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Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material

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Page 1: Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material

Scanning & conversion

Bulk work on ordinary printing

Special efforts on manuscripts

Conversion of art works

Non-visual material

Page 2: Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material

Modern printing

Sheet-fed vs. flatbed vs. look-down vs. digital cameras

A. Sheet-fed is fast, but requires unbinding the book.

B. Flatbed is slow, may break binding, but the scanner is really cheap.

C. Look-down scanners rare: Minolta PS3000. Expensive, good quality, so far no color.

D. Digital cameras on copystands: cheap, good quality, some assembly required

Too much of the money goes to quality control.

Page 3: Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material

Cost of scanning

You can get about 200-300 hand-driven exposures per hour on a Minolta PS3000.

Sheet fed systems can do 5-6 books an hour if they don’t jam.

Microfilm scanners can do 2 pages/second (and the pages can’t get out of order.

Typical numbers are 10 cents/page up to 25 cents/page.

Page 4: Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material

Can you do OCR?

London paper, 1728. Rotten letters.

Page 5: Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material

Comparison of resolutions

600, 150, and 100 dpi. (Original in small print).

Page 6: Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material

Value of grey scale

Grey scale adds legibility (antialiases).

Recently reannounced with great commercial hype.

Page 7: Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material
Page 8: Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material

OCR again

Humphrey accused.@of making more feathers fly

BARELY a fortnight after being cleared by John Major of kflling four robin chicks that were nesting in a windowboxoutside the Cabinet room, Humphrey the ...

Page 9: Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material

Resolution

Michael Ester’s work: 1000x1000 good enough

Page 10: Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material

Special Materials

Electronic Beowulf (www.uky.edu/~kiernan)

Page 11: Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material

Undoing erasures

Importance of color imaging on black ink

Page 12: Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material

Special illumination

Here: backlight; also low-incidence, UV, IR.

Page 13: Scanning & conversion Bulk work on ordinary printing Special efforts on manuscripts Conversion of art works Non-visual material

ConclusionsText scanning is now a commodity. So is slide scanning for art. Sound conversion is easy but not standard, nor is video. The entertainment industry is driving the technology; libraries tag along.

What you have to choose is the balance between cost and result. Perfection is impossible and near-perfection can be too costly; a sloppy job might not get used at all. But remember Voltaire:

“The best is the enemy of the good”.