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Sophocles, Oedipus the King
1
British and American Drama
class 07-1
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Contents
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Sophocles (BC496-BC406)
(Colunus)
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Sophocles Sophocles - :
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Sophocles Sophocles - (Chorus) 12 15
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Sophocles Sophocles - 3
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The Story of
Oedipus the King
Oedipus Rex
1957 film version,
directed by Tyrone Guthrie
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Characters
Oedipus - (Thebes) -
Jocasta -
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Characters
Creon - -
Tiresias -
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Characters
Chorus Shepherd
messenger of Corinth messenger of Thebes
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(Tiresias)
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(Tiresias)
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(Tiresias)
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(Tiresias)
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(Tiresias)
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(Tiresias)
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,
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OLD
BO
Y
E D I P U S
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O L D B O Y
Stoker
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1 TV
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= (see) I See ~ !
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OLDBOY SPHINX
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OLDBOY SPHINX
OLD BOY = ????
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[ Much ado about nothing ]
http://100.naver.com/100.nhn?docid=753766http://100.naver.com/100.nhn?docid=753766http://100.naver.com/100.nhn?docid=753766http://100.naver.com/100.nhn?docid=753766
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[ Much ado about nothing ]
http://100.naver.com/100.nhn?docid=753766http://100.naver.com/100.nhn?docid=753766http://100.naver.com/100.nhn?docid=753766http://100.naver.com/100.nhn?docid=753766
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[ Much ado about nothing ]
http://100.naver.com/100.nhn?docid=753766http://100.naver.com/100.nhn?docid=753766http://100.naver.com/100.nhn?docid=753766http://100.naver.com/100.nhn?docid=753766http://100.naver.com/100.nhn?docid=753766
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[ Much ado about nothing ]
http://100.naver.com/100.nhn?docid=753766http://100.naver.com/100.nhn?docid=753766http://100.naver.com/100.nhn?docid=753766http://100.naver.com/100.nhn?docid=753766http://www.youtube.com/watch?v=HZp4gLIxzKM
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Fate, Free will and Hope
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Fate, Free will and Hope
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Fate, Free will and Hope
The Great Gatsby
By F.Scott Fitzgerald
Chapter 9
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SBS- (2009)
Fate, Free will and Hope
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(2009) 8mile(2002)
Fate, Free will and Hope
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Dr. Faustus
2
British and American Drama
class 07-2
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Contents
Background
Author
Characters
Story of Dr. Faustus
Theme
Moral play
Affection to contemporary art
Play
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Elizabeth
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1 (1558-1603) - - 1 , (University Wits) 1580-90 ,
Elizabeth an Play
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Author
Christopher Marlowe
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Social Background
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Lessing Goethe Thomas Mann
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Outline of Dr. Faustus
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Master of Blank verse
The Jew of Malta, The Tragical History of Doctor Faustus, The Queen of Carthage, Edward II, and The Massacre at Paris
His works
NOT marching now in fields of Trasimene, Where Mars did mate 1 the Carthaginians; Nor sporting in the dalliance of love, In courts of kings where state is overturnedd;5 Nor in the pomp of proud audacious deeds,
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Dr. Faustus
Main Characters
Mepistopheles
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Story
That shortly he was graced with Doctor's name, Excelling all and sweetly can dispute In the heavenly matters of theology; Till swollen with cunning, and of a self-conceit, His waxen wings did mount above his reach, And melting, heavens conspired his overthrow
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Story
Lo, Mephistopheles, for love of thee, Faustus hath cut his arm, and with his proper blood Assures his soul to be great Lucifer's, Chief lord and regent of perpetual night.
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Pride
Covetousness
Wrath
Envy
Gluttony
Sloth
Lechery
7 Deadly Sins
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Story
The pope will curse them For their sloth today. That slept both Bruno and his crown away.
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Story
As thou late didst promise us, we would behold that famous
conqueror Great Alexander and
his paramour in their true
shapes and state majestical,
That we may wonder their
excellence,
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Story
Faustus is gone. Regard his hellish fall, Whose fiendful fortune may exhort the wise Only to wonder au unlawful things, Whose deepness doth entice such forward wits To practise more than heavenly power permits.
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Blood
Rejection of the Ancient
Authorities
the Good Angel and
the Evil Angel
Symbols
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-> ->
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Medieval Moral Play
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16, , ,
Dr. Faustus? ,
-> ->
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Other Authors
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Remake version of Dr. Faustus
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Remake version of Dr. Faustus
http://www.youtube.com/watch?v=6jptdrMKg18http://www.youtube.com/watch?v=mj8m-awbCO8
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3
British and American Drama
class 07-3
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K I N G L E A R T o t h e e a n d t h i n e h e r e d i t a r y e v e r R e m a i n t h i s a m p l e t h i r d o f o u r f a i r k i n g d o m ; N o l e s s i n s p a c e , v a l i d i t y , a n d p l e a s u r e , T h a n t h a t c o n f e r r ' d o n G o n e r i l . N o w , o u r j o y , A l t h o u g h t h e l a s t , n o t l e a s t ; t o w h o s e y o u n g l o v e T h e v i n e s o f F r a n c e a n d m i l k o f B u r g u n d y S t r i v e t o b e i n t e r e s s ' d ; w h a t c a n y o u s a y t o d r a w A t h i r d m o r e o p u l e n t t h a n y o u r s i s t e r s ? S p e a k . C O R D E L I A N o t h i n g , m y l o r d . K I N G L E A R N o t h i n g ! C O R D E L I A N o t h i n g . K I N G L E A R N o t h i n g w i l l c o m e o f n o t h i n g : s p e a k a g a i n . C O R D E L I A U n h a p p y t h a t I a m , I c a n n o t h e a v e M y h e a r t i n t o m y m o u t h : I l o v e y o u r m a j e s t y A c c o r d i n g t o m y b o n d ; n o r m o r e n o r l e s s . K I N G L E A R H o w , h o w , C o r d e l i a ! m e n d y o u r s p e e c h a l i t t l e , L e s t i t m a y m a r y o u r f o r t u n e s . C O R D E L I A G o o d m y l o r d , Y o u h a v e b e g o t m e , b r e d m e , l o v e d m e : I R e t u r n t h o s e d u t i e s b a c k a s a r e r i g h t f i t , O b e y y o u , l o v e y o u , a n d m o s t h o n o u r y o u . W h y h a v e m y s i s t e r s h u s b a n d s , i f t h e y s a y T h e y l o v e y o u a l l ? H a p l y , w h e n I s h a l l w e d , T h a t l o r d w h o s e h a n d m u s t t a k e m y p l i g h t s h a l l c a r r y H a l f m y l o v e w i t h h i m , h a l f m y c a r e a n d d u t y : S u r e , I s h a l l n e v e r m a r r y l i k e m y s i s t e r s , T o l o v e m y f a t h e r a l l . K I N G L E A R B u t g o e s t h y h e a r t w i t h t h i s ? C O R D E L I A A y , g o o d m y l o r d . K I N G L E A R S o y o u n g , a n d s o u n t e n d e r ? C O R D E L I A S o y o u n g , m y l o r d , a n d t r u e .
ACT 1
SCENE 1
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E n t e r K I N G L E A R , K E N T , a n d F o o l
K E N T
H e r e i s t h e p l a c e , m y l o r d ; g o o d m y l o r d , e n t e r :
T h e t y r a n n y o f t h e o p e n n i g h t ' s t o o r o u g h
F o r n a t u r e t o e n d u r e .
S t o r m s t i l l
K I N G L E A R
L e t m e a l o n e .
K E N T
G o o d m y l o r d , e n t e r h e r e .
K I N G L E A R
W i l t b r e a k m y h e a r t ?
K E N T
I h a d r a t h e r b r e a k m i n e o w n . G o o d m y l o r d , e n t e r .
K I N G L E A R
T h o u t h i n k ' s t ' t i s m u c h t h a t t h i s c o n t e n t i o u s s t o r m
I n v a d e s u s t o t h e s k i n : s o ' t i s t o t h e e ;
B u t w h e r e t h e g r e a t e r m a l a d y i s f i x ' d ,
T h e l e s s e r i s s c a r c e f e l t . T h o u ' l d s t s h u n a b e a r ;
B u t i f t h y f l i g h t l a y t o w a r d t h e r a g i n g s e a ,
T h o u ' l d s t m e e t t h e b e a r i ' t h e m o u t h . W h e n t h e
m i n d ' s f r e e ,
T h e b o d y ' s d e l i c a t e : t h e t e m p e s t i n m y m i n d
D o t h f r o m m y s e n s e s t a k e a l l f e e l i n g e l s e
S a v e w h a t b e a t s t h e r e . F i l i a l i n g r a t i t u d e !
I s i t n o t a s t h i s m o u t h s h o u l d t e a r t h i s h a n d
F o r l i f t i n g f o o d t o ' t ? B u t I w i l l p u n i s h h o m e :
N o , I w i l l w e e p n o m o r e . I n s u c h a n i g h t
T o s h u t m e o u t ! P o u r o n ; I w i l l e n d u r e .
I n s u c h a n i g h t a s t h i s ! O R e g a n , G o n e r i l !
Y o u r o l d k i n d f a t h e r , w h o s e f r a n k h e a r t g a v e a l l , - -
O , t h a t w a y m a d n e s s l i e s ; l e t m e s h u n t h a t ;
N o m o r e o f t h a t .
ACT 3
SCENE 5
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KENT Good my lo rd , ente r he re . K ING LEAR P r i thee , go in thyse l f : seek th ine own ease : Th is tempest w i l l not g ive me leave to ponder On th ings would hur t me more . But I ' l l go in . To the Foo l In , boy ; go f i r s t . You house less pover ty, - - Nay, get thee in . I ' l l p ray, and then I ' l l s leep . Foo l goes in Poor naked wretc hes , whereso 'e r you are , That b ide the pe l t ing o f th is p i t i less s to rm, How sha l l your house less heads and unfed s ides , Your loop 'd and window'd raggedness , de fend you From seasons suc h as these? O , I have ta 'en Too l i t t le care o f th is ! Take phys ic , pomp; Expose thyse l f to fee l what wretc hes fee l , That thou mayst shake the super f lux to them, And show the heavens more jus t . EDG AR [Wi th in ] Fathom and ha l f , fa thom and ha l f ! Poor Tom! The Foo l runs out f rom the hove l Foo l Come not in he re , nunc le , he re 's a sp i r i t Help me , he lp me!
ACT 3
SCENE 5
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K I N G L E A R A n d my p o o r f o o l i s h a n g 'd ! N o , n o , n o l i f e ! W h y s h o u ld a d o g , a h o r se , a r a t , h a ve l i f e , A n d t h o u n o b r e a th a t a l l ? T h o u ' l t c o m e n o m o r e , N eve r, n eve r, n eve r, n eve r, n eve r ! P r ay yo u , u n d o t h i s b u t to n : t h a n k yo u , s i r . D o yo u s e e t h i s? L o o k o n h e r, l o o k , h e r l i p s , L o o k t h e r e , l o o k t h e r e ! D i e s E D G A R H e f a i n t s ! M y l o r d , my l o r d ! K E N T B r ea k , h e a r t ; I p r i t h ee , b r ea k ! E D G A R L o o k u p , my l o r d . K E N T Vex n o t h i s g h o s t : O , l e t h i m p a s s ! h e h a tes h i m m u c h T h a t w o u ld u p o n t h e r a c k o f t h i s to u g h w o r ld S t r e t c h h i m o u t l o n g er. E D G A R H e i s g o n e , i n d eed . K E N T T h e w o n d er i s , h e h a t h e n d u r ed s o l o n g : H e b u t u s u r p 'd h i s l i f e . A L B A NY B ea r t h e m f r o m h e n c e . O u r p r e sen t b u s i n es s I s g e n er a l w o e .
ACT 5
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ALBANY Bear them from hence. Our present business Is general woe. To KENT and EDGAR Friends of my soul, you twain Rule in this realm, and the gored state sustain. KENT I have a journey, sir, shortly to go; My master calls me, I must not say no. ALBANY The weight of this sad t ime we must obey; Speak what we feel, not what we ought to say. The oldest hath borne most: we that are young Shall never see so much, nor l ive so long. Exeunt, with a dead march
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