spring semester 2011 - work samples

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  • 8/6/2019 Spring Semester 2011 - Work Samples

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    2YearmattADLER

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    rebarmesh

    primary structuralframework

    exteriorcasing

    The Saco Lake environment is experienced by hikers in sequence: views, plant and animal lifeare understood as events along a path, yet at no point in time does the hiker experience the

    layered composition of Crawford Notch holistically. In response to this, the proposed spa addi-tion seeks to act as a

    containerofenvironments andforthe environment.The building is organized in the layers, the top acting as a winter-use spa, the loweuse spa, and the middle (entry point) as a utilities layer including bathrooms and chaware of views out of and through the building by means of three structural systemsand density. The densest system exists as a corten rebar mesh, which functions adebris, snow, ice, etc. can be caught and contained to create a visual weathering of

    apertures_p

    11 - interior; utilitieslevel

    2 - interior; winterspa level

    3 - interior/exterior -summer spa, waterfront

    4-8 - cross sections

    9 - entry experionce

    10 - exploded axonomet-ric/tectonic diagram

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    2YearmattADLER

    performative_p

    original interests for the project were expressed through a variety of mapping and diagramming excersizes in which density eld diagrams became

    useful in illustrating the circulation/utilization of the existing site and spaces surrounding. program was placed based on this analysis with a conceptual

    interest in resurfacing the existing brick eld of the ground plane in order to shape experiences across the site. the ground plane was broken down

    and punctured to make connections to the large subway entry platform below.

    the cementitious component relates dimensionally to the red brick on the s ite but is truncated and pierced based off desired visibility and sunlight. they

    are parametrically offset and tted onto a steel framework which holds up the brickwork of the form. the component demarcates seating zones on the

    site and provides articial lighting conditions at night

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    1&2 - component models @ 1:1 / 3 - path/density field diagram / 4 - final site plan / 5board) / 6 - schematic model (ply) / 7 - interior; subway canopy / 8 - interior; below grade9 - interior; media center and projection area

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    2Year dance_proj

    the entry experience of the building leads theuser through a exible gallery space that runs around the lobby andpartially up the 12 wide grand stiar to the above exible performance

    space. the seating slices through the section of the building, while thestage is dropped slightly to emphasize its presence on the lobby levelwhile allowing for views upward and inward.

    the middle of the building is pierced by the large y space above the experformance stage. this mechanical area is actually a functional partof the buildings program. as the building spirals upwards, circulationis drawn slwoly into this core. a graident of light is experienced as the

    building is experienced as the building is traversed north/south. the y iscladded with texture warm glass and wooden louvers while other spacessurrounding sport channel and translucent glass providing a cooler andmore withdrawn affect.

    the building terraces upwards, off of the footprint to allow for a larger entryexperience while supporting cantilevered spaces above for dance studiosand administrative ofces. ceiling hieghts vary based on programatticeneeds. the central y space is always accessible and open, providing a

    differentiated spatial experience for some of the tighter upper levels.

    plinth roof

    plinth base

    structural core

    veil facade

    mattADLER

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    t ru ss bo x + hu ng fl y s pa ce fi ve su pe r c ol um ns h un g fl oo r p la te s tension cables support circulat ion

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    1 - site plan

    2 - structural progression

    3 - program layering

    4 - tectonic articulation

    the project takes a specic initiative in avoiding a top down conceptual strategy; as an alternative, experiences are

    pieced together through a sequence of spaces that revolve around themes of openness and interaction for the

    public and the dancers, although their programmatic functions are highly differentiated within the building. the

    unity within the building is created by the large 3-story y space which short cicuits the linear openness of interior spaces.

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    2YearmattADLER

    interior view lookinginto flex from above

    flexible performance space in use

    interior of dancestudio stretch along

    facade

    lobby space includingflexible gallery pan-els

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    the W hotel

    the wang

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    6 - 3F: shub

    7 - 3F: of

    8 - 4F: changing

    10 - GROUND: flexible gal