sunquist_hishers

3
R osepath usually refers to an extend- ed point-twill threading: 1-2-3-4- 1-4-3-2-1; the thread on shaft 1 in the center of the repeat allows a larger di- amond than can be woven with a simple point. When used for boundweave, this threading allows greater design potential than a simple point even though shaft 1 at the center of the threading weaves with shaft 1 on the outer edges. The drawback to boundweave, however (in addition to its not being appropriate for a scarf!) is the many, many picks per inch required to weave it. The draft for the scarf The most straightforward way to extend rosepath to overshot is to use a rosepath threading order for the four overshot blocks: ABCDADCBA. My overshot draft, however, uses a simple point arrangement of the blocks, ABCDCBA, since I liked the design it creates better, and it still makes possible the look of the block design in the coverlet. In overshot, pattern picks always al- ternate with tabby picks (this is what is meant by “use tabby” in drafts where pat- tern picks only are shown; see Figure 1, page 3). To set off the color changes in the bands pattern weft in this scarf, two tabby picks are used between the pattern picks at every color change. The extra tabby pick gives added definition to the colored bands, an effect that is not found in traditional overshot patterns. For further exploration This small overshot threading is one of my favorites and is amazingly versatile. The treadling order of the four blocks can be varied endlessly for different designs and effects. Put on an extra two yards in the warp so that you can weave two scarves—one that follows the treadling given and one for “designing on the loom” after you’ve become familiar with the pattern elements. The ground cloth for this scarf is un- mercerized cotton. You can also choose pearl cotton—or consider 30/2 silk. One caution: because of its plain- weave ground cloth, overshot is more like plain weave than twill in terms of drape. Be very careful not to beat too firmly (with narrow warps, the weft packs in much more easily than with wide warps). You want a piece to wrap around your neck, not a cover for your bed! Wendy Sundquist of Langley, Washington, has been a production weaver for fifteen years. She owns Karlson/Gray Gallery in Langley. His or Hers a versatile overshot scarf WENDY SUNDQUIST Fifteen years ago I visited a wonderful Swedish museum in Minneapolis, Minnesota, and fell in love with an old boundweave rosepath coverlet from the late 1800s. I loved the design, but I wanted to weave a similar-looking fabric that was lightweight so it would drape nicely in a garment. After searching through books of old overshot coverlet patterns, I planned this piece as an overshot version of the boundweave coverlet design. © Handwoven ® magazine, Interweave Press LLC. Not to be reprinted. All rights reserved. www.handwovenmagazine.com 1 A point threading of four overshot blocks allows a great many different designs.

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Page 1: Sunquist_HisHers

Rosepath usually refers to an extend-ed point-twill threading: 1-2-3-4-1-4-3-2-1; the thread on shaft 1 in

the center of the repeat allows a larger di-amond than can be woven with a simplepoint. When used for boundweave, thisthreading allows greater design potentialthan a simple point even though shaft 1at the center of the threading weaves withshaft 1 on the outer edges. The drawbackto boundweave, however (in addition toits not being appropriate for a scarf!) isthe many, many picks per inch requiredto weave it.

The draft for the scarf

The most straightforward way to extendrosepath to overshot is to use a rosepaththreading order for the four overshotblocks: ABCDADCBA. My overshotdraft, however, uses a simple pointarrangement of the blocks, ABCDCBA,since I liked the design it creates better,and it still makes possible the look of theblock design in the coverlet.

In overshot, pattern picks always al-ternate with tabby picks (this is what ismeant by “use tabby” in drafts where pat-tern picks only are shown; see Figure 1,page 3). To set off the color changes inthe bands pattern weft in this scarf, twotabby picks are used between the patternpicks at every color change. The extratabby pick gives added definition to thecolored bands, an effect that is not foundin traditional overshot patterns.

For further explorationThis small overshot threading is one ofmy favorites and is amazingly versatile.The treadling order of the four blocks canbe varied endlessly for different designs

and effects. Put on an extra two yards inthe warp so that you can weave twoscarves—one that follows the treadlinggiven and one for “designing on theloom” after you’ve become familiar withthe pattern elements.

The ground cloth for this scarf is un-mercerized cotton. You can also choosepearl cotton—or consider 30/2 silk.

One caution: because of its plain-weave ground cloth, overshot is more likeplain weave than twill in terms of drape.Be very careful not to beat too firmly(with narrow warps, the weft packs inmuch more easily than with wide warps).You want a piece to wrap around yourneck, not a cover for your bed!

Wendy Sundquist ofLangley, Washington,has been a productionweaver for fifteen years.She owns Karlson/GrayGallery in Langley.

His or Hersa versatile overshot scarf

W E N D Y S U N D Q U I S T

Fifteen years ago I visited a wonderful Swedish museum in Minneapolis, Minnesota, and fell in love with an oldboundweave rosepath coverlet from the late 1800s. I loved the design, but I wanted to weave a similar-looking fabric that was lightweight so it would drape nicely in a garment. After searching through books of old overshotcoverlet patterns, I planned this piece as an overshot version of the boundweave coverlet design.

© Handwoven® magazine, Interweave Press LLC. Not to be reprinted. All rights reserved.

w w w . h a n d w o v e n m a g a z i n e . c o m 1

A point threading of four overshot blocks allows a great many different designs.

Page 2: Sunquist_HisHers

© Handwoven® magazine, Interweave Press LLC. Not to be reprinted. All rights reserved. w w w . h a n d w o v e n m a g a z i n e . c o m 2

Page 3: Sunquist_HisHers

S T E P S F O R W E AV I N G T H E O V E R S H O T S C A R F

Weave structure for scarfOvershot.

Equipment4-shaft loom, 7" weaving width; 8-dentreed; raddle; 5 shuttles, 5 bobbins (or 2 shuttles, 5 bobbins).

YarnsWarp: 20/2 unmercerized cotton (8,400

yd/lb), black, 605 yd (11⁄6 oz). Tabby weft: 20/2 unmercerized cotton

(8,400 yd/lb), black, 220 yd (1⁄2 oz).Pattern weft: 30/2 silk (7,850 yd/lb),

silk/seacell, gold #540, 157 yd (1⁄3 oz);spun silk, rust red #73, 21 yd; tussahsilk, gold-orange #436, 16 yd and red-orange #15, 166 yd. 30/2 spun silk(#73) in similar colors can be used forthe tussah and silk/seacell yarns.

Yarn sources20/2 unmercerized cotton is available fromBlomqvist/Nordiska and 30/2 tussah, spunsilk, and silk seacell from The Silk Tree.

Warp order and length220 ends 23⁄4 yd long (allows 4" take-up,

34" loom waste; loom waste includes fringeand testing picks). Add 2 yd to warp lengthfor each additional scarf.

Warp and weft spacingWarp: 32 epi (4 ends/dent in an 8-dent

reed). Width in the reed: 67⁄8". Weft: about 32 picks per inch (16 tabby,

16 pattern). Woven length of scarf (mea-sured under tension on the loom): 60".

Finished dimensionsAfter washing, amounts produce one scarf55⁄8" × 55" plus 5" fringe at each end.

PROJECT AT-A-GLANCE

Step

1

Step

2

Step

3

Step

4

Step

5

Step

6

Step

7

Wind a warp of 220 ends, 23⁄4 ydlong with a cross at both ends: athreading cross and a raddle cross(see Resources at www.handwovenmagazine.com for back-to-front warp-ing steps with two crosses). Group thenumber of ends in the raddle cross thatyou will place in each dent of your rad-dle at a sett of 32 ends per inch.

Spread the warp in the raddle, securethe warp to the apron rod of the backbeam, and beam the warp withoutlease sticks, checking for tangles as yougo. Place sticks or heavy craft paperbetween the layers. Pull on the warpfrequently to straighten the threads.

Place lease sticks in the threadingcross, secure them behind the castle,and thread following Figure 1. The firstand last 4 working ends are doubledin the threading (they can be thread-ed in the same heddle). Sley 4ends/dent in an 8-dent reed and tiethe warp onto the front beam apronrod under even tension.

Weave 5–6 picks of plain weave witha worsted-weight wool yarn. Weave3–4 picks of plain weave with black20/2 cotton, then weave 4 patternpicks in each pattern block, alternat-ing 20/2 cotton tabby with one of thesilk pattern wefts; check and correctany threading errors. Allowing 6" forfringe after your testing picks, beginthe scarf by weaving 4 picks ofworsted-weight wool as a header.

1. Draft forscarf

w w w . h a n d w o v e n m a g a z i n e . c o m 3© Handwoven® magazine, Interweave Press LLC. Not to be reprinted. All rights reserved.

11 1

1

11

444 4

2 G

G

G G

G

GO

GO

GO

GO

GO

RO

RO

RO

RORO

RO

RR

RO

RR

plain weave(tabby)

Use tabby:Weave a tabby

pick before everypattern pick.

Weave 2 tabby picks at all

color changes.

RR

RR

RR

RR

RR

RR

2

22

2

22

22

2

22

2

22

22

22

2

2

22

2

2

22

22

22

22

22

22

22

22

62

22

22

22

22

22

22

22

22

22

22

22

6

6

3

3

36

3

6

6

2

42

33334

333 3 3

3

322

111

44444

11222

33322

111222 2

4 5 6

1 2 3 4 5 6

1 2 3 4 5 6

2 2

4

1 11

4

2

4

22

22

22

22

22

22

22

22

2

22

22

26

22

22

22

22

22

22

22

22

2

2

6

6

3

2

3 3 32 2

4

1 11

4

2

43 3

8

8

8

8

8

8

8

8

32 2

4

10x

10x

16x

12x

11x

G

G

G

G

G

G

GO

GO

GO

RO

RO

RO

RR

G = goldRR = rust redGO = gold-orangeRO = red-orange

RO

RR

RR

G

G

G

cont'd

cont'd

first borderbody of scarf

secondborder

cont'd

temperature. (Add a bit of fabric soft-ener to the rinse water if you think youoverbeat.) Gently squeeze out excesswater and hang to dry. Using a woolsetting, iron directly on the fabric sur-face to polish the silk. Trim weft tailsand fringe ends.

Weave 4 picks plain weave to beginthe scarf. Then follow the treadling inFigure 1. Numbers indicate the num-ber of times to use each pattern trea-dle, alternating with tabby. (Note thatfloating selvedges are not used for thisscarf; the pattern weft therefore some-times turns inside the edges. Add float-ing selvedges if desired.) Weave 2tabby picks before each new pattern-weft color. To begin or end patternwefts, take tails around edge threadand back into the shed. Beat gently,aiming for 16 pattern picks per inch.End with 4 picks plain weave withtabby weft and then 4 picks worstedwool. Measure 6" and weave 2 picksworsted wool. Use the 2 picks as a cut-ting line to cut the scarf from the loom.

Cut the warp at the other end of thescarf along the edge of the testingpicks. Prepare a twisted fringe, work-ing from the center out, cutting and re-moving the wool weft as you go. Twisttwo groups of 8 ends in the same di-rection until they kink, let the two groupstwist together in the opposite direction,and secure with an overhand knot.

Wash by hand in lukewarm waterwith a handful of Orvus Paste or asquirt of mild dish soap. Agitate gen-tly for about 45 seconds. Let soak for10 minutes. Rinse in water of the same