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RECLAIMING THE LOST WATERFRONT OF MANHATTAN SYNTHETIC NATURE

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  • RECLAIMING THE LOST WATERFRONT OF MANHATTAN

    SYNTHETICNATURE

  • INTRODUCTION: DESIGN INTENT PART ONE: HISTORY OF MANHATTANS WATERFRONTPART TWO: CONTEXTUAL MAPS & SITE ANALYSISPART THREE: PRECEDENT STUDY & INSPIRATIONPART FOUR: CONCEPTUAL METHODS & DIAGRAMSPART FIVE: MID-DESIGN REVIEWPART SIX: RE-EVALUATION OF GOALSPART SEVEN: METHOD AGGREGATION+FINAL DESIGNPART EIGHT: BIBLIOGRAPHY

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  • DESIGN INTENTINTRODUCTION:

  • in a different direction, focusing more on the method of creation and discovery.

    The final design of the project is a result of rigourous research, study, and experimentation in different methods of design. These experiments rely on a fairly rigid set of design rules influenced by the entire site context, resulting in an interactive natural experience along the Hudson River.

    03/04

    Synthetic Nature investigates the potential possibilities for the reclamation of lost and abandoned industrial sites along Manhattans waterfront of the Meat Packing District and Chelsea neighborhoods; utilizing the High Line Elevated Park as an inspiration and framework for initial explorations. These explorations range from, access, proximity, program needs, views of the water and urban skyline, as well as connections to the water, actual and implied.

    The project focuses on creating a new method of discovery of geometry and creation of landforms.

    Initially, the project was to focus upon a diverse program of residential, commercial, mixed use, urban space, and reclamation of nature that would reactivate the area along the waterfront to help the developing neighborhoods have a unique identity within Manhattan. Throughout the course of the semester, it was discovered that the project was headed

    >>

  • DESIGN QUESTIONSINTRODUCTION:

  • 05/06

    DO WE FUNDAMENTALLY NEED NATURE?

    HOW CAN WE MAKE NATUREACCESSIBLE TO EVERYONE?WILL THERE EVER BE A TIME WHEN THEAUTOMOBILE STOPS DICTATING THERULES FOR PUBLIC DESIGN?WHAT WOULD HAPPEN TO THE STREETSCAPEIF CARS WERE NO LONGER PERMITTED IN MANHATTAN?

    CAN WE ENGINEER AND MANUFACTUREA SYNTHETIC NATURE THAT MOREADEQUATELY ADAPTS TO THE URBAN REALM?

    WHAT NATURAL ELEMENT IS MOST IMPORTANT TO CONNECT WITH NATUREWITHIN AN DENSE URBAN ENVIRONMENT?

    IS SYNTHETIC NATURESTILL NATURE?

    >>

  • MANHATTANS INDUSTRIALWATERFRONTPART ONE:

    >> A working waterfront has always been the main agenda of the Manhattan island edge. Serving as the economic driver for the history of development on the island, the density of this industrial edge has diminished in the last three decades, leaving abandoned piers, warehouses, and maritime facilities to decay into a now naked urban edge.

  • the waterfront. Military forces also occupied waterfront areas, such as the Brooklyn Navy Yard, and Governors Island. Rail lines also connected the port with the interior, bringing goods and services to many, leaving the shorelines an inhabitable place to relax or experience nature.

    07/08

    Since the nineteenth century, Manhattan has served as a major maritime port for the economic engine of industry for the city and region alike. By the turn of the century, piers, warehouses, and other facilities serving the industrial development of the waters edge already occupied the majority of

  • The Commissioners plan of 1811 envisioned many public parks for the city, a series of triangular parks at significant cross streets. Besides the Battery, the colonial fort at the south end of the island, there were no parks planned for the waterfront. In 1890, the original Riverside Park was designed by Olmsted, but was poorly designed and was mainly occupied by the rail lines. People avoided the waterfront, which the characterized as dangerous, foul-smelling, and polluted by urban wastes and the occasional corpse.

    The Chelsea Piers opened in 1910 to accommodate the worlds largest and most luxurious passenger ships in the world. Midtown Hudson became the nations maritime gateway

    >>

  • 09/10

    for travelers to and from Europe, continuing into the 1950s when airlines became a more popular form of luxury travel. There was a shift in use around the 1930s, when the new luxury liner piers were built north of Chelsea Piers to handle larger ships, leaving Pier 54 and 57 unused.

    Plans to demolish the Chelsea Piers were presented in the 1980s, as they had become obsolete, yet in 1991 only the shed structures were torn down, leaving an open air pier with only the archway with the faded Cunard White Star Line logo.

    The Chelsea Pier area is not without historical significance, as Pier 54 was the destination of the RMS Carpathia in 1912, carrying the survivors of the Titanic tragedy, Pier 59 being the original destination for the Unsinkable Ship. Three years later, the RMS Lusitania left Pier 54 before being torpedoed in the Atlantic, leading the movement for American Involvement in World War I.

  • CONTEXTUAL MAPS & POTENTIAL SITE ANALYSIS RESEARCH

    PART TWO:

    As the world becomes more urbanized, it is more important than ever to recognize the importance of nature and green space within an urban area. We must learn to work in harmony with the natural world to provide the adequate amenities that nature provides the human experience.

    Reclaiming urban lands that are covered in concrete is a simple first step to modify the existing urban landforms we have created.

    >>

  • 11/12

    >> MANHATTAN, NEW YORK

    New York City is one of the densest cities in the country with a significant history of industrial development, especially at the waters edge. Locating this graduate project along the Manhattan waterfront, along the Hudson River, will provide ample opportunity to experiment and learn what type of reclamation of infrastructure and land can be done to provide the urban, or synthetic, nature experience while maintaining and improving all the benefits of density.

  • This figure ground diagram shows the density of the Manhattan city-block, and the relative emptiness of the waters edge mainly due to infrastructure limitations.

    >>FIGURE GROUND

  • CHELSEA

    WEST VILLAGE

    TRIBECA

    SOHO

    GREENWICHVILLAGE

    MEAT-PACKING DISTRICT

    HELLS KITCHEN

    CLINTON

    MIDTOWN WEST

    MIDTOWN WEST

    FLATIORNDISTRICT

    GARMENTDISTRICT

    The waterfront in this area is included in many different neighborhoods, each with a unique experiential quality and sense of place.

    >>NEIGHBORHOODS

    13/14

  • ae

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    mta

    Although a prominent means of public transit throughout Manhattan, there are currently no subway lines running near the waters edge in this area.

    >>PUBLIC TRANSIT: SUBWAY

  • There are many public bus routes that travel throughout the west waterfront neighborhoods, with many stops along the West Side Highway.

    >>PUBLIC TRANSIT: BUS ROUTES

    15/16

  • This area of Manhattan is home to a diversity of median annual incomes, and is quickly becoming a popular developing area of the city.

    >>MEDIAN INCOME (2005-2009)

  • Traditionally, the waterfront has been an industrially zoned area, lacking any residential or park areas crossing the West Side Highway.

    >>MAJOR ZONING DISTRICTS

    17/18

    PARK

    INDUSTRIAL

    RESIDENTIALCOMMERCIAL

  • PROJECT SITE PROPOSAL:PIER 54, 57, & PILE FIELDS

    While the contexts of the major adjacent neighborhoods are highly influential and informational, the area of focus for this synthetic nature project will be centered on the reclamation and redevelopment of the West Side Highway waterfront, including: Pier 54, 57, and remaining pile fields. Incorporation of the High Line Elevated Park, visually or physically is also likely.

    >>

  • 14TH ST.

    13TH ST.

    LITTLE WEST 12TH ST.

    15TH ST.

    16TH ST.

    17TH ST.

    18TH ST.

    19TH ST.

    20TH ST.

    21ST ST.

    22ND ST.

    23RD ST.

    GANSEVOORT ST

    HORATIO ST

    JANE ST

    10TH

    AVE

    .

    9TH

    AVE

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    WE

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    IDE

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    AY

    PIER 57

    PIER 54

    19/20

  • PROJECT SITE PROPOSAL:ACCESS LIMITATIONS

    >>The waterfront is completely separated from the urban fabric of the grid system by the West Side Highway. This highway has 3 Northbound, and 4 Southbound lanes of high-speed traffic with few crossing points. Spanning nearly 200 from building edge to waterfront, the highway provides access limitations and uncomfortable obstacles for the pedestrian.

  • 14TH ST.

    13TH ST.

    LITTLE WEST 12TH ST.

    15TH ST.

    16TH ST.

    17TH ST.

    18TH ST.

    19TH ST.

    20TH ST.

    21ST ST.

    22ND ST.

    23RD ST.

    GANSEVOORT ST

    HORATIO ST

    JANE ST

    10TH

    AVE

    .

    9TH

    AVE

    .H

    UD

    SO

    N S

    T.

    WE

    ST S

    IDE

    HIG

    HW

    AY

    PIER 57

    PIER 54

    21/22

  • SITE EXPLORATION PHOTOS:HUDSON RIVER PARK

    The site proposed for this project is located in an area recently named the Hudson River Park,. Although the park provides bike lanes, and pedestrian walkways along the water, there is no comfortable place to linger, gain shelter, or reflect upon nature.

    >>

  • 23/24

  • SITE EXPLORATION PHOTOS:HUDSON RIVER PARK

    The industrial history of this area is very much present in the form of decay and abandonment instead of being celebrated as a significant aspect of the areas history and identity.

    >>

  • 25/26

  • SITE EXPLORATION PHOTOS:HIGH LINE ELEVATED PARK

    Saved from demolition in the 1990s, the recently opened High Line Elevated park parallels the waterfront and is an example of a new urban park typology; reclaiming industrial infrastructure and giving it new life for pedestrian use and recreation.

    >>

  • 27/28

  • SITE EXPLORATION PHOTOS:HIGH LINE ELEVATED PARK

    At night the High Line is brilliantly lit as if displaying celebrated ruins of the infrastructure, new plant life, and surrounding buildings the park passes, creating a sense of place unlike any other in the area.

    >>

  • 29/30

  • JAN63.8

    FEB63.0

    MAR62.3

    APR69.4

    MAY69.4

    JUN71.7

    JUL70.7

    AUG73.2

    SEP74.7

    OCT71.6

    NOV68.3

    DEC66.6

    CLIMATE INFORMATION:MANHATTAN, NEW YORK

    AVERAGE MONTHLY HUMIDITY (%)

  • 31/320

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    -20

    RECORD HIGH (F)

    RECORD LOW (F)

    AVERAGE HIGH (F)AVERAGE LOW (F)

    MONTHLY TEMPERATURE VARIATION

    PRECIPITATION (INCHES)SNOWFALL (INCHES)

    MONTHLY PRECIPITATION/SNOWFALL

    AVERAGE MONTHLY PRECIPITATION DAYS> 0.01 INCHES

    AVERAGE MONTHLY SNOWY DAYS> 0.1 INCHES

    J A J OF M A NM J S D

    J A J OF M A NM J S D

    J A J OF M A NM J S D

    J A J OF M A NM J S D

  • PRECEDENT PROJECT STUDY & RESEARCH INSPIRATION

    PART THREE:

    NEW YORK CITY WOULD BE UNLIVABLE WITHOUT ITS PARKS, TREES, AND OPEN SPACES. THEY PROVIDE AESTHETIC RELIEF, ENHANCE OUR HEALTH ADD TO OUR ENJOYMENT, AND INCREASE OUR PROPERTY VALUES.

    MICHAEL R. BLOOMBERG

  • 33/34

  • W57th is a hybrid between the European perimeter block and a traditional Manhattan high-rise, W57 has a unique shape which combines the advantages of both: the compactness and efficiency of a courtyard building providing density, a sense of intimacy and security, with the airiness and the expansive views of a skyscraper. By keeping three corners of the block low, and lifting the north-east corner up towards its 450ft peak, the courtyard opens views towards the Hudson River, bringing low western sun deep into the block and graciously preserving the adjacent Helena Towers Views of the river.

    The form of the building shifts depending of the viewers vantage point, while appearing like a pyramid from the West-Side Highway, it turns into a dramatic glass spire from West 58th Street. The courtyard which is inspired by the classic Copenhagen urban oasis can be seen from the street and serves to extend the adjacent

    W57|MANHATTANBIG ARCHITECTS

    >>

  • greenery of the Hudson river park into the West 57th development. The slope of the building allows for a transition in scale between the low-rise structures to the south and the high-rise residential towers to the north and west of the site. The highly visible sloping roof consists of a simple rules surface perforated by terraces each one unique and south-facing. The fish bone pattern of the walls are also reflected in its elevations. Every apartment gets a bay window to amplify the benefits of the generous view and balconies which encourage interaction between residents and passers-by.

    35/36

  • A new recreational promenade was created out of a section of retired railway in between the towns of Albisola Superiore and Celle Ligure on the coast of Italy. What was once an unused cut in the coast is now a useful and prominent tourist attraction for the area, which provides space for recreation and views of the ocean. The rehabilitation of the abandoned railroad was completed through a collaboration between 3S studio and Voarino Cairo Voarino, who began planning for the project in 2007. The project was designed to be as environmentally sensitive to the space as possible while making use of low impact materials.

    The project entailed completely upgrading and renovating the entire stretch of railroad between the two coastal towns. Converted to a walking path, the promenade also includes a creation of vantage points that would encourage its use as a recreational space as well as a tourist attraction. The

    PROMENADE|ITALIAN COAST3S STUDIO & VOARINO CAIRO VOARINO

    >>

  • main goals of the project were to provide continuity to the pedestrian paths, increase the usability of the coastline, make use of materials with low environmental impact, increase use of public parks, and create new opportunities for tourism.

    The entire project was carried out in an environmentally aware manner to protect the sensitive site and beautiful vistas. The renovation of the railway also focused on improving the safety of the tunnels as well as the reef slope. Construction began on the project in June of 2009 and was completed in the July of 2011. Bike and pedestrian paths are open and accessible to the public and benches and rest areas are provided for those who want to enjoy the view. The tunnel will also be used as a container for art exhibitions.

    37/38

  • The industrial areas in the Copenhagen suburbs are next in line for development, a new light rail is planned to interconnect 20 development zones with a total area of 11 m2, the size of the entire inner city. BIGs Proposal suggests to transform the light rail line into a spine of dense urbanity with a series of peaks at the stations, creating a new sustainable ring of development around Copenhagen, and an artery of true urbanity pumping life into the heart of the suburbs. At certain points the rail becomes a building itself, almost like a roman aqueduct passing though the suburbs, at other points it forms small pockets of urbanity around the stations.

    LOOP CITY|COPENHAGENBIG ARCHITECTS

    >>

  • BIG proposes to upgrade the planned light rail by extending it to form a regional ring around Oresund connecting similar development areas, and creating a new 50 year development perspective for a cross border region between Sweden and Denmark. Loop city is linking a string of highly differentiated urban nodes, universities and working spaces in a center-less metropolitan region around a blue void.

    39/40

  • A new type of green infrastructure is deployed at urban locations comprising concentrated sources of CO2 production. This new infrastructure utilizes a proprietary system of industrial scale algal agriculture to sequester and consume greenhouse gas emissions (in particular CO2) in order to limit their introduction into the atmosphere, while simultaneously creating a new economic resource through the production of oxygen, biofuels, bioplastics, nutraceuticals and/or agricultural feeds. In the scenario shown, this new infrastructure manifests itself as a series of pier-like armatures linked to the ventilation system for the Brooklyn-Battery tunnel.

    What is unique about this proposition is not just the introduction of large-scale green infrastructure in the context of a city, but rather the use of this infrastructure to create an exceptional public realm amenity for the city. Rather than considering

    CARBON T.A.P. |MANHATTANPORT ARCHITECTS

    >>

  • urban infrastructures as a necessary evil only to be hidden or mitigated, we view the renovation and re-imagination of these systems as opportunities to create new forms of civic and social domain that have the capacity to positively transform the American urban landscape.

    Our proposal for a new infrastructural typology that is one part climate action; one part agricultural production; one part ecological preserve; one part public realm; and one part economic catalyst represents what should be the aspiration for all newly deployed urban infrastructures the ability to fundamentally improve the economic and social quality of a city, as well as the associated lives of its current and future residents.

    41/42

  • L&A Design Group has developed an exciting contemporary bridge design as an architectural highlight of Wuxi Xidong Park, located in Jiangsu province, China. The bridge is planned to be the main connection between the north and south foreshores of the parks lake and allows visitors access to a small island destination that commands views over the water as well as caf facilities and pocket gardens.

    The important position, jutting out over the central water body, encouraged a dynamic design response. The design team has envisioned a signature iconic structure that is attractive, has a flowing modern form expressing the importance of Wuxis relationship with water and is functional in its connections to the island, foreshores and allowing boats to pass underneath its elevation.

    Designed as a whole volume, the bridge presents unique curves and a platform that widens as

    WUXI XIDONG PARK BRIDGE|CHINAL&A DESIGN GROUP

    >>

  • the bridge crosses the island. The platform creates a focus for the bridge maximizing views out across the lake under a shaded canopy, integrates ramp access to the island and forms an intimate space for the cafe underneath.

    To reduce the long linear scale of the bridge an S shape plan was created to provide closer vistas for people accessing the park from both sides of the lake. As the bridge reaches its island destination the shape stimulates a dramatic interaction between architecture, landscape and water. Construction will utilize lightweight steel structures, light colored outer panel skins for a sleek look that can be elegantly lit up at night and polished timber detailing to tactile surfaces such as seating and railing.

    43/44

  • CONCEPTUAL IDEAS, METHODS, DIAGRAM, & MODEL EXPLORATION

    PART FOUR:

    I chose to experiment with physical modeling as a means of design exploration for investigation of possible systems and structure as well as to help identify the proposed site along the waterfront. Using these techniques I feel I can more clearly comprehend an abstract method of obtaining data for a specific place and hope to refine this method in additional vector studies in the pre-design phase.

    >>

  • 45/46

  • KINETIC TECTONICSRESPONSIVE DESIGN MODULE

    This model is an exploratory study of kinetic tectonics leading to potential responsive design modular units that could be applied in a variety of scales, materials, applications, and programmatic uses. Each module is composed of 2 identical pieces that when attached to one another create a tension based structure system. The module can have an open void, or solid volume appearance. When the modules are applied together they form a variable material sheet, capable of kinetic movement.

    >>

  • 47/48

  • IMPLIED CONNECTIONS:STREET GRID, PARKS, TRANSIT, & VIEW CORRIDORS

  • 49/50

    The goal of this study was to better visualize the unseen, or implied, vector connections of the waterfront, High Line, and various typologies throughout the city. Using this method of string and frame composition allowed me to better understand the strength of the connections based upon tension capabilities of the material. It also forced me to identify what is significant to map, and to follow a set of logical rules for the diagram. I chose to map connections of the street grid, parks, the High Line, public transit stops, and view corridors highlighting the waterfront and urban street wall. Each frame is individually mapped, and can be viewed in conjunction with the others by simply stacking the frames.

    >>

  • IMPLIED CONNECTIONS II:STREET GRID, HIGH LINE PARK & ACCESS, TRANSIT ACCESS, VIEW CORRIDORS, ZONING, BUILDING USE, & BUILDING HEIGHT

  • 51/52

    The goal of this study was similar to the first implied connections diagram model, identifying unseen vectors of importance throughout the waterfront area, but with a refined set of rules including additional elements in my mapping: the street grid, High Line, view corridors highlighting the waterfront and urban street wall, major zoning areas, individual building use, Access points to the High Line, as well as building heights.

    >>

  • TECTONIC EXPLORATIONSEXPLORATIVE FOLDING MODELS TO DISCOVER NEW WAYS TO APPLY FOLDING TO SITE

  • 53/54

    There were many explorations of folding tectonics. They were a further exploration of the initial kinetic models. This led to ideas about landforms, varying contours, and notions of movement within the site.

    >>

  • MID-DESIGN REVIEW

    By identifying various points in the site that I felt could suitably sustain areas of program, I was able to plan out the basic site master plan. These nodes of concentration were based upon proximity of existing conditions, to other nodes, natural elements, sun angles, climate conditions, as well as views. Each of these points is then connected by an individual vector, grouping them by type: Existing Points of Interest (Teal), Natural Reclamation (Green), Open Public Space (Orange), and Enclosed Programmatic Space (Purple). This creates an intricate web of vectors, defining a new layer to the site.

    >>

    PART FIVE:

  • 55/56

  • SCHEMATIC MASTER PLANMID-REVIEW MASTER PLAN SCHEMATIC BUILDING FOOTPRINTS

  • 57/58

    The vectors and nodes helped me to define a seemingly abstract set of building footprint plans, introducing layers of street grid and view corridors to help define the building shapes. This method was an interesting path to follow, but was ultimately an experiment in over-development of the site, focusing too much on built program and development on the piers, and not enough on the natural elements.

    >>

  • SCHEMATIC MASTER PLANMID-REVIEW MASTER PLAN SCHEMATIC PERSPECTIVE VIEWS

  • 59/60

  • RE-EVALUATION OF GOALSPART SIX:

  • New York City does not need another building but an

    investment in its urban ecology to best inform the trajectory

    of the city and its relationship with the natural realm.

    As in the MoMa exhibition, Rising Currents, my project transformed to focus on the innovation in the New York harbor, with synthesis

    on multiple infrastructures, systems, and experiences.

    My aim was to improve and re-envision Manhattans shoreline to preserve indigenous species

    + ecosystems, enhance the New Yorkers accessibility to the

    islands periphery, and reestablish a connection with nature within

    the urban context, allowing opportunity to occur in New

    Yorks most under utilized natural opportunity, the water itself.

  • As an organization committed to promoting and preserving maritime heritage, industry, skills, and culture, one of the primary goals of this project was not only to protect but to actually improve and restore the waters of the Puget Sound. From energy use reduction to habitat restoration and material selection all aspects of impacts were considered by the client and the design team. A community-based planning process more than 10 years in the making, the design team focused on making sound sustainability-focused planning decisions early that helped ensure that, as technology has evolved, the design has been able to effectively respond and adapt.

    NORTHWEST MARITIME CENTERMILLER HULL PARTNERSHIP

    >>

  • 63/64

  • We propose to nurture an active oyster culture that engages issues of water quality, rising tides, and community based development around Brooklyns Red Hook and Gowanus Canal. An armature for the growth of native oysters and marine life is designed for the shallow waters of the Bay Ridge Flats just south of Red Hook. This living reef is constructed from a field of piles and a woven web of fuzzy rope that supports oyster growth and builds a rich three-dimensional landscape mosaic. A watery regional park for the New York Harbor emerges that prefigures the citys return to the waterfront in the next century. The reef attenuates waves and cleans millions of gallons of Harbor water through harnessing the biotic processes of oysters, mussels and eelgrass, and enables neighborhood fabrics that welcome the water to develop further inland.

    OYSTER TECTURESCAPE/LANDSCAPE ARCHITECTURE

    >>

  • 65/66

  • METHOD AGGREGATION + FINAL DESIGNPART SEVEN:

    >> Utilizing the initial node and vector process, I refined the programmatic elements to create a new diagram, fueling the rest of the design process. Physical modelling helped to visualize the vectors as tangable objects in space.

  • NODES AND VECTOR CONNECTIONS01

    BREWERY

    AMPHITHEATER

    PLAZA SPACE

    HOTEL

    COMMUNITY CENTERRESIDENTIAL + RETAIL

    STUDENT HOUSING

    DOG PARK

    COMMERCIAL

    WATER ACCESS

    RESIDENTIAL

    COMMERCIAL + RETAIL

    URBAN BEACH

    LIGHT RAIL TRANSIT STOP

    CHELSEA PARK LAWN

    STEPS TO WATER

    ELEVATED OVERLOOK

    PIER 54 GATE

    MARITIME INDUSTRY MUSEUM

    EDUCATIONAL OVERLOOK

    OPEN SPACEGARDENS

    OPEN LAWN

    ACTIVITUY CENTERINTERACTION WITH WATER

    PEDESTRIAN OVERLOOK

    RESTAURANT

    CONSTRUCTED BREAKER ISLAND

    CONSTRUCTED BREAKER ISLAND

    CONSTRUCTED BREAKER ISLAND

    CONSTRUCTED BREAKER ISLAND

    CONSTRUCTED BREAKER ISLAND

    CONSTRUCTED BREAKER ISLAND

    CONSTRUCTED BREAKER ISLAND

    CONSTRUCTED BREAKER ISLAND

    CONSTRUCTED BREAKER ISLAND

    RETAIL

    CHELSEA DOCKS

    OPEN SPACE

    COMMERCIAL

    BOARDWALK

    CHELSEA PIERS

    WETLAND RECLAMATION

    WETLAND RECLAMATION

    WETLAND RECLAMATION

    WETLAND RECLAMATIONSHORELINE RECLAMATION

    WETLAND RECLAMATION

    WETLAND RECLAMATION

    SHORELINE STABALIZATION

    SHORELINE STABALIZATION

    SHORELINE STABALIZATION

    SHORELINE STABALIZATION

    WATER RECLAMATION CENTER

    HUDSON RIVER PARK ACCESSSTEPS TO WATER

    HIGHLINE ACCESS

    HIGHLINE ACCESS

    CHELSEA MARKET

    HIGHLINE ACCESS

    10TH AVE. OVERLOOK

    HIGHLINE ACCESS

    HIGHLINE ACCESS

    THE STANDARD

    WHITNEYEXTENSION

    URBAN GARDENRECREATION PLAY

    WATER TAXI

    BOARDWALK

    VERTICAL FARM

    BOAT HOUSE

    BOAT HOUSE

    PEDESTRIAN OVERLOOK

    67/68

  • VECTOR MODELPLEXIGLASS + THREAD

  • 67/68

  • After the connection of the nodes and vectors, I utilized parametric modelling tools to average the vectors into separate continuous contour planes. These planes will later form the land that the program will rest upon. The next step was to identify important views to the pedestrian, and preserve the view corridors across and through the site. I then needed to limit the scope of the contours and views to the actual site itself: pier 54, pile field 56, and pier 57. This resulted in four unique contour planes above and below the existing piers and piles.

    METHOD AGGREGATIONEXPLODED LAYER DIAGRAM

    >>

  • 69/70

    Engineered Nature Opportunity

    Open Space Opportunity

    Built Program Opportunity

    Existing Built Opportunity

    MEAT PACKING DISTRICT WATERFRONT00

    NODES AND VECTOR CONNECTIONS01

    DERIVED CONTOUR PLANES02

    VIEW CORRIDORS03

    CONTOUR TRIM BOUNDARY04

    TRIM VIEW CORRIDORS05

    METHOD AGGREGATION

  • METHOD AGGREGATIONCONTOUR PLANES, VIEWS, TRIMMED SITE

  • 71/72

    DERIVED CONTOUR PLANES02

    VIEW CORRIDORS03

    CONTOUR TRIM BOUNDARY04

  • METHOD SECTION

    METHOD AGGREGATIONSECTION DIAGRAM

  • METHOD SECTION73/74

  • The project then shifted to the pile field instead of the piers. I trimmed the vectors to the limits of the pile field, and then the density of vectors dictated where oyster nets were to be placed. Points of density were derived from the trimmed vectors, and deemed to be attractor or repulsor points, based upon their position in the pile field sectionally. These points were applied to a hexagonal grid structural system, creating hills and valleys along the pile field. A boardwalk layer is applied, cutting away to let the hills through, and away to show down into the oyster reefs. The final layer is to utilze the trimmed contour planes to make the enclosure for the education pavillion - a place for the pedestrians to learn about the intervention and reclamations of the site.

    METHOD AGGREGATIONFOCUS ON THE PILE FIELD

    >>

  • 75/76

    ISOLATE PILE FIELD06

    VECTORS TRIMMED TO PILE FIELD07

    OYSTER NET IMPLEMENTATION08

    PILE FIELD NODE EXTRACTION09

    HEXAGONAL GRID STRUCTURE10

    EXPERIENTIAL BOARDWALK11

    REHABILITATION PAVILLION12

  • Reintroducing oysters into the Hudson River can have disproportionately positive benefits to the entire ecosystem that exists around them. Supporting over 85 different species, the oyster cleans, purifies, stabalizes, and increases wildlife diversity within the Hudson. I am proposing the introduction of High-Energy oyster nets attached to the existing piles of field 56. I utilized the method once again to isolate the vector density within the pile field to place the nets at the most dense locations.

    OYSTER REEF INTRODUCTIONHIGH ENERGY REEFS

    >>

    OYSTER NET IMPLEMENTATION08

    Spat Settling and Attaching to Oyster Shells or Other Hard Structures

    2 Weeks

    1-3 Years

    Floating Fertilized Egg

    Swimming Straight-Hinge Veliger

    Swimming Late Veliger

    Swimming and Crawling Pediveliger

    Audlt Males and Females

    Egg and Sperm

  • 77/78

    OYSTER AQUACULTURE BENEFITS08HUDSON OYSTER HISTORY08

    DIVERSE VERTICAL HABITAT

    MASSIVE SPECIES DIVERSITY

    BETHNIC NUTRIET CYCLING

    10GALLONS/DAY

    AVERAGE OYSTER CONSUMPTION PRIOR 1900

    600YEAR+

    OYSTER POPULATION POISONOUS + DISAPPEARED

    CURRENT CONDITIONS

    EPA WATER ACT 1974

    INDUSTRY + POLLUTION

    OVER HARVESTING + EXTRACTION OF SHELLS

    BACTERIA + DISEASE FROM NYC SEWAGE SYSTEM

    2%1850

    POPULATION

  • HEXAGONAL GRID STRUCTURE10

    METHOD AGGREGATIONHEXAGONAL GRID IMPLEMENTATION

  • HEXAGONAL GRID STRUCTURE10

    79/80

    Needing a way to experience the oyster reefs, a structure was introduced along the contour of the Open Public Space, becoming the base of the public boardwalk. I identified nodes from the trimmed vector field, and chose the most dense locations. The nodes were given a value of attractor or repulsor, based on density and height within the pile field. Using Grasshopper for Rhinoceros, I was able to deform a hexagonal grid that extended above the surface of the water, as well as below, into the oyster nets. This would allow the pedestrian to climb on the planted mounds and explore the underwater views of the oyster reefs.

    >>

  • OYSTER NET REPRESENTATIONPLYWOOD + PLEXIGLASS

    >> Experiential oyster net representation 1/2=1-0

  • 69/70

  • The education pavilion is formed from 2 trimmed contour planes, Natural reclamation forms the roof, and Enclosed Program forms the ground plane. It is an area to learn about the oyster fields and reclamation on the site.

    EDUCATION CENTERINTERIOR AND EXTERIOR PERSPECTIVES

    >>

  • 81/82

  • EDUCATION CENTERVIEWING THE MANHATTAN SKYLINE

  • 83/84

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    >>

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  • KATIE OLIN