staunton augusta art center - · pdf filet his exhibit, instruments of cubism, was begun in...
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Instruments of Cubism Sculpture and Assemblages
June 30-August 5, 2017
by Gene Provenzo
STAUNTON AUGUSTA ART CENTER
T his exhibit, Instruments of Cubism, was begun in 2014. The works included at the Staunton Augusta Art Center
(https://saartcenter.org/), Staunton, Virginia (June30-August 5, 2017) are inspired by the Cubist paintings and
drawings of musical instruments done by Pablo Picasso (1881-1973), Juan Gris (1887-1927) and Georges Braques (1882-
1963)—works completed during the period immediately preceding the First World War.
These paintings and drawings are of extraordinary importance in the history of Modern Art. Approximately seventy-five
paintings and dozens of drawings were the primary artistic building blocks for the movement we now know as Cubism.
Picasso, Braque and Gris painted the majority of their Cubist works from still lifes. I have deconstructed many of these paint-
ings and drawings and recreated them as assemblages and sculptures. In this sense, the works included in this exhibit repre-
sent a deconstruction and re-imagination of the original Cubist still lifes. Most of the works are assemblage and several are
free-standing sculptures. One mobile is included in the exhibit. Other collages have been created as part of this project, but
are not in the exhibit.
The smallest work included in the exhibit measures 12” x 16”. Several are as large 48” by 48”. I believe the results are ex-
tremely interesting. They combine both a certain gravitas and playfulness. Materials used for the project come from many
sources. Damaged mid-19th century porcelain dolls from Germany, used in one of the Bach pieces, were purchased along
with many other items, through the Internet. Three inoperable 19th century pump organs, two pianos, numerous dresser
drawers, several tables and various discarded or very poor quality musical instruments, including violins, two zithers, gui-
tars, mandolins, an accordion, clarinets, and even a harmonica were essential to creating these works.
Thrift shops, garage sales, junk on the curb and an occasional gift from a friend (prefaced by “You might be able to use
these.”), were critical to my work. I thank my various contributors.
I would particularly like to thank my garage sale companion Mike Martin; my good friend Ray Firehock for his thoughtful
suggestions; Timothy Kane for his insight and support; Jamie Cooke and the people at Black Swan Music and Books for
providing me with materials and the opportunity to exhibit my work; Paul Biggs, master welder; and Lew Stern and Travis
Weaver for giving me damaged instruments.
Several businesses have provided invaluable materials and technical suggestions. These include: Huss and Dalton Guitar
Company; Taylor and Boody Organs; Miles-Morgan Framing; Young Hardware Store; Staunton Machine Works; Staunton
Glass and Mirror; Shenandoah Trophies and Awards; Once Upon a Time; Staunton Antiques Center; Fretwell Bass; my
friends at Makerspace and Bruce Frank and his merry movers. Finally, I would like to thank my wife and best friend, Asterie
Provenzo, who makes what I do possible.
Gene Provenzo
Staunton, Virginia
June 2017
Gene Provenzo explaining elements of the work “Fugue” at the opening of the ex-
hibit June 30, 2017.
Picasso Constellation
-34-
Cosmic Guitar: Constellation #5
(table base included)
Assemblage
30” x 68”
Fugue for Guitar: Constellation #6 (table included)
Assemblage
30” x 72
Picasso Guitar Constellation
-35-
Stuff on a Table (sits on table against wall)
Assemblage
30” x 57” x 16” (includes table)
Braque
The Round Table
-47-