analogital boogazine of reactive art núm. 0 - 27€ (Spain)

Turning ink into bits ... When you find these symbols in the boogazine, this is a link to the website or a digital file that you can see from your mobile or from your computer. You simply install the software QR codes and begin to discover a new world!

How does it work?1. READY? Visit from your cellphone browser application any of the following websites:

http://reader.kaywa.com

http://www.i-nigma.com

http://www.quickmark.com.tw/En/basic/index.asp

2. SET? When detecting your cellphone model will ask permission to download the reader application. Accept, download and isntall.

3. GO! You are now ready toread QR-Codes or Datamatrix from your phone.

núm.0

COVER ‘React’ · Evan Roth

Commissioner · Marc Fernández

Editorial ACTAR

Designer · Elisabet Díez Rodríguez

you can see the web of stereograph in www.stereograph.org

CULTURE JAMMING 08 - 21

POLITICAL ART 26 - 38

PUBLIC

INTERVENTIONS 40 - 53

ARTIVISM 55 - 60

URBAN TIPOS 62 - 73

POPULAR DE LUJO 75 - 91

ACTIVISM 93 - 97

GRAFITTI

RESEARCH LAB 100 - 118

CULTURE JAMMING

CULTURE JAMMING

Peter Fuss reclaims billboards to examine and evaluate present, socially taboo subjects. He’s been a fugitive, a critic, and many other things. Chiefly a painter these days, his work comments on politics, the relationships between religion and authority, flashy religiosity, social problems, and art.

Peter was generous enough to lend us a few minutes for an interview, after putting in some hard work on his latest project - a re-imagination of the Catholic Stations of the Cross, which forces one to think twice about perceptions of criminality.

CULTURE JAMMING

CULTURE JAMMING

I began using mud as my stencil medium to solve the problem of how to create a stencil without using spray paint. Spray paint is very toxic and can cause brain damage if frequently ingested.

It is also difficult to remove from buildings. I have no interest in creating art that damages property or is unwanted. If someone does not like my stencils they can easily wash them off. I also ask businesses owners before I put a stencil on their property. By receiving property owners consent a street artist can created work that is wanted, and stays up longer.

CULTURE JAMMING

I began using mud as my stencil medium to solve the problem of how to create a stencil without using spray paint. Spray paint is very toxic and can cause brain damage if frequently ingested.

It is also difficult to remove from buildings. I have no interest in creating art that damages property or is unwanted. If someone does not like my stencils they can easily wash them off. I also ask businesses owners before I put a stencil on their property. By receiving property owners consent a street artist can created work that is wanted, and stays up longer.

CULTURE JAMMING

Jorge Rodriguez Gerada started making art more that 15 years ago in New York City (he is a Cuban New Yorker, and that is not banal biographical information added to satisfy the curiosity of curators in search for the exotic or art professionals whose value scale is based on the passport).

CULTURE JAMMING

we are

REACTIVOS

we are

REACTIVOS

POLITICAL ART

POLITICAL ART

POLITICAL ART

Craig Foster in 2002 started creating a piece a day based on impressions from the news and it grew into an art blog of sorts with about 2000 images. The pieces intentionally add light relief to the political message conveyed. More importantly the work is an indictment of the direction that the United States is being taken and the ready acceptance of war and the notion that military intervention is an effective means of diplomacy between America and the rest of the world. Craig Foster has been an artist since the late 80’s when at the beginning of the first Gulf War he began making protest art, never considering that the work would be relevant in the new millennium.

POLITICAL ART

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Graphic design has predominately been, and still is, the tool which beautifies, communicates and commodifies a set of ideas, ideals or products within various tenets of our social and economic relations.

Unfortunately, it is fair to say that this creative tool is overwhelmingly used in an economic/commercial sense — consciously or unconsciously using its talents to exploit — to raise profit margins and material wealth for the benefit of a select clientele.

Stereograph is an analogital boogazine that it will leave periodic form and that will speak of different subjects, always included of the perspective of the graphical design. The first work of the collection is REACT, that contemplates the wonderful world of the reactive graph.

visit www.stereograph.org