story slam guidelines

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  • 8/6/2019 Story Slam Guidelines

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    Tell a story

    Everyone's got a story. What's yours?

    We're looking for stories to feature on our website, The Moth Radio Hour, and potentially The Moth stage in New York City!

    Wow us with a 1-minute pitch of your story.

    Start with your name, email and story title.

    Try to cover the who, what, where, when & why of your spellbinding tale.

    Stories must be true! No cliffhangers, please. Intrigue us, but without mystery!

    Storytelling Tips

    Be forewarned:Moth stories are told, not read. We love how the storyteller connects with the audience when there is no PAGE between them!Please know your story by heart but not by rote memorization. No notes, paper or cheat sheets allowed on stage.

    Have some stakes.Stakes are essential in live storytelling. What do you stand to gain or lose? Why is what happens in the story important to you? Ifyou cant answer this, then think of a different story. A story without stakes is an essay and is best experienced on the page, notthe stage.

    Start in the action.Have a great first line that sets up the stakes or grabs attention.

    No: So I was thinking about climbing this mountain. But then I watched a little TV and made a snack and took a nap and mymom called and vented about her psoriasis then I did a little laundry (a whites load) (I lost another sock, darn it!) and then Ithought about it again and decided Id climb the mountain the next morning.

    Yes: The mountain loomed before me. I had my hunting knife, some trail mix and snow boots. I had to make it to the little cabinand start a fire before sundown or freeze to death for sure.

    Steer clear of meandering endingsThey kill a story! Your last line should be clear in your head before you start. Yes, bring the audience along with you as youcontemplate what transpires in your story, but remember, you are driving the story, and must know the final destination. Keep yourhands on the wheel!

    Know your story well enough so you can have fun!Watching you panic to think of the next memorized line is harrowing for the audience. Make an outline, memorize your bullet

    points and play with the details. Enjoy yourself. Imagine you are at a dinner party, not a deposition.

    No standup routines please.The Moth LOVES funny people but requires that all funny people tell funny STORIES.

    No rants:Take up this anger issue with your therapist, or skip therapy and shape your anger into a story with some sort of resolution.(Stories = therapy!)

    No essays:Your eloquent musings are beautiful and look pretty on the page but unless you can make them gripping and set up stakes, theywont work on stage.

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    How to tell at story slam

    Conjure, channel, craft and compose your story.Practice so you can remember it without the benefits of paper. Then practice it so you can keep it down to five minutes. Tell it toyour plants but know that they are a tough audience. Revise. Rework. Curse your plants for not believing in you! Revamp.Finesse. Shave off another two minutes. Try again. Voila! Forgive your plants. Indeed, they helped you see the light.

    Come to the Moth StorySLAM and put your name in the hat. If you are one of the lucky 10 picked, youll have five minutes to woothe audience with tales of your on-theme escapades. Unpicked? Fear not, some variation of your theme will surely rise again. Allstories have multiple themes and stretching them to fit can be fun and even bring out elements you hadnt recognized before.Contestants are judged on sticking to the five-minute time frame, sticking to the theme and having a story that has a conflict and aresolution.

    How does a StorySlam work? Every months event has a theme and everyone in the

    audience is invited to share a personal story from their lives that relates to the theme. If

    you have a story you want to share, leave us your name at the door. Every potentialstorytellers name goes into a bucket. Ten names are drawn from the bucket, and each

    contestant is given five minutes on the mic to tell a story and win the crowd. Judges

    are audience members who score the performers on a ten-point scale. The highest-scoring

    participant wins the Golden Ticket an invitation to ourGrand Slam. At the GrandSlam, the monthly winners vie for the title ofBest Storyteller in Philadelphia.

    Tips for Storytellers

    This event is for story TELLING. Sorry, but you cant read from your work; you musttell it.

    All stories must have a beginning, a middle, and an end. Know your plot points!

    Tell your story from your point of view.Your story should be true or as true as possible. Like Emily Dickinson said about

    poetry: tell all the truth, but tell it slant.Stick to the 5-minute time limit! Youll be penalized in the competition if you dont.

    Know your first line and last line when you step on stage. Knowing what point Aand point Z are will help you get through the rest if you get nervous.

    Raise the stakes! Sure, you know that this story happened to you, but show us why it

    matters both to you and to us.

    World Cafe Live LEtage

    3025 Walnut St 6th & Bainbridge

    December 13: Anniversaries December 28: Holiday Spirit

    January 10: New Territory January 25: BeastsFebruary 14: The Ex-Files February 22: Deception

    March 14: Family Ties March 22: Almost Famous

    April 11: Inheritance April 26: See Special Events

    May: See Special Events May: See Special Events

    June 13: Do The Right Thing June 28: Do Overs

    July 11: Neighbors July 26: Small World

    http://www.firstpersonarts.org/storyslam-dates-and-themes/#Special%20Eventshttp://www.firstpersonarts.org/storyslam-dates-and-themes/#Special%20Eventshttp://www.firstpersonarts.org/storyslam-dates-and-themes/#Special%20Eventshttp://www.firstpersonarts.org/storyslam-dates-and-themes/#Special%20Eventshttp://www.firstpersonarts.org/storyslam-dates-and-themes/#Special%20Events
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    August 8: Weird Trips August 23: After Hours

    September 12: Back to School September 27: Bad Idea

    October 10: Close Calls October 25: Strange Encounters