selected publication (1988-2019) i, lo-fen 衣若芬 · 2020-02-14 · selected publication...

Selected Publication (1988-2019)

I, Lo-fen 衣若芬

Summary

9 Single author academic books

3 Co-authored academic monographs

2 Single edited academic books

15 Single author creative literary books

89 Articles in academic journals

36 Book chapters

119 International conference papers

98 Refereed journal papers and anonymous peer-reviewed book chapters

Academic Books

1. I Lo-fen, The Art of Su Dongpo's Calligraphy (書藝東坡). Shanghai Chinese Classics Publishing House, 2019. (ISBN: 9787532590780)(One of the Ten Best Art History books selected by readers

in 2019, China) 8.8 points on Douban Book review.

2. I Lo-fen, Observing the Synergy: Text and Image Studies and Asia Horizon(東張西望：文圖學與亞洲視界) Singapore, Global Publishing, 2019. (ISBN:978-981-12-0164-6).

3. I Lo-fen, Cui Feng eds., Han Suyin Centennial Memorial Collection(素音傳音—韓素音百年誕

辰紀念文集). Singapore, Global Publishing, 2017.( ISBN：9789813223110)

4. I Lo-fen, Gorgeous Nanyang: Arts, Advertisements, Crossover Singapore(南洋風華：藝文．廣告．跨界新加坡). Singapore, Global Publishing, 2016 (Funded by Singapore National Art Council, Presentation & Participation Grant)(Selected One of the Best Books by Lainhe Zaobao, 2016)

5. I Lo-fen ed., Learning and Reflection: Sinologists Interview(學術金針度與人). Singapore, Global Publishing, 2015

6. I Lo-fen, Of Cloud Shadows and Celestial Light: Poems and Paintings of the Landscape of Xiao

Xiang (雲影天光：瀟湘山水之畫意與詩情). Taipei, Li Ren Publishing Co., 2013

7. I Lo-fen, Exploration of Art (藝林探微：繪畫．古物．文學). Shanghai, East China Normal University Press, 2012

https://www.youtube.com/watch?v=BAgnu6gL7fMhttps://www.thepaper.cn/newsDetail_forward_5518648https://www.thepaper.cn/newsDetail_forward_5518648https://book.douban.com/subject/30464225/https://www.zaobao.com.sg/zlifestyle/culture/story20190916-989389https://www.zaobao.com.sg/zlifestyle/culture/story20190916-989389https://www.zaobao.com.sg/zlifestyle/culture/story20190916-989389https://www.globalpublishing.com.sg/bookshop/g359.htmlhttps://www.globalpublishing.com.sg/bookshop/g359.htmlhttps://www.globalpublishing.com.sg/bookshop/g359.html

Name: I Lo-fen School: SoH

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8. I Lo-fen, Intextuality and Citationality in Chinese Literature and Art (遊目騁懷：文學與美術的互文與再生). Taipei, Li Ren Publishing Co., 2011 (Selected One of the Best Ten Books of literature and Image Studies in the World by Nanjing University)

9. I Lo-fen, The Poetry, Paintings and Calligraphy of Zhen Bangqiao（三絕之美鄭板橋）. Taipei, Hua Mu Lan Publishing Co., 2009

[Before join NTU]

10. I Lo-fen, Observation, Description, Appreciation: Studies of Tang-Song Writings on Painting（觀看．敘述．審美─唐宋題畫文學論集）. Taipei, Academia Sinica, Institute of Chinese Literature and Philosophy, 2004. 3 printed in 2014.

11. I Lo-fen, Wandering under the Red Cliffs and Elegant Gathering in the Western Garden: Studies on

Su Shi（赤壁漫游與西園雅集─蘇軾研究論集）. Beijing, Xian Zhuang Publishers, 2001

12. I Lo-fen, Ceng Zaozhuang, A History of Su Shi Studies（蘇軾研究史）. Nanjing, Jiangsu Jiaoyu Publishing, 2001 (Excellent Academic Work Award of Sichuan Provincial Government, 2003)

13. I Lo-fen and Liu Yuan-Ju eds., Historical Transitions and Creativity: Literature and Art in the

Han-Tang and Tang-Song Transitions（世變與創化：漢唐、唐宋轉換期之文藝現象）.Taipei, Academia Sinica, Institute of Chinese Literature and Philosophy Preparatory Office, 2000

14. I Lo-fen, Su Shi’s Literary Works on Paintings（蘇軾題畫文學研究）.Taipei, Wenjin Publishing Co., 1999

Creative Literary Books

1. I Lo-fen, ed. Taiwan Literature Reading( 台灣文學花園 ). Singapore, 2016. (ISBN: 9789811115462)

2. I Lo-fen, One Degree North Latitude, Singapore (北緯一度新加坡). Taipei, Elite Books, 2015

3. I Lo-fen, East Asia Observation ( 感觀東亞 ). Taipei, Fish & Fish Publishing Co., Ltd.,

2014(Excellent Book Award, National Museum of Taiwan Literature, 2015)

4. I Lo-fen, The Drawer of Emily (Emily 的抽屜). Nanjing, Nanjing University, 2014

5. 衣若芬。南國藝語。臺北：群傳媒，2012 年。

6. 衣若芬。東坡先生生日快樂。臺北：群傳媒，2012 年。

7. 衣若芬。月光秋千。臺北：群傳媒，2012 年。

8. 衣若芬。背對彩虹。臺北：群傳媒，2012 年。

9. 衣若芬。飄洋過海賣掉你。臺北：群傳媒，2012 年。

10. 衣若芬。大人我要結婚。臺北：群傳媒，2012 年。

11. 衣若芬。紅豆書簡。香港：夢想書城，2012 年。

12. 衣若芬。春衫舊香。香港：夢想書城，2012 年。


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[Before join NTU]

13. 衣若芬。青春祭。臺北：九歌出版社，1995 年。

14. 衣若芬。衣若芬極短篇。臺北：爾雅出版社，1991 年。

15. 衣若芬。踏花歸去。臺北：林白出版社，1989 年。

Refereed Papers (anonymous peer-reviewed journals)

1. I, Lo-fen, Virtual Epistle: Text and Image of the Film 7 Letters in Celebration of Singapore‘s Golden Jubilee, The Journal of Global Cultural Contents, Vol.41 November 2019, pp. 131-156

2. 衣若芬：〈―文图学‖就是看世界〉，《社會科學報》，2019年10月17日

3. 衣若芬：〈原田悟朗口述蘇軾《寒食帖》東售日本之疑謬——文圖學視角的理解〉，《書

法研究》2019年第3期，頁66-79

4. 衣若芬：〈用文圖學方法打開《書藝東坡》〉，《中華文物學會》2019年刊(2019年7月)，

頁272-278

5. 衣若芬：〈文圖學理論框架下的東亞―西湖十景‖研究〉，《域外漢籍研究集刊》第18輯，

2019年6月，頁3-23

6. 衣若芬：〈虛擬的書信：慶祝新加坡建國五十周年電影《七封信》的文本與圖像〉，《四

川戲劇》2019年第1期，頁105-110

7. I, Lo-fen, Text and Image Studies: Theory of East Asian Cultural Diffusion, Journal of Cultural Interaction in East Asia Vol. 10 2019, pp.43-54.

8. I Lo-fen, "Text and Image Studies: Theory of East Asian Cultural Diffusion"(文圖學與東亞文化

交流研究理論芻議). Journal of Wuhan University(武漢大學學報), 72(2), pp. 101-107 , March

2019. (CSSCI)

9. I Lo-fen, " Studying Su Dongpo in Singapore and United States", Su Shi Studies, 2018(4), pp. 12-14, Dec. 2018. (Invited paper)

10. I Lo-fen, Ideal Wonderland: Korean ―Eight Views of Xiao-Xiang‖ Poems and Folk Paintings in Joseon Dynasty", Journal of Korean Literature 38, pp.7-27, November 2018. (Tier1 Journal in

Korea)

11. I Lo-fen, .Su Shi's Calligraphy Scroll Containing ―Rhapsody on Dongting Spring Colors Wine‖

and ―Rhapsody on Pine Wine of Zhongshan(遞藏．題跋．複製：蘇軾《洞庭春色賦》、《中

山松醪賦》書跡)， Lingnan Journal of Chinese Studies (嶺南學報), 9, pp. 143-16, October 2018.

(CSSCI)

12. I Lo-fen, " On Text and Image Studies: A New Academic Horizon" (文圖學：學術升級新視界). Contemporary Literary Criticism(當代文壇) Volume 4, pp.118-124,.July 2018 (CSSCI)

13. I Lo-fen, " Text and Image Studies-- The New Vision of East Asian Classics Studies(文圖學-동양 고전학 연구의 새로운 시각) .Journal of Eastern Studies(大東文化研究)10, pp.9-40, June 2018. (Tier1 Journal in Korea)

14. I Lo-fen, A Study of Su Shi's Calligraphy Scroll Containing ―Rhapsody on Dongting Spring Colors Wine‖ and ―Rhapsody on Pine Wine of Zhongshan‖ Song Dynasty Literature and Culture,

Volume 4, Issue 2, November 2017, pp. 279-305. (Tier1 Journal)


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15. 衣若芬。「주희(朱熹) 와 한중 문인의 차운시

비교」,(朱熹”武夷櫂歌”與中韓文人之次韻詩比較)，《淵民學志》第28輯(2017年8月)

，頁345-363。

16. I Lo-fen, ―The inscription on the portrait of Bai Juyi by Wuxue Zhuyuan (Mugaku Sogen): A

Case Study of Text and Image Studies"(無學祖元贊《白樂天像》の文圖學的研究). Studies of

Bai Juyi(Tokyo)（白居易研究年報）,17, pp. 96-124, Dec., 2016. (Translated by Morioka Yukari)

(Invited paper)

17. I Lo-fen, “Interchange of East-Asian Culture and Literature in Classical Chinese: A study of

Huang Hua Ji”(韓中日所藏皇華集與東亞漢文學跨國交流), Journal of Overseas Chinese

Classics(域外漢籍研究集刊), 14, pp.283-296, November 2016.(CSSCI)

18. I Lo-fen, “Time, Material and Memories: The Cultural Scape of “Shou Su Hui” (Gathering for

Su Shih’s Birthday Remembrance) in Qing Dynasty"(時間．物質．記憶──清代壽蘇會之文

化圖景). Yangtze River Academic(長江學術), 2016(4), pp. 57-69, Oct., 2016.(CSSCI)

19. I Lo-fen, “A Study of the Cultural Image of Chrysanthemum in China"(中國菊文化意象之梳

與探). Forbidden City(紫禁城), 2016(9), pp. 26-29, September 2016.(CSSCI)

20. I Lo-fen, “A New Exploration on Qing Palace’s Collection of Ming Dynasty Artist Wang Fu’

s Painting- “The Eight Views of Beijing”(玉堂天上：清宮舊藏明代「北京八景圖」新探).

Journal of Gugong Studies (故宮學刊),16, pp. 283-296, July 2016.(CSSCI)

21. I Lo-fen, “The Authorial Consciousness of Pan Shou's Poetry and Calligraphy(海內存知己─

─新加坡"國寶"潘受) Taiwan, Hong Kong and Overseas Chinese Literature (華文文學), 3, pp.

96-106, June 2016.(CSSCI)

22. I Lo-fen, “A Comparative Study of Ni Yuanlu and Dong Qichang's Wu He Fu"(寓意與造型：

倪元璐與董其昌書《舞鶴賦》). Forbidden City(紫禁城), 2016(4), pp.85-97, April 2016.

23. I Lo-fen, ―Remembrance through Painting: Paintings in Commemoration of Joseon Envoys

from15th-19th Century‖ (睹畫思人：15至19世紀朝鮮燕行使的紀念圖像).(Taiwan) The

National Palace Museum Research Quarterly (故宫学术季刊), Vol.33, No.2, pp.51-82, 2015 Winter edition (THCI)

24. I Lo-fen, ―Su Shih‘s Calligraphy ‗Tian Ji Wu Yun Tie‘ Collected by Ong Fanggang and it‘s

Influence in 19th Century Korea ‖ (翁方綱藏蘇軾―天際烏雲帖‖與十九世紀朝鮮―東坡熱‖)

Journal of Overseas Chinese Classics (域外漢籍研究集刊), 11, pp.344-367, Oct. 2015 (CSSCI)

25. I Lo-fen, ―Wandering in the Capital: The Amendments of ‗Continuation of Shi Qu Bao Ji’ with

Ancient Korea Edition of ‗The Poem Collection of Eight Views in Beijing‘ (帝都勝遊：朝鮮本

《北京八景詩集》對《石渠寶笈續編》的補充與修正) Forbidden City (紫禁城), 248, pp.91-99, Sep. 2015.

26. I Lo-fen, ―The Interpretation of Su-shi‘s ‗Dark Clouds on Sky‘s Edge‘‖ (蘇軾《天際烏雲帖》詮

解) Literary Review (文學評論), 4, pp.211-220, Aug., 2015 (CSSCI)

27. I Lo-fen, ―Writing, Translation, and Painting: Zhong Mei Yin in Southeast Asia‖ (文筆．譯

筆．畫筆─鍾梅音在南洋) Taiwan, Hong Kong and Overseas Chinese Literature (華文文學), 2, pp.50-57, April 2015 (CSSCI)

28. I Lo-fen, ―Wandering and Pursuing: Zhu Xi‘s Wuyi Boating Song and Follow Writings in Joseon Dynasty Korea‖(遊觀與求道：朱熹〈武夷櫂歌〉與朝鮮士人的理解與續作).(Hong Kong)

Journal of Chinese Studies(中國文化研究所學報)60, pp. 53-71, Jan. 2015 (CSSCI)


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29. I Lo-fen, ―Calligraphy and Paintings on Lan Ting Xu in Ancient Korea‖(蘭亭流芳在朝鮮). Literature and Image(文學與圖像), 3, pp.287-304, Oct. 2014.

30. I Lo-fen, ―‗Dongpo Ti‘: Games and Competition of Diplomatic Interaction between China Ming

and Chosun via Poetry and Prose‖(―東坡體＂：明代中韓詩賦外交之戲筆與競技). Journal of

Oversea Chinese Classics(域外漢籍研究集刊),10, pp.433-459, Oct. 2014 (CSSCI)

31. I Lo-fen, ―The Eight Views of Xiao Xiang: East Asian Cultural Image‖ (瀟湘八景：東亞共同母

題的文化意象‖ Journal of the History of Ideas in East Asia (東亞觀念史集刊), 6, pp.35-55, June 2014 (THCI)

32. I Lo-fen, ―A Study of the Weng Fanggang Collection of the Shi Gu Zhu Dongpo Shi‖(敬觀真賞：

翁方綱舊藏本《施顧註東坡詩》研究), Tsing Hua Journal of Chinese Literature(清華中文學報), 11, pp.57-102, June 2014 (THCI)

33. I Lo-fen,” The Eight Views of Xiao Xiang: East Asian Cultural Image”(소상팔경: 동아시아

공통 모티프의 문화형상), 숭실대학교 한국문예연구소,Korean Literature and

Art(한국문학과 예술),13 pp.5-25, March 2014.(Tier1 Journal in Korea)

34. I Lo-fen, ―Anti-Counterfeiting: Newspaper Advertising and Knowledge of Tiger Brand‘s Yong

An Tang (Eng Aun Tong) Medicinal Products in the 1920s to 1930s‖(商品宣傳與法律知識─

1920-30年代虎標永安堂藥品的「反仿冒」廣告), Journal of Suzhou University of Science and

Technology , Vol. 31, No.2, pp.29-36, March 2014

15. I Lo-fen, ―Mystery and Transcendence in Chinese Horse Paintings‖ (畫殺滿川花─畫馬異事的神

祕與超越),‖ Forbidden City(紫禁城),228, pp.50-57, Jan. 2014(Invited paper)

16. I Lo-fen, ―An Inquiry of Yu Jian‘s Eight Views of Xiao Xiang Paintings, Poems and Seals‖(玉澗

―瀟湘八景圖‖詩畫印探析), Literature and Image(文學與圖像), 2, pp. 331-348, Aug. 2013

17. I Lo-fen, ―‗Dongpo Ti‘: Games and Competition of Diplomatic Interaction between China Ming

and Chosun via Poetry and Prose‖(동파체: 명대 중한 시부외교의 희작과 경기), (Korea) Yon Min Hak Chi, 20, pp. 143-214, Aug. 2013 (Tier1 Journal in Korea)

18. I Lo-fen, ― A Study of Yu Jian‘s Eight Views of Xiao Xiang Paintings and Poems‖(玉澗「瀟湘八

景図」の詩画と印章の研究) , Kokka(国華), 1412, pp. 1-16, (Translated by Tanaka Den) June 2013

＊1

35. I Lo-fen, ―New Interpretation of Colophon by Huang Ting-jian for Su Shih‘s ‗The Cold Food

Observance Festival‘Manuscript‖(蘇軾〈黃州寒食詩帖〉山谷題跋析義), Journal of Language

and Literature Studies(臺北教育大學語文集刊), 23, pp. 41-64, March 2013

36. I Lo-fen, ―A Study of Su Shi‘s Letter to Xie Minshi ‖(蘇軾〈與謝民師推官書〉論析), Tamkang

Journal of Chinese Literature(淡江中文學報), 27, pp. 71-90, Dec. 2012

19. I Lo-fen, ―Landscape and Culture in the Wu-yi Zhao Ge (Wu-yi Boat Song) of Song Dynasty‖(宋

代「武夷棹歌」中的地景空間與文化意蘊), Dong Hwa Journal of Humanities (東華人文學報), 20, pp. 33-58, Jan. 2012 (THCI)

20. I Lo-fen, ―The Collected Poems of Eighteen Songs of a Nomad Flute in Southern Song‖(南宋〈胡

笳十八拍〉集句詩之書寫及其歷史意義), Journal of Zhejian University (浙江大學學報), 42(1), pp. 128-138, Jan. 2012(CSSCI)

21. I Lo-fen, ― The‗Emperor Hsüan-tsung‘s Flight to Shu‘ Painting (National Palace Museum Taipei)

＊ Established in October 1889 (Meiji 22), Kokka （国華）is the most historical among the art journals in Japan, with its publication continuing for more than 100 years. It is also highly esteemed for its academic quality,

publishing theses authored by top-class scholars of the day.


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and Bai JuYi‘s poem ‗A Song of Everlasting Regret‘(Chang Hen Ge)‖(台北故宮博物院本―明皇

幸蜀圖‖與白居易《長恨歌》), Journal of Sun Yatsen University (Social Science Edition)（中山大學學報），2011(6), pp. 40-46, Nov. 2011(CSSCI)

22. I Lo-fen, ―Yu Jian‘s Painting Eight Views of Xiao-Xiang and the Inscription”(無邊剎境入毫端─

玉澗及其「瀟湘八景圖」詩畫), Dong Hwa Journal of Chinese Studies(東華漢學) , 13, pp. 79-114, June 2011 (THCI)

23. I Lo-fen, ―Su Shih‘s Calligraphy ‗Poems by Li Bai‘‖（蘇軾「李白仙詩卷」探研）, Song Dai Wen

Zhe Yan Jiu Ji Kan（宋代文哲研究集刊）, 1, pp. 153-196, June 2011

24. I Lo-fen,―Wang Anshi‘s Rewriting of the Work ‗Eighteen Songs of a Nomad Flute‘‖（嚴謹的遊

戲：王安石〈胡笳十八拍〉詩論析）, Journal of Language and Literature Studies（國立臺北教育大學語文集刊）, 19, pp. 133-167, Jan. 2011 (THCI)

25. I Lo-fen, ―Painting, Drama and the Actress: ‗Put down Your Whip‘ Painted by Xu Beihong‖（畫中

戲，戲中人─徐悲鴻「放下你的鞭子」）, Chung Cheng University Journal of Chinese Studies

（中正大學中文學術年刊）, 16, pp. 117-140, Dec.2010 (THCI)

26. I Lo-fen, ―The ‗Reject Female Musician‘ Poems by Embassies of Ming Dynasty and the Influence

in Korea‖（禮樂與女色：明代文臣出使朝鮮的「卻妓詩」及其影響）, Journal of Oversea Chinese

Classics（域外漢籍研究集刊）, 6, pp. 91-113, May 2010(CSSCI)

27. I Lo-fen, ―A consideration of the Aesthetics of Antiquarianism‖（好古思想之審美文化心態試論）,

Journal of Sun Yatsen University (Social Science Edition)（中山大學學報）, 2, pp. 25-32, March 2010(CSSCI)

28. I Lo-fen, ―Reading Xu Zhimo‘s Writing in Singapore under the Vision of Globalization‖（在全球

化視野下閱讀徐志摩的南國書寫）, Journal of Tsinghua University（清華大學學報）, 6, pp. 75-84, 2009 (CSSCI)

29. I Lo-fen, ―Smoking and Patriotism: A Study of the Nanyang Brothers Tobacco Company‘s

Advertisements on Lat Pau during the May Fourth Movement period‖（吸煙與愛國：「五四運動」

前後南洋兄弟煙草公司在新加坡《叻報》的廣告）, Journal of National Taiwan Normal University:

Linguistics & Literature（師大學報）,54(2), pp. 65-106, Sep. 2009(THCI)

30. I Lo-fen, ―Ling Shuhua in Singapore Nanyang University and Her Argument about Chinese Poetry

Ling Shuhua (1900-1990)‖（南洋大學時期的凌叔華與新舊體詩之爭）, Xinwenxue Shiliao

(Historical Documents of New Literature)（新文學史料）, 1, pp. 48-57, 2009(CSSCI)

31. I Lo-fen, ―Replication, Rearrangement and Recollection: A Cultural Analysis of Ouyang Xiu‘s

Record of Collecting Antiquities (Jigu lu)‖（複製．重整．回憶：歐陽脩《集古錄》的文化考察）,

Journal of Sun Yatsen University ( Social Science Edition) （中山大學學報）, 5, pp. 30-40, Sep. 2008 (CSSCI)

32. I Lo-fen, ―The Cry of Cai-Yan, Laugh of Medusa: Rethinking Cai-Yan Studies‖（蔡琰的號啕，美

杜莎的笑─蔡琰研究的性別反思）, Xin Guo Xie（新國學）, 7, pp. 57-80, June 2008(CSSCI)

33. I Lo-fen, ―A study on Li Bang-Yi's Poetry ‗Piao Hai Songs‘‖（漂流到澎湖：朝鮮人李邦翼的意

外之旅及其相關書寫）, Journal of Oversea Chinese Classics（域外漢籍研究集刊）, 4, pp. 131-156, May 2008(CSSCI)

34. I Lo-fen, ―Yu Jian‘s Painting Eight Views of Xiao-Xiang Prior to Being Brought to Japan:A Study

of the ‗Sanjiao Dizi‘ Seal‖（玉澗「瀟湘八景圖」東渡日本之前—「三教弟子」印考）, Taida

Journal of Art History, Taiwan University（台灣大學美術史研究集刊）, 24, pp. 147-174, March 2008 (THCI)


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35. I Lo-fen, ―The Poems on Portrait and Mirror of Bai Juyi‖（自我的凝視─白居易的寫真詩與對鏡

詩）, Journal of Sun Yatsen University(Social Science Edition)（中山大學學報）, 6, pp. 51-57, Nov. 2007(CSSCI)

36. I Lo-fen, ―The Untied Boat: Wu Zhen and the Colophon of Fishman Painting (Yu-Fu Tu)‖（不繫

之舟：吳鎮及其「漁父圖卷」題詞）, Si Yu Yan（思與言）, 45(2) , pp. 117-186, Sep. 2007 (THCI)

37. I Lo-fen, ―Not So Long Ago: Colophons of ‗Purification at Lanting Pavilion‘ Paintings‖（俯仰之

間：《蘭亭修禊圖》及其題跋初探）, Zhongguo Xueshu（中國學術）, 24, pp. 69-106, 2006 (CSSCI)

38. I Lo-fen, ―Eight Views of Xiao-Xiang: Local Experience, Culture Memory and Wonderland‖（瀟

湘八景─地方經驗．文化記憶．無何有之鄉）, Dong Hwa Journal of Humanities（東華人文學報）, 9, pp. 111-134, July 2006(THCI)

[Before join NTU]

39. I Lo-fen, ―Dialogue Between the ‗Fatuous Emperor‘ and the ‗Treacherous Minister‘: Song Hui

Zong‘s ‗Literary Gathering‘ Painting (Wen-Hui Tu) and its Poetic Inscriptions‖（「昏君」與「奸

臣」的對話─談宋徽宗「文會圖」題詩）, Literature and Philosophy（文與哲）, 8, pp. 253-278, June 2006 (THCI)

40. I Lo-fen, ―An Analysis of Colophons in the Dream Journey Over Xiao Xiang (Xiao Xiang Wo

You Tu) ‖（浮生一看─南宋李生「瀟湘臥遊圖」及其歷代題跋）, Chinese Studies（漢學研究）, 23(2), pp. 99-132, Dec. 2005(THCI)

41. I Lo-fen, ―Analysis of Li Rong and his ‗Eight views of Xiao-Xiang‘poems‖（朝鮮安平大君李瑢

及「匪懈堂瀟湘八景詩卷」析論）, Journal of Oversea Chinese Classics（域外漢籍研究集刊）, 1, pp. 113-139, May 2005(CSSCI)

42. I Lo-fen, ―Iconological Study in Pictures of Wang Zhaojun and Cai Yan‖（「出塞」或「歸漢」─

王昭君與蔡文姬圖像的重疊與交錯）, Forum in Women's and Gender Studies（婦研縱橫）, 74, pp. 1-16, April 2005(THCI)

43. I Lo-fen, ―Skeleton Puppet Show: The Consciousness of Life in Chinese Literature and

Iconography‖（骷髏幻戲─中國文學與圖象中的生命意識）, Bulletin of the Institute of Chinese

Literature and Philosophy（中國文哲研究集刊）, 26, pp. 73-125, March 2005(THCI)

44. I Lo-fen, ―Melancholy Longings of the Boudoir׃ A Reading of Mou Yi's Painting ‗Pounding

Cloth‘‖（閨怨與相思：牟益「擣衣圖」的解讀）, Bulletin of the Institute of Chinese Literature and

Philosophy（中國文哲研究集刊）, 25, pp. 25-59, Sep. 2004 (THCI)

45. I Lo-fen, ―The Poetry of Yi Zae-hyun and the Creation of Korean Local ‗Eight Views‘‖（李齊賢八

景詩詞與韓國地方八景之開創）, Zhongguo Shixue（中國詩學）, 9, pp. 147-162, May 2004

46. I Lo-fen, ―The Go Ryeo Dynasty Literati Lee Yin-Ro and Jin Hwa and the Transmission of the

Poems and Paintings of the ‗Eight Views of Xiaoxiang‘‖（高麗文人李仁老、陳澕與中國瀟湘八

景詩畫之東傳）, Zhongguo Xueshu（中國學術）, 16, pp. 158-176, Winter 2003 (CSSCI,)

47. I Lo-fen, ―‗Landscape Like a Picture‘ and ‗Landscape in the Picture‘: On the Song and Yuan

Poems on the ‗Xiaoxiang‘ Landscape Paintings‖（「江山如畫」與「畫裡江山」：宋元題「瀟

湘」山水畫詩之比較）, Bulletin of the Institute of Chinese Literature and Philosophy（中國文哲研究集刊）, 23, pp. 33-70, Sep. 2003 (THCI)

48. I Lo-fen, ―Drifting and the Return: The Texture of Feelings in the Poems on Xiaoxiang Landscape

Paintings from the Song Dynasty‖（漂流與回歸：宋代題「瀟湘」山水畫詩之抒情底蘊）,


8

Bulletin of the Institute of Chinese Literature and Philosophy（中國文哲研究集刊）, 21, pp. 1-42, Sep. 2002(THCI)

49. I Lo-fen, ―Literary Imagery in Hsiao-Hsiang Landscape Paintings‖（「瀟湘」山水畫之文學意

象情境探微）, Bulletin of the Institute of Chinese Literature and Philosophy（中國文哲研究集刊）, 20, pp. 175-222, Mar. 2002 (THCI)

50. I Lo-fen, ―Fiery Battles and Pure Wanderings: Illustrating the ‗Eulogies of the Red Cliff‘‖（戰火

與清遊：赤壁圖題詠論析）, The National Palace Museum Research Quarterly（故宮學術季刊）, 18(4) , pp. 63-102, Summer 2001 (THCI)

51. I Lo-fen, ―Bibliography of Works on Su Shi from Taiwan and Hong Kong, 1949-1999‖（臺港蘇

軾研究論著目錄(一九四九∼一九九九) ）, Newsletter for Research in Chinese Studies（漢學研究通訊）, 20, pp. 180-200, May 2001(THCI)

52. I Lo-fen, ―Verisimilitude and Abstraction: A Discussion of Sung Dynasty Aesthetics According to

Poetry on Painting in the T‘ang and Northern Sung‖（寫真與寫意：從唐至北宋題畫詩的發展論

宋人審美意識的形成）, Bulletin of the Institute of Chinese Literature and Philosophy（中國文哲研究集刊）, 18, pp. 41-90, Mar.2001 (THCI)

53. I Lo-fen, ―Dynastic Transitions and Literary Innovations: Art and Literature during the Han-T'ang

and T'ang-Sung Transitions, Introduction (Ⅱ)‖（《世變與創化─漢唐、唐宋轉換期之文藝現象》

導言(2)）, Newsletter of the Institute of Chinese Literature and Philosophy（中國文哲研究通訊）, 10 , pp. 245-249, June 2000 (THCI)

54. I Lo-fen, ―An Analysis of the Sung Dynasty Colophons to the ‗Pictures on Poetry‘– Based on

Colophons to the ‗Kui-ch‘ü-lai-t‘u‘, ‗Ch‘i-chi-t‘u‘ and ‗Yang-kuan-t‘u‘‖（宋代題「詩意圖」詩析

論─以題「歸去來圖」、「憩寂圖」、「陽關圖」為例）, Bulletin of the Institute of Chinese Literature

and Philosophy（中國文哲研究集刊）, 16, pp. 1-64, March 2000(THCI)

55. I Lo-fen, ―Introduction to the Study of Chinese Literary Works on Painting‖（題畫文學研究概述）,

Newsletter of the Institute of Chinese Literature and Philosophy（中國文哲研究通訊）,10 , pp. 215-252, March 2000 (THCI)

56. I Lo-fen, ―Hsuan-ho Hua-p'u and Su Shih's Thought on Painting‖（《宣和畫譜》與蘇軾繪畫思想）,

Journal of the National Institute for Compilation and Translation（國立編譯館館刊）, 28(2), pp. 107-127, Dec. 1999 (THCI)

57. I Lo-fen,―An Analysis of Poetry on Portraiture in Northern Sung Colophons‖（北宋題人像畫詩

析論）, Bulletin of the Institute of Chinese Literature and Philosophy（中國文哲研究集刊）, 13, pp. 121-174, Sep. 1998 (THCI)

58. I Lo-fen, ―An Unsettled Historical Case: Hsi-yuan Ya-chi (Elegant Gathering in the Western

Garden)‖（一樁歷史的公案─「西園雅集」）, Bulletin of the Institute of Chinese Literature and

Philosophy（中國文哲研究集刊）,10, pp. 221-269, March 1997 (THCI)

59. I Lo-fen, ―The Evaluation and Impacts on Wang Wei and Wu Dao-Zi‘s Paintings by Su Shi‖（談蘇

軾對王維與吳道子繪畫藝術的評價及其影響）, Journal of the National Institute for Compilation

and Translation（國立編譯館館刊）, 24(1) , pp. 19-38, June. 1995(THCI)

60. I Lo-fen, ―Discussion on the Number of Taoist Priests in Su Shi‘s ‗Hou Chi Bi Fu‘‖（談蘇軾〈後

赤壁賦〉中所夢道士人數之問題）, Journal of National Taiwan University（臺大中文學報）, 6, pp. 333-356, June 1994 (THCI)

61. I Lo-fen, ―Discussion on Zheng Ban-qiao‘s Works on Paintings‖（鄭板橋的題畫藝術初探）,

Journal of the National Institute for Compilation and Translation（國立編譯館館刊）, 18(1) , pp. 303-318, June 1989(THCI)


9

62. I Lo-fen, ―Critical Analysis of Li Yi-Shan‘s Poems‖（李義山詩評論的分析）, Journal of the

National Institute for Compilation and Translation（國立編譯館館刊）, 17(2), pp. 67-79, Dec. 1988(THCI)

Other Journal Papers

63. I Lo-fen, ―Su Shih‘s Calligraphy ‗Poems by Li Bai‘‖(詩仙と坡仙の出会い― 蘇軾「李白仙詩

巻」), Calligraphy of Chinese Studies (書法漢學研究) , 11, pp. 13-29, (Translated by Morioka Yukari) (Invited paper) July 2012

64. I Lo-fen, ― New Interpretation of Colophon by Huang Ting-jian for Su Shih‘s ‗The Cold Food

Observance Festival‘ Manuscript‖,(蘇軾「黃州寒食詩卷」山谷題跋新解), Calligraphy of Chinese

Studies (書法漢學研究) , 9, pp. 1-9, (Translated by Ohno Shusaku) (Invited paper) July 2011

65. I Lo-fen, ― Travel to Bali Island as Paul Gauguin‖（追隨高更去峇里）, Nanyang Arts（南洋藝術）, 33, pp. 36-43, (Invited paper) May 2011

66. I Lo-fen,―The‗Emperor Hsüan-tsung‘s Flight to Shu‘ Painting (National Palace Museum Taipei)

and Bai JuYi‘s poem ‗A Song of Everlasting Regret‘(Chang Hen Ge)‖（〈台北故宮博物院本「明

皇幸蜀圖」と白居易「長恨歌」〉）, Studies of Bai Juyi( Tokyo)（白居易研究年報）,11, pp. 161-179, (Translated by Morioka Yukari) (Invited paper) Dec. 2010

67. I Lo-fen, ―A Study of Yeh Chi-wei‘s Painting and Poem of ‗Untitled (Two Figures)‘‖（葉之威無

題詩試解）, Nanyang Arts（南洋藝術）, 32, pp. 38-43, (Invited paper) Dec. 2010

68. I Lo-fen, ―Georgette Chen‘s Painting ‗Scene from Peking‘‖（張荔英的故國心影）, Nanyang Arts

（南洋藝術）, 31, pp. 30-33, (Invited paper) Aug. 2010

69. I Lo-fen, ―Lu Bi-Cheng‘s Calligraphy and Books in Singapore‖（香光莊嚴─呂碧城星洲書蹟與

書緣）, Nanyang Arts（南洋藝術）, 30, pp. 28-31, (Invited paper) May 2010

70. I Lo-fen, ―Tsui Ta Tee‘s Art in Oracle Bone Script Calligraphy‖（大地之書─崔大地的甲骨文書

法藝術）, Nanyang Arts（南洋藝術）, 29, pp. 28-31, (Invited paper) Dec. 2009

71. I Lo-fen, ―Study of Su Shih‘s Calligraphy‗Poems by Li Bai‘‖（詩仙與坡仙的交會：蘇軾《李白

仙詩卷》）, Research on Li Bai in China（中國李白研究）, pp. 410-438, Dec. 2009

72. I Lo-fen, ―Parables and an Aesthetic Sense: the Pictorial Depiction of Dufu‘s Poem ‗Li Ren

Xing‘‖（美感與諷喻：杜甫〈麗人行〉詩的圖像演繹）, Research Journal(HK)（研訊學刊）, 15, pp. 26-40, Oct. 2009

73. I Lo-fen, ―The Image of Li Bai in Song Dynasty Colophon‖（宋代題畫詩詞中的李白形象）,

Research on Li Bai in China （中國李白研究）, pp. 105-122, Oct. 2008

74. I Lo-fen, ―The Banquet of Emperor: Song Hui Zong's ‗Literary Gathering‘ Painting (Wen-Hui

Tu)‖（〈天子の盛宴─徽宗「文會圖」とその周邊〉）, Gan Lan （橄欖）, 14, pp. 144-164, (Translated by Murakoshi Kiyomi) March 2007

75. I Lo-fen, ―Gaze to Oneself: the Poems on Portrait and Mirror of Bai Juyi‖（〈自己へのまなざし

─白居易の寫真詩と對鏡詩〉）, Studies of Bai Juyi (Tokyo)（白居易研究年報）, 7, pp. 109-136, (Translated by Morioka Yukari) (Invited paper) Oct. 2006

76. I Lo-fen, ―The Pictorial and Historical Meaning of Nine Songs Paintings‖（〈九歌〉〈湘君〉、

〈湘夫人〉之圖象表現及其歷史意義）, Studies of Han and Pre-Qin（先秦兩漢學術）, 6, pp. 45-88, Sep. 2006


10

[Before join NTU]

77. I Lo-fen, ―The Creation of Song Dynasty Poems on Paintings: Su Che‘s Poem ‗Three Horses of

Han Gan‘ and the Poems Modeled on it by Su Shi and Others‖（宋代題畫詩的創作現象與書寫特

質─以蘇轍〈韓幹三馬〉及東坡等人之次韻詩為例）, Journal of Su Shi Yan Jiu（蘇軾研究）, 3, pp. 21-24, Dec. 2005

78. I Lo-fen, ―Su Shi‘s ‗Wandering under the Red Cliffs‘ as Material for Playwrights‖（劇作家筆下的

東坡赤壁之遊）, Zhongguo Sushi Yan Jiu (Beijing)（中國蘇軾研究）, 2, pp. 385-398, July 2005

79. I Lo-fen, ―The Influence of Su Shi on Gao Ryeo Dynasty ‗Eight Views of Xiaoxiang‘ Poetry- Yi

Kwei-po‘s ‗Eight Views of Qian Zhou‘ as an Example‖（蘇軾對高麗「瀟湘八景」詩之影響─以

李奎報〈虔州八景詩〉為例）, Songdai Wenxue Yanjiu Congkan（宋代文學研究叢刊）, 10, pp. 205-229, June 2004

80. I Lo-fen, ―Observation, Description, Appreciation --Towards Constructing a Methodology for the

Study of Chinese Colophons‖（觀看、敘述、審美─建構中國題畫文學研究方法論之我見）,

Journal of International Chinese Studies (Korea)（國際中國學研究）, 6, pp. 3-21, Dec.2003

81. I Lo-fen, ―An Analysis of the Dongtian Qingluji by Zhao Xihu‖（趙希鵠《洞天清祿集》探析）,

Xin Songxue（新宋學）, 2, pp. 410-419, Nov. 2003

82. I Lo-fen, ―Liu Zong-yuan in the Xiao-Xiang literature works and paintings‖（瀟湘文學與圖繪中

的柳宗元）, Journal of Ling Ling University（零陵學院學報）, 23(1), pp. 6-10, Sep. 2002

83. I Lo-fen, ―Su Che‘s Three Horses of Han Gan‘and the Poems Modeled on it‖（蘇轍〈韓幹三馬〉

及其次韻詩）, Songdai Wenxue Yanjiu Congkan（宋代文學研究叢刊）, 3, pp. 315-329, Sep. 1997

84. I Lo-fen, ―Ou Yang-Xiu‘s ‗Liu Yi Ju Shi Zhuan‘and Su Shi‘s ‗Shu Liu Yi Ju Shi Zhuan Hou‘‖（歐

陽修〈六一居士傳〉與蘇軾〈書六一居士傳後〉）, Journal of Fu Jen Catholic University（輔仁國文學報）, 12, pp. 201-224, Sep. 1996

85. I Lo-fen, ―Research for the Rising Popularity in Song Dynasty Colophon‖（也談宋代題畫詩興盛

的幾個原因）, Songdai Wenxue Yanjiu Congkan（宋代文學研究叢刊）, 2, pp. 55-70, Sep. 1996

86. I Lo-fen, ―The Concept of ‗Chang Xing‘and ‗Chang Li‘ in Su Shi‘s Thought‖（談蘇軾繪畫思想中

的「常形」與「常理」說）, Songdai Wenxue Yanjiu Congkan（宋代文學研究叢刊）, 1, pp. 431-448, March 1995

87. I Lo-fen, ―The Image if the horses in Tang Dynasty Poems and Paintings‖（從唐人詩畫中馬的意

象看盛唐風光）, The World of Chinese Language and Literature-Monthly（國文天地）, 8(3) , 22-31, August 1992

88. I Lo-fen, ―A Study on ‗Tang Wen Cui‘‖（試論《唐文粹》之編纂背景、體例及其「古文」類作

品）, Research of Chinese Literature（中國文學研究）, 6, pp. 167-180, May 1992

89. I Lo-fen, ―Innovation of Freshman Chinese Literature Course‖ (革新大一國文) ,The World of

Chinese Language and Literature-Monthly（國文天地）, 4(7), pp. 9-28, Dec. 198

Book Chapters

1. 衣若芬：〈糖衣古籍X視覺膠囊：蔡志忠繪《老子說》的漫畫、動畫與視頻彈幕〉，衣若


11

芬主編：《東張西望：文圖學與亞洲視界》(新加坡：八方文化創作室，2019年)，頁47-74。

2. 衣若芬：〈百年五四，南洋餘波〉，周佳榮,，區志堅，黎志剛主編：《五四百周年︰啟蒙、

記憶與開新》(香港：中華書局有限公司，2019年)，頁329-355。

3. 衣若芬：〈鄭思肖墨蘭圖調查研究及其文圖學意涵〉，森橋なつみ編：《阿部コレクショ

ンの諸相―文化的意義とその未來》(大阪：大阪市立美術館，2019年3月)，頁81-96。

4. 衣若芬：〈文圖學-동양 고전학 연구의 새로운 시각〉，안대회(지은이)：《한국

고전학 의 새로운 모색》(서울：성균관대학교 출판부，2018年12月), pp. 51-84

5. I Lo-fen, "The Ancient Korean Literati Yearn and Re-creation for ―Ji-men Yan Shu‖ (Misty

Trees at Jimen) of the ―The Eight Views of Beijing‖(韓國古代文人對「北京八景」之「薊門煙

樹」的憧憬與創生), Liao Chao-Hen ed., Commonality and Divergence: The adaptation and

Variation of Cultural Images in East Asia(共相與殊相：東亞文化意象的轉接與異變). Taipei,

Academia Sinica, pp. 35-66, 2018.

6. I Lo-fen, "Cutting through the Smoke: Culture and History of the Resistance of the Opium in

Singapore" (脫出煙霞：新加坡戒鴉片的歷史與文化)，Clara Wing-chung Ho, Oiyan Liu,

Thomas Marling, Ka-lai Chan, et al. (eds.), Collected Essays of To the Seas and Beyond: An

International Conference on the Maritime Silk Road (Hong Kong: Hong Kong Museum of

History and Department of History of Hong Kong Baptist University, 2018)《海表行方：海上

絲綢之路史國際學術研討會論文集》(香港：香港歷史博物館及香港浸會大學歷史系，2018

年)，頁145-158。

7. 衣若芬：〈海內存知己─新加坡―國寶‖潘受〉，林宗正，蔣寅編：《川合康三教授榮休紀

念文集》(南京：Jiangsu Phoenix Publishing & Media Corporation Limited鳳凰出版社，2017

年)

8. I Lo-fen, "Ye Jiyun and Singapore Thong Chai Medical Institution"(葉季允與新加坡同濟醫

院)，杜南發主編：《同濟醫院150周年文集》(新加坡：同濟醫院，2017年)，頁206-213。

9. I Lo-fen, ―The Arts of Wulin: Sushi‘s ‗Tian Ji Wu Yun Tie‘ and his Interest in ‗Peculiar Fun‘"武

林藝事─蘇軾《天際烏雲帖》及其"奇趣"觀」。沈松勤，馬強才編：《第九屆宋代文學國

際研討會論文集》(杭州：浙江大學出版社，2017年8月)，頁486-503。

10. 衣若芬。「文筆．譯筆．畫筆─鍾梅音在南洋」。洪淑苓，黃美娥主編：《第一屆文化流動與知識傳播國際學術研討會論文集》(臺北：秀威資訊科技股份有限公司，2017 年)，頁

165-184。

11. I Lo-fen, “Newspaper Advertising of Tiger Brand’s Yong An Tang (Eng Aun Tong) Medicinal Products in the 1920s to 1930s in East Asia"(20世紀 20-30年代虎標永安堂藥品在東亞的報紙

廣告— “文圖學”研究示例). In Shengqing WU ed.(吳盛青編), Traveling Image and Text in

Modern China(旅行的圖像與文本：現代華語語境中的媒介互動) . Shanghai, Fudan University Press, pp.254-276, 2016

12. I Lo-fen, “The True Colors of Mountains Peaks: Su Xuelin’s Dislike for “Literati’s Painting” (長愛

峰巒紙上青─論蘇雪林不喜「文人畫」). In Wang Wei Yong ed. (王偉勇主編). International

Conference on Su Xuelin and writers from the same era (蘇雪林及其同代作家國際術研討會

論文集).Tainan, National Cheng Kung University, pp.137-147, 2015

13. I Lo-fen, “Drifting to Peng Hu: Li BangYi’s Unexpected Trip and Related Writings (漂流到澎湖：

朝鮮人李邦翼的意外之旅及其相關書寫). In Peng XiaoYan ed. (彭小妍主編). Translation and

Transcultural Movement: Knowledge Construction and the Transmission of Texts and Literary Style (翻譯與跨文化流動：知識建構、文本與文體的傳播). Taipei, Institute of Chinese


12

Literature and Philosophy（中央研究院中國文哲所）pp.401-434, 2015

14. I Lo-fen, “Zhu Xi’s ‘Wuyi Boating Song’ and Li Tuixi’s Follow Writings”（朱熹〈武夷櫂歌〉與朝

鮮理學家李退溪的次韻詩）. In Wang LiMinn, Wu HaiJun eds (王利民，武海軍主編). Collected

essays on the 8th Song Dynasty Literature International Conference (第八屆宋代文學國際學

術研討會論文集). Guang Zhou, Zhongshan University Press (中山大學出版社), pp.532-539,

Sep. 2015

15. I Lo-fen, “Culture Images of the ‘Wuyi Nine Gorges’ in Ancient Korea: A Study on Printing and Publishing” (印刷出版與朝鮮「武夷九曲」文化意象的「理學化」建構). In Shi Shouqian, Liao

Chao-Hen eds (石守謙、廖肇亨主編). Shaping the culture images of East Asia : viewing, media,

agents (轉接與跨界：東亞文化意象之傳佈). Taipei, Asian Culture Publishing (允晨出版社),

pp.351-388, June. 2015

16. I Lo-fen, “Paradise Years of Zhong Meiyin”. in Wang Yuting ed., “Research Data Compilation of Contemporary Taiwan Writers” , Tainan, National Museum of Taiwan Literature，pp.147-149,

Dec. 2014

17. I Lo-fen, “Calligraphy and Paintings on Lan Ting Xu in Ancient Korea”(蘭亭流芳在朝鮮). In

Palace Museum ed. (故宮博物院編), Collected essays on the International Conference on Lan

Ting Xu (二零一一年蘭亭國際學術研討會論文集)Beijing, Palace Museum, pp. 36-48, Dec.,

2014

18. 衣若芬：〈東亞文學經典研究一隅：白居易琵琶行〉，中國唐代文學學會，西北大學文學

院，廣西師範大學出版社主編：《唐代文學研究》第 15 輯(桂林：廣西師範大學出版社，

2014 年 9 月)，頁 572-583。

19. I Lo-fen, “Evaluation of Bai JuYi's poem ‘Song of Everlasting Sorrow’（Chang Hen Ge） in Song

Dynasty and the Influence of Painting in East Asia”. (宋人評價〈長恨歌〉及其對東亞「長恨歌

圖」之影響). In Yang Guo-An, Wu He-qing eds. (楊國安，吳河清主編), The 7th International

Conference on Song Dynasty Literature (第七屆宋代文學國際學術研討會論文集). Kai Feng, He Nan University, pp. 484-491, Aug. 2013

20. I Lo-fen, “The Canonization of Bai Juyi’s ‘Song of Everlasting Sorrow’ and Related Illustrations of the Poem in East Asia”(白居易〈長恨歌〉之經典化及其東亞相關圖繪簡論). In Xin Ning,

Dietrich Tschanz, Ching-I Tu eds., “Chinese Classics and Traditional Thought: Origin, Development, and Dialogue”(中國古代經典與傳統思想：起源、流變與對話) . Confucius Institute at Rutgers University, U.S.A. pp. 225-323, 2012(anonymous peer-reviewed)

21. I Lo-fen, “ Mark the Times of a Ocean City: Study of Huang Zun-xian’s Couplets in Singapore”(海

洋城市的時代印記：黃遵憲在新加坡的楹聯試析). In Ma Sheng-mei eds. (馬聖美, 王儀君,

楊雅惠主編) The City and the Ocean (城市與海洋論集). Gaoshung, Center for the Humanities and College of Liberal Arts, National Sun Yat-sen University, Taiwan, pp. 1-25, Oct. 2011(anonymous peer-reviewed)

22. I Lo-fen, “The ‘Filial Daughter’ in Poems of Chinese and Korean from 15th to 17th Century”（明

代中韓「孝女」唱和詩的文化意涵）. In Shih Shou-Chien, Liao Zhao-heng eds.（石守謙、廖

肇亨主編）, Shaping the Cultural Images of East Asia（東亞文化意象之形塑）.Taipei, Asian Culture Co., pp. 507-537, 2011(anonymous peer-reviewed)

23. I Lo-fen, “New Interpretation of Colophon by Huang Ting-jian for Su Shih’s ‘The Cold Food Observance Festival’ manuscript”（蘇軾《黃州寒食帖》山谷題跋新解）. In Tu Pu-Sheng ed.

（涂普生編）, Essays on Su Dongpo at Dongpo（東坡說東坡）.Hong Kong, The Hong Kong University of Science & Technology, pp. 442-450, 2010


13

24. I Lo-fen, “Heavens’ Blessing for a Thousand Years: Sung Hui-tsung's ‘Literary Gathering’ and its Poetic Inscriptions”（天祿千秋─宋徽宗「文會圖」及其題詩）. In Wang, Yao-ting ed.（王耀

庭主編）, Conference on Founding Paradigms - Papers on the Art and Culture of Northern Sung

Dynasty（開創典範─北宋的藝術與文化研討會論文集） .Taipei, National Palace Museum, pp. 347-372, 2008(anonymous peer-reviewed)

25. I Lo-fen, “Gong Su Ran’s painting of Wang Zhao Jun: In visional culture”（宮素然「明妃出塞圖」

及其題詩─視覺文化角度的推想）. In Zhang, Gao-ping ed.（張高評主編）, International

Conference of Pre-Modern Literature（近世文學國際學術研討會論文集）.Taipei, Shin Wen Feng Print Co., pp. 67-124, 2007(anonymous peer-reviewed)

26. I Lo-fen, “The Zen thought of Southern Song Literati in Colophons on the ‘Dream Journey Over Xiao Xiang’ (Xiao Xiang Wo You Tu)”（看畫禪：南宋文人"以禪解畫"之思想內涵─以李生"瀟

湘臥遊圖"之南宋題跋為例）. In Zhang Peiheng ed.（章培恒主编）, Zhongguo Zhong Shi Wen

Xue Yan Jiu Lun Ji（中國中世文學研究論集）.Shanghai, Shanghai Gu Ji Chu Ban She, pp. 748-774, 2006

27. I Lo-fen, “A consideration of the aesthetics of antiquarianism”（「好古」思想の審美文化意識

試論）. In Asami Yoji ed.（淺見洋二編集）, Reading and Tradition of Text （テクストの解讀と傳承）.Osaka, University of Osaka, pp. 95 -108, (Translated by Kato Satoshi) 2006

28. I Lo-fen, “The Reception and the Historical Significance of Chinese Eight Views Poems by Koryo Literati”（高麗文人對中國八景詩之受容現象及其歷史意義）. In Kwan Sok-Huen, eds.

（(韓國)祥明大學校韓中文化情報研究所，權錫煥編）. Eight Views and Nine Gorges in

Landscape Culture of Korea and China（한중팔경구곡과산수문화）.Seoul, Yihui publisher, pp. 59-72, 2004

29. I Lo-fen, “The Culture and Thought of Ming Literati ‘Xiaoxiang’ Landscape Poems”（旅遊、臥遊

與神遊：明代文人題「瀟湘」山水畫詩的文化思考）. In Wang Ailing ed. (王璦玲主編) . Papers

of the International Conference on Subjectivity and Society in Ming-Qing Literature and Thought（明清文學與思想中的主體意識與社會國際學術研討會論文集）.Taipei, Academia Sinica Institute of Chinese Literature and Philosophy, pp. 17-92, 2004(anonymous peer-reviewed)

30. I Lo-fen, “Geography, Space and Thought in the Northern Song ‘Xiaoxiang’ Poems”（宋代題「瀟

湘」山水畫詩的地理概念、空間表述與心理意識）. In Lee Fong-Mao and Liu Yuan-Ju, eds..

（李豐楙、劉苑如主編）, Space, Place and Culture – The Writing and Expression of Space in

Chinese Culture（空間、地域與文化─中國文化空間的書寫與闡釋）.Taipei, Academia Sinica Institute of Chinese Literature and Philosophy, pp. 325-372, 2002(anonymous peer-reviewed)

31. 衣若芬：〈劇作家筆下的東坡赤壁之遊〉，中國蘇軾研究學會，中共眉山市委宣傳部編：

《中國第十三屆蘇軾學術研討會論文集》(眉山：三蘇祠，2001 年)，頁 786-794。後收入

中國人民大學中文系：《中國蘇軾研究》第 2 輯(北京：學苑出版社，2005 年 7 月)，頁 385-398。

32. I Lo-fen, “Reading the Landscape: Su Shi and the Paintings of the ‘Eight Views of Xiaoxiang’”（閱

讀風景：蘇軾與「瀟湘八景圖」的興起）. In Wang Jing-Chi, Wang Ch’u-Ch’ing, eds..（王靜

芝、王初慶等著）, Genius through the Ages: Conference in Commemoration of the Nine

Hundredth Anniversary of the Death of Su Shi（千古風流：東坡逝世九百年紀念學術研討

會）.Taipei, Hongye Wenhua Shiye Youxian Gongsi, pp. 689-717, 2001(anonymous

peer-reviewed)

33. 衣若芬：〈“書畫亦皆精絕”──歷代對蘇軾書畫的評價〉，與曾棗莊等合著：《蘇軾研究史》

(南京：江蘇教育出版社，2001 年 3 月)，頁 471-499。

34. 衣若芬：〈近五十年(1949-1999)臺港蘇軾研究概述〉，與曾棗莊等合著：《蘇軾研究史》


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(南京：江蘇教育出版社，2001 年 3 月)，頁 455-470。

35. I Lo-fen, “Aesthetics of Late Tang and Five Dynasties Poems on Paintings”（晚唐五代題畫詩的

審美特質）. In I Lo-fen and Liu Yuan-Ju, eds.（衣若芬、劉苑如主編）, Historical Transitions and

Creativity: Literature and Art in the Han-Tang and Tang-Song Transitions（世變與創化：漢唐、唐宋轉換期之文藝現象）.Taipei, Academia Sinica Institute of Chinese Literature and Philosophy Preparatory Office, pp. 377-424, 2000(anonymous peer-reviewed)

36. I Lo-fen, “Northern Song Poems on Paintings of Women”（北宋題仕女畫詩析論）. In Transition

and Creation: Essays in Honor of the Tenth Anniversary of the Academia Sinica Institute of Chinese Literature and Philosophy（傳承與創新：中央研究院中國文哲研究所十週年紀念論文集）.Taipei, Academia Sinica Institute of Chinese Literature and Philosophy, pp. 301-380, 1999(anonymous peer-reviewed)

Conference Presentations

1. 衣若芬：〈朝鮮燕行使與《東坡笠屐圖》〉，第三屆燕行使進北京城國際學術研討會(北京：

故宮博物院，2019 年 11 月 30 日-12 月 1 日)

2. 衣若芬：〈文圖學視角下的蘇東坡書藝〉，2019 年度韓國中國語文學秋季聯合國際學術研

討會(韓國首爾：西江大學，2019 年 11 月 9 日)

3. I, Lo-fen, "The ‘Wuyi Nine Bends’ Culture in East Asia from a Text and Image Studies Perspective", “Crossing Boundaries: An International Symposium on Chinese Literature and Culture.” (Bloomington, Indiana University, 25-26 Oct. 2019)

4. 衣若芬：〈東亞九曲文化探析〉，동아시아의 九曲 문화 국제학술대회(東亞的九曲文化

國際學術會議)(韓國槐山：中原大學，2019 年 10 月 15 日)

5. 衣若芬：〈十九世紀新加坡漢籍出版述略〉，第六屆東亞漢籍交流國際學術會議(韓國首爾：

高麗大學，2019 年 10 月 12 日)

6. 衣若芬：〈瀟湘八景與亞洲地方八景文化生成的文圖學觀照〉，「燕行錄與燕趙文化」國際

學術研討會(河北保定：河北大學主辦，韓國慶北大學協辦，2019 年 28-29 日)

7. 衣若芬：〈用文圖學觀點研究瀟湘八景及亞洲地方八景文化的構成〉，「古代中國的族群、

文化、文學與圖像」國際學術研討會(湖北武漢：武漢大學，2019 年 6 月 22-23 日)

8. 衣若芬：〈從文圖學視角看瀟湘八景對亞洲景觀文化的意義〉，「永州摩崖石刻學術研討會」

(湖南永州：湖南科技學院，2019 年 5 月 11-12 日)

9. 衣若芬：〈明代《北京八景圖詩》探析〉，「第五屆中國古典文學國際學術研討會」(台北：

東吳大學，2019 年 4 月 25-26 日)

10. 衣若芬：〈新加坡漢學研究的歷史、現狀與未來〉，「東南亞漢學高峰會」(台北：政治大學華人文化主體性研究中心，2018年12月14-17日)。

11. I, Lo-fen," Virtual Epistolary: Text and Image of the Film 7 Letters in Celebration of Singapore's Golden Jubilee"。The 3rd Nanjing Forum( Nanjing, Nanjing University, 17-18 November 2018).

12. 衣若芬：〈鄭思肖墨蘭圖調查研究及其文圖學意涵〉，「阿部房次郎收藏之諸相：文化的意義與其未來」國際學術研討會(大阪：大阪市立美術館，2018年11月3-4日)。


15

13. I, Lo-fen, "Studying Su Dongpo in Singapore and the United State", 2018 International Summit Forum on Dongpo Culture (Meishan, Meishan People's Government, 28-30 September, 2018).

14. 衣若芬：〈眉山三蘇祠東坡盤陀塑像的文圖學審美〉，「2018眉山東坡文化國際學術高峰論壇」(四川眉山：眉山市人民政府，2018年9月28-30日)。

15. 衣若芬：〈乾隆千叟宴與東亞文化交流──以朝鮮使節團活動為中心〉，「使節、海商、僧侶：近世東亞文化意象傳衍過程中的中介者」國際研討會(台北：中央研究院，2018年8月30-31日)。

16. I, Lo-fen,“Eight Views of Xiao-Xiang” Poems and Folk Paintings in Joseon Dynasty", 2018 Symposium of the Society of Korean Literature(Seoul, Seoul National University, 22 August 2018).

17. 衣若芬。「文圖學：東洋古典學研究的新視界」。「韓國古典學的探索」成均館大學大東文化研究院60周年紀念國際學術研討會，2018年1月17-18日。

18. 衣若芬。「糖衣古籍X視覺膠囊：蔡志忠繪《老子說》的漫畫、動畫與視頻彈幕」。「文圖學•文化交流：台灣與東亞的多元對話國際學術論壇」(新加坡：南洋理工大學，2017年12月15日)。

19. 衣若芬。「書藝東坡：用文圖學方法打開蘇軾墨蹟」。「第八届（眉山）東坡文化節蘇軾國際學術研討會」(四川眉山：眉山市人民政府，2017年11月22-26日)。

20. 衣若芬。「文化意象視域與東亞文明重思—以「瀟湘八景」詩畫為例」。「中國文學、歷史與社會的多重對話國際學術研討會」(臺北：臺灣大學中文系，2017年11月4-5日)。

21. 衣若芬。「新加坡報人醫生葉季允與同濟醫院的發展─兼論創辦海外首份醫學刊物《新嘉坡醫學報》」。「中國古今語言文化探究與交流」國際學術研討會(韓國首爾：韓國外國語大學大學院中語中文學科BK21 PLUS 韓中語言文化疏通事業團，2017年10月27-30日)。

22. 衣若芬。「原田悟朗口述蘇軾《寒食帖》東售日本之疑謬──文圖學視角的理解」。「中國宋代文學學會第十屆年會暨宋代文學國際學術研討會」(北京：中國人民大學，2017年9月1-2日)。

23. 衣若芬。「東亞文明精神與瀟湘八景文化意象」。中國文學地理學會第七屆年會，青海2017年7月21-24日

24. 衣若芬。「文圖學與東亞文化交流研究理論芻議」。「2017第二屆南京大學域外漢籍研究國際學術研討會」。(南京：南京大學域外漢籍研究所，2017年6月30日-7月2日)。

25. I Lo-fen, ―The East Asian Cultural Image: A Study on Eight Views of Xiao Xiang", Reconsidering the Sinosphere: A Conference to Critically Analyze the Literary Sinitic in East

Asian Cultures, 30 March-1 April 2017, Houston, Rice University

26. I Lo-fen, ―History and Culture of Anti Opium in Singapore"(脫出煙霞：新加坡戒鴉片的歷史

與文化), To the Seas and Beyond: An International Conference on the History of the Maritime

Silk Road, 16-17 Dec.,2016, Hong Kong, Hong Kong History Museum

27. I Lo-fen, ―The Inscription on the Portrait of Bai Juyi by Wuxue Zhuyuan (Mugaku Sogen): A

Case Study of Text and Image Studies" (文圖學方法研究無學祖元贊《白樂天像》),

International Conference on Cultural Exchange and Imagination, 8-9 Dec.,2016, Taipei,

Academia Sinica, Taiwan

28. I Lo-fen, ―Dissemination and Influence of Eight Views of Beijing Painting in the Tian Yi Ge

Catalogue in East Asia: A Comparative Study with Da Ming Yi Tong Zhi" (《天一閣書目》著

錄《北京八景圖詩》的東亞傳播與影響──兼與《大明一統志》之「北京八景」比較),

International Conference on Books and Literature in Ming Dynasty, 2-5 Dec.,2016, Ningbo,


16

Ningbo Municipal People 's Government, China

29. I Lo-fen, ― The Historical Significance and the Advertisement on Lat Pau via Text and Image

Studies"(新加坡《叻報》的歷史意義及其廣告的文圖學解讀), Innovation and Expanding of

Chinese Language and Culture Study International Conference, 14-17, Oct., 2016, Seoul,

Hankuk University of Foreign Studies, Korea

30. I Lo-fen, ―A combined study on Su Shi‘s Dongting Spring Fu and Zhongshan Song Lao Fu‖ (蘇

軾《洞庭春色賦》、《中山松醪賦》合卷研究), Wang Jingzhi 100th Anniversary Memorial

International Conference, June. 2016, Xin Zhuang, Fu Jen Catholic University, Taiwan

31. I Lo-fen, ―Time, Matter and Memories: The Cultural Picture of ―Shou Su Hui‖ in Qing

Dynasty‖ (時間．物質．記憶─清代壽蘇會之文化圖景), International Conference on Professor

Zeng Yongyi's Academic Achievements, April. 2016, Taipei, National Taiwan University,

Taiwan

32. I Lo-fen, ―Rebelling and Following: Poems and Calligraphy of Singapore‘s National Treasure

Pan Shou‖ (叛逆與順時─新加坡「國寶」潘受的詩歌與書藝), International Conference on

Humanities Research in the 21st Century, Dec. 2015, Singapore, Nanyang Technological

University, Singapore

33. I Lo-fen, ―Qian Long‘s Banquet for the Thousands Elderlies: An Event for Envoys from Joseon

Dynasty Korea and its Historical Significance‖ (乾隆千叟宴朝鮮使節團活動及其歷史意義),

The 90th Anniversary of National Palace Museum: International Conference on the ―Wan Shou

Grand Ceremony‖ in Qing Dynasty, Oct. 2015, Beijing, Place Museum, China

34. I Lo-fen, ―The Arts of Wulin: Sushi‘s ‗Tian Ji Wu Yun Tie‘ and his Interest in ‗Peculiar Fun‘‖

(武林藝事：蘇軾「天際烏雲帖」及其「奇趣」觀), The Chinese Society for Song Literautre‘s

9th annual meeting and Song Dynasty Literature International Conference, Sep. 2015,

Hangzhou, Hangzhou Normal University, China

35. I Lo-fen, ―Above the Jade Hall of Heaven: A New Exploration on Qing Palace‘s Collection of

Ming Dynasty Artist Wang Fu‘s Painting- ‗The Eight Viewss of Beijing‘‖ (玉堂天上：清宮舊

藏明代「北京八景圖」新探), 2015 International Conference on ―Shi Qu Bao Ji‖, Sep. 2015,

Beijing, National Palace Museum, China

36. I Lo-fen, ―The Ancient Korean Literati Yearn and Re-creation for ‗Ji-men Yan Shu‘ of the ‗The

Eight Views of Beijing‘‖ (韓國古代文人對「北京八景」之「薊門煙樹」的憧憬與創生),

Commonality and Divergence: The Convergence, Transmission, and Variation of Cultural

Images of East Asia before the 18th Century，Sep.2015，Taipei, The Academia Sinica, Taiwan

37. I Lo-fen, ―The two West Lakes: The acceptance and localization of Hangzhou‘s ‗Ten views of

West Lake‘ in Ancient Korea‖ (兩國西湖：杭州「西湖十景」在古代韓國的接受與本地化),

The 1st China Classical Literature High-end Forum, Aug. 2015, Nanjing, Nanjing University,

China

38. I Lo-fen, ―Pictorialization, Performance, and Canonization: The Crossovers of Cai Wen-ji ‖ (圖

像化•演藝化•典故化：異境跨界蔡文姬), International Conference on Females in Ancient

China and Creativity, Aug. 2015, Singapore, Nanyang Technological University, Singapore,

jointly with Stanford University, USA.

39. I Lo-fen, ―Interchange of East-Asian Culture and Literature in Classical Chinese: A study of

Huang Hua Ji‖(韓中日所藏《皇華集》與東亞漢文學跨國交流). Sinology Studies in Asian, Feb.

2015, Seoul, Hankuk University of Foreign Studies, Korea

40. I Lo-fen, ―Critique on Literati Paintings by Su Xuelin‖. International Conference on Su Xuelin Studies, Oct. 2014, Tainan, National Cheng Kung University, Taiwan

41. I Lo-fen, ―The Dissemination and Cultural Significance of Eight Views of Xiao Xiang in East


17

Asia‖. Relational Culture in Chinese Classic Literature, August 2014, Gui Yang, Institute of

Literature in Chinese Academy of Social Sciences, China

42. I Lo-fen, ―Study of Text and Image: Some Experiences and Ideas‖. Learning and Reflection: International Conference on Sinology, July 2014, Nanyang Technological University, Singapore

43. I Lo-fen, ―The Paintings of Envoy in Ancient Korea‖. International Conference on Envoy and Forbidden City, June 2014, Beijing, National Palace Museum, China

44. I Lo-fen, ―Zhong Mei‘s Writing, Translation and Paintings in Southern East Asia‖. International Conference on Culture Flows and Knowledge Dissemination between Taiwan Literature and

Asia-Pacific Humanities, June 2014, Taipei, National Taiwan University, Taiwan

45. I Lo-fen, ―Understanding East Asian Civilization from the Perspective of Culture Images‖(從文

化意象理解東亞文明). The New Plan for Asian Civilization and its Publicity, Keynote speech,

May 2014, Seoul, Yonsei University, Korea

46. I Lo-fen, ―Wuyi Boating Song‖ in Ancient China and Korea‖(朱熹〈武夷櫂歌〉與中韓文人之

次韻詩比較) . Humanities and Transnationalism in East Asian Studies, Feb. 2014, Seoul,

Hankuk University of Foreign Studies, Korea

47. I Lo-fen, ―Newspaper Advertising of Tiger Brand‘s Yong An Tang (Eng Aun Tong) Medicinal

Products in the 1920s to 1930s in East Asia(1920-30 年代虎標永安堂藥品在東亞的報紙廣告).

Travelling Image and Text in Modern , Dec. 2013, Shanghai, Fu Dan University, China

48. I Lo-fen, ―Eight Views of Xiao Xiang: Culture Image in East Asian‖(소상팔경: 동아시아 공통

모티브의 문화형상). Eight Views of Xiao Xiang and Korean Literature and Art , Dec. 2013, Seoul, Soongsil University, Korea

49. I Lo-fen, ―Wandering and Pursuing: Zhu Xi‘s ―Wuyi Boating Song‖ and Follow Writings in Joseon Dynasty Korea‖. American Oriental Society Western Branch (WBAOS) Meeting, Oct.

2013, Victoria, University of Victoria, Canada

50. I Lo-fen, ―Zhu Xi‘s ―Wuyi Boating Song‖ and Li Tuixi‘s Follow Writings‖(朱熹〈武夷櫂歌〉

與朝鮮理學家李退溪的次韻詩)。The 8th International Conference in Song Dynasty Literature,

Sep. 2013, Ganzhou, Gan Nan Normal College, China

51. I Lo-fen, ―Poetry Battles between China and Korea from 15th to 17th Century‖ (詩戰朝鮮：明代

中韓詩賦外交綜論) . International Conference of the Cultural Images and Interaction of

Envoys in Early Modern East Asia, Dec. 2012, Taipei, Academia Sinica, Taiwan

52. I Lo-fen, ―Su Shih‘s Calligraphy ‘Tian Ji Wu Yun Tie’ Collected by Ong Fanggang and it’s

Influence in 19th Century Korea ‖(翁方綱藏蘇軾「天際烏雲帖」與十九世紀朝鮮「東坡熱」).

The 7th International Conference on Qing Dynasty Literature, Nov. 2012, Gaoshung, National Sun

Yat-sen University, Taiwan

53. I Lo-fen, ―Culture Images of the ‗Wuyi Nine Gorges‘ in Ancient Korea: A Study on Printing and

Publishing‖ (印刷出版與朝鮮「武夷九曲」文化意象的「理學化」建構). International

Conference of Shaping the Culture Images of East Asia : Viewing, Media, Agents, Sept. 2012,

Taipei, Academia Sinica, Taiwan

54. I Lo-fen, ―The Canonization of Bai Juyi‘s ‗Pi Pa Xing‘ in East Asian Literature‖(東亞文學經典

研究一隅：白居易〈琵琶行〉). The 16th International Conference in Tang Dynasty Literature,

August 2012, Wulumuchi, XinJiang Normal University, China

55. I Lo-fen, ―A Study of Su Shih‘s Calligraphy Tian Ji Wu Yun Tie‖(蘇軾「天際烏雲帖」研究).The

16th Symposium on Song Dynasty Literature, May 2012, Fukuoka, Kyushu University, Japan

56. I Lo-fen, ― The Authorial Consciousness of Pan Shou's Poetry and Calligraphy‖(海內存知己─

潘受詩歌與書藝的創作主體意識). International Conference on Pan Shou, March 2012,


18

Nanyang Technological University, Singapore

57. I Lo-fen, ―Calligraphy and Paintings on Lan Ting Xu in Ancient Korea‖(蘭亭流芳在朝鮮).The

International Conference on Lan Ting Xu, Oct, 2011, Beijing, National Palace Museum, China

58. I Lo-fen, ―Evaluation of Bai JuYi‘s poem ‗A Song of Everlasting Regret‘(Chang Hen Ge) in

Song Dynasty and the Influence of Painting in East Asia‖.(宋人評價〈長恨歌〉及其對東亞「長

恨歌圖」之影響).The 7th International Conference on Song Dynasty Literature, Sep. 2011, He

Nan, He Nan University, China

59. I Lo-fen, ―Poems for Fun: The Exchange of Poems by Matching Rhyming between Chinese and

Korean from 15th to 17th Century‖(明代中韓詩賦外交之文學角力). The 13th Korea-China

Culture Forum, August 2011, Incheon, Incheon University, Korea

60. I Lo-fen, ― Newspaper Advertising of Tiger Brand‘s Yong An Tang (Eng Aun Tong) Medicinal

Products in the 1920s to 1930s‖(商品宣傳與法律知識─1920-30 年代虎標永安堂藥品的「反

仿冒」廣告) .Knowledge Formation and Cultural Transformation in Multicultural East Asia, July

2011, Nanyang Technological University, Singapore

61. I Lo-fen, ―A Study on Su Shih‘s ‗Da Xie Min Shi Shu‘‖（蘇軾「答謝民師論文書卷」論析）.The

12th International Conference of Literature and Aesthetics, May 2011, Taipei, Tamkang

University, Taiwan

62. I Lo-fen, ―Landscape and Culture in the Wu-yi Zhao Ge (Wu-yi Boat Song) of Song Dynasty‖

（宋代「武夷棹歌」中的地景空間與文化意蘊）.The International Conference on Space and

Literature, January 2011, Hualien, National Dong Hwa University, Taiwan

63. I Lo-fen, ―The Story of Su Dongpo in a Straw Hat and Sandals in Hainan: Formation, Spread and

Influence‖（東坡海南笠屐故事的形成，傳播與影響）.Dongpo International Forum, December

2010, Hainan, Dan Zhou People‘s Government, China

64. I Lo-fen, ―New Interpretation of Colophon by Huang Ting-jian for Su Shih‘s ‗The Cold Food

Observance Festival‘ Manuscript‖（蘇軾「黃州寒食帖」山谷題跋新解）. Dongpo International

Forum, October 2010, Hubei, Hubei People‘s Government, China

65. I Lo-fen, ―The art of prose and calligraphy in Su Shih‘s ‗Da Xie Min Shi Shu‘‖（行雲流水─蘇

軾〈答謝民師書〉的散文與書法藝術）.The International Conference of Ancient Chinese Prose

Study August 2010, Fu Jian, Fu Jian Normal University, China

66. I Lo-fen, ―Painting, Drama and the Actress: ‗Put down Your Whip‘ Painted by Xu Beihong‖. Circuits of Cultural Entrepreneurship in China and Southeast Asia, 1900-1965, August 2010,

National University of Singapore, Singapore

67. I Lo-fen, ―Gender and Violence: Cai Yan and Her Poems‖. XVIII Biennial Conference of the European Association of Chinese Studies (EACS) , July 2010, Riga, University of Latvia, Latvia

68. I Lo-fen, ―Bai Juyi ‗s ‖A Song of Immortal Regret‖ and the Related Paintings‖. An International Symposium: Chinese Classics and Thoughts, June 2010, Rutgers University U.S.A.

69. I Lo-fen, ―The Collected Poems of Eighteen Songs of a Nomad Flute in Southern Song‖（南宋

〈胡笳十八拍〉集句詩之書寫及其歷史意義） .Interpretation, comparison and construction of

Literary Theory in Ancient China, May 2010, The Chinese University of Hong Kong, Hong

Kong

70. I Lo-fen, ―Yu Jian‘s Painting Eight Views of Xiao-Xiang and the Inscription”（無邊剎境入毫

端─玉澗及其「瀟湘八景圖」詩畫）.The International Symposium on Zen Paintings and Their

Inscriptions, March 2010, Kyoto, Hanazono University, Japan

71. I Lo-fen, ―Wang Anshi‘s Rewriting of the Work ‗Eighteen Songs of a Nomad Flute‘‖（嚴謹的

遊戲：王安石「胡笳十八拍」論析）.The 6th International Conference in Song Dynasty Literature,


19

Oct. 2009, Chengdu, Si Chuan University, China

72. I Lo-fen, ―The ―Filial Daughter‖ in Poems of Chinese and Korean from 15th to 17th Century‖（明

代中韓「孝女」唱和詩的文化意涵）. Image of East Asia: The interaction of China, Japan and

Korea from 11th to 17th Century, Sep. 2009, Taipei, Academia Sinica, Taiwan

73. I Lo-fen, ―The ―Reject Female Musician‖ Poems by Embassies of Ming Dynasty and the

Inference in Korea‖（明代出使朝鮮文臣的「卻妓詩」及其影響初探）.The 6th International

Conference on Poetry Studies of the Orient, Aug. 2009, Jilin, Yanbien University, China

74. I Lo-fen, ―Study of Su Shih‘s Calligraphy Poems by Li Bai‖（蘇軾「李白仙詩卷」探研）. The

14th International Conference on Li Bai Studies, Institute of Li Bai Studies, June 2009, Su Zhou,

Su Zhou Technological University, China

75. I Lo-fen, ―Rereading Xu Zhi-mo‘s novel about Singapore in Globalization Vision‖（在全球化

視野下閱讀徐志摩的南國書寫）. Trans-national Circulation of Chinese Language and

Literature in Asia in Globalization Era, Feb. 2009, Seoul, Hankuk University of Foreign Studies,

Korea

76. I Lo-fen, ―The Secular Taste in Korean ‗Eight Views of Xiao-Xiang‘ Folk Paintings‖. Korea and Korean Studies: Vision from Asia, Nov. 2008, Hanoi, The University of Social Sciences and

Humanities, Vietnam

77. I Lo-fen, ―Paintings of Du Fu's Poem ‗Li Ren Xing‘"（美感與諷喻：杜甫〈麗人行〉詩的圖

像演繹）. The 14th International Conference in Tang Dynasty Literature, Oct. 2008, Wuhu,

Anhui Normal University, China

78. I Lo-fen, ―Violence and Narrative: Cai Yan‘s Two Narrative Poems ‗Poem of Sorrow and

Anger‘‖（暴力與敘事─蔡琰五言體〈悲憤詩〉析論）. The Third International Conference of

Chinese Rhyme, Oct. 2008, Nanjing, Nanjing Normal University, China

79. I Lo-fen, ―Ling Shuhua in Singapore Nanyang University and her Argument about Chinese Poetry‖. Issues of Far Eastern Literatures, June 2008, Saint Petersburg State University, Russia

80. I Lo-fen, ―Ouany Xiu's ‗Collected Records of the Past‘‖. The 5th International Conference in Song Dynasty Literature, Dec. 2007, Guang Zhou, Gi Nan University, China

81. I Lo-fen, ―The Cry of Cai-Yan, Laugh of Medusa: Rethinking Cai-Yan Studies‖. Theory and Practice in Literature History Writing, Dec. 2007, Beijing, Chinese Academy of Social Sciences,

China

82. I Lo-fen, ―The Image of Li Bai in Song Dynasty Colophon‖. The 13th International Conference on Li Bai Studies, Aug. 2007, Hunan, China

83. I Lo-fen, ―The Poems on Portrait and Mirror of Bai Juyi‖. The 5th International Conference on Poetry Studies of the Orient, July 2007, Seoul, Hankuk University of Foreign Studies, Korea

84. I Lo-fen, ―Heavens‘ Blessing for a Thousand Years: Sung Hui-tsung's ‗literary Gathering‘ and its Poetic Inscriptions‖, Founding Paradigms-The Art and Culture of the Northern Sung Dynasty,

Feb. 2007, National Palace Museum, Taipei

85. I Lo-fen, ―A study on Li Bang-Yi's Poetry ‗Piao Hai Songs‘‖. East-Asian Literature in Classical Chinese, Dec. 2006, Taipei, Academia Sinica, Taiwan

[Before join NTU]

86. I Lo-fen. (2006). Yu Jian‘s Painting Eight Views of Xiao-Xiang Prior to Being Brought to Japan: A Study of the ‗Sanjiao Dizi‘ Seal.

87. I Lo-fen. (2006). Eight Views of Xiao-Xiang: Local Experience, Culture Memory and


20

Wonderland.

88. I Lo-fen. (2005). The Pictorial and Historical Meaning of Nine Songs Paintings.

89. I Lo-fen. (2005). Gong Su Ran‘s painting of Wang Zhao Jun: In visional culture.

90. I lo-fen. (2005). Dialogue Between the ‗Fatuous Emperor‘ and the ‗Treacherous Minister‘: Song Hui Zong‘s ‗Literary Gathering‘ Painting (Wen-Hui Tu) and its Poetic Inscriptions.

91. I Lo-fen. (2005). Colophons of ‗Purification at Lanting Pavilion‘ Paintings.

92. I Lo-fen. (2004). The Untied Boat: Wu Zhen and the Colophon of Fishman Painting.

93. I Lo-fen. (2004). Analysis of Li Rong and his ‗Eight views of Xiao-Xiang‘poems.

94. I Lo-fen. (2004). The Zen thought of Southern Song Literati in Colophons on the ‗Dream Journey Over Xiao Xiang‘ (Xiao Xiang Wo You Tu).

95. I Lo-fen. (2003). Skeleton Puppet Show: The Consciousness of Life in Chinese Literature and Iconography.

96. I Lo-fen. (2003). Introduction to the Study of Chinese Literary Works on Painting.

97. I Lo-fen. (2003). Melancholy Longings of the Boudoir׃ A Reading of Mou Yi's Painting ‗Pounding Cloth‘.

98. I Lo-fen. (2003). The Influence of Su Shi on Gao Ryeo Dynasty ‗Eight Views of Xiaoxiang‘ Poetry- Yi Kwei-po‘s ‗Eight Views of Qian Zhou‘ as an Example.

99. I Lo-fen. (2003). Observation, Description, Appreciation --Towards Constructing a Methodology for the Study of Chinese Colophons.

100. I Lo-fen. (2003). A consideration of the aesthetics of antiquarianism.

101. I Lo-fen. (2003). The Poetry of Yi Zae-hyun and the Creation of Korean Local ‗Eight Views.

102. I Lo-fen. (2002). The Go Ryeo Dynasty Literati Lee Yin-Ro and Jin Hwa and the Transmission of the Poems and Paintings of the ‗Eight Views of Xiaoxiang.

103. I Lo-fen. (2002). ‗Landscape Like a Picture‘ and ‗Landscape in the Picture‘: On the Song and Yuan Poems on the ‗Xiaoxiang‘ Landscape Paintings.

104. I Lo-fen. (2002). The Culture and Thought of Ming Literati ‗Xiaoxiang‘ Landscape Poems.

105. I Lo-fen. (2002). Liu Zong-yuan in the Xiao-Xiang literature works and paintings.

106. I Lo-fen. (2002). Drifting and the Return—The Texture of Feelings in the Poems on Xiaoxiang Landscape Paintings from the Song Dynasty.

107. I Lo-fen. (2001). Su Shi‘s ‗Wandering under the Red Cliffs‘ as Material for Playwrights.

108. I Lo-fen. (2001). Literary Imagery in Hsiao-Hsiang Landscape Paintings.

109. I Lo-fen. (2001). An Analysis of the Dongtian Qingluji by Zhao Xihu.

110. I Lo-fen. (2001). Fiery Battles and Pure Wanderings: Illustrating the ‗Eulogies of the Red Cliff‘.

111. I Lo-fen. (2000). Reading the Landscape: Su Shi and the Paintings of the ‗Eight Views of Xiaoxiang.

112. I Lo-fen. (2000). Geography, Space and Thought in the Northern Song ‗Xiaoxiang‘ Poems.

113. I Lo-fen. (2000). Works on Su Shi from Taiwan and Hong Kong.

114. I Lo-fen. (2000). Verisimilitude and Abstraction: A Discussion of Sung Dynasty Aesthetics According to Poetry on Painting in the T‘ang and Northern Sung.

115. I Lo-fen. (2000). An Analysis of the Sung Dynasty Colophons to the ‗Pictures on Poetry‘– Based on Colophons to the ‗Kui-ch‘ü-lai-t‘u‘, ‗Ch‘i-chi-t‘u‘ and ‗Yang-kuan-t‘u‘.


21

116. I Lo-fen. (1999). Northern Song Poems on Paintings of Women.

117. I Lo-fen. (1999). Aesthetics of Late Tang and Five Dynasties Poems on Paintings.

118. I Lo-fen. (1998). Hsuan-ho Hua-p'u and Su Shih's Thought on Painting.

119. I Lo-fen. (1997). The Creation of Song Dynasty Poems on Paintings: Su Che‘s ‗Three Horses of Han Gan‘ and the Poems Modeled on it by Su Shi and Others.