t.,' · clarnoring for cheaper bread ar-rcl a cit-v- police fbrce ... \vas to keep breacl...
TRANSCRIPT
1 6 7 ' ' ' . ' t . l t : t . t ; t , r ! , t / , , t n t t t t t l t t t t r t
Alcl-r i tccts have long sor-rght to improve both the fbod
sr.rppl-v an([ social rclat ions thror-rgh dcsigr"rs lbr farms and
{bod dist l ibr.rt ion centcfs. The histor ' l ' ol thrs cngagenrent
i-s largel l ' nndocurnented. but f i orn l t topi iu-t architcctr"rt 'al
thnr-cit ies uf the eishteenth ir lrcl nineteenth centul ies.
such as Ebenezer Horvald's Galclen Cit ies. to po-st-\Vorld
War II supelfarrns and markets. Archigranr's hvdroponic
r-rtopias. \ Ictabol ist agricultulal ci t ies. and dlop-out
C'al i{brnia donc conrnunit ies. the farm and the rnarket
as architectr-rral programs have been nsccl to staltc new
clairns about horv t ire urban and lr,rral -"hr.rr: lcl cornrnitrgle.
The farm has also become a site n-here architects
develop nen concr.pts of sustenance i ind sustainabi l i ty
and ir-r-ragine nen' phvsical connection-q bets'ecn people
and the products they consume. What fol lorvs is a verl '
br ie{ survel ' of the histor5. ol some ofthese undeltakings.
, ; r . , : i l : . l : , . . ' , , ' - ' . l ; ; , . ' , , '
Lr the eighteenth centuri ' . a t ime of nrany ufban
fcrod shortages, European architects sought to irnpror.e
phvsical connections bets'een the cit l 'and the farm.
h'r Paris. prior to t l .re French Revolut ion. n' i th a publ ic
clarnoring for cheaper bread ar-rcl a cit-v- pol ice fbrce
e ager to r-naintain order, great arcl-r i tectural atterl t ion
1vs-r paid to ren"rakrng the citr- 's glain nrarket. the
Halie au Blc. rvhe.r 'e f lour q'as sold to baker' ,*. Though
i t r i a s , , r r l r i r : n ) i l l l l r a l ' 1 o l l h { f n r r r l s r < 1 e r n . t h r ' g l l i n
nalket \ \ 'as a I lotent publ ic s-vmbol of the govLrrnlrent 's
commitnent to f i l l ing t l ' re bel l ie-s of the populac.-.
A ne'r i f i r 'eploof 'nrarket rvas bnrlt in 1763. Desigr.recl b1'
Lt5 '
- 1 .
architect Nicolas le Carlus cle l l r izidrcs, thc r lalkct\vas to keep breacl pncc-s low' bv el ir l inat ing thcovcrcrorvding. specr-Llat ion. and infernos of the oldnrarketl l i : rce. Le Carnus de l lczidres bcgan to irneginctl ' rat a properly'desigr-red nrodcrn market cor,r ld lor,r-elpricers and actual lv provicie better fbod f irr the pol i t ical l .rf iustrated populace. ( i ) Enl ightenment design u,asput in the -qervice of 'sustaining l i f 'e.
Gerrlan c.conornist Johann Hcirtr ich r-orrThi inen u.as sirni lar lv f trscinated r l . i t l ' r hoq' cl ist l ibution-svsterls irnpacted fbocl prices. In a sel ics of textsptrbi islred frorn 1818 to 1E26 as Tlte Isolctt t :d Stnte.hervorked out the re' lat ion-ship betn'cen pr.ol i t ancl sp:rcc.gcnerating a diagram ol thi: rnaxirnum distance-q thatgoods could travel to reach nn urban marketplace.lDair ies and cleanrcrie,s tended to be located closestto cit ies because the goods ther- procluced woLrld pct ' isht lLrickh'. Tin'rber coulcl be gr()\ \ 'n a bit fr ,rrthcr ari- lr .r '{rom t l ' re citv centcr ' . but not too lar ' . as i t rvas di l f icr,r l tto move acloss lor-rg cl istanccs. Farrl is r,rncl rancltcscor-r ld bc located evcn lurther outsidc. thc citr ' . since'thei l prodr-rcts cor,r l<l suLvive a several-dar.. jotLlnt '-r .
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' l ' hun t , n s i r Lens s ' e l c i n i t i a l l r n r r . an t t t ) r l c sc r i i r t ' s ' he re
p loc l uc t i v i ' i n c l r r s t t ' i t ' s apy rc : r l t ' r l a l r i r t nd c i t i e s . l t r - r t I x '
t he t l ' cn t i c t h c ( , 11 tL r r ' \ . r , r l i r an y r I l r nn r ' f s l ( l o l l t ( ' ( l t h t ' t . r t i t s
i u I l ( l ( ' a l n roc l e l f b r s hen , l boc l i n c l us t r i c s o f d i f l ' c l en t
l \ l r r ' : < l i ( ' u l d L , l o c ; t t , t l .
Bcgir - rn i n g i n thc ' I r r te t ' i g l - i t t , t ,nt h cent rLr \ ' .
l ' - r 'ench agl icnl t r . r ra l engineel s s 'e lc a lso lc th inking thc
t ' o r r n t , c t i o r r s ben leen c i t i t , s anc l t i r t , l r g l i cu l t t u i r l i r l c i l s
t ha t sn r l o i . r nc l t ' c l t i r t , n r . Th t l l ca l i z t , c l t h l t t hc i l r n rnn and
lni r ) l l l l \ \ ' i ls tc g( 'ncI i l tc{ l in Pl i | is N0ulc l be an exct 'L lent
sou l c t ' o { ' 1e l t i I i ze r ' . r r nd t l i e r ' 1 . r ' opos t ' c i s chen r t ' s f o t '
s i r ippir - rg l ) :u isr ln sr ' \ \ 'a ! i , out of thc c i tv ancl sprei rc l ing
i t ov t , r ' ag l i cn l t u l a l l r r nc l . l n t hc mrc l - n i r ) e t e cn th ca ' n tL l l ' \ ' .
soci r r l i - . t I ) ien t ' Lelo l rx c l t , r 'e loped rr detrL i lec l I r ro l losa. l
l b r s t r ch l s t - s t ( , n1 . : r p l : r n t l ' r a t he c r r l i ed t i r e ( l i r cu l us . '
I f p lo per '1r ' chan nelccl to t h e r l Lt t t t l r ' ; i r l t ' thr ' , r r . t g l - t
nen' l r - devclo l r t 'c l ser i .e l 's . hunirrn \ \ ' i l -s te coulc i actur l l ] '
. ' t s l r r . r ' ; r l e l r { , r r r . l r t r v r l t t r ' . t t r t t $ i l t t l d i t l ( t r i l . { . h l l l l
r - ie lc ls ancl retLrrn to t l ' re intest ines of c i t r - dr i ' r ' l lers in t l - re
fur lnr of f rcs l - r i l r i i ts and vcgetal r le-s. ( - - i t l and f iLrmland
con l c l f b l n r a c l osec l s l s t ( , n r . c l o i ng as ' a r - s ' i t h t he
nr: ,Lr l i r : tp l lce l l toget i r er ' .
C )nce po l i t i c l l t h t ' u l i s l s sa r v f i l ' n r s an r l c r t i t ' s
as i n t t l connec t cL l s l s t en rs . r ' a t i r e l t han as s t r i c t l v
sel l i l la te t 'n t i t r t ,s . r - r topian archi tects ancl r - r rb ln ists of t l - re
rr i r - rctcenth centLi r l s 'e l r able to c lcat ivr l \ - r t 'conf igule
the l a rn r r nd t he c i t v t o i r l ag i r r e ncn ' f i r nns u f ' con rn run i t y .
- \ r 'chi te cts becrr le inte l cster l in pcl f ect ing ag-r icuI t r , r fa l
leatulcs rs a \ \ ' lv o l engcnclc l ing ' coope-r 'at ior-r .
sc l l :su{ f ic ier-rcr ' . ant l f ' r 'eer l l rn 1 l ' ,mr the \ i i {a l i . i o1 f i rocl
p l ic t 's i i - t l i specr-r lat ive econolr \ ' . - \ p l inralv r , \ i lm]) lc
r r i t h i s k i nc l { r l u t o l l i an ag l i c r - r l t u l a l c i t \ . i s F r ' l ' n c i r
LL t . ) l ) j nn soc ia l i s t ( ' l t r r r ' 1 r , s Fon l i e r " s l ' ha l r L r - r s t i ' r e . r i h i c l ' r
i n c l r r r l ed r t n ' i p l t ' sp r r t ' e f i l cn l t i va t i on . l ) (Fou r i e r " s s -o l l i
l r l : o i l l : l ) i l ca l l - r ' t ' oL r r ' s l t , s r . a r ch . , l ' l i e r a l c l " i i t c c tu l r o f
thc Phalansti ,r 'e. skctchcd bv Foulier- lol lorvcr ' \ t ictor '
Consid6rant. \ \ :as organized radial lv A centlal core ol the
conrl l le\ s 'or-r ld be cledicrrtecl to col lcct ivc' . quict act ivi t ies:
i t contained a I ibrar ' .r 'ancl ntceting.. foout-q. as well as
heating svstcnls i lnd a colnmLlnal restanrant. Extending
out { i 'onr the core \\ 'ere rooms for noisirr act ivi t ics. sncl-r
as f irr educating chi ldrcn, as well as l iving qui lr tcrs
and rvolkshops. Foulicl si tuatecl a rvol l<ing f irnu on thcpcl ipherl of t l ' re complt 'x. rvhere r,r l l rvould scc i t . Thotrgh
no Phalansti :res \\ 'cre actui l l ly constr lrcted. a lnorc
compact vet 'sion cal led Famil istbrc \ \ ' i ts reit l izerl in 1,965
in ( luise. France. b.v Jc:rn-Baptistc And16 Godin. AdapLing
the moclcl to a -srnal ler plot of land in rLn ul lr : ,Ln sett ing.
the Fanri l istbre f irrm n' l ,q replacecl bv l ki tchen garrlcn
anrl a lo\\ ,-cost gr 'ocery store.
I d e a,. f b r s t' I f-,q r,r s t ain i n g co nt m u nit i t' s b c g-a n
to sl ip into ther mainstrcam by thc earlv trvt 'nt iet l-r
centLlr'\'. Hos'ald's cIa,ssic Grzrdert Citit,s of'Ttt )IorroLL'
rel lr ise(l the iclcas of Thrinen and Fouricr ' . suggesting
that an ideal ci t l 'coLrld bc crcated bv irrtegl l t ing
al l rrspect-s ol production and conslrmption including
agricultr-rre-into t l ' re ciL\ ' . ' r ( I Sincc r isir"rg land pl ices
fi'orri Lilllln encrolrchmci-rt tori'ard ugricultr-rral lancl
nracle it difficult fbl ulban Ihmring to bc profitablc. on
tl ' re open market. Hou'ard proposcd rnsti tr-rt ing a sel i t 's
of l inancial strb,sicl ies t l-ult rvould makc' i t pos,qiblu
to continue farrning in close proxi l-nitv to othc-r trrban
activi t ics. hr contr lst n' i t l -r the nincteenth-centur ' .r .
Pl-ralanstere and Lc Canrus de M6zidrc's grl in mnrket,
Hon'alr l 's ideal fbocl-cit l sr:bst i tr-rt t :d mllstel planning
fol alchitectule. Hou'art l n' trs less lbcused on improtrng
fbod c l rs t r ibn t io r - r to cu l ta i l hungcr . In h is r , i s ion .
ag l i cn l tu le \ \ ' i l s no t on lv a mc i lns fb l su-s ta in ing the
citv's inhnbitrrnts: i t gcneratccl iur image ot an orclcrh',
-sclf lsr-Lstaining. ancl social lv coircsir-e cotnnr unit .r , ' .
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lil 0 ll E Il N I Z I tl 0 I fl t [A fi l,{ A li l] i H |,tul i li K ! i
Wit l ' r the spread of t l ' re rai lrval- and t l ' re periect ion ofr l ,ater-based t lansportat ion svstems in the latenineteenth centur.\r, time spent gctting firocl to and fronrmarketpiaces shrank. E-specialh' in the rvesterr-r UniteclStates. this r-ncant that the famr could r.nor-e furtherax'a1-from the cit .r ' . ar-rd i t helped excise food ploductior-r
to the peripherie-s of ci t ies. The ccnters of ntanvcit ies rvere. hoq'ever. st i l l devotcd to the distr ibr-rt ion.preparation. and stolage oflbod. Archite.cture n'asuserd to prolnote nc$-techltologres of fbod prcservation
and distr i l tut ion. r i 'hicl-r enablecl fborl to becomeas r-nuch a speculat ir-c corunoditv as -coruetl- l ing to eat.81. the earl1- t*.et 'r t ieth centurr i Danklnar Adler andLor-r is Sul l ivan \vcle clesigrr ing cold storage q.archouscs
171 t t to t l c r r t i : i r tg t l te fa rn t a r td t l te r r t t . -hc t
adorned'"r ' i th organic motifs in Chicago, an. Walter
Gropius l-rad devoted great architectural at- 'nt ion to
docr-rmenting thc design of grain elevators. ioviet
Constructir . ist architects similarly sought t promote
modern a gricr-rlt ure u,ith n-rodern ilrchitect - :'e. Proj ect s
such a-q architect Konstantin Melnikov's Nrv Sukharcva
N{arket in N'Ioscon' \1924-5) generated an i tage ol
orderly yct bountifut agricultural productit r tl'rat lvould
n'rake col lect ive farrning-somcthing quite rvlsible to
the average \Iuscovite-st i l1 apparent rvi t l n the citrr (4 t
Le Corbusier ' 's agricultural project. her Radiant
F:rrm ( 1934-5 ) (5 ). rvas an outgrorvth of his .r lan l i rr
thc Racl iant Cit lr Inspirecl b-v Norbert B6zld' a rural
adrnirer of 'Lc Corbusier 's work rvho chal le gcd hrnl
to adclress the state of rural l i fe in Francc. , lar ls lbr
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112 the architect's farm
the Radiant Farm were never realized but nonetheless
represent an important attempt to imagine new forms
of agricultural modernism. Taking a bird's-eye view
of the situation, Le Corbusier lamented the time, land,
and money lost to small-scale farming:
From the airplane, I see infinitely subdivided pieces
of land. The more modern technologies develop,
the more the earth subdivides itself, and spurns the
miraculous gifts of the machine. It's a total waste,
it's labor frittered away.a
His plans for the Radiant Farm would eliminate
this waste by consolidating land through the functional
organization of individual agricultural plots, with
zones for the production ofdifferent goods placed
in close proximity to the transportation systems needed
for the distribution and sale ofagricultural products.
Additionally, he allocated a plot ofland to every
citizen for kitchen gardens, which would balance thehypermodernity of the farm. He wrote:
A farm isn't an architectural fantasy. It's something akin
to a natural event, something that is like a humanizedface ofthe earth, a form ofgeometric planting that is
as much a part ofthe landscape as a tree or a hill, andas expressive ofhuman presence as a piece offurnitureor a machine.5
For Le Corbusier, the farm's evocation ofhuman presence was a way to naturalize a large-scalearchitectural intervention in the landscape.
Efforts to modernize farm communities slowedsomewhat during World War II, when industrial attentionwas turned elsewhere, but after the war ended, wartimetechnologies were repurposed to the home front and fundsfor economic reconstruction favored large-scale farm
173 modernizing the farm and the market
modernization projects gtander even than those imaginedby Le Corbusier. This postwar focus on industrial
agriculture is somewhat odd given the popularity andsuccess of wartime Victory Gardens, the near ubiquitouskitchen gardens that could be cultivated in urban
backyards. The U.S. Department ofAgriculture estimatesthat 40 percent offresh vegetables in the United Stateswere grown this way during the war. Nonetheless,planners, architects, and engineers collaborated toproduce industrial-agricultural systems such as farms,
markets, and distribution networks capable ofprovidingfood for growing postwar populations.
In the late 1940s, the French architecturaljournal Techniques et Architecture edited by Auguste
Perret featured liberal coverage ofthe architecture of
the industrial postwar farm. (6) New building types were
surveyed, and traditional farm buildings were updated,
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made subject to t ime and space studies to maxirnrzetheir efficiencli In scale and efficiencl- these farmsseened to take inspirat ion fron the Radiant Farm. butthey carr ied ferv traces of i ts "hunan presence"; thevrvere ful lv nechanized.
High-vield industrial farms n,ere only partof the picture. As in the nineteenth centur)-. architectsfigured out horv to get products fron industrial farrnsto n-rarkets in cit ies. and thel 'advanced architecturalknorvledge in the process. Jean Prouve's marketin Clicht ' , France (1935-40). fbr instance. rvas the f irstbui lding to use prefabricated curtain-n-al l panels. r?)
175 ntoderniz i t tg the lLtr rn ctr tc l th.e marhet
Later. F6lix Candela's Coyoacdn X'Iarket in Nlexico City( 1956) used easi ly constructed modular parts to quickly
build structures for buying and selling. (::) Both Prouv6
and Candela used the market as an opportunity to
insert maximurn flexibility through nodern materials
and prefabrication techniques. Similar strategies were
applied to rvhole-qale food markets, which received
the most attention from architects. Based on modelsfrom the United States. enormous modern markets
capable offeeding entire regions were constructed in
Germanl-, the Netherlands, France, and Japan during'thepostrvar period. They rvere iocated at the peripheries
of cities. rvhere they r'vould easiiy link to highr,vays. rail
lines, and airports, and replace crolvded and unsanitaryinner-city markets. These markets were crucial topostrvar economic developrnent strategy: the theor.y went
that i f the middlemen and congestion costs associatedrvith outmoded urban markets could be elin'rinated.
food prices rvould be reduced for consumers, who rvould
then have roon in their budgets to purchase nonessentialg o o d s . t h u s s t i m u l a t i n g e c o n o m i c g r o \ v t h .
The crdme de la crdme of modern wholesale
narkets r'vas built just outside gastronomically inclined
Paris, at Rungis from 1963 to '69. ( i ' ) Replacing the
overcrorvded markets at Les Halles in Paris. q,hich
once included the aforementioned Halle au 816, Rungis
became the rvorld's largest wholesale food market.6
Its architects-Henri Colboc and Georges Philippe-
sought to lorver food prices by reducing inefflciencres
in the design of the market. They carefully managed
the circulat ion offbod into and out ofbui ldings and also
r-rsed computer technologies to regulate the sale prices
of goods. Their efforts to improve where and how food rvas
sold rvere considered to be as important as paral lel
attempts to modernize postr.var farns, and they showed
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1 7 6 l l t t o r t l t i l t ' t t ' s f d r t t t
t l -rat calefLl lv clcsignctl iu 'chitcctule coti ld spLrr
consr-rnrlr t ion ol nr.rt c.rnl l frurts ancl \ ' ( 'getablt ls, bLrt
l l -so oI consunrcl goorls l ike n' lshir-rg nrachir)cs.
In spitc of t l -rerl appe'al. stanclaldizccl rrr-rd int lustr i t i l ized
lhlrning method-s. rvhcn applrccl too qLricklr-. could ploduce
r l i sas ter ' . In ncr r l v decoIon izec l Tanzr rn ia . fb r ins tancc .
the L-. janraa agl icultulaI vi l lagcs miurdatet l bs fornrcr
I)resiclent Jui i trs Nvcrcle fronr 1967-79 atternpted to
l t 1 , 1 r l r l r . * l f - f " t t , ' t ' e l i r t g r t g | i c t r l t i r t a l . r ' s t e t t t t r r 1 l t e t ' t t t i t e
corrntr\ ' . Lancl s'as col icct ivized. divide cl into ir grid. ar-rd
di,st1i5u1"6 px'sr-rmabl.r ' evenlv nnd bl indl l ' to l 'anzrrtr ian
r rs idcr t . to q r , , \ \ - iden t rca l c ro l l s on cac l ' r p lo t o f lan t l .
The inf inite rel)eatabi l i ty of t l .r i -q nethod of f i rrn.r design
nas in tcnded to repro t lnce soc ia l o lc lc r ' . abunc lance.
cquali tr ' . arrd sr,rpport 1or Nvert,re's S{rvclnrnf nt. and
it lookcd bear-rt i l i r l in pl irn. \ 'et in plact ice. plants cl idn't
glos' u hc're the.r ' rvere supposed to ancl thor,rsands of '
vcars ol local and specif ic knos' ledger o{ hoi.r ' rncl u'hcle
to gro\\ ' fbod in' fanzaniir rvas k.r-rt . Tl-rough -qor.ne of the
flalnaa l i l lage s \ \ ,ele sLrcce,ssi ir l . technucratic planning
tha t rc l ied on the b l ind log ic o f the gr ic l d idn ' t necessr t t ' i l v
plodr.rcc high clop r- ielr ls. Thousands starr-ecl under
thg l i jant i ia svstem.;
Architcctural histol i :rn Sigf i ' icd Gie<l ior.r
rrr ight have prcclrctecl such :r rhsi,Lster ' . In Meclrart izctt iort
7 i t h r ' s ( ' t ' t t t n t t r t t I l . e s o l t u f c a t r r l , ' L u f i r t r l u . t t i : r l
prodr,rct ior-r techuiques * r ' i t ten at thc bel 'rest o1 \\altcr( i lopius in 1943. Giecl ion becanre fascinatecl rvi th
horv foorl procl l lct-s becirr-ne ' 'mcchanizccl ' : that is. horv
the plodr,rct iorr. 1r 'ocessing. anrl consnr.uption ol fbod
increas ing l l - dcpendec l on rnechan icn l techno log ies .
\\- i- i i le lol alchitccture. mechanization proclr.rccci
nt 'rr , {on.r.rs of inl-rabitat ion ancl nerv ol) l)oltnnit ie-s Ibr
1 7 7 t ' l l r i t t l ' t t , : i t , , l t r s t r t , t l l l r t t . , . -
p lo f i t . thc huml r r r n tcchan iza t ion i thc ' Iog ic o I n .h ichcxtcnde(l direct lv to Nazi cleatl t campsrposercl u gr.avcrtLrnger' . I Ie rvrotc:
One t l-r ing is celt ir in. Xlechlnization corr.rc's to a h:r l tl r t ' l i rre l iv ing -cui lstrrnce. A rrerv outlr iok rurLst l trer-rr i li 1 l ) i t tu te i s to be n l l s te ted la ther tha t r deg l l r led . '
Fo l G icc l ion . a p lagmi i t i c coupI i r - rg o l in t lus t r i l i andnr tu ra l i rg l i cu l tu re \y t rs o l l t o l the ques t ion . The log icof rnechanization u'as t ight and teleological ertoughto prec luc lc the coen-s tcnce o f a r t i san l r l and indus t r ia lculturesl the art isanal t as quicl<lv bering lost in i l repostwar pcl iocl. As rnuch A-s ne\\ ' technologic.s nrightbc trdn-r i l t 'd. thei l conncction to l iving lreing-s nt:eded tobc lethotrght :rncl sometimes racl ical l ;r rcfused.
In the 1960s and '70s . G lcek p lanner(lonstantinos Doxiadis lbl lou'ecl the course of lcthinking,lather than ref irsing. I)oxi irdis's approacl 'r to 1t lanningd id no t . jus t cons ic le r phvs ica l in l ias t ruc t r , r rc o r z { ,n inHbLrt also the organization ofspaces for rr l l aspects of 'l i1c. incltLding fbocl procluct ion. Hc generatecl a f irrmulaf irr a tot ir l environtnent that r,voulcl incltrde space forboth inclrLst l ial and trarl i t ional agriculture. In hi,sf ir 'm's jonlnal. E/, ' ls lzcs. he arguccl in f i l 'ol of dcvoturg10 percent of tottr l lancl to food proclr-rct ion arons. '"vhich
hc ci l l led "cult ivalt 'a,c." One cult ivalea n'oulcl bt, fbr"rurtural falnring." f i i led n' i th orchards. 1i 'ee-rotrnt ing
animals. ancl opcn orgrLnic f ields: the ot l ' rcl rvotr lcl bel i r l f ' .61n . . le rn - r ing . s r th a "cornp le te c l iu r ina t ionol ' the natural lanclscapc. l l 'here l pattcrn of roo{.s wil lle place ir ( l istant vies- uf bear-rt i l i r l { ield-. and orchard,s."1,Thi-s teclrnological l .v enhlnced cult ivarci i rvor-r ld be incloser proxirnit l ' to cit ier-s-a nec(,ssarv cvi l for ploviding
lalge'qurlnt i t ies o{ foocl. I l i spitc ol his:rt tention to therl i fTirrenccs betrr, t 'cn thcsc tu'o nrocle-q of production.
| .g$t'
9tuwl
II
Y1 7 8 t l t t u r t l t i t ' c t , f , t t ' t , t
Doxiadis didrr ' t see that the ts'o method-s rr-ele
ir:reconci lable: thev sirnpl l- sen-ecl dif l 'erent societal
functions. both of rvl ' i ic l ' r neeciecl to be -qr,rpported.Hc lh l t th r t rg l i c r r l t r r la lu rodern i tv cou id coex is t rv i th
" b ' " " " " "
aglicuitr-r lal traci i t ions.
Other a rch i tec ts devc loped nrn le r - i s ionarv
and altclnativc food and thlnr schemcs. attcnrpting to
lesoh'c tensions betu'ccn art isanal and industr ial fooclploduction r"ncthods. Japanese l lctabol ist architcct
Kisho Kr-rrokarva clevelopcd tl-rc Agricultulal Citl' for'l'ris
f i lst alchitccttr lel plojcct. procl igiousl l , shorvn at l Iol IAs
\- isionar'1- Architecture crhibit iun orgenize.l b1 Arthur
DlexLel in 1961. { ' t Agricr-r l turc. botir as a program
and as a nctaphor' lbl ur"banisrl . becane a pletext {or '
the advancenent c.rf Kulokau'a's ear"lr- architectulal
idcas. Tl.rc Agricult ' rral Cit l ' n 'as dir- ided into cel l-s. s-hich
could gros' ahnost organical l l - alor,rnd an architecturalf i 'amcri 'olk. Raisecl abor-e glound. self-generlt ing.
and non-hierarchical. t l -re f 'alnr-citv echoecl the tradit ional
dcvcloprnent pattern:r of rural Japanese vi l lages butn-as enhanced b1,' modeln inii'astr"ucture lir-r this ca-qe.-st1'cets containing ut i l i tv pipe-s ). L'r land-stat 'r-ed Japan.Kurokas-a's rural plan \\-ai a tsLl l ' l l l is ingl l dcnsc ancl
1 7 9 r t l l t i t t / t i n g l t t d t t s t r i r t l t ' t u t t t s
urbi ln. In a r lanncr not cl issirni lar to earl icr agricnlturalr i toi l i r is. Knrokan'a's sett lement rvoulcl enable autarchy {brthe falnrcrs of indir.idual ce1ls. Terchnology coulcl supporttraclitior-ral ri a1.s of life that w-ere spatiaily reorganizecl.Like Doriada-s r but unl ike Gicdion ) Knrol<al,a dir l not cal lIbr the racl icai separation of the farn f i .orn tecl-rnolog1..
Food also becarne a lr t : ans for thir-rking altoutthe le. lat i on-qh r p benr.een techno1o g1.. cons Llmpt ron,and er.elvclav life ir-r Gleat Britain. L.r the pop artrvorksof t l -re Jndepencle.nt Gloup of t l -rc earlv 1950s, packageclfbocls appearecl a.-s :urbir.alent s.yrnbois of the drivestcu'arcl consunrptiolr in the incleasinglv prospercnspost\\ 'ar perioci. Sr-rrtrptnou s clel ights-w.idely avai l ablethank-q to irnprovecl ci i ,ct l ' ibut ion ntethods ancl theindr,L-str ial farm-" of the imnediate l tostrvar period_becarne s.vrnbols of the arnbivalent att i tude ofavant-garde culture tonard the pleasures and pit fal lsof a cor-rslirler socictr,-.
For the Brit ish architcctural proi.ocateursArchigrai l . fbod's visceral svmbolism bccarne a rr. tezursto tease out a ne\\' r'elationship betu..een technolog.r,.pol i t ical econorlr l- . and d:ir lv l i fe. Friends rvith rnerlbersof the Indepcnderit ( i loup. trnd :r lso featurecl in Drexler 's\r isionar1'Arcl- i i tecturc- shorv at NIo\tA. thev usediurages of foocl and :Lgricnlture for architectural cr i t iqucs.hr 1963. in the third oftheir periocl ic t leatises. cal leclAlchrgranrs ia r-reologisrl of architect i- ire ancl telegram).the gror,rp cxponnded one rel:r t ionship betr i 'een fuodand architecture:
Ahro-rt rrithout rc:rlizing it. rvc har-c absolbecl ir.rto oul1ir-e.s the f i ist genelat i on of cxpen dable-s. . . foodbags.prLpel t i ss tre,<. polr. thcne \\ : t appel.s. b:r i lpens, E ps. . . .\\-t thron'them ar-,.av alnto-.l as soon ils q,e;rcquire thenr.
Also rvith r-rs :t le the itcrns that ar.e bigger.nncl last
,::]]],. F1ji:l ...
1 8 11 8 0
l
;I{
Ion gcr ' . l r r r t a l r ' n ( )ne t hc iL .ss l r l r rnn tcL tb t ob .o l r ' . i t , nce ' . . .
( ) L u b l s r c n ) € , s s i t g e l ' l
l t u t t l t r , l t o t t t , ' . t l t t L c i t , , l t ' c i l t . t t n r l
l l t L ' f i o : , . t t p e r t t r t t l : t t t ' e l l l l t t s t t t t . , .
L i l i e K u l o k a r v a . A l c h i g l u u r r l r s i n t t ' r ' e s t c c l
i n hos ' i nc l us t l i a l p r ' o r l L l c t i on n r c thods . such as I r l r nnc ( lo l r so l escc ' r r cc . cou l c l t l r r ns l i r lm c i t i e s i n r ' : r d i ca l n ' l u s .
Pe, t t , t ' ( 'ool i s \ \ ' l r ter l ) lLks 1or ' -sei r - l i rmr ing- { 196E t shos-ecl
hr ,n foor l r )1 ight be gr 'o\ \ ' l l in unpledictablc I r l i lccs. 1 i
An r l i n l l c r l l t oo l r f i ' on r 1971 . Cook c i a i n r cd 1 l ) a t t h ( '
fh l nr and c i tv coLi lc l n i i rg ic i l lh ' col lapst i r - r to one i lnot i ter ' :
ho l og lan r ho l s t , s anc l p l an t s po l t ou t o f t hc r . oo l o l i rr l i l l ( ' s t o r ' \ ' l o i i bu i l r l i r r g . I rA l ch i g - r ' n1 r #9 r1 ! ) 70 ) . t h t . l l s to f t hc g l o t r l - r ' s c l i s l t i r l t ' hes . a l l us i vc l v i . r n t l s . r ' n rbo l i cu l l v t oo [<
u l ) t i r c t l l ( ' n1e o l cu l l i r a t i on . , \ l ) l l ( . k c t o l s ce ' c l s \ \ ' i l s l L l c t i ( , ( l
in lo t 'ach nragazine. r r r )d th( , cor . t , r ' b. r 'Warr . t 'n Cl l - r r r l l i
I e t r t L r l ec l r r l l k r i r l s o l g l i ) \ \ ' i ng p l i l r ) t - s . Fo l A r c i t i g ' r . l r n t . t h t '
p l r n t r i n ( l t i - i e f i r r n t \ \ ' r ' l ' L r l s r -mbo l o f l r l i l f e l t ' n t k i nc [ o i
c l i s t l i b r - r t i on - l o t a l i t l ca on pa l l ( , r ' be i ng sen t b r . pos t . l i l i c ,
t he ' g - r oup ' s t h t ' n r l e f i r nc t n r i r gaz inc -b r r t l h r , poss i l r i l i t v o f
i r l i ! i ng s l s t en l i r ( ' t u l t ] l ! bC ing r l i s sen t i n l r t ec l l ^ a | r : h i t ec ,1s
scc l i i ng t o r l i s so l vc i t l r ' h i t t ' t ' t u re i n t o n a I u r ' t , i t s c ]1 .
I ' e ' r hno log i ce l l r cnhe r - r ce , c l l i r l r ns l pp l l r l e l s c r vhe r . r '
t oo . [ I ans I l o l ] r ' i n ' s l r l t i c k ' " r \ l l e s i s t A l ch i t c l i t u r "
tE l t ' r ' l - t h i ng - i s ' \ r ' ch i t c c t r , u ' ( ' ) . a l t ( ' \ l l o i r i o f t h t ' i n c l t ' l r s i ng
l t t r . r gc o f u r ch i t t ' c t n l l L l l ) r o j ( , c t , s . I c l r t u r l s an i n rag t '
of a p lo. j t 'c t i t . r ' l r lchi t t t t Konrtrc i [ . ' r 'er- crr l lec l I iuhs ' i t .kc l
tCou c i l c l c r i i ' on r 19 ( i 7 : " . \ f i r lm p ' o j ec t i nco r ' po ra i i r r g
env i l onn r i ' t r t a l co t - r t l o l n t e ' c l l r n i sn r s h l l ness t , t l c l i r ( ' c t t o
tht ' l r t i r l i t l s -so th l t t l r r r i ld i n gs becort te r r r r r rcct 'ss l l r ' . , ' . " 1 1 1 )
l le lc thc ' f l r l r -n lur i r .n l r l c last ,s t r lc l i t ion rr l r l c l t i t t c t r r le,
d i ss i pa t i r r e r t i n t o t hc c r r v i r onmcn t a t l i t l ' g c .
Thc t 'n l lv I970s ploclLr t 'cc l lnotht , r ' 91tr1 of a lchi tect dr ivcn
f a l r n p ro j i ' c t s . b r r t t h i s t i n r t , l hev s ' e r t , s t , l f - comrn i ss i on r : t l .
n ro r ' ( , r ' ad i c i l l . n ro l e c l o - i t - . r o r r l se l 1 . l r nd t t , r c l r l oduccc lb.r ' r r lchr t t 'c ts u 'ho c l lo l t l tec l r r r - r t l l l her t l tan br ' l i ln tor-rs
I l r ac t i t i on ( ' r ' s . SL rch p |o j cc t s \ ve ] . c i l mc lns t o | c t h l n l i t l ' r c
l r o r , r n r l a l i t , s l t c t n e t n t I t r , o l g i t r r i c t r r r c i t l t t , t c chno log i cn l .
anc l l i s r gu o l p r i l t i c i p r r t i on i n sou r t ' o l t h t 'mo l c l v i l d
s t l i t i l i s o l i , r pe l i r nen t l i i a r ch i t c , c t u l r l p l ac t i c r ' . \V i c l t ' s1 l ' e l c l
r u rb l i n t l i s i n r - es tn l cn t j n t h t , 1960s c re l t ( ' r l ne * ' impc la -
t i v t , s 1o r An rcnc ru - r : r l ch i t ec t s t o l ake i t os i t r ons abou t
t hc r ' o l c o l r l - r e c i t v as i r cen t ( ' r o l p roduc t i v i t r " . I n t hc na l< t '
o f g l o i i ' i r . r r c co iog i ca l ( oncc ln r nc l t he l oom i l i g o i l c l i s i s -
l
I
-
i
.II
182 | l r t r t r t l t i t t ' r t ' . , I r t t n t
an(l alter the lentoval of thc r i . l -rolesale tnalkctsin Eulopean citv center.s. such u-* at Clovent Garden inLonr lon anc l Lcs I ia l les in I )a r is . c l t r r ing thc la te 1960s-ulban i lcce-ss to fbod ancl to thc thmrels u-ho ploduccit u' ls rracle int l tos,sible u. i t i r in t l -re crtr-. and the packageclgloss o{ indr.rstr ial izcd foocl no lor-rgcr. fascinatedl lchitccts. The lacl ical ones rnovod f i 'ont clr.ug-aclcl leclci t ics to their ori n : tutonolnol ls ccological contpor-tncls.f lont San Fluncisco to Berkeltr: Envit 'onnrcr.rtul lr-f l ' icndlv fbocl cntergcd as a pl ivi legecl si tc l i rr nn architcct( ' l s ( ' r ' to l in r i t thc a i iena t ion u l modern l i l c . Rura lI lnglanci ancl the Pacrf lc Nolths't 'st r i 'elc irk,al sett i l tgsI ir l thcse neu'r.rplor:rt ions. rnd intages of gc,ocle-sic cionrcbuiIr lcr-s ancl r ' i ic l ical confnlLrl tcs bcgan to 1tr.oIr leratein rr lchitectr-rral nragazines.
One of t l tc ntain ptrbl i-shcr.-. of snch schentesn rrs Ai r ' f tr le r.1 t tnrl Desigt i t11) r. rrn earlv cl-rarnlt ion of.\r 'chigrarn anci othe.r racl ictr l plact ices of thr earl .r .anclrn id -1960s: thc ' r ' l t l t x - rded a f i i sc ina t ing lcns f i r r look ingut ho*, the icle.as f lon'r thesr, 1rr.ett ices \\ er.r, t l . :utsfbrl .nt:dinto lbocl archit t 'ct l i res. Publisirc'd bv the sitme cataiog.conrprin\- th:. . t l r i intc.d the 11'/rr lL Ectft l t ( . ' ( tct lrg. ADfir l lont.cl fbocl ot i t of t l ' re citr ' . to the ela' ,r r .acl ical famrs artr lt l l o1 t -ou t cornmrrn i t ies . In Derccn tber 1971. AD pub l is l " rec ltu pult l i t i t of thc Librc conl l l tLlnr ' . n'hich grerv i ts orvnIoocl in orclel to be'conre autononrr)Lrs f i .ont l l te-trventieth-cr, l t t urv n|ban |cal estate -spercrr lat ion ancl technocr.atrccortt lol . r ' ( ) Br ' 1972. foocl : i1cl l i rr .uts q.er.r, c,vcLrrvherein thc ntagazino. I 'hc Pner-rmatic lssue ol tr lalch 1972lca tured an ar t i c lc ca l led "U lb ln Farn ' r . "Anot l - re r . shor talt icler f i 'on-r l lar 1972 featrrrcd elcctronic apples. s,hich\\ 'cr '( , not intcnrlccl to be eaten but |ather to intpror-et lre' f i rocl supplv. ( ' ) Then in July uf the same r,car.thc rc n 'as an ar t i c lc on a Be lkc lev course ca l l cd Out lag .BLr i l c l ing . s -h ich to ld the s to r . r ' o f 'a rch i tec tu r . ( , s tudents
1 8 3 r ad i c r t l l h r r r t i t t p
/t'l', a
,,ii[iBR€
fleeing tl-rc.ir studios firr tl're countrvsidL'. r.vhere thc.y built,
alnong rrther st luctLrlL's. orgone chicke'r-r coops. rvl t icl i . i t
s 'as bel ievecl. s-oulcl l L'store the bi ld-s' r ' i tal sexurl cnerg-1
for the proclr-rct ion ol nrorc eggs.r 'At i jacent to t lr is l i r t le
art iclc rvas another :rbout clectronragnetic garclening,
a techniqne of applving raci iat ion to vr:getabler glrrdcns
to inclea-se t l-reir 1-ielcl-s.In the f irst : i l t ic le. students s ho havc bt 'cn
toi l ing "under f luolesccnt l ights" u'elo invited to go to
the cor-rntr'1, so that llrcy could "gror'r' rurder thc sky."
In the scconcl. radi ir t ior-r q'as con,qidt 'r ' t 'c l more valr-rable
and less dangerous. l t lei l-qt for r-e gt ' tablesl i t cotr lcl
_k.\i.:,. ; t "
__I I
|\]=>'/,
enhanc(' rathel t i r i rn destfoJ- thenr. \ I i -r i le ,"eenringl lP r t { ] ' r l ' s i n o l l t l l r e r r r ' f i t < n l n j r l r r r ' , r l l i v i r r " i r r r r r l r l r u r , : r r .
i t 's clenr thlt thcsc al ' t ic lcs also hncl an agcrlr la lbr
afcrhitoctur 'r , that is not cl is,sirni lal to Frcr ' 's. Ther
t lansfrrrrnecl the fbod envirr inrrent into un cxpandcdficld for tecl 'rnological iv cl t 'pendent alcl ' i i tectulalp loduc t ion . Not cven the countc rc r r l tu I ' c "s loud c l i t . sfbr natural and olganic l iving coLrlcl kcep lbod lrom its
te'cl-rnologizecl {atr ir-r AD. In ,si-rch a contr\t . ont cotLlclrr- ln a\\ ' i l ] ' f ionr f l trore-scer-rt l ights anrl t 'at clcct loltagnr' t icr.egctables \\ ' i thotrt a cor-rf l ict.
A-s the o i l c r i s is h i t in 197; : i . a r r -L la l esca l l ( ' to aself-,su{f icient conrnrunrtr ' -seemt,cl I ike Iess of a ladicalgc-cture and actrLal l .r ' bectrtnt ' sonicri ' l tat l tragm:rt ic. At thist ir le. AD began to leatule more arl icLes on grori ' ing foodrvithin cit ics. r.rsing high-tcchnologl ntr: thods appropri i l todlrom enginee'r ing periodicals. The CilctLlr,rs reappcaredin Revuel Brinhlrnr 's skctches lbr : ,rn ccokrgic:r i lv control ledcnvironnrent th:rt converrts hor,rsel 'roIcl u aste into ernclg]1( ) Th€, Janlr:r lr ' 197-1 issue f 'eatr-rrccl alt icles on vert icaigroq.th svstems ancl crop-* that could bc glon'r.r {bl encrgl 'la the l than lboc l . l fhe le s 'e* r h ieh lv t t ' chn ica l c l i sc r - rss rons
1 8 5 r u d i c u l l u r n t i n g
of thc potentirr l frrr extract ir-rg'cnerg.v front yt1:rnts.rr hich could be "appl iecl at a co]l tmuniLy level" fbr l tothsLrstenance nnd electr ici t l : In his book ?/zc Ecologir:al
Corttext ( 1970 r. AD contr ibr-rtor John NIcHale sirni lar lypos i ts p ro te in as a purc sourcc o f l i fe , a quant i f iab le
con) modi tJ' rvho-se con-. urr-rption vnrics accord i ng
to t l-rc level of 'pr ivi lege and exploitat ion practiccs ofdif ferent contincnts. Hcre. fr-rod is odcl lr , dir.orccd fron'r
anv plcasurc onc might takc 1i-om eating. Thc body.
cxpcriencing the ocological cr isi-s. ei l ts chernical frrrrnulas,
not cake. Bv t l-re enrl of t l ' re period. architectule u'as
no longer e\-cn necessaf) ' . only f irrrr ing. \ 'ou could evcn"gro\\ ' ) 'our house."
' I l -rese projects u'erc smaII intcn cntions.
cxpelirnents, an(l fantasies. Thel ' took thc threats tolate-capital ist cr,r l tr-rre posed by the cr-rergy cl isis
seriousl l ' . ancl tr ied to picturc a reoldcred *.orld, rvl ' rether
i t be thc desi lable ancl pleasurablo one ol the Libre
cornrrurre or novel ist Ernest Cailenbach's Ecotopia ur
thc st langelv cl1'stopian and I ikel l ' tastelerss one of
thc portable f ish farm designed {br ir igh protein .vields.I 'etrturecl in AD of 1971. But those projects also put lbl th
an architcctLrral age ncla. Tl-re1' anbit iously expanded
the concept o1 r.vl ' rat architecture did ancl rvhat materials
i t could bc made fronr: seerds. plants. soi l . fert i l izer.
electromagneti ,sln. gcodcsic dorrr.s. enelgv-transfbrming
equat ions . in f la tab le s t rL lc tu res . :u rd c lo th rng . no t to
lr)ention experirnental f trrrns of conunrrnal l i ic. While
it $'as clea| t l"rat architectu|e conld pose no real solut ion
to thc. complex proble.ms a,s,sociatecl r i ' i th ecological
col lapse. therse small exanrples seernc'd l ike ingredier-rts
fur changc. both architectural and ecolof l ical. But when
cheap oi l u'as restolcd ir-r the 1980s. the'prof 'ession and i ts
rnagazines largt ' lv ret lrrncd to lvork on organizing spaccs
for speculat iot-t i t t td consluttpt ion. such as shopping malls.
IB4 I l t l u r t l t i t t ' t t : l i t t t i t
$dt'
r 8 i o b i i t 1 t t t , f o r n t i r t g186 l l t t un l t i t t t t s f o r t t t
markets. an(l nr useums. Architectural pcl iocl icals -stoppecl
clrc r-rrnent i n g s' i lc l erpel iments in t 'cological I iv r n g.
. t i , , , L i : l t , l i t L l r i , , : .
Todav there 's an inc lec l ib le awareness o f the env i ron-
rneuta l . hca l th . and soc ia l danger "s o f inc lus t l ia l n rca t
and gra in px)duc t ion . rampant and un tcs tcd gcnr t i c
rrodif ic: l t ion. ancl the global prol i ferat ion ol agricr, l l t r ,u'al
nonopolies. As iL |e,.nlt . the utopian blrck-to-the-lantl
DIY con-ulr,rrres of t l ' re earlr- 1970s are slos' lv leappearlng
in the mains t rc 'am a lch i tec tu ra l p lcs ,s . Thc lc i s u nes '
appeti te 1bl thc pr-r lc products of sn"ral l olganic thrrns
and a c lanru l ing fb l an cnd to govcrnn lcn t po l i c ie . -s tha t
nrake i t di f l icult for the,qe farns to surl ive. Ga-stronome-q
and ercologtrcs nl i l<c ale rethinking not onlv hori-food
is proclr-rccd. but also 1'rori ' i t night bc blt tcl cl istr ibuted
Ii 'om rr iral alcns to cit ies. Communitv Supported
Agricultulr ' { ( lSAt programs,cel l -qubscript ions of plodr-rce
to cit l clr i cl lcls. provicl ing stable inrome t, , f i rnri lv farrn-q:
fbr exaurplc. Neri ' \ 'ork'-s Nes'Arlsterciam l lnlket tan
ir"r i t iat ivc to bui lcl a perrnanent incloor m:rrke't fbr local lv
ancl sustainabl l proclncecl fcrocl r focr,rses orr irrclcasingn l o f i t . I o r l l r l r r r . r ' . r r o l l o s e l i n - . . f o , ' c l o l i t ' r . > l u l L U l r i L J l l t L l s
Thlivir-rg ancl convivial comrnunit ies are oftcn asse nrbled
alound such init iat ir-e-s. :-et fbrlning thenr rs l i ighlv
incff icicnt u,hcn r. ierved through the indrrstr ial lcrrs.
Thesc horrcgrou.n strategies are " l-rorizontal": t l -rat
is. thel tekc t int- rLncl energl 'and requirc an abundance
o{ lar-rcl that onlv seems to be ar-ai lablc in rural areas.
Irt contrrtst. i r .rcleasirrg global r,rrbanization over thepast t \ \-ent\- 1'r :ars has helped to gcncrate a mult i tucie of"r-ert ical" st latcgie.s { i .rr qrou ing ib, 'r l rnsiclr nf thc citv 's
l i r l i i ts. This intelest in urban foocl is cluc in palt to t1-re
,qecond r.r i l cr isis and a gros-ing awarcness of t l -re social
ancl envi lorrnrcntal costs of shipping f irocl long distances.
t J**r'-.
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But i t is aiso due to the f 'act that urban land is nowhighl.r ' r 'aluable and desi lable. and property owners,alchitccts, and planners have conspired to rethink howlbocl might be grorvn in cit ies, givcr"r these nerv economicand ccologicai prcssures. Front tcchno-futurist urbanfirrnrs such as NI\rRD\,''s Pig Clitr.'. rvhich squeezed apig Iarm into :r skr-scraper i1, ') . to Dickson Despommier's\tr t ical Farm. r i-hich proposLrs grorving h.v-droponicvc'getablc-s rn the cultain-r l 'al l of a skl.scraper, architects
hlu'c designed vert ical f i rrms not only to nake cit ies
nrolc l ivable. pleasant. and sustainable, but also to make
cit ies ir-rto better si tes for inr. 'cstment and real estate
a rc h i te ( ' t 'sl B B t h c a r c h i t e ( ' t ' s . . : t ' n l
prof i t . Evcn engineering girrrrt ARLrP has been researching
hor.v to grorv food-organic. llo 1e-ss-\\'ithin cities and
1-ras producecl a denonstratrrn of their methods in plans
for a nerv "eco-citv" in Dongtan' Chir la ( )
Br-rt aren't there nore transibrn-rative \l'a-vs
that architects can use farnrs toda)-? \Vhat rvor-rld happer-l
if architects clid q'hat thgl' lrave alrva;-s done: design
a better neans of navigatin' l the pol i t ics and techniqr-res
of contenporarl' food prodtr, tion? It's clear flom this
historl- that the relat ionshi, 'betrveen trr 'o strains of
farn-ring that n'e're n611' f3111:lial rvith-industriaI versus
organic. horizontal \rersus r ert ical-actual ly become
less diarnetr ical lv opposed r 'hen they enter the hands
of cr"eative architects. P.F.1 rray be sucir an exampie'
Like Kurokan a's Agricr-rltur -rt Cit1" it's neither horizontal
nor vert ical, but rather 2 f3: m that 's ' 'obl ique" (to borrorv
Paul Vir i t io and Claude p21, 'nt 's term) As Amale Andraos
has said. "PF.1 only clouble. up the ground enor'rgh
to create a social space uncl, ' rneath the farr l " Unl ike
massive. high-tech Yert ical l l rms, PF 1 seens to point out
that ulban space can also s:;Pport sn'ral l-scale farms
that generate corlnunit ies tround t lre production of food'
And unl ike the hypothetica. or remote farms appearing
on the pages of AD in the 'i )s (rv1.rich are in.rpossible
to real ly digest r-rniess you I ke cei lulose and toxic inklt '
thousands ofpeople could l sceral l)- experience the
pleasures of P.F.1 by eating:he food i t produced At PF 1'
\VORKac assembled both crrrdboard cizd corntlunit ies'
The t ime-consuming and st: ange u'ork of actual l l '
making (and not just drari ' i rg or photomontaging) srnal l
utopias-assemblirrg armie . of volunteers' n'ranaging
the complexitl' of such an Lr:rdet'taking' and getting nore
people to taste and clance urtder a canop-v of food that is
grou'n rvith lor-e and effort-'is properly architectural rvork
1 8 9 no tes
J
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\ e,tcl
1 . J o h a n n H c i n l i c h l o n T h u n c n .
I ; o l c L t a c l S t o t c : A t t E n g l t s l t t c l t l t o t t
o i D , : r i x , l i t r t e S l . r ( 1 . c d . P e t e r
( ] e o l l l c l I I a l l . t r a n s . ( ' a r l a I L
\ \ - a r t e n b c r g i O r l b l c l : P e r g a r n o n
I ' r c s s . 1 9 6 6 t .
2. Sct f )ominicluc I- i lporte. l l is lolr
o l S / 1 1 . t r a n , . . \ a d i a B c n a b i d a n c L
R o d o l p h e c l - K h o u r r r C a n r b r i d g e :
] I I T P r e s s . 2 0 0 0 .
: i E L - n - z ^ r H u n r r ' , r . C , , / , , t l , r r L .
oS To )IorrctLL r Rt ' i t tg t l t t Setottd
Edt l Lott ol ' 'Tct
) IornttL : o Peatt lul
Path tct Rcal Ref i t rnt t t London:
S . S o n n e n s c h e i n & L l o . . 1 9 { J 2 .
-1 Le CorbrL. ier. -1, : i Felr le
R r , l i n r . n . . \ i l l , , H , d - . r .
r t L H . t , , R . 1 . . \ t . j . . l r : J l
i -1 . i9. Fircerpt t ranslated br
f l e r e c l i t h T e n H o o l
; . I b i d . . 5 9 .
6 . S e e X l e r e r l i t h ' f c r H o o r .' ' A r c h i t e c t u r e a n c l B i o p o l i t i c s r 1 t
Les Hal les. l ' r 'c,a ch Pol i t tcs,
( ' u l t u r e o t t c l S c t c i e l l 2 5 . n o . 2
t S u m n i e r 2 0 0 7 t : 7 J 9 2 .
7 . S e c J a m c s S c o t t . S e e i r g 1 l l r c
a S t a t e . I I o t L L l c r I a i t t S c l t e r i l t s
t o l t n p r o r e t h e H u n t c t n O o t t L l i l i o t t
H a t e F a i l e d i N e r v H a v e n t \ a l e
U n i v e r s i t v P r e , c s . 1 9 9 8 t . , { l s o s e .
Zaki Ergas. \ \ 'h1' l l id thc Lr jrmaa
\ - i l l a ; ' P , l i , . r F , r . l " T , ' n r r r l . , .
G i o b r l - L n a l v s i s . . | o t r r n a I o f l l c t d t , t t t
Afr i tan Stt tdics 1E. no. i3 Scptc.urber
1 9 E 0 r : 3 E 7 1 1 0 .
8. Sigfr icd Gic:cl ict t . l lc< l t a n i ztLt ict t t
TaLts ( ' rnt t nt a n t l : , \ Cont r i bt t l i ot t
Io . \ t t o t t . t nt ot t s Hislor. t ' { New Yol. l ( :
r t ' o r t o r . 1 9 6 9 ) . 2 5 6 .
9 . C . A . D o x i a c l i s . E c o l t g l r t n t l
D / i r ' s 1 r c s . c d . C e r a l c l D i x . ( L o n c l o r r :
F l l c l i . 1 9 7 7 r . 2 2 .
1 0 . t \ r t h i g r a t t t 3 ( A u t L r l t n 1 9 6 3 )
1 1 . H a n s H o l l e i n . ' A l l c s i s t
Architel i tur. Rou: Schri [ t l i i rArr. hi tektur unt l S1ai. l . t . 'bau 20,
n o . 1 / 2 1 1 9 6 3 r : 1 2 E ; I l o l l c i n ' s
, , , r i , l " r r r i l . p r r h l i . h c d ; ' - \ l l , : i -
f s r c l A r c h i t e c t u r e . ' A r c : J t i t e c t u r a l
D e s i g r 2 1 1 9 7 0 ) : 6 2 : t h c a r t i c l c
i n A /J r l tLs the f i rst Engl ish
t r a n s l a t i o n .
12. Librc." Arcl i l t t , t t t t ra l . Design. 47
t I J e c e r l b e r 1 9 7 1 ) : 7 2 7 3 6 .
13. Out laiv Bui lding. ' ' and 'FlN{Ci."
Arc h i ler t rr ro I Desi gt t . 42 tJul) ' 1972)
3 9 9 .