SHIRDI

4:00  am Temple open

4.15  am  Bhupali

4:30  am Kakad  Aarti (morning)5:00  am Bhajan in Saibaba Mandir

5.05  am Holy Bath of Shri Sai Baba (Mangal Snaan) in Samadhi Mandir

 5:35  am Aarti "Shirdi Majhe Pandharpur"5:40  am Darshan begins in Samadhi Mandir

9:00  am Abhishek Pooja

7:00,9:00,10:00,11:00 Satyanarayana Pooja

11:30 am Dhuni Pooja with rice and ghee in Dwarkamai

12:00 Mid day Aarti

 4:00  PM Pothi (Devotional reading/Study) in Samadhi Mandir

At Sunset  Dhoop  Aarti

8:30 - 10:00 PM Devotional Songs in Samadhi Mandir and other Cultural Programmes (if any)

9:00   PM Chavadi and Gurusthan closes

9:30   PM In Dwarkamai water is given to Baba, a mosquito net is hung and the hanging lamp is lit

9:45   PM Dwarkamai (the upper part) closes

10:30 PM Shej (night) Aarti, after this , a shawl is wrapped around the statue in the Samadhi Mandir, a Rudraksha mala is put around baba's neck, Mosquito net is hung, and a glass of water kept there

11:15  PM Samadhi Mandir closes after night Arati

Samadhi MandirGuru Sthaan,Neem Tree,Museum,Lendi Baug,Dwarakamai,Chavadi,Khandoba Mandir.Shani ShingnapurHanuman (Maruti) Mandir 

ACCOMODATION: SAI PRASAD NO 1 / SAI PRASAD NO 2 / Dharmashala Complex

NASHIKVani Sapthasrungi gadh temple--Take a bus from Old Central Bus Stand (Old CBS) NasikFrom Nashik Road one has to go to Nashik central Bus stand (CBS) to catch a direct bus to mataji temple. To reach Nashik CBS, one can easily catch a bus from Nashik road railway station to Nashik CBS, one has to just come out of the railway station and in front of the station there is a local bus stand from where one can take bus to reach Nashik CBS (Buses are frequent in between and it charges only Rs.8 per adult passenger).After reaching Nashik CBS one has three alternatives to reach the temple. They are:First, take a direct bus from CBS to the temple. It generally takes 2 hours 30 min. to reach there. However, Buses are after every 2 hours. To save time (if one has to come back to Mumbai on the same day) you can use second or third alternatives.

Second alternative is to catch any bus from Nashik CBS that is going towards Nanduri bus stand (it is the place where one can catch either a bus, taxi or a jeep straight up to hill top where the temple is located). 

Tryambakeshwar Temple-----Temple Timing 5.30 Am - 9.00 PMKUSHAVARTHA-Source of Godhavari river

Shree KalaRam Mandir- distance of 3km from Central Bus Stand.Naroshankar Temple- Situated in Panchavati area about 2km from Central Bus Stand, on the bank of river Godavari Shree Sunder Narayan Temple- distance of 1 km from Central Bus Stand.Shree Godavari Ramkund- distance of 1km from Central Bus Stand. Shree Kapaleshwar Mahadev- distance of 1km from Central Bus StandSita Gumpha (Cave)- distance of 2 km from Central Bus Stand. It is situated at the western side door of Kalaram Temple. There are five Banyan trees in this area and thus called "Panchvati". Dutondya Maruti.Godavari Ghat, Nashik.

Central Bus Station(C.B.S-Old)-Mahamarg Bus Station-Nimani Bus Station -Nashik Road Bus Station -Devlali Camp Bus Station -Takkar Bazzar Bus Stand-

AKKALKOT

Daily Activities in temple

Kakada Arti : 5 a.m. Abhishek Puja : 7a.m. to 11 a.m. Laghurudrya : 8 a.m. to 10 a.m. Mahanaivaidya & Arti : 12 noon Every Thursday Arti & palkhi :8 p.m. to 10 p.m. Shejarti : 8 p.m. to 8.45 p.m.

If one reaches the temple before 11:30 AM, one can perform Abhishek and puja of the Padukas of the Swami for as little as Rs. 25 per person. It is worth it, as one is allowed into the sanctum sanctorum, and can see the Samadhi and the Padukas up close. After 11:30, the Padukas are decorated and kept for viewing only.

The holy Samadhi of Shri. Swamiji is loacated in the house of shri. Cholappa in the place already reserved for it before his bodily demise. This is known as Samadhimath.

Bhakta Niwas - 02181-221909.

There are rooms with private bathrooms (Rs. 250/night w/ 3-beds) as well as those with shared bathrooms (cheaper - probably Rs. 150).

LUNCH and DINNER Timings in AKKALKOT —12:30pm and 8:00pm

Vatvrukha Swami temple--Akkalkot swami samarth lived there for 21 years. Shree swami Samarth Samadhi Math--It is also known as Chollapa Math.It is situated in

Bhudhwar peth. Shree Guru Temple -- It is of Gajanan Maharaj. Shree Khandoba Temple-- Here swamiji came first. Museum

The ride from Ganagapur to Akkalkot is bumpy. It will take almost 2.5 hrs to reach Akkalkot.

Staying at Akkalkot

You may choose to stay at Akkalkot. The best option is Bhakta Niwas which is at 5 minutes walking distance from the main temple. Again Akkalkot being a small town you will not find star hotels. At Bhakta Niwas you may opt for AC OR Non AC rooms. The rooms are clean and well maintained. The charges are also reasonable. I however prefer to take a night halt at Solapur as it makes next days travelling plan easy. 

Just a tip - Rooms at Bhakt Niwas are not allocated to individual travellers. If you are a single traveller you will have to stay in a dormitory OR a common hall with common bathrooms and toilets.

Puja & AartiAarti starts at around 7.30 pm. post which you can have your dinner at Annachatra (Place to have prasad food). Let me tell you the food served here is EXCELLENT and one should not miss it.

Apart from the main temple you may also visit the temple which is located in the house of Cholappa where Swami Samartha Maharaj stayed.This place is at a walking distance of around 15-20 minutes from the main temple.

TULJAPUR

TULJA BHAVANI TEMPLE

Early Morning 4.00am : मु�ख्य प्रवे�शद्वारावेरा चौ घडा वेजवे�न निनत्य�पचौरा निवेधी� सु�रु हो�त असुल्यचौ� जहो�रा के� ले� जत�.Early Morning 5.00am : मु�खप्रक्षालेन वे चौराणत�र्थ% प�ज.Morning 7.00am : Abhishekh PoojaNoon 12.00pm : pooja and PrayerNight 7.00pm : Abhishekh PoojaNight 9.00pm to 9.30pm : Closing

MSRTC (ST) busses ply between Solapur Bus Depot to Tuljapur every half an hour from 7.00 am till 11.00 pm. The travelling time is approximately 1 and a half hour.

Puja & AartiAbhisheks are performed in the afternoon and in the evening time. Darshan can be seeked prior and after Abhishek. 

Tuljapur and Around

Within the huge temple complex, there are many places of interests, like smaller temples of accompanying deities, various

teerths (holy waters) etc from the point of devotees and pilgrims visiting the Tulja Bhavani Temple.

Kallol Teerth--It is a large rectangular water reservoir of forty feet by twenty and is believed to be a fourteenth century

construction. The tank is walled off from all sides and steps are built to lead down to the water making it easier for pilgrims

to take a holy bath. A holy bath in this teerth is the first rite performed by the devotees, as an act of purification of body and

soul. It is believed that, on an invitation from Bramha, the waters from all sacred rivers like Ganga, Yamuna and Saraswati,

as also waters from mountain ranges Himalayas, Sahyadris, Vindhyas, Malay and Trikut submerged into in this Kallola Tirth.

The waters of rivers descended in great torrents in to the tank creating a great kolahal or noise; hence it was named “kallol

teerth”.

Gomukh Teerth--Gomukh literally means cow’s mouth.. At this teerth, the stream of water keeps constantly falling from a six feet high stone sculpture of a cow’s mouth. The pilgrims take a bath under the stream of water in order to purify themselves before entering the main temple. Like all sacred waters, the holy bath at Gomukh Teerth is also believed to relive the devotee from miseries and curses. There are many mythological stories behind this Tirth. The one commonly believed is that of a mahant called Garibanath, who wanted to go to Ganges for the holy bath unbelieving the fact that water from Gomukh originates from Ganges. Then, in order to convince him that the water flowing from the Gomukh teerth is sourced from the Great Ganga itself, the Goddess performed a miracle by which a stick and lemon he threw in Ganges at Varanashi came through Gomukh at Tuljapur.

Siddhi Vinayak Temple --To the left rear of the main entrance gate, named 'Sardar Nimbalkar Mahadwar' leading into the courtyard is a shrine dedicated to 'Siddhi Vinayak' , Lord Ganesha. The imposing gateway is carved ornamented with flowers & creeper patterns. On right hand of the gate is a shrine dedicated to Dattatraya. It is a small Dattatraya Temple wherein placed isthe holy idol of Trinity of Bramha, Vishnu & Mahesh in incarnation of Dattatrya.

Home Kund-- After a decent of some steps, near the main entrance gate there is the Homakund (a pit for oblation of sacred fire) crowned with a shikhar. During Navaratra Festivals, Shatchandi Havan is performed here. The shikhar of Homakund is decorated with the idols of Gods, famous sages and also some statues of animals etc. and the Gold Kalash is installed at the top top of the shikhar.

Shri Bhavani Shankar Temple --As one comes out of the eastern side silver door of Sabhamandapam, one gets the Darshan of Shri Bhavani Shankar. The idol of deity is installed inside a small temple, built in the Hemadpanthi style of architecture. Devotees pray here for seeking solace from sufferings.

Chintamani--Chintamani (pearl of thinking) is a substance resembling round stone, placed outside the temple. The stone like substance is believed to be blessed by Goddess and holds magical powers. The devotee places his hands on the top of the stone and utters his wishes and it is believed that if the destiny is favoring and positive, the stones moves to right direction, and if the answer is negative, it moves to the left.

Matangi Devi Temple --This is an important shrine situated inside the temple courtyard. According to a story contained in Hindu Puranas, once the king of demons by the name Matangasur became arrogant because of the supernatural powers bestowed upon him by Lord Shiva and started misusing those powers by harassing the people and creating havoc. On the command of Lord Shiva, his wife Goddess Parvathi incarnated herself as Matangi and killed the demon. This temple is built in her honour and devotees visit this temple in large numbers.

Apart from these, there are number of smaller but important temples and shrines situated inside the temple courtyard,

namely of Shri Yamaidevi, Shri Narsimha, shri Khandoba and Shri Datta, Shri Kalbhairav and Shri Tolbhairav etc. where the

devotees spend some time in obeisance.

SOLAPUR

MSRTC (ST) busses ply between Akkalkot to Solapur every half an hour from 7.00 am till 11.00 pm. The travelling time is approximately 1 and a half hour.

FoodLot of food joints are available at Solapur. I would however suggest you try "Sugran" where authentic Maharashtrian food is served.This hotel is located at around 150 metres from Railway Station

Places of Interest

Siddheshwar temple.

MANTRALAYA

Mantralaya Road station which is just 12 Kms from the Mutt

You can travel to Mantralayam from Mantralayam Road station by private Jeeps, taxis, autorickshaws or public bus. Approximate cost of travel per person is Rs.50 for private transport and Rs.4 for Public Bus.

Temple also serves free meals as Prasadam to all devotees visiting Mantralaya

The Mutt also serves one meal between 11-3 pm (as Prasadam) free everyday (except Ekadasi). 

Timings of daily meals :Daily : 10.00 AM to 3.00 PMDwadashi : 9.00 AM to 12.00 NoonDhanurmasa (Around December) 9.00 AM to 2.00 PMNight: 7.30 to 9.00

Temple is open between 06:00AM and 14:00 and 16:00 to 21:00 (IST)

At about 6am daily will take place the cleansing of the Sri Raghavendra Brindavan with water , after the remnants of the previous days puja offerings are removed. This is followed in order by anointing with panchamritham bathing with pure water, adornment with clothes and precious ornaments, worship with flowers and offering of Mangala Harathi. Similar worship and offerings are made at the shrines of Sri Pranadeva (Sri Vayudeva) and at the Brindavans of Sri Vadindra and other swamis. Later sacred water and prasadams (tokens of divine grace) are given to the devotees. In the evening utsav to the swami is conducted and concluded by "Swasti" and Mangala Harathi.

PANDHARAPURDAILY RITUALLS IN THE TEMPLE

1 Temple Door Opening 4.00 a.m.

2 Kakada Aarti 04.30 to 05.00 a.m.

3 Nitya Pooja (Regular Pooja) 05.00 a.m to 06.00.a.m.

4 Mahapuja by devotees 07.00 a.m. to 08.00.a.m.

5 Maha Naivedya 11.00 a.m. to 11.15 a.m.

6 Pshakh (dressing) 04.30 to 05.00 p.m.

7 Dhoop Aarati 07.00 to 07.30 p.m.

8 Padya pooja 10.00 to 10.30 p.m.9 Shejarati 11.00 p.m.

The time table of daily rities.At 4.00 am – the main door is opened.From 4.30 am to 6.00 am. – Kakad Arti & daily worship.From 7.00 am to 8.00 am – Mahapuja.From 11.00 am to 11.15 am – Maha Naivedya.From 2.00 pm to 3.00 pm – Tulsi Archan Puja.From 4.30 pm to 5.00 pm – Poshakh (Dress).From 7.00 pm to 7.30 pm – Padya PujaFrom 11.00 to 11.15 pm – Shejarati.

The Timing of Darshan 6.00 am to 7.00 am, 8.00 am to 11.00 am, 11.15 am to 4.30 pm, 5.00 pm to 7.00 pm, 7.30 pm to 10.00 pm, 10.30 pm to 11.00 pm

PADASPARSHA DARSHAN

VITTALA TEMPLERUKMINI TEMPLESituated on the river bank, opposite the Vitthal Temple, the Pundalik Temple 

Rooms are available throughout the year at Bhakta Niwas (Tel: 223312; Tariff: Rs 250-800). The Gajanan Maharaj Sansthan (Tariff: Rs 50-100) offers rooms on sharing basis for three to ten people. The rooms are clean and they have their own canteen, which has hygienic food at affordable rates. The rooms at Mangal Niketan (Tariff: Rs 150-350), a dharamshala, aren’t clean. These places are 2.5 km from the temple.

GanagapurFrom Ganagapur station the temple is approximately 14 kms. I would recommend travelling by KRTC bus over private jeeps/autos who accommodate on an average 13 to 15 people at a time i.e. double its actual capacity.

Ganagapur being almost a village you will not find plush hotels. Normal rooms are available which will be charged anywhere between Rs 150 to 250 per day. Going for AC room doesn't make sense as there is frequent power failure. you may opt for AC room only if the hotel has power backup. After getting the room you may either take a wash at your hotel room OR travel to Triveni sangam for holi bath which is around 4 to 5 kms from the temple location.

Puja & AartiVarious kinds of Puja's (Seva's) are conducted in the temple hall. You may choose the Seva which you find suitable and may also choose to give anna daan which is considered as Shreshta daan. The aarti starts at 12.30 pm post which bhiksha is distributed as prasad. The temple trust has also started a Annachatra (Place to have prasad food) which just behind the temple.

You may also find small restaurants for your lunch OR you may opt for home made food served by local priests at their residence. 

After puja and having your lunch you may take rest for some time and then proceed to Akkalkot. A MSRTC i.e. S.T. bus leaves Ganagapur depot at 3.30 p.m. though the actual timing of this bus is 4 pm.

10 Reach GANAGAPUR and goto RIVER SANGAM---Take dip 5 times-Take BHIKSHA from 5 houses---11Then proceed to LORD DATTATREYA TEMPLE,OUDUMBARA TREE,offer the BHIKSHA to LORD.

PROCEDURES:After you reach ganagapur we should not go to temple straight away for dharshan,following is the right procedure.

Go to Bheema River to take bath where your body and soul will get purified,the custom is deep immerse your head atlest three times.

After taking bath in Bheema river Dharshan to be done in Kalpaka vriksha tree. Then offer your prayers to Shani bagavan temple. Near shani temple you have place where dhathatherya Performed Dhavam's we have

to take some sand from there Then we reach Dhatathreya temple.

In Dhathathreya temple:

We are expected to take Biksha/Dhanam (taking food thats given by some one) and offer Biksha/Dhanam (To give food to some one for free),the belief is dhatha threya comes every days and takes Dhanam from that place.There are various archana starting from Rs 61- 5501,we took 2100 Archana where they peformed various poojas and food will be given to 10 people by our hands Plus they offer food to you.

Offering “MADHUKARI” to the people at Ganagapur and taking biksha from atleast 5 houses is having very

improtance at this holy place. Even today also, the process is continuing and the devotees are having faith the Lord

Dattatreya is taking biksha everyday at Ganagapur kshetra. Shri guru Sri Nrusimha saraswathy swamy confirmed

the same and it can be seen in Gurucharitra. At the time of Antardhan, Shreeguru said to the disciples and citizens

of Ganagapur as follows.

DETAILS OF MORNING POOJA AND ABHISHEKAS:

(PERFORMED FROM 7 A.M. to 2-00 P.M.)

DHARMADARSHAN: The devotees are permitted for darshan to the deity Sri. Datta Maharaja and darshan is free of cost for every one.

PANCHOPACHAR POOJA : This pooja is carries the tradition of offering flowers to NIRGUNA PADUKA. The devotees have to pay an amount of Rs.16-00 at Devasthan Counter, wherein 3 persons are allowed to perform this pooja per receipt.

ALANKAR POOJA : This pooja is offering flowers to NIRGUNA PADUKA and priest will give one coconut that is blessed with NIRGUNA PADUKA. The devotees have to pay an amount of Rs.27-00 per receipt at Devasthan Counter, wherein 5 persons are allowed to perform this pooja.

MAHA POOJA : Per receipt of Rs.111-00, 5 persons are allowed to perform this pooja and devotee are allowed to sit infront of the NIRGUNA PADUKA and perform Kshirabhisheka to the SpatikaLinga worshiped by Shri Datta Maharaj and priest will give one coconut that is blessed with on NIRGUNA PADUKA. The devotees have to pay an amount of Rs.111-00 per receipt at Devasthan Counter for the pooja.

KESARA LEPANA : The devotees have to pay an amount of Rs.222-00 per receipt at Devasthan Counter, wherein 6 persons are allowed to perform this pooja. The Devotees performing pooja materials, perfume (attar) and Keasar which will be allowed to pour on NIRGUNA PADUKA, the priest sitting behind the Paduka, wearing clean cloth endowed with purity and will perform the pooja and will paint the attar and Keasar on Paduka. However, in any seva no person is allowed to enter the sanctorum and to touch the NIRGUNA PADUKAS and also to pour water on it.. This pooja includes procedures performed in Mahapooja. After completion of pooja, priest will give one small box of Kesaralepan and one coconut blessed with NIRGUNA PADUKA.

DETAILS OF EVENING PALAKI SEVA & POOJA

(PERFORMED FROM 7.30 PM to 9.30 P.M.)

SADA PALAKI : In this seva, 8 persons are permitted to enter the entrance hall sanctorum and have a darshana opportunity of sitting in front of the deity of Sri Datta Maharaja that is exquisitely decorated with Mahapooja. The seva performers will be allowed to sleep around the temple and palanquin (palaki) of Datta Maharajas which will be circumambulating the temple along with chanting and singing hymns will be temple will go upon them. After palaki, this seva includes the Paying an amount of Rs.331-00 per receipt at Devasthan Counter may perform this seva.

BRAHMOTSAVA PALAKI : In this seva, 15 persons are permitted and it will be as same as Sada Palaki will whereas they will be allowed to perform Kesarlepan pooja. Paying an amount of Rs.551-00 per receipt at Devasthan Counter are eligible to perform this palaki seva.

KALYANOTSAVA (BELLI PALLAKKI) PALAKI : In this seva, 25 persons are permitted participate in all sevas performed on that day in the temple. The specialty of this pooja is that seva people will have prasad of the respectful offering to the deity in the afternoon 12.30 PM, which will be served at the residence of priests. In the evening sevas, palanquin will be of silver instead of regular palanquin. Paying an amount of Rs.1101-00 per receipt at Devasthan Counter may perform this palaki seva.

In Addition to this, there is facility for performing Rudrabhisheka, Laghu-rudra, Maharudra, Abhishek, Homa-Havan and also religious ceremonies like Upanayana, Marriage and Javala in the temple premises which will be performed by the four lineage priests of the temple. These may be performed on payment of prescribed fee at Devasthan Counter.

About Accommodation:

There are lot of private lodges in Ganagapur but do not expect 5 star hotels. However best accommodate is Avadhoota Dattapeetham’s Sachidananda Ganapati Aashram, well you require prior permissions to stay here.

Apart from the above, there is a lodge run by the Archak family of Devala Ganagapur, the address is as mentioned below:

Sri Gurudatta Lodge

Ganagapur-585 212.

Gulbarga District.

Phone: 08470-274338

Guide to reach Shri kshetra Ganagapur

Sreekshetra Ganagapur is in the Gulbarga district of Karnataka State in India. It is around 45 kms from the district headquarter Gulbarga. Karnataka state road transportation buses are there from Gulbarga to Ganagapur for every 1 or 1.5 hours and the journey is around 1.5 hours from Gulbarga to Ganagapur. Ganagapur Road railway station is also there, but some trains are not haivng halt/stop at this station and the if at all stop is there, the halting period of the train is negligible when compared to the halt at Gulbarga. So, it is always better to getdown at Gulbarga and it is also convinient to take lunch/tiffins in the hotels or for booking reservations for bus/trains to any stations or for return journeys etc.

Temple Address & Contact Information:

SHREE DATTATREYA DEVASTHAN,

SREE KSHETRA GANAGAPUR,

(TQ) AFZALPUR,

(DT) GULBARGA,

(STATE) KARNATAKA-585212,

INDIA.

Telephone : 08472 230495

Contact Person:

Shri Sadashi Divakarbhatt Pujari : 09886920273 / 08472–230495

Shri Vilas Pujari : 98675 62002 / 022-66991045

DEVASTHAN COUNTER PHONE NO: 08470-274768

DEVASTHAN COUNTER PHONE NO: 08470-274335

DEVASTHAN SECTION DC OFFICE PHONE NO: 08472-278677

Shri Kshetra Ganagapur, One of the Most Famous Dattatreya Peethas, is associated with Shri Narasimha Sarasvati Swami, an incarnation of Lord Dattatreya. It stands on the bank of the river Bhima in Afzalpur taluka in Gulbarga district of Karnataka.

Nirgun Math :

The Main Temple in Ganagapur where Shri Guru used to Stay is known as Nirgun Math. This Nirguna Math is adorned with the Nirguna Padukas.There is a Holy Tree of Ashwattha in the Temple (Nirgun Math). Shri Kshetra Ganagapur is a Holy Place of Lord Dattatreya and the place is very important “Darshaneeya kshetra”.

The Kshetra Importance was explained by Shreeguru and it can be seen in “Shree Guru Charitra”. There is an Assurance from Shreeguru that he would forever abide at Ganagapur and go round the village for ‘Biksha’ at 12:00 noon is literally true even today. Offering “Madhukari” to the people at Ganagapur and taking Biksha from atleast 5 houses is having very importance at this Holy Place. Even today also, the process is continuing and the devotees are having faith that Lord Dattatreya is taking biksha everyday at Kshetra Ganagapur. Shri Guru Narasimha Saraswati Swamy confirmed the same and it can be seen in Gurucharitra Adhyay (chapter) 21-22.

Shri Guru's Words to All His Devotees :

Vasathi Rani Sangamase Jate Nithya Bikshese Taya Vare Gangapurase Madyana Kala Pareyasa.

Sangam Mandir at Ganagapur :

Sangam Kshetra is a Meeting Point of Bheema and Amaraja Rivers. Sangam is like Prayaga. Lord Sangameshwara at the Sangameshwara Temple here is like Mallikarjuna at Shrishailyam (as said by Shri Guru himself while explaining the Importance of Ashta Teertha). The Importance of Sangam was explained by Shreeguru and it can be seen in Shree Gurucharitra. Who ever takes a bath in Sangam, he/she will free from his sins and his wishes will be fulfilled. There is a Temple in Sangam in which the Shree Narasimha Saraswati Swamy performed the anusthana (The Main Temple of Trimurti). The `Shila Padukas' of Swamy are here.

Audumbar Tree at Sangam :

The Audumbar Tree is situated at Sangam of river Bheema & Amaraja and is Extremely Holy. In shelter of Audumbar Tree many devotees Perform the Parayan of Shree Gurucharitra. (Reading of Shree Guru Charitra).

History of Audumbar Tree:

Once a Brahmin `Narahari' by name came to Shri Guru at Ganagapur and bowing to him said, `My life is futile. I studied Yajurveda, but as I am suffering from leprosy. All people despise me and do not invite for Karma. I have visited several holy places but the disease is there, kindly bless me.' Shri Guru gave him a dry log of Audumbar and said, `Go to the Sangam and plant it on the bank of Bhima in the east. After bath,worship Ashwattha at the Sangam. Again bathe and give water to this log thrice a day. When it sprouts green foliage, your sins will be wiped off and you will be free from leprosy. As instructed by Shri Guru, Narahari planted the log on the bank of Bhima and began to water it thrice. Shri Guru went to the Sangam to see the leper Brahmin. He was pleased to see his devotion. The Brahmin was giving water to the log. Shri Guru sprinkled the holy water of his bowl on the log and instantly green foliage sprouted on the log. The leprosy of the Brahmin disappeared and his body became healthy and bright. Narahari bowed to Shreeguru and began to pray him at that time. The 8 sloka stotra composed by Narahari became famous and are being reciting in the temple at night even today also. Each sloka ends with “VANDAYAAMI NAARASIMHA SARASWATHEESHA PAAHIMAAM”. The stotra is now familiar as Narasimha Saraswati ashtaka. Shreeguru blessed Narahari and said, whoever recite the sloka every day with full devotion, they will get Ashta Aishwarya, Spiritual power, wealth, fame and noble offspring.

Ash Hill :

Ash Hill is nearer to Sangam and it is said that Lord Parashurama has performed a Yagnya here and the Ash is of that Holy Yagnya. Lord Parashurama performed penance at this place. The Ash is very Powerful and have the Devotees coming here take some quantity with them.

Shree Kalleshwar Mandir :

This is the Temple of Lord Shri Kalleshwar (Shiva) which is quite famous in Ganagapur. It is Ancient then the Nirgun Muth in Ganagapur. This Temple is considered as equivalent to Gokarna Mahabaleshwara (that we read in shree Gurucharitra) and nearyby is one of the Ashta Teerth viz., Manmatha Teertha. There are also Temples of Lord Shani, Panchamukhi Ganesha,Navagraha,Maruti and Goddess Durga in the Premises. The Environment here is Very Pleasant and Devotees coming to Ganagapur visit it at large no. 

Ashta Teerthas :On the day of Deepavali, Shri Guru said to the disciple, 'We shall have bath at Trishali (3 Holy places i. e. Prayag, Kashi and Gaya ) with family and children.The disciple said, 'For such a long journey, we require some time for preparations'. Shri Guru says 'These holy places are near about. So there is no need for special preparation.'Shri Guru then takes everyone to Sangam and asks them to take bath in (1) Shatakula Teerth ( Bhima-Amarja Sangam) and says that it is like Triveni Sangam of Prayaga.He says how the River Amarja was emerged from the Nectar that fell down from Indras Hands and hence Bath in this River Prevents Diseases and Untimely Death.

Shri Guru then takes them to the Following Teerthas in the Way to Ganagapur.

(2) Nrusimha Teerth : The Bath in this Teerth and then worshipping Sangameshwara is like Worshipping Shrishailya Mallikarjuna and this fulfills ones Wishes. This Teerth is in front of the Sangam Mandir.

(3) Bhagirathi (Varanasi) Teerth : The Bath in this Teerth is as Holy as Bath in Manikarnika Kund at Kashi. It is because once a Shiva Bhakta Brahmin of Bharadwaj Gotra Pleased Lord Shiva with his Devotion and when Lord Shiva appeared he asked that he want to take bath in Manikarnika daily and have Darshan of the Lord.Lord Shiva granted and a Kund was emerged there and it joined the Bhima River here.

(4) Papavinashini Teerth : As the name indicates, Bath in this Teerth Destroys all the Sins. Shri Guru at this Teerth called his Sister Ratnai and Said, 'You had killed a Cat witha Stick and therefore you are having Leprosy. You bathe in this Tirth daily and your disease will disappear.' As advised, she bathed here for three days and her disease was wiped off.

(5) Koti Teerth : A Bath in this Teerth is like taking bath in all the Teerth of Jambu Dweepa. One should bathe here on Sankranthi, Grahan, Purnima and Amavasya and give a cow with a calf in Charity. A Charity done here is equal to a Crore Charity.

(6) Rudrapada Teerth : A Bath in this River is equivalent to a Bath in Gaya and Shraddha etc must be Performed here.

(7) Chakra Teerth : A Dip in this Teerth is Even More Holy than the Bath in Dwaraka.

(8) Manmatha Teerth : This Teerth is in front of the Kalleshwara Mandir. The Bath in this Teerth and then worshipping Kalleshwara is like taking bath in Gokarna Teerth and worshipping Mahabaleshwara.

Devotees coming to Ganagapur do the Ashta Teerth Snan at Large Number. The Bath in Ashta Teertha's on Naraka Chathurdashi (in Diwali) day is very powerful. Even the sins and doshas will be removed by having bath in these Ashta Teerthas.

Importance Of Ashwattha :

There lived a 60 Year Old Women Called Ganga who used to come to Shri Guru and bow to him devotedly every day. Shri Guru being pleased, one day asked her,What do you desire? God will fulfill your desire. She said, `Gurudev, a woman's life is futile without an issue. Without a son the home is like a forest. Issueless persons go to hell. Please give me a boon so that I will have a son at least in next life.' Shri Guru smiled and said, `Service to the Ashwattha will not be futile. There is an Ashwattha tree at the Bhima Amarja sangam. I am present there after the bath in the river. Therefore worship the Ashwattha devotedly. The greatness of Ashwattha is narrated in the Puranas. Brahmadev is at its root, Vishnu is in its middle portion and the Rudra is on its top and the Agni (fire god) lies in the interior of this tree. In the months of Ashadha, Poush or Chaitra, when Guru and Shukra are not set, when the moon is favorable on an auspicious day, observe fast and start worshipping the Ashwattha. Do not touch the tree on Sunday, Sankranti and in the evening. The floor at the root should be smeared by cow dung and have Rangoli designs. Worship the Ashwattha thinking it as a Trimurti, with 16 upchars, then saying Purushsukta and observing `moun' take rounds of the tree. Two lakhs rounds destroy even the sin of Brahmahatya. The Ashwattha gives four purusharthas. He also fulfills the desire of a son. Recitation of Mrityunjaya sitting at the Ashwattha on Saturday avoids accidental death and gives long life. One gets credit of feeding several Brahmins, if one Brahmin is fed under this tree. If one Ashwattha tree is grown, 42 generations are liberated; but if one Ashwattha is cut, it is a great sin performed. Home performed under the tree gives credit of a great sacrifice. Do Homa of one tenth of the number of rounds and feed Brahmins and give golden Ashwattha in c7ytharity. She started worshipping Ashwattha as advised by Shri Guru. On the third day, she had a dream. A Brahmin told her to go to Shri Guru at Ganagapur, have seven rounds of Shri Guru and take the prasad that is given to her and that her desire will be fulfilled. She awoke. On the fourth day she went to Shri Guru and had 7 rounds. Shri Guru gave her 2 fruits and said, `Eat these fruits. Your desire will be fulfilled.' She then completed her vrata of the worship of Ashwattha, After 9 months she begot a daughter. Later on she had a son who became learned and won fame.Shri Shri Shri Adi Shankaracharya Math :Vishranti Katta :This is the Place on the way to Sangam. It is the Place where Shri Guru used to Relax while going to Sangam and while returning. It is in the Farm of the Farmer to whom Shri Guru blesses with Huge Yield of Crops even in the Scarcity and the Same can be Seen in Adhyay 48 of Shri Guru Charitra.Shri Chakreshwar and Shri Keshav Dev Mandir :temple is beside the Chakra Teerth and are very near to the Nirgun Math & can be reached by walk.Sati Katta :This is the Place where the Young women Savitri (From Mahur) found her Husband Datta dead and started weeping. Later Shri Guru Revives his Life when the women visits Sangam for the Darshan of Shri Guru. The Story can be seen in the Adhyay 30 of Shri Guru Charitra. Even this Place is very near to the Nirgun Math.Tantukeshwara Mandir : This is the Temple where Tantuk, a Weaver to whom Shri Guru took to Shri Shailyam on Maha Shivratri within some Moments (In Adhyay 44), used to Worship Lord Shiva. This Place is in front area of the Nirgun Math and can easily be visited.Lord Maruti Mandir and Grama Devata Mandir : There is the Temple of Lord Hanuman at the Agasi (Starting Pt Of the Village) of the Village and also beside it is the Temple of

Grama Devata. This Place too is Very Near to Nirgun Math.The Temple near Bhagirathi Teerth too is Very Holy and one can find its mention in Shri Guru Charitra. There are also Temples of Maha Laxmi nearby Nirgun Math and Shri Shirdi Sai Baba Mandir on way to Sangam.

HAMPI

Mahanavami DibbaLotus MahalHampi BazaarElephant StablesPurandara Dasa MantapaQueen’s BathStone DoorsTalarigatta GateZanana EnclosureCourtesans StreetAchyutaraya TempleHazari Rama TempleHemkutha HillKing’s Balance(Tula Bhara)Nandi The Monolithic BullSasivekalu Ganesha TempleKadalekalu Ganesha Temple

Stone ChariotUgra NarasimhaVijayavitthala TempleVirupaksha TempleVishnu TempleStepped TankCoracle Dongi RideBalaKrishna TemplePattabhirama TempleMohammadan Watch TowerBadavilinga TempleKodandarama TempleUnderground Siva TempleAkka Tangi GunduOctagonal bathChandrashekara templeSaraswathi temple

What to see at Hampi?

Pillar at Vittala Temple, Hampi Hampi is packed with countless number of monuments &

other attractions. The most popular ones are marked with .

Vittala Temple : This temple complex dedicated to Vittala, a form of the Hindu god Vishnu is

an architectural highlight of Hampi.

This temple campus contains many halls and shrines. The halls are noted for its

extraordinary pillars with the animated carvings on it. A set of pillars, known as ‘musical

pillars,’ resonates when tapped. A huge stone chariotcomplete with wheels carved out of

stone stands in front of the main temple. The environment of this temple is packed with

numerous smaller but ornate temples and a wide chariot street of the temple. More on

Vittala Temple ?

Virupaksha Temple: This temple dedicated to the Hindu god of destruction is located at a

riverbank. Virupaksha temple is believed to be one of the oldest active temples (from 7th

century AD) in India. This is a place equally sought-after by the tourists and the pilgrims.

The temple complex consists of the god’s sanctum, pillared halls and a series of giant

entrance towers. This is one of the fine places to witness the Hindu religious functions in

close proximity.

Royal Enclosure: The seat of the erstwhile kings, this is a fortified campus. Royal

enclosure is a sprawling area with the ruins of many stately structures. For example the

Mahanavami Platform from where the king used to watch the annual parade of imperial

majesty and military might. The area is packed with numerous palace bases, underground

temple, aquatic structures and the likes.

Riverside trek Path: This is the path that connects the ancient Hampi Bazaar to the Vittala

temple. Numerous shrines, carved artifacts, ruins of ancient structures are scattered all

around along this path. For example the 1008 and 1008 Siva lings carved in a matrix like

pattern on a sheet of boulder at the river shore.

Hemakuta Hill Temples: This hill is basically an expanse of rocky sheets with interesting

undulations. A large number of preVijayanagara (the empire) temples of note are located in

this hilltop. The highlights are the sets of triple chambered temples with its pyramid like

granite roofs. This is an important mythological site in the local folklore. That explains the

density of such temples on this hill.

Kadalekalu Ganesha: This is a giant statue of the elephant headed Hindu god Ganesha.

According to Hindu Mythology, Ganesha is the god who is responsible for removing

obstructions! This 4.6 meters (14 feet) tall sculpture id carved in situ on the slops of

theHemakuta Hill. The tall slender granite pillars with many mythological themes carved

decorated the front hall of this shrine. Kadalekalu means gram seed in local language. The

shape of this statue was the reason for this witty name for a god’s statue.

Sasivekalu Ganesha: This again is a giant statue of Ganesha located inside an open pavilion.

The potbelly of the god is in the shape of mustard seed and hence the name (Sasivekalu

means of mustard seed in the local language). This four handed god is a fine example of the

Vijayanagara’s artistic skills.

Krishna Temple: This temple is dedicated to lord Krishna, one of the ten incarnations of lord

Vishnu. In Hindu mythology Krishna is known for his romantic encounters and political

shrewdness! This temple was actually dedicated to the lord in his infant (crawling) form.

The complex consists of the main shrine, shrines of the goddesses, the chariot/market street

and the temple tank. The main hall spots a series of pillars carved with mythical rampant

creatures

Lakshmi Narasimha : This giant monolithic statue of the man-lion god is the largest icon in

Hampi. Narasimha which is one of the ten avatars (incarnation) of lord Vishnu is depicted in

a cross-legged seated position. It’s believed that the original image contained his consort

Lakshmi sitting on his lap. This image was destroyed during the enemy invasion. Currently

only a hand of the goddess resting on his waist can be seen.

Queen’s bath: This structure belongs to the royal area of the capital. Probably used by the

courtly ladies or the king himself, this looks like an indoor aquatic complex. A large veranda

with protruding balconies all around faces the central pool. This is one of the typical

example of the Indo-Islamic hybrid architecture.

Lotus Mahal:This ornate structure was probably used by the military chief as his office or

the queens of the palace as a pleasure pavilion. The pavilion spots Islamic architecture style

arches and the roofs and base typical of Hindu temples.

Hazara Rama Temple : This was a private temple of the king. The temple is special with its

exceptionally carved outer walls, an unusual feature in other Vijayanagara temples. The

story of Ramayana (the Hindu epic) is impressively carved on all around the shrine walls like

a comics strips on stone. The inner shrine contains four polished pillars with detailed

carvings of godly themes.

Elephant Stables: That was the shelter for the royal elephants. This long structure is made

of a series of chambers with domical roofs. Each chamber is big enough to accommodate

two elephants. The central hall with an elaborated tower probably was used by the

ceremonial band troop.

Pattabhirama Temple:This is a sprawling temple campus dedicated to lord Rama. The

pillared halls are of special note. Tall mythical beats carved in the shape of a series of

pillars.

Achyuta Raya’s Temple--------Matanga Hill--------------Anjaneya Hill & Temple

Also known as Virupaksha Bazaar, this street is located in font of the Virupaksha temple .

About a kilometer long, the east end of the temple ends at the foothill of the Matanga Hill .

Both sides of the street are lined with a series of old pavilions, some of them are two

storied. These structures were once part of a thriving market and residence of the nobles.

Towards the west end (towards Virupaksha temple) the pavilions are now encroached and

made into shops, restaurants and the likes making the street narrower. Poor villagers have

made the eastern section into their homes. It's interesting the houses of the rich merchants

and nobles of the empire are now being occupied by one of the poorest.

One enters into the street from the bus stand through a gate. Movement of motor vehicle

entry is regulated. But two wheelers are freely allowed to enter the street.

A huge Nandi (bull statue) called is located at the east end of the street. A next to it is a two

storied pavilion where a photo gallery is functioning. Photos of the Hampi sites taken by

Alexander Greenlaw in 1856 are on display. Admission is free. An open platform nearby is

the main stage of the annual Hampi festival. The circular pillars used are of interest.

Architecture of Aquatic Structures :

Known for its peculiarities, Vijayanagara architecture stands out even in its

aquatic/irrigation structures. The remains of a giant aqueduct (Bukka’s aqueduct) located

in Anegondi (Virupapur Gadde area) can offer you the scale and ambition of such projects.

You can reach here by taking a coracle ferry from near Virupaksha Temple followed by a

short trek. Also the main road that goes towards Koppal from Anegondi (via the popular hill

top Hanuman temple) passes adjacent to this.

In any case this less frequented by visitors stands in contrast among a cluster of tiny

hamlets as a giant monument. Many meters above the ground level, it’s not known how

water was fed to the top of this aqueduct. Probably water from the river below was

manually fed to it during its operational days.

Many pillars support the top portion that carried the water duct. Thanks to its style of

construction, from a distance the aqueduct would look like a ruined bridge. Huge blocks of

dressed rectangular granite was used the make the pillars and the top structure. Larger

blocks were used at the lower levels and the block size gradually reduces as it goes up, a

typical of Vijayanagara style architecture. This was advantages both for structural stability

& constructional efficiency.

It’s possible that the top duct (now missing) portion was made of brick and plastered with

lime mortar, or installed with rows of ducts chiseled out of long granite boulders.

The next place to see a plethora of waterworks is the Royal Center Area. The Octagonal

Water Pavilion, protruding to the main road, probably contained some sort of a water

fountain. One of the best-preserved aqueducts can be seen inside the Royal Enclosure.

Chiseled out of long slender boulders and supported by granite pillars, they were used to

feed the many tanks in side the enclosure.

The chain of aqueducts was used to bring water from the Kamalapura Tank and feed the

tanks and wells in the enclosure.

One of the main branches of this aqueduct supplied water to the geometrically

thrilling Stepped Tank within this area. In fact the very discovery of the Stepped Tank was

due to this branch of aqueduct leading to particularly nowhere. The archeologists dug the

ground at its end point and the tank emerged.

Two bathing pavilions of the Royal Center – the Queen’s Bath & the Octagonal Bath – are

popular for its architectural merits.

The Queens bath is a plain looking building from outside. But the interior is elaborate with a

giant tank at the center and overlooking balconies projecting to the tank. The corridor

around with its arches, domes and the protruding balconies makes it look more like to a

palatial structure than a bath. A water channel encircling the building acts as the means to

feed water as well as a barrier from intrusion.

The Octagonal Bath is located near a cluster of palace bases. A large open verandah made

of cubical pillars supporting the beams runs around this octagonal tank. A giant octagonal

platform with fluted decorations on its vertical faces it is located at the middle.

Another interesting structure is the Stepped Tank (also known as the Courtesan’s Well or

Soolai Well) of Malapannanagudi, a village on the way to Hampi. The well is constructed

with series of steps and arches in the typical Islamic style architecture.

Tanks are an integral part of temple architecture. They served both ceremonial and

functional purposes. Most of the temple of Hampi has tanks constructed in its near vicinity.

The Manmatha Tank near Virupaksha temple is by and large still functional. Temple tanks of

the Krishna Temple and the Vittala Temple have elaborate pavilions attached to it. The

central podiums of these tanks were used to place the images of the God & Goddess during

the boat festival part of the annual temple celebration.

The temple tank part of the Achyutraya’s temple is a place to observe the tank architecture

in its close proximity. The tank is empty and also in a much ruined stage. Nevertheless the

Archeological Survey of India is repositioning the scrambled pavilion structures around the

tank. On the steps around the tank one can see the chains of carvings, especially that of

elephants one following the other. The entrance to the tank is decorated with the typical

Vijayanagara style pillars. Friezes of rampant mythical beats and other mythological themes

decorate the pillars. This tank also known as Lokapavani tank is located at the end of the

Courtesan’s Street, close to the Varaha Temple.

Temple architecture :

Sasivekalu(mustard seed)Ganesha. This is located on the southern foothill of theHemakuta Hill.

The Kadalekalu Ganesha. A bit south of Sasivekalu Ganesha is the Vishnupada shrine. All

these are walkable from one to another and can be covered in 30-45 minutes.

Just in front of Sasivekalu Ganesha shrine you can see a huge site map of Hampi installed by

the archeology department.

Krishna Bazaar is a relatively newly excavated site in Hampi. As the name indicates this

Bazaar is associated with the Krishna Temple. Basically this was the car street for the

temple. The sacred tank (Pushkarni) of the temple too is located next to the Krishna Bazaar.

A better preserved specimen of the sacred tank is located near the Vittala Temple. This is

located a little east of the temple complex. From Vittala temple walk along the car street

(Vittala Bazaar), you’ll find the tank just opposite to a ruined temple marked

asKuduregombe Mantapa.

The Pushkarani associated with Virupaksha Temple is functional. This is located just outside

the northern tower (river facing). This massive tank is called Manmantha Tank. You’ll also

find a series of shrines (many are older than the Virupaksha Temple itself) facing this tank

( See also Manmatha Tank Shrines). The steps and the walls are painted with that

characteristic red and ochre stripes. There is small but great looking tank at the west of

(behind) Virupaksha Temple.

You can also find many temple tanks scattered in the Royal Center area. Though it is not

associated with any temple, the most popular is the so called Stepped Tank located inside

the Royal Enclosure. There is a dry but peculiar looking tank near the flag post near

the Hazara Rama Temple.

Another easy to reach temple tank is the one infront of the Krishna Temple. Just cross the

road and walk a minute along the Krishna Bazaar, you’ll see it by the side if this ancient car

street, also called as the Krishna Bazaar.

If you venture up to the Pattabhirama Temple, a 5 more minutes walk down the main road

takes you to the massive temple tank. The pavilions are destroyed, but you can still see the

series of pillars part of the colonnade surrounded the tank.

Another important sacred tank is the lotus filled Pampa Sarovar on the way to

popular Anjaneya Hill.. This mythologically significant place sits inside an arc of boulder

hills. Pampa Sarovar is on the ‘other side of the river’ where the Anegondi is located.

Quite a large number of them can be spotted in and around Hampi. They were either the

military observatories or the posts of guards at special areas. The military ones are typically

located at vantage points like the hilltops, riversides, and peripherals of the fortifications

etc. The other types are mostly located well within the royal area and other civil localities.

They are more decorated (with plastered walls, domed roof, arches etc) than the military

(made with rock slabs) ones located at the hilltops.

The watchtowers located in Danaik’s Enclosure and the one inside the Zenana Enclosure are

example of the fine watchtowers.Mohammadan Watch Tower is the most ornate of all the

surviving the watchtowers in Hampi.

A few of them are in the Danaik’s Enclosure area, one opposite to theMahanavami Dibba ,

another one believed to be of the queen’s palace inside the Zenana Enclosure and a couple

of smaller ones are located near the Octagonal Bath.

You can see an iconic image at Lakshmi Narasimha Temple located a bit south of theKrishna

Temple 

This is located right next to the Mahanavami Dibba in the Royal Enclosure.

A water canal system too is visible around the main temple. But this canal is dry and you

can walk down to a point from where it’s impossible to go further. There is a small temple

for Siva’s consort too near the mail shrine. The Kalyanamantapa (ceremonial marriage hall)

is a great looking structure. It has been believed that this is one of the oldest temples in

Hampi.

The Underground temple is located somewhat close to the main road (to Hampi bus station)

and near the Noblemen’s Quarters. A byroad going towards the Hazara Rama

Temple passes through this area.

No admission fee. Reserve about 30 minutes to explore the temple. Temple closes in the

evening.

The “Stone Chariot”, as it is often referred is the flagship tourist attraction of Hampi. This is

located inside the Vittala Temple campus. You would be visiting the Stone Chariot as part of

your Vittala Temple tour.Vittala Temple and the Stone Chariot inside are must do things in your Hampi itinerary. One among the few least destroyed structures in Hampi, Elephant Stable is a major tourist

attraction. This long building with a row of domed chambers was used to ‘park’ the royal

elephants. There are 11 domed tall chambers; some of them are inter- connected. The

center one is specially decorated and big.

Metal hooks (used to tie the elephants) on the inside roof can be seen. At the rear of

each hall are small manhole type openings for the mahouts to enter the elephant

compartments. You reach here through the Zenana Enclosure. From here you proceed to

the Guard’s Quarters and then may be to the Ranga Temple located a bit south of it all.

This is the largest statue in Hampi. Narasimha is sitting on the coil of a giant seven-headed

snake called Sesha. The heads of the snake acts as the hood above his head. You can reach

this spot by the main road. The shrine is located at mid way of the main road that connects

the Sacred Center to the Royal Center. About 200 meters south of the Krishna Temple (take

the road that runs through the arch) you can spot a small canal crossing the road. An

unpaved path at the right side (towards west) leads you to the Narasimha statue and

the Badavilinga Temple next to it.

Virupaksha temple is the oldest and the principal temple in Hampi.

This temple is located on the south bank of the river Tungabadra, just next to where the

local bus drops you. This area in general has been an important pilgrimage centre for the

worshipers of lord Shiva. Virupaksha temple is equally sort after by the tourists and

pilgrims. The annual festivals attract huge crowds of both the types.

Finding this place could be a bit difficult. It is behind the Virupaksha Temple. You need to

walk about a km from the Virupaksha Temple. Take that road along the riverside from the

bathing Ghat. On your right you’ll find a signboard and you need to get into a narrow path

that zigzags through banana a plantation to reach the Mango Tree restaurant.

Start your tour from the Hampi bus stand area, where the local bus has dropped you. Visit

the Kadalekalu and Sasivekalu Ganeshashrines. Trek to the Hemakuta hilltop. You can find

the stepped path and the two-storied gateway to the hilltop just behind these shrines.

Explore the Hemakuta hill shrines. Once completed, proceed towards the northern entrance

tower (a towerless massive structure) of the hill, from where you can reach the Virupaksha

Temple.

If you don’t prefer this mini trek, skip Hemakuta tour and reach Virupaksha temple through

the Hampi Bazaar.

After the Virupaksha temple tour, you may proceed towards the Vittala temple, located

about 2 kilometers (1 * miles) east. First reach the Monolithic Bull at the east end of

the Hampi Bazaar. Trek across the hillock, you’ll find yourself in front of the Achyuta Raya’s

Temple.

From here proceed towards Vittala Temple. Follow the same path back and reach Hampi

Bazaar via Kodandarama Temple. On this way can also explore the the nearby attractions

like the Varaha Temple, the Riverside ruins, Sugreeva’s Cave, Narasimha Temple….

You may have your lunch at Hampi Bazaar and go towards the Royal Center. One of the

sensible things to do is to hire a moped or bicycle for this part of the Hampi tour.

Head towards the Zenena Enclosure, via the Underground Siva Temple. The main tourist

attractions you can visit on the way are theKrishna Temple, Lakshmi Narasimha and the

Danaik’s Enclosure.

After Zenena Enclosure tour, proceed towards the Queen’s Bath. On this tour you can visit

the Hazara Rama Temple and the Royal Enclosure just ahead of it.

If time and energy permits crossover to Kamalapura village for a tour of the Archeology

Museum & the Pattabhi Rama Temple nearby.

As mentioned earlier doing Hampi in a day is hectic and you can’t cover all the places in a

reasonable pace. If you are hard pressed for time, hiring an auto-rickshaw for the day’s tour

is also a realistic thing to do. You may miss many of the places & charm of Hampi. But the

key monuments would be covered in such a one day Hampi tour.

The ticket is valid for a day for the three monuments – Vittala Temple, Zenena Enclosure&

the Elephant stables.For all the other sites (more than 50) admission is free!

Archeological Museum (entry fee) : Rs 5 Open from 10AM to 5 PM. Closed on

Fridays.

Kondarama Temple This is a functioning temple   with religious importance. This is the place where Rama killed Vali and crowned Sugreeva, and hence the name ( means crowned Rama). The temple has a Ghat (religious bathing spot) with stepped hall adjacent to it.

This temple is somewhat at the foot hill of Mathanga Hill (sun set view   from this hill top is fantastic) facing the Tungabhadra river. You can reach here only by walking along the banks of the river. Also it’s possible to bring your bicycle (a little bit difficult though) along so that you can further countinue ride whan the track soon became bicycleable.

From Virupaxa temple go towards the Nandi at the other end of the bazaar. Just before you reach the Nandi, you can see a path taking to left (towards the river bank).A sign board there would direct you. Take that path and it will lead up to a point, further to which it’s not possible to ride bicycle. Just walk through the semi paved/ stepped rock. Sometimes it enters into a cave like rock formation for a few meters. When you come out of it you are at the temple Ghat section. It takes about 45 minutes by walk/ 20 minutes by bicycle plus walk to reach Kondarama Temple from the Virupaxa temple.

This is more known for it’s religious importance than for the architectural importance. Three very tall statues of Rama, Sita and Laxmana are the idols here.

During the monsoon times the river raises and the water reaches up to the temple.

Yentrodharaka Anjaneya temple This is located behind but a bit uphill of the Kondarama Temple. Some steps and a paved rocky path would lead you to this temple. It would take about 15 minutes for you to reach from the Kondarama temple to Yentrodharaka Anjaneya temple

Again this a functioning temple of Anjaneya (Hanuman, the monkey God). Hamuman is sitting a peculiar posture with a ‘Yendra’ (amulet or charm gadget) around him.

Hampi has special importance for the worshipers of Hamuman, as mythical Kishkinda, the monkey kingdom was located here. You can see plenty of motifs and carvings of Hanuman all around the sites. Some are brilliantly colorful.

Hemakuta Hill Not one of the tallest hills in Hampi. But this hill offers a splendid view of the sprawling ruins site. Located at the south of Virupaxa temple. This hill issprinkled generously with a large number of temples   and arch ways and halls. The whole of the hill is fortified with tall wide stone walls. The ruins of which can be still be seen. Once you have reached (about ½ hour climb) the top, it’s almost a flat expanse with occasional ups and downs. One of the best place in Hampi to see the sunrise and sunset. Never miss a sun rise or set in Hampi (any one of the many suggest places are ok). Fibulas and romantic. How peacefully the sun says goodbye to the rocky expanse and sink into the horizon. Wonderful!

Myth have it that it’s on this hill that Lord Shiva did penance before marrying his consort, a local girl who impressed him by her earnestness for him. Also this is the place where he burnt Kama (the God of lust) with his third (fire) eye.

Hence a number of temples in this area are dedicated to Lord Shiva.

No admission free. Make fetish out of photography.

Jain temples This is a case of mistaken identity. These temples are called/identified as jain temples owing to its architecture resembles Jain temples. They have beautifully detailed pyramid shaped roof structure.

The fact is most of them are Shiva temples. But they are not functioning temples now.

They are located on top of the Hemakuta Hills, adjusant and south of the virupaxa temple. Walking climbing is essential to reach the top of this place. But not a very tedious kind of trekking. It’s work climbing to the top of the hill to reach these temple complexes. In about half an hout from the Virupaxa temple you would reach at the top of this hill.

Theses are in fact one of the oldest cluster of temples in Hampi, much older than the empire itself. The most important of all the numerous temples scattered around here is the temple trio of Trikutachala (means 3 temples). These are located on the hill close to the Virupaxa temple. All the three temples share a common courtyard. It’s a great place to get an aerial view of the Virupaxa temple complex. Also a fantastc place to rest for some time. The veranda and the halls of the temples are really cool with nice breeze.

It would take around ½ hours plus to have a look at these temples. And another ½ hour plus to move around at the top area. May me some more time if you prefer to take a small nap or rest or something like that!

No admission fee. No camera fee. You can shoot photos left right and centre!

Kadale Kalu Ganesha Means Gram seed Ganesha ! The shape of the Ganesha statue is in the form of a gram seed.

It’s located at the base of the Hemakuta hill, away from the Jain temples. This is a 5 meter tall monolithic statue installed in an inner sanctum. The pillered hall infront is great with special carvings on.

No admission fee. Photography ok.

Sasive Kalu Ganesha Means mustard seed Ganesha, since this Ganesha is in the shape of mustard seed! Located very close to the Kadale Kalu Ganesha. Ganapathi (Ganesha/Vinayaka) is notorious for his food habit. One day he ate somuch that his tummy almost busted. He just caught a snake and tied around his tummy as a belt to save his tummy.

You can see the snake carved around his tummy. Also he holds the ‘ankush’, pasha (noose), and his broken tusk. The hand which holds modak (a kind of sweet) is broken and not reconstructed.

Both the statues are ajjusant and can be covered in about ½ hour plus time.

At this area a very nice site map is installed by the ASI (Archeological dept.)

Ugra Narasimha / Laxmi Narasimha This is the iconic statue of Hampi. Ugra Narasimha means Narasimha (the half man- half lion 4th incarnation of Lord Vishnu) Narasimha in his terrifying posture. The eyes and the facial expresson are the basis for this assumption. But another section believes that this is Laxmi Narasimha, means Narasimhia with his consort Laxmi on his lap.

This is the largest statue in Hampi. The Narasimha is sitting on the coil of a giant seven headed snake. The heads of the snake is acting as the hood.

But this stature has been damaged seriously during the raid by the rival kings. The Laxmi statue on his lap is missing. But the Goddesses’s hand is visible at his back in the embracing posture. This is the basis to believe that this is Laximi Narasimha rather than Ugra Narasimha.

You can reach here by road. This is located at mid way of the main road that connects the royal center to the sacred centre.

Badava Linga This linga is again the largest monolithic linga in Hampi. Located next to the Narasimha statue. Legend has it that this was commissioned by a peasant woman and hence the name.

The sanctum in which the linga is installed is always filled with water an a water channel is made to run through it.

Hindu mythology has it that Lord Shiva kept his secret consort (river Ganga) in his hair as Parvathi being his ‘actual’ wife! Hence in all the Shiva temples you can see a water drip made to fall on the Shiva linga, to keep him drenched!

Both Narasimha & Badva Linga can be seen in about ½ hour.

Photos ok and no fees to visit.

Ganagitti Temple This is a Jain temple complex   you would find on the right side on the way towards   Kampily, about one kilometer from Kamalapura. The main road just runs adjacent to this temple compound.

Ganagitti temple means The Oil women temple! The reason for the curious name is unknown. There is the main temple and a small shrine adjacent to it. In front of the main temple is the Stumbha (lamp post) with inscription on it. That says the temple was built in AD 1386. This is a typical example of the early Vijayanagara architecture.The temple was commissioned by Irugua, the commander in chief of emperor Harihara II.

You may spend about ½ hour here. You can visit this on your way to the Bhima gate further down. No admission fee. No restriction on photography.

Bhima’s Gate This is one of the many gateways to the walled city. The gate (a huge arch)   is interesting with its construction and the carvings on it. The gate got it’s name from the legendary Bhima of the Hindu epic Mahabaratha. A figure of Bhima, one of the five brothers - the Pandavas, is carved on the gate. Probably this is the reason for the name of the gate. Also there are carvings of Draupadi (Pandava’s wife) tying her hair. Also Kichaka vada (killig of Kechaka) who tried to molest Draupathi too is depicted here. Draupathi took the vow that she would not tie her hair unless it’s washed with Keechaka’s blood. Bhima eventually killed Keechaka and tied Draupathi’s hair. All of these are depicted on the gate.

Another interesting feature of the gate is its smart design. You cannot see through the arch of the gate. That is immediately after the entrance strands a huge wall. You’ve to take a deviation and turn around to actually cross the gate. In other words this offers some blind spot for the invading army. Also it’s difficult for the elephant mounted forces to take such quick maneuvers without facing some surprise attacks.

Currently some more excavation is going on here. You can spot the ASI’s marks on the ground.

About 30minutes can be spend here. No admission fee. Usually these spots are empty. Also you can see a couple of more unnamed structures scattered around this area.

Achyutaraya Temple or Tiruvengalanatha Temple A sprawling temple complex with extremely charming carvings.   The temple was built by Salakaraju Tirumaladeva., the chief officer of king Achyutaraya. Surprisingly the temple took its name from one of these than the deity installed in it, Lord Tiruvengalanatha or Venkateshwara.

The temple has two compounds one within the other. The main shrine is inside the second compound. There is the main towering archway (Gopura) at the entrance of the complex. All around inside you would find carved halls and sub shrines. One of the important shrines inside is dedicated for Lord Agni, the God of fire. Opposite to the main shrine is the shrine of Garuda, the eagle God. At the southwest you would find the temple of Goddess Devi. At the northwest corner of the outer compound, a Kalayana Mandapa (marriage hall for the annual wedding ceremony of the God and the Goddess) . A water channel is seen all around the second compound. In front of the temple is the wide courtesan’s street.

You can get a gregarious aerial view   of this temple from the top of Mathanga hill or from the top of the hill near the monolithic Nandi at the end of the Virupaxa bazaar.

There are multiple ways to reach this sprawling complex. But all are either by walk or at the most by bicycle. One way is to walk from the Kondarama temple towards the King’s balance and you would see a signpost midway directing you towards the right side. And now you are into the courtesans’ street (with stalls on either side) leading towards the main tower of the Achutaraya temple.

The other way is to climb the steps near the Monolithic Nandi at the end of the Hampi bazaar, once on to of the steps , you can see this large temple complex somewhat on the right side down on the planes.

The third way (if you are coming from Vittala Temple) is to take the track from the King’s balance towards the Kondarama temple (track almost parallel to the river) and then you would see the above said signpost

Admission free. Photography OK. It requires at least 30minutes from Kondarama temple to reach here.

The Kings’ balance. This 5-meter or so tall ‘balance’ is located near (southwest of) the Vittala temple. Also called as Tula Bhara or Tula Purushadana,   the king weigh himself with gold uses this balance, gems, silver, precious stones etc are distributed to the peasants. It’s believed that this had been done during the special ceremony seasons like solar or lunar eclipses. You can spot three loops on top of the balance, into which the balance actually hung (the balance is not present in the frame) Also in one of the pillars you can spot the king’s carving along with his concerts.

This is an on the way sight so you can club it with the Vittala Temple visit or the Achutaraya Temple visit.

Krishna Temple or Balakrishna Temple This was built by the the king (Krishnadevaraya) in 1513 AD to celebrate the conquest of the eastern kingdom of Udayagiri or Utkala (in present day Orissa state). The main idol installed inside the temple is the statue of BalaKrishna (baby Krishna). This idol now is in the state museum in Chennai (the one near the Montieth Road). A huge slab installed inside the courtyard of the temple states the story of this temple and the conquest.

This is one of the must see sites in Hampi. The carvings are especially spectacular with the Yarzis (dragon) on the pillars and the entrances flanged with impressive carvings of elephants. Many small shrines and pillared halls   inside. The temple kitchen is located at the south east of the main shrine. The main tower at the east is an impressive sight with numerous carvings on it (now the tower is under restoration work).   You can see the carvings of the 10 incarnations of Lord Vishnu in this temple.

This is one of the few temples with a lot of epic stories are carved on the walls of the tower and the temple.

The main road circles through the outside of this temple. If you cross the road in front of the temple you can see a stage with a rectangular stone container. This was used to store grains for the ritual purpose in the temple festivals.

Further east outside the temple you can see a long hall like structure   into the banana plantations. This was the market street of this area. If you walk along this long structure, you’ll reach the impressive temple pond with structures around and at the middle of the tank. The tank is now not in use. Mostly the nearby agricultural places use water from the tank.

No admission fee. Photography OK. You need at least 1 hours plus for this temple. Very easily accessible as this is at the side of the main road.

Anegondi Anegondi itself was a capital city. This tiny kingdom was that eventually expanded into the Vijayanagar Empire covering the whole of south India. Currently Anegondi is sleepy village with a principally farming community inhibiting it. This is located at the opposite bank of the river. The easiest way to reach Anegondi from Hampi is by crossing the river by the coracles.

There are many attractions though not a mind-blowing place like Hampi. Anegondi has a big fort encircling it. Many parts of it is ruins, nevertheless the remains are interesting. Also there are for gates. The ambient of Anegondi is refreshing for the ones who like a peaceful place to do sightseeing at their own pace. Other attractions include Anjenayadri (the hill top Hanuman temple), Panpa sarovar (a tiny shrine and a sacred tank), Gagan Mahal (a small old palace building), Rishimukh Hill ( a fantastic place for who are into spirituality like chanting vedas etc), A ruided stone bridge crossing the river, furhrer up caves with prehistoric cave paintings a number of small and big temples.

The best thing I felt about the Anegondi is the. Anjaneyadri hill experience. This is fantastic place in offering the panoramic view of the Vijayanagar capital area.

The second thing is about the lazy walk in the paddy fields. A fantastic place to spend an evening (be a bit alert that you are a bit far from your base in Hampi, too late may make it difficult for you to navigate through the dark places. Up to say 7 – 7.30pn is ok )

Anjeyanadri Hill. This is somewhere in the center of Anegondi area. You can see this hill from the Hampi side of the river, say from Purandaradasa mandapam or from the Kondarama Temple area. At the top of the hill is the temple dedicated for Hnuman. You can easily spot this hill as the temple is whitewashed and a white trail of steps leading all the way to the top.

The temple is of high importance to the worshipers of Ram (and Hanuman). Surprisingly the Ramayana recite here inside the temple is in Hindi! Those understand Hindi and in interested in Ramayana, listening to this is a feast. The pundit (an old man with white beard) is gifted with the expression to tell the story. There won’t be much of people if it is not any special day. You can just enter the temple and sat next to him and listen. This is done on a continuous basis.

The temple (almost looks like an old house) is always kept closed (to prevent the cheeky monkeys   enter inside!). You can just enter the temple (after removing the shoes). All are allowed inside ( someone (foreign tourist) have asked me if they can enter as it looked like a very private temple with religious tone).

The statue of Hanuman is carved on the rock. Also is the small shrine for Rama and his consort Sita inside the temple.

The view from the hilltop is marvelous. Patches of paddy fields, Coconut tree plantations and the whole of the ruins sites is visible stretching into the horizon. Looking at the ruins from here you would know the reason why they chose this place as their capital. All around in the horizons are the rugged rocky mountains and at one side in the mighty Tungabadhra river. It was a naturally secluded strategically important location for a capital city.

A terrific place to see the sunset and sunrise.

The way to the hilltop is stepped. It’s quite a climb. There are no shops or anything at the top. So bring water etc from the base. There are a few small stalls down selling drinks and snacks. From Hampi you can come to this place by first crossing the river by the coracle. The main crossing points are at the Virupar Gadi (near Virupaxa temple) , Kondarama temple (plus 2 kilometer walk) or near the Vittala Temple (plus 5 kilometer ride by bicycle). The best way is to bring your bicycle/scooter also along with you when you cross (See the coracle crossing details later). The bicycles can be parked at the foothill and you can climb up.

It would take at least 45 minutes to climb up and about the same time to come down. It all depends your decision on how long would you like to spend on top (having come all the way up, tired, with stunning views down, great unending cool breeze etc). Otherwise the temple can be visited quickly. No admission fee. You may donate some coins in the hundi.

Akka Tangi Gundu These are two huge stones   leaning against each other. You can find them on the left side of the road when you travel from the underground temple towards Hampi bus station. Akka Tangi Gundu means sister stones. Legent has it that they were two sisters and they became stone as a curse when they ridiculed the place!

The road almost pass through under the stones.

The Underground Temple. For some curious reasons, this temple dedicated for Lord Shiva has been built a bit below the ground level. Also since this is below the ground level, almost all the time the sanctum sanatorium is under water. A water cannel system too is visible around the main temple. But the canal is dry and you can walk down almost till the point where it’s impossible to go further. There is a small temple for Shiva’s consort too

near the mail shrine. Also is the Kalyanamandapa (marriage hall) is great. It has been told that this is one of the oldest temples in Hampi.

There is a beautiful lawn around the temple. A great place to sit and relax after a long walk in the much hot and dry Royal enclosure area.

The Underground temple is located somewhat close to the main road (to Hampi bus station) and near the noblemen’s quarters. A byroad going towards the mosque etc pass through this area.

No admission fee. About 30 minutes to roam inside the campus.

Queen’s bath This is the first thing you would see when you enter into the Royal center from the Kamalapura-Hampi main road. A small wide but un topped mud road starts from the main road. When you take the right turn into this road, the first thing you see on the right side is this building. It’s a bit un assuming no decorated rectangular building from out side. But if you get inside, the story is different. The whole building is made with a veranda around inside and a big open pond at the middle of the building. Into the pond are many decorated aqueducts pointing into the pond and balconies. It’s been believed that water in the tank has been filled with fragrance flowers and perfumes.

Outside around the building is a big water cannel encircling the building. You need to cross that at some places where a bridge like structure is made. Probably this was designed to prevent intruders from walking into the place where the royal women folks were taking bath!

There is a small garden too now made in front for the queen’s bath. The architecture is : Indo-Saracenic in style, may be a bit more Islamic style than the Hindu style of architecture with the arches and other decorations.

Lotus Mahal This is a pleasant deviation from the typical architecture   you see in Hampi. The exact function of this is not surely known. Most probably this is a socializing area for the women folks in the royal family. This is located inside the Zenana enclosure. This enclosure is big campus within which a number of royal (mostly palaces and the likes) are located.

Unlike the other major structures in Hampi, this is made out of lime mortar and brick made structure.

The shape of the structure is what brought it the name. The archways are the balcony with the domed construction resembles a half opened lotus bud.

Basically this is a two storied structure with an open base floor the sidewalls are having tall arched windows. The upper floors have balconies. The decorations and architecture is a curious mix of Hindu and Islamic styles.

The night illumination is a spectacular sight. A nice piece of building to try some photographic shots. There is a large lawn made around the Lotus mahal. Sleeping on the lawn under the shade of a tree is allowed.

Visit to Lotus Mahal is the part of the Zenana enclosure tour.

Octagonal Water pavilion The Octagonal shaped tent near the roadside could have been once a spectacular water fountain. This is now practically in an abandoned stage with bushes and wild grass growing around it. You can see this on the right side of the Kamalapura- Hampi main road, somewhere close to the Chandrashekara temple. Also if you take a close look, you can see the remains of the water ducts, fountain parts etc.

Octagonal bath Not to get confuse this with the Octagonal Water pavilion. The Octagonal Bath is a gigantic bathing area made in the shape of an Octagon. A huge bath shelter with an octagonal shaped platform at the middle and a circular pillared veranda   around it. The circular part between the veranda and the platform is the water (now empty) area.

This is a bit isolated location though pretty well connected by a flat mud road. About 1 kilometer or so from the Chandrashekara temple. Most probably a makeshift thorny gate closes the mud road (what you see in the picture is the saraswathi temple nearby). Just jump over it and proceed. No one will question you as this has been made by the flower farmers to protect their flowers being eaten by the wandering cattle! For all that matter a lone farmer can direct you too to the location.

Saraswathi Temple. This temple is dedicated to Goddess Saraswathi, the goddess of learning. Located somewhat near to the Octagonal bath. A few steps have to be climbed   to reach the top of the platform. Inside the temple is practically empty. This is a nice vantage point to get a view of the planes in this area. There are a few interesting carvings inside too. A part of the temple is now reconstructed. It’s cool to visit inside.

Octagonal bath and Saraswathi temple visit can be combines, as these a close to each other but far from the other nearby spot of visit (Chandrashekara temple ). You can reach here by walk, bicycle scooter etc.

Royal enclosure This fortified area had been the seat of power of the fallen empire. Sprawling over many hundreds square meter, this fortified area is scattered with a number of interesting relics.

The most imposing structure in this area is the Mahanavami Dibba or the Dassera Platform or the ‘House of Victory’

The huge Stone Doors   are located just outside the Royal enclosure near the northeast corner.Elephants used to open these as they are extremely heavy for humans to manage.

King’s Audience Hall or the 100 Pillared Hall is located within the enclosure in the northwest area.

Stepped tank is located in the southeast area. Adjacent to this is another tank used as a bathing area. Further at the southwest corner is another huge swimming pool style tank   (now empty) is located.

The underground chamber is located somewhere between the King’s Audience hall and the Stepped Tank.

Apart from these the Royal enclosure area is doted with numerous relics of buildings, crisscrossing aqueducts supplying water to these water bodies etc. Practically the royal enclosure area is a wide-open ground with little shelters inside. A good amount of walking is required to move from one spot to another. Vehicles, including bicycles has to be parked outside this area. Try to visit in the evenings or early mornings as you need at least 1 ? hours to roam in this area. Admission free and photography allowed. The road going towards east from the Underground Shiva temple finally makes a bifurcation,   a left turn (towards north) would lead you to the Zenana enclosure and the right turn (southward) take you to the Royal enclosure area. These localities are somewhat plane and are well connected with a network of roads (mostly dusty though) .

Zenana enclosure Zenana enclosure means lady’s enclosure. This again is a walled enclosure with many interesting highlights inside. The major attraction is the Lotus Mahal. The whole area was the private enclosure to the royal women folks. The Queen’s Palace (visible only the basement) is located at the middle of this area. The super structure was made of wooden or less durable structures compared to the stone base. It’s Interesting the royal Treasury building too is located in this enclosure at the northwest corner. The whole area is encircled with a tall and broad walls made out of cut stones arranged in interesting patterns. You would be greeted with a Water Pavilion at the right side on entering this area.

The enclosure had been strategically designed for the women folks to watch the royal ceremonial functions in privacy.

Three watchtowers can be seen at the corners of the enclosed area. It has been told that eunuch solders guarded the area. It’s possible to climb on top of one of these watch towers (sometimes the guards may not allow this). It’s a vantage position to survey this area and the Elephant stable behind the Zenana Enclosure. The architecture in this location is predominantly Indo-Islamic in nature.

A ticket counter is located outside the main entrance of the enclosure. I don’t remember the ticket cost (if my memory is right it’s about 10rs for Indian citizens and 100rs or so for the foreign tourists). Photography is allowed, but again my memory is week, I’m not sure if there was a fee for using the camera. But use your camera; this is one of the photogenic locations (esp. the Lotus Maghal) in Hampi.

Also the ticket (for the same day) is valid for entry at the Vittala Temple too. So preserve the ticket.

The path to the other locations like the Elephant Stable, Guard’s Quarters and a few other temples’ runs through the center of this area. The whole area is now made into a sort of open garden with sprawling lawns. It’s a nice place to sit on the lawn under some tree to take some rest after a strenuous walk. A good site map too is located in this area, if you need to (you will need to!) reassure your location and the next direction.

About 1 1/2 hours plus is required to roam and watch things in this area.

Mahanavami Dibba This is the tallest structure   in this (royal enclosure) area. In fact this is only the platform of the building and the super structure either has vanished or temporary in nature. From a distance this looks just like an elevated square platform. As you go close, the details emerge. This is made as a sprawling square structure in three layers. On the wall are dexterously carved sculptures and ornamentations   depicting any thing from the royal ceremony   to the city life to the erstwhile foreign visitors to the kingdom. Any things from the Portuguese to Arabic to Chinese connections are visible.

The king Krishnadevaraya constructed this in commemoration with the victory over Udaygiri (now in Orissa).

The kind used this platform to watch the army march pasts, war games, aquatic sports, animal shows, musical performances and also the most important Navarathri celebrations.

There are mainly two stairways to reach the top. The front one (east facing) is highly decorated on either sides with carvings of elephants, horses and a host of other things. On the top there is nothing special to see except

the great views on the campus around it. At the back of the platform a twin staircase is located. Probably this was used as a service staircase during the ceremonies.

Kings Audience Hall. This is located somewhere in the northwest area on the royal enclosure. The super structure is not present. But at the rear of the hall, a stone stairway   suggests it was a two-storied structure. On the platform are the sockets of the 100 wooden pillars   once part of the superstructure. They are located in a perfect array of 10X10.

It’s believed that this is the place where the king listened to the public of the grievances. The long tough just outside this area   was used as the trough for drinking water for the horses of the noblemen who came to attend the court. The superstructure of the hall had been guttered during the invasion.

The Stepped Tank. Again, located inside the royal enclosure, this is geometric feast. It’s a surprise that this has been excavated only in the 1980s. Each and every stones (thousands of them) and ‘earmarked’ and arranged in a stepped pattern. It almost looks like a ‘negative pyramid’. That’s an inverted pyramid of crater made on the ground. The look close on each (any) stones, they all are engraved with some sort of mason marks. This suggests that these were planed and made else where and later just ‘assembled’ at this location. Also there are some stones with the ‘napkin sketches’ by the architects. Probably they were discussing their plans on a pies of notepad..er.. stone piece!

A very long elevated aqueduct   supply water to the pond.

You can step down into the tank (there is no water). Be a bit careful, as the steps are not very wide enough if you are a Bigfoot!

Aqueducts and Canals. The whole of Hampi is crisscrossed with a fantastic network of irrigation canals. Connecting everything from temples to palaces to tanks to quarters.

The major canals made by the Vijayanagar kings are the Raya Canal (King’s canal), Basavanna Canal (Nandi or Bull calan), Thirtu Canal (Sacred Canal) and the Kamalapura water tank. All of then are still in use (for agricultural irrigation of the near by village farms) .

In side the Royal area you can see a number of stone aqueducts   connecting 20 or so wells and ponds. Most of it is in the ruined stage, but you can still see the sophistication of the water supply system.

It’s interesting to take a bicycle ride along the bank   of these canals, as a nice way to savor the village life going on around it. Most of them are many kilometers long going into far places.

Mint The royals of Vijanagara had many mints in the empire. The main one was located in Hampi. The ruins of the mint in Hampi can be seen inside the walled enclosure west of the royal enclosure. Vijayanagar had an astonishing array of coinage in Gould, silver and copper. Most of them spotted the images of gods, animals, birds etc. Also special coins were made in commemorations with occasions like triumphs over other kingdoms. The coin with baby Krishna’s image is an example (made as a mark to celebrate the conquest of Udaygiri by king Krishnadevaraya) . In most of the coins the reverse side is inscribed with the king’s name who ordered to mint the coin.

Elephant Stable. This is located at the east of the Zenana enclosure. A long structure with ‘parking slots’ for the royal elephants. There are 11 domed tall chambers. The center one is specially decorated and big. Probably the musicians and the associated band troupes had been using this during ceremonies involving elephant processions. The metal hooks (used to tie the elephants) on the inside roof can be seen. At the rear of each hall are small manhole type openings for the mahouts to enter the elephant compartments.

The Guard’s quarters The long rectangular building is located at the north side of the elephant stables. The building has a big open hall   inside and multiple arches and parapets around it. The ceremonial guards of the royalty used this building. A garden with lawn is made at the area forming the common courtyard of the elephant stable and the guard’s quarters.

Yeduru Basavanna This is a monolithic Nandi or Bull statue. The location of the statue probably marks the one end of the Virupaxa Bazar. That is the statue is located at the dead end of the street where a hill starts. You can walk to the Basavanna statue from the Virupaxa temple along the Hampi Bazaar. When you walk from the Virupaxa temple along the bazaar street, it eventually comes to an end at an open space with a stage/platform. The statue is located at the left side on an elevated stone platform with pillers supporting the upper structure. Nandi (the Bull) is the vehicle of lord Shiva (Virupaxa). It’s thus symbolic that this statue facing the Shiva temple located at the other extreme of the street.

Vittala Temple Probably this is the architectural showpiece of Hampi. The temple itself is built in the form of a campus with compound wall and gateways. There are many halls and temples located inside the temple campus. Vittala is in fact another name of lord Krishna (one of the 10 incarnations of lord Vishnu). The Temple was built in the 16th century. The highlight of the Vittala temple is its impressive pillared halls   and the stone

chariot. And the halls are carved with an overwhelming array of sculptures   . The stone chariot located inside is almost an iconic structure of Hampi. It’s believed that the stone chariot was mobile and was used in temple ceremonies. The stone wheels are now almost frozen, though one can distinctly see the wheel fixed on the axis. Look close on the floor, you can see some marks of the old chariot track. It’s believed that the chariot carries Garuda, the eagle god.

You can reach Vittala temple in two ways. The first is by a motor able road and the second is by a walk (sort of trek) along the riverbank. You can take and autorickshaw from Hampi bus stand (Rs30) to Vittala temple. Or catch a local bus frist from Hampi bus stand to Kamapapura and then from Kamaplapura to Vittala temple (ask any one at the Kamalapura bus stand to spot you the right bus)

The trek path from Hampi Bazar to Vittala temple. The trek rout is approximately 2 kilometer from the Hampi Bazaar. It’s more of a walk along a rocky and boulder strewn terrain than any big trekking sort of thing that involves climbing. On an average you can walk this trail in about 45 minutes (with no side trips). The beauty of this trek is that you can do a number of feasible side trips in this track. Though it’s not recommended to take a scooter or a moped in this trail, you can manage with a bicycle. You can’t ride the bicycle at some stretch of this part. You may have to carry it/ pull along with you. But it’s worth as you would be able to cover the rest of it with your bicycle, that is if you are planning to do it with bicycle rather than walking. From Virupaxa temple go towards the Basavanna statue. Almost before you reach the Basavanna statue, you can see a mud road at your left. You may be able to spot a signboard at the junction where this path starts. Take this road, and a few meters ahead at the corner you would find a small open-air restaurant (The Geeta Rivier View Restaurant). The food supplied is not all that great. But a nice location at the riverside to take some rest and sip some cool drink.

A few meter ahead the boulder strewn path starts. The trail is sort of diffused into the boulder heap. But still you can make out the path. The trail almost runs parallel to the riverbank. Somewhere in this area the trail runs under through some huge rock formation. This is the small stretch in this trail where you would find a bit difficulty in carrying your bicycle. A few minutes later you would end in an open expanse – a coracle ferry point, a bathing ghat, a stepped hall facing the river – adjacent to the Kondarama Temple (see the separate sub title). This is a point where you can do a number of side trips and explore a bit of the random ruins sites and the shrines. JJust after the temple you can see a tree & a tiny snake shrine, meant for snake worship. Cross the Kondarama Temple, you would again land at a mud track but somewhat bicycle-able. On the left you can find a few temples. Further ahead, you would again land at an open expanse, this time a sandy terrain with shrubs scattered all around. In all probability, you can spot this sign post   here. Towards the right if you look, you can see the Achyutaraya Temple. Also you can see the Courtesans Street (marked by ruined structures of ancient market structures) leading to the Achyutaraya Temple.

At this point you can in fact make a side trip to the Achyutaraya Temple or a couple of other medium sized temples located near the sign post. Father you go along the path toward the left (somewhat parallel to the river), you would reach the spot where the tea shop ( to which this article is dedicated to!!! ). It’s on the left side under a tree. Further left the river. This is the point from where you can go for a side trip for the 1008 Lingas   and 108 Lingas   108 Shiva lingas. Park the bicycle here and trek towards the river bank to locate this (a bit difficult to spot). Ask someone at this spot for the tentative direction. If you have not lost the directions grossly, in about 20 minutes you would be able to spot this (mind you, it’s a pleasant surprise, and one of my favorite ‘findings’ in the ‘exploration’). From the teashop spot, ask for the direction towards the Vittala temple. Again you would be passing through a rocky terrain with somewhat flat and stepped surfaces. On the left somewhere down, you can spot this cave – The Sugreeva cave   . It’s believed that the monkey king Sugreeva lived here. And it’s the spot where Sita dropped her jewels as a mark when Ravana of Lanka abducted her. A rock here has the ‘design’ that the local people believe is similar to that of Sitas’ sari (cloth)   . Further on the left side you can spot a green patch of paddy fields with a row of coconut palms. Going still ahead, the track runs through a giant gateway like structure. From here you can see the track running through the Kings’ Balance   and eventually ends near the Vittala temple.

Coracle crossings. What’s a coracle? A country boat to cross the river. Basket is a more appropriate word than boat. They are huge flat basketlike craft to ferry people & sheep (yes sheep!). About 6 feet in diameter, coracles are made of bamboo, cane, plastic sheets and a fine coating of bitumen. On an average a coracle takes about 6-8 people. At Hampi there are three places you would find the coracle crossing.

The first one is near the Virupaxa temple. That’s the ghat (bathing place) adjacent to the temple. The crossing is mainly for crossing over to the other side of the river (the Virupapurgadde). Some times the coracle is used to take the tourists a ‘fun trip’ without any particular destination.

The second ‘coracles spot’ is in front of the Kondarama temple. There is a big bathing gaht here too.

The third and the most important ferry point is near the Vittala temple. The road that goes to Anegondi ends here ate the ‘work in progress bridge’. So the ferry is the only shortcut to proceed towards Anegondi. Take the road in front of the Vittala temple that goes towards east (that’s the main royal road with ruined structures on either side). About 2 kilometers from the temple you would reach the point where this road joins a north- south direction road. Towards north it’s Anegondi. Towards south it’s Talarighat Gate (further south Kamalapura ). If you go towards north from here, in about 1 kilometer you would reach the bridge. Take the trail that goes under

the bridge along the left side you would reach the ferry point. Depends up on the time there would be about 2 or 3 ferry men doing the service at any time. Or wait there till some 5-6 people get assembled, a ferryman pops up from somewhere! You can take your bicycle or motorcycle along with you in the ferry. The ferryman would help you to load & unload the bike.

The charges vary slightly. They charge about 2 to 5 rupees per head for one way. Similarly if you carry a bicycle, the rate is about 10 rupees (you +bicycle). For a motorcycle+you, it’s about 15 rupees. You neet to cross the ferry to reach places like Anegondi, the Hanuman temple, Sitha Sarovar… and a number of other locations in the anegondi area. Last but least, the coracle crossings is not for the weak hearts. It’s not dangerous, but could be a bit scary for some.

Gejjala Mandapa No one knows what exactly was the function of this structure. This is located at the main road that leads to the Vittala temple. The main road at the east side of the temple is decorated on either side with different kinds of structure. Most of it is now getting excavated and getting re constructed. The first major site of interest you find (when you go from the temple along the main road towards east) is a water tank at the left side. The huge (empty) tank is located at about 500 meters from the temple at the foothills of the boulder-strewn hill. Further if you go along the same road at the right side you would find Kuduregombe Mantapa. A large hall like structure on the road side. There are many decorated pillars on an elevated platform. You can go inside and even take a few minutes rest in the cool place. That’s a big relief especially if you’re moving around the site in scotching sun.

Further east on the left side amid coconut trees and banana plants you would find a small compound. Gejjala Mandapa is located inside this compound. Again this is basically an elevated platform with a roof supported by pillars. In Hampi’s standards this is not a great site to visit. But since it’s on the main track you would be moving, it’s worth a stop and a quick visit. A bit further eastward, you would join the road that connects Anegondi to Kamalapur.

How did they cut & move rocks Everything in Hampi has been made out of rock. At least what remains of the capital is rock and rock only. Some one said every rock in Hampi has a story to tell. True. There is so much. The very first this is how a huge expanse of boulder strewn area had been converted itself into a very beautiful city. A sculpturer said once famously. “The sculpture was inside the rock. I simply removed the unwanted”. It’s so eloquently stated in Hampi. Only this is the whole city was craved out of rock, not just a few sculptures. The question is how did they manage to do this in those days ? No machines, no sophisticated tools….That speaks of another story about human ingenuity and dedication. Gigantic slabs of rocks were cut precisely from the mountains and hills. There are then moved to the construction sites. Well even today you would find it a bit difficult to access most of the places. And we are talking about moving huge pieces of rocks.

As anywhere in the ancient India elephants were the power machines. They used hundreds of them. In construction sites. In battlefields. No wonder so many of the elephants got its place in the carvings along with gods and kings!

Cutting huge blocks of slabs itself was an art and science. What did they use to do that? Two unsuspected items- wood and water! A series of holes are made on the surface of the rock (along the line of cut). Pegged dry wooden pieces into it. Poured water over these pegs to soak it. The wood expands by absorbing water and the rock crack apart slowly. See the picture of the peg holes made on the rock surface. The left side of the rock is flat, means they have cut a slab out of it.

You would fined the Royal area a bit more plane than the area close to the river. In fact the Royal area too was as rock as the other places. But a large quantity of rock was cu away to make all the strictures at the Royal area.

You can see many such quarry site at Hampi if you look keenly. There is one located at the Royal area. If you are near the ‘Noble men’s quarters’, you can see a mud road dividing the site. Places like The Band tower, The

Mosque, The Mohammedan Watch tower etc are located at one side of the road. The ‘Noble men’s quarters’ is located at the opposite site. Standing at this point you can see a tall rock on the ‘Noble men’s quarters’ side. A flight of steps and a railing is made to climb this rock. Top of this is a vantage point to see a good view of the ‘Noble men’s quarters’. From somewhere at the top of the rock you scan the rock formations down, you would be able to spot this rock!