standard 5 the principles of design i can demonstrate understanding of the principles of design....
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Standard 5The Principles of
Design•I can demonstrate
understanding of the Principles of Design.
•Involves being able to define, recognize and use the Principles of Design
Principles of Design Principles of Design Principles of Design Principles of Design Concepts for organizing Concepts for organizing
elements of art into elements of art into successful art forms.successful art forms.
What are the Principles of Design?
Balance (5.1)Emphasis (5.2)Repetition (5.3)Pattern (5.4)Movement (5.5)
Rhythm (5.6)Contrast (5.7)Variety (5.8)Proportion (5.9)Unity (5.10)
Standard 5.1• I can demonstrate understanding
of the Principle of Design:
Balance
Balance:Balance:
Refers to the visual equalization of Refers to the visual equalization of the Elements of Art in a work.the Elements of Art in a work.
1. Symmetrical 2. Asymmetrical 3. Radial1. Symmetrical 2. Asymmetrical 3. Radial
Symmetrical: Symmetrical: A design or composition with identical or A design or composition with identical or
nearly identical elements on opposite sides nearly identical elements on opposite sides of a dividing line or central axis. Also know of a dividing line or central axis. Also know
as formal balance.as formal balance.
The Taj MahalThe Taj Mahal
Agra, India c. 1632 - 1648
Asymmetrical:Asymmetrical: A design or A design or
composition with composition with different different
elements on elements on opposite sides of opposite sides of a dividing line or a dividing line or central axis. Also central axis. Also
known as known as informal balance.informal balance.
The Old Guitarist; Picasso, 1903
Radial Balance
Elements branch out or radiate
from the center axis.
Rose Window and LancetsNorth Transept
Chartres CathedralParis, France, 13th Century
Standard 5.2• I can demonstrate understanding
of the Principle of Design:
Emphasis
Emphasis:Emphasis:Generally the first element or form seen in a composition. May be Generally the first element or form seen in a composition. May be the lightest or darkest part of the composition. It is used to draw the lightest or darkest part of the composition. It is used to draw
attention to an area or areas. If that area is a specific spot or attention to an area or areas. If that area is a specific spot or figure it is known as the FOCAL POINT.figure it is known as the FOCAL POINT.
The Third of May, 1808.
Francisco Goya
Oil on Canvas. 1814
Standard 5.3• I can demonstrate understanding
of the Principle of Design:
Repetition
Repetition:Repetition:
Combining art elements so Combining art elements so that the same elements are that the same elements are used over and over. Used to used over and over. Used to achieve balance and unityachieve balance and unity
The Parthenon, Athens, Greece. 447 – 438 B.C.
Standard 5.4• I can demonstrate understanding
of the Principle of Design:
Pattern
Pattern:Pattern:Established Established through the through the
repeated use repeated use of elements of elements (esp. line, (esp. line,
form, shape form, shape or color,) in or color,) in
an organized an organized manner.manner.
Interior of a Dutch HouseInterior of a Dutch HousePieter de Hooch. Oil on Canvas. 1658Pieter de Hooch. Oil on Canvas. 1658
Standard 5.5• I can demonstrate understanding
of the Principle of Design:
Movement
Movement:Movement:Combines elements to produce the look of action Combines elements to produce the look of action
or to cause the viewer’s eye to sweep over the or to cause the viewer’s eye to sweep over the work in a certain mannerwork in a certain manner
The Starry Night
Vincent van Gogh
Oil on Canvas, 1889
Standard 5.6• I can demonstrate understanding
of the Principle of Design:
Rhythm
RhythmRhythmRefers to the way Refers to the way
of combining art of combining art elements to elements to
produce the look produce the look and feel of and feel of movement, movement,
especially with a especially with a visual tempo or visual tempo or
beat.beat.Nude Descending a Staircase, No 2. Marcel Duchamp. Oil on Canvas. 1912.
Standard 5.7• I can demonstrate understanding
of the Principle of Design:
Contrast
Contrast:
Combining art elements to stress
the differences between elements. For example, bright colors next to dull, geometric shapes
next to organic, light values against dark.
Conversion of Saint Paul Michelangelo Merisi Caravaggio Oil on Canvas.1601.
Standard 5.8• I can demonstrate understanding
of the Principle of Design:
Variety
VarietyVariety
Using different art Using different art elements elements
throughout the throughout the composition. composition. Used to keep Used to keep
the composition the composition from getting from getting
boringboring
Variety
VARIETYVariety
VARIETY
I and the Village
Marc Chagall
Oil on Canvas, 1911
Standard 5.9• I can demonstrate understanding
of the Principle of Design:
Proportion
Proportion:Proportion:The size relationship of parts to a whole and to one another.The size relationship of parts to a whole and to one another.
Palette of Narmer, Hierakonpolis, Slate, c. 3100 B.C.
Michelangelo, Michelangelo, PietaPieta, Marble, 1498-, Marble, 1498-15001500
Standard 5.10• I can demonstrate understanding
of the Principle of Design:
Unity
UnityUnityThe appearance or condition of The appearance or condition of wholeness or oneness. Used to wholeness or oneness. Used to
describe the feeling that all of the describe the feeling that all of the elements of art and principles of elements of art and principles of
design are used effectively.design are used effectively.
Interior of a Dutch HouseInterior of a Dutch HousePieter de Hooch. Oil on Canvas. 1658Pieter de Hooch. Oil on Canvas. 1658
Napoleon at Saint Bernard Napoleon at Saint Bernard PassPass
Jacques-Louis David. Oil on Canvas. 1800Jacques-Louis David. Oil on Canvas. 1800
A Sunday on La Grande JatteA Sunday on La Grande JatteGeorges Seurat. Oil on Canvas. 1884 - 1886Georges Seurat. Oil on Canvas. 1884 - 1886
CreditsCredits
Art Across Time Second Edition, Volume IArt Across Time Second Edition, Volume ILaurie Schneider Adams. McGraw Hill. New York. 2002Laurie Schneider Adams. McGraw Hill. New York. 2002
Art Across Time Second Edition, Volume IIArt Across Time Second Edition, Volume IILaurie Schneider Adams. McGraw Hill. New York. 2002Laurie Schneider Adams. McGraw Hill. New York. 2002
Art FormsArt Forms Duane Preble, Sarah Preble, Duane Preble, Sarah Preble,Patrick Frank. Longman. New York. 1999Patrick Frank. Longman. New York. 1999
Power Point by John T. RameyPower Point by John T. Ramey