 978 8 416 282111 • April
£32.00
Reveal and Detonate surveys current photographic
production in Mexico from a multitude of
perspectives: Mexican photographers of various
ages and origins contribute to chart a complex and
sometimes contradictory map of contemporary
photography in Mexico. This broad constellation
of images – almost 200 by 53 different
photographers – has not been put together in a
methodical or linear way, but by visual groupings
that form and break apart along the main axes
of photography: landscape, portraiture, montage
and abstraction.
Sergio Raúl Arroyo was general director of Mexico’s National Institute of Anthropology and History from 2000 to 2005 and 2012 to 2013. He founded and directed the Tlatelolco University Cultural Center of the UNAM. Ana Casas Broda, Gabriela González Reyes and Gerardo Montiel Klintare are photographers. Sergio González Rodríguez is a writer. Itala Schmelz is the director of the Centro de la Imagen, Mexico.
42
Imagine
Photography by Erik Johansson Text by Erik Johansson and Göran Segeholm
Photography
50 illustrations • 21.0 x 29.0cm • 112pp
ISBN 978 9 171 263704 • April
£19.95
This is the first monograph on Erik Johansson, a
superstar in the Photoshop community. He has
hundreds of thousands of followers on social media
and has had TED-talks on Photoshop. His images are
created with a camera and refined into absurdity on
the computer. Johansson takes numerous pictures,
and combines them to create what looks like a
real photograph, yet with logical inconsistencies
that impart an effect of surrealism. The result:
mathematically precise, compelling landscapes
where perspectives are always misleading.
Erik Johansson is a Swedish-born photography artist based in Prague. Imagine is his first book.
Hurricane Season
Photography and text by Hannah Modigh
Photography
c. 60 illustrations • 26.5 x 29.5cm • 128pp
ISBN 978 9 171 263728 • April
£30.00
The award-winning photographer Hannah Modigh
presents here over 60 of her photographs of
Louisiana’s idiosyncratic landscape, home to
millions of America’s most deprived citizens.
Every year the area is flooded by the summer and
autumn storms that strike Louisiana. When these
storms develop into major hurricanes the poorest
and most low-lying parts suffer the hardest, and
the inhabitants have adapted to the frequency of
the hurricanes in a fatalistic way. This is perhaps
the most penetrating depiction of life in southern
Louisiana ever made.
Hannah Modigh has received numerous awards for her projects Hillbilly Heroin, Honey and Sunday Mornin’ Comin’ Down.
Max Ström
43
Fontanka
Candida Höfer: MemoryEdited by Frank Althaus and Mark Sutcliffe
Photography
30 illustrations • 30.0 x 24.0cm • 72pp
ISBN 978 1 906 257194 • January
£28.00
In 2014, during St Petersburg’s White Nights, the
renowned German photographer Candida Höfer
was invited by the State Hermitage Museum to
visit the city. She spent ten days photographing
several of the city’s landmarks: the Yusupov
Palace, the National Library, the Mariinsky Theatre,
Pavlovsk Palace, the Catherine Palace and the
Hermitage itself. The 25 mesmerising works that
make up this book are the result. They are the
latest in a series of iconic interiors that Höfer has
photographed throughout the world over several
decades, including the Louvre and Uffizi Gallery,
the Royal Portuguese Library in Rio de Janeiro, La
Scala in Milan and the Teatro Olimpico in Vicenza.
They are characterised by the photographer’s
interest in communicating cultural memory, and
are all linked by the total absence of people.
Memory develops the theme of a tripartite
relationship between the person, the space and
the past.
Candida Höfer studied film and photography at Kunstakademie Dusseldorf where she was one of the first students to use colour in her photographs. Under the tutelage of Bernd Becher, Höfer developed the technical perfection for which she has become known. Her work has been exhibited worldwide, especially in Europe and the USA.
44
Conversations with Joel MeyerowitzAlessia Tagliaventi
Photography
100 illustrations • 21.0 x 15.0cm • 160pp
ISBN 978 8 869 656361 • March
£19.00
Here is a journey through the mind and work of
Joel Meyerowitz, one of the most famous and
versatile photographers at work in the world
today. Meyerowitz discusses a raft of themes
and issues with the photography critic Alessia
Tagliaventi, including storytelling, the use of colour
and black and white, and personal and social
issues. Meyerowitz’s images and Tagliaventi’s
acute questions give the reader an insight into
the secrets of Meyerowitz’s art, and a lesson in
basic and more advanced photography techniques.
The result is an artful melding of text and photos
that constitutes both a complex examination of
Meyerowitz’s work and a manual on how to read
photography itself.
Joel Meyerowitz is an award-winning photographer whose work has appeared in over 350 exhibitions around the world. Alessia Tagliaventi is a photography critic and historian, and an editor at Contrasto.
Contrasto
45
Contrasto
Jack LondonThe Roads of Man
Edited by Alessia Tagliaventi
Photography
70 illustrations • 22.4 x 16.0cm • 196pp
ISBN 978 8 869 656392 • March
£16.95
Jack London is well-known for his novels.
Lesser-known is the fact that he was a prolific
photographer, whose camera was his inseparable
companion in adventures all over the world.
Here, for the first time, is an exploration of Jack
London the photographer, merging his visual
reportage with his narratives to form a more
complete picture of the artist. London witnessed
and documented many of the key events of his
era – the Russo-Japanese War, the San Francisco
earthquake and the incredible Cruise of the
Snark – and his photographs of these cataclysms
are included here in over 70 reproductions and
introduced by Davide Sapienza. The book is
an adventurous journey through the world of
Jack London.
Jack London (1876–1916) is the author of such classic novels as White Fang and The Call of the Wild.
46
Walther König
Walker Evans: Labor AnonymousEdited by Thomas Zander • Texts by David Campany, Heinz Liesbrock and Jerry L. Thompson
Photography
123 illustrations • 25.0 x 24.0cm • 170pp
ISBN 978 3 863 358716 • January
£35.00
Walker Evans (1903-1975) remains one of the
most important and influential photographers
in the history of the medium. Without Evans the
development of photography would have been
very different, particularly in North America. His
career spanned the emergence of the modern
mass media in the 1920s to the full acceptance of
photography as an art form in the 1960s and 70s.
Many of Evans’s individual images have become
landmarks in both the history of photography
and the social history of that era. Where the
mass media enjoyed celebrity culture, Evans
photographed anonymous citizens. Where the
mass media promoted consumerism, Evans valued
enduring objects and the persistence of the past in
the present. Experimental and yet classical, Evans’s
photo-essays have been overlooked until recently.
Evans’s series ‘Labor Anonymous’, published in
Fortune magazine in November 1946, displayed
pictures of walking workers, taken against
a featureless wall, on a Saturday afternoon
in Detroit. This book presents fifty hitherto
unpublished photos from this classic series.
David Campany is a writer, exhibitions curator and artist. Heinz Liesbrock is a noted author with a particular interest in Walker Evans. Jerry L. Thompson was Walker Evans’s principal assistant from 1973 to Evans’s death in 1975, and is the author of The Last Years of Walker Evans and Truth and Photography.
47
Walther König
48
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All descriptions in this catalogue are correct at the time of going to press.
Prices, which apply in the UK only, are net, provisional and subject to alteration without notice.
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UK Territory Managers: Distributed Titles
Art/Books | Braun | Cahiers d’Art | Circa Press
Contrasto | Cooper Hewitt | Distributed Art Publishers
Editions Didier Millet | Fondation Cartier pour l’art contemporain
Fontanka | FUEL | Ludion | Max Ström | MCA Australia
The Museum of Fine Arts, Boston | The Museum of Modern Art
Niggli | RM | Walther König