samantha yim - undergraduate architecture portfolio
DESCRIPTION
Undergraduate Architecture Portfolio University of MelbourneTRANSCRIPT
YIMsamantha
undergraduate portfolioarchitecture
YIMsamantha
undergraduate portfolioarchitecture
YIMsamantha
undergraduate portfolioarchitecture
YIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIM
YIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIM
YIMYIM
YIMYIM
YIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIM
YIMYIM
YIMsamantha
undergraduate portfolioarchitecture
YIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIM
YIM
curriculumvitae
EDUCATIONbachelor of environments2010 - 2012
winter exchange programjan 2012 - feb 2012
high school enter 94.752004 - 2009
EXHIBITIONSwork featured in academic paper2012
work showcased in headspace2010
WORKspecialist fitting consultant2010 - current
work experience2008 (3 weeks)
VOLUNTARY WORK2012
2011 - 2012
2006 - 2008
SOFTWARErevit architecture 2012autocad 2012rhino3d 4.0
university of melbourne,australia
stuttgart university,germany
balwyn high school,australia
roudavski, s., 2012, selective jamming: digital architectural design in foundation courses, international journal of architectural computing, 4 (9),
pp 447.
wunderlich gallery, university of melbourne
shoes & sox
ghd pty ltd
robin boyd foundation
melbourne open house
cystic fibrosis victoria
adobe photoshop cs6adobe indesign cs6microsoft office 2010
CONTACTm: 0438 785 715
h: 03 9848 6413
a: 21 marsden crescent, doncaster east, vic 3109e: [email protected]
REFERENCESjim georgiousenior lectureruniversity of melbourne0418 316 0238344 4178
lorena theodouloumanagershoes & sox0408 539 1329848 3129
SAMANTHA YIM
contents 01 02
01
02
03
04
05
06
07
FOURTITUDE
COVER THE GAP
HIGHWAY SCULPTURE
FACETED MIND
COMPREHENDING CONSTRUCTION
PAINTINGS
PHOTOGRAPHY COLLECTION
CAR SHOWROOM, APARTMENT, CAFE, MULTI-LEVEL CARPARK melbourne, australia
RESIDENTIAL HOUSE stuttgart, germany
03 04 05 06
07
HIGHWAY SCULPTUREwyndham city, australia
FACETED MIND headpiece
PERSONAL PAINTING COLLECTION
PHOTOGRAPHY COLLECTION
HAND DRAWINGS COMPREHENDING CONSTRUCTION STAGES pleysier perkins, mount martha beach house 2
CAR SHOWROOM | CAR SERVICE CENTRE | APARTMENT | CAFE| ROOFTOP MINI-GOLF COURSE | MULTI-LEVEL CAR PARK
For the final project of my undergraduate degree at the University of Melbourne it was asked of us to design an architecturally formulated complex to compliment the lifestyle of the enigmatic entrepreneur, A.G. Barlow. The project’s brief was to envisage the client who had lived in the early 20th century alive today and design a car showroom and complex located in the heart of Melbourne.
Selecting the car brand Audi and developing a thematic concept to drive the creation of the building led to designing with ‘fourtitude’. The project became clear after breaking down Audi and its mission and linking it with the client and his history of strength and resilience in the car industry. Audi comprises of elements that come in groups of four so it is of no surprise to see this structure represent the brand and incorporate symbolic features.
01 fourtitude
GROUND LEVEL
SITE PLAN
LEVEL 1 LEVEL 2 LEVEL 3 LEVEL 4
LEVEL 5 LEVEL 6 LEVEL 7 LEVEL 8 MINI-GOLF
LEVEL 9
apartment interior showroom level 6
LEVEL 10apartment
One of the main symbolic features in the car showroom belongs in the atrium. Audi’s most prestigious car hangs from the ten storey high wall with four stripes blazing behind it representing what the brand is all about. The four branding roles are Audi’s amalgamation of four companies, its innovative quattro system, four main car types and its recognisable four ringed logo. Overall it portrays the brand’s continual ascendance and advancement in technology.
Barlow’s penthouse apartment sits atop the building so he is able to oversee his business at all hours. He even has the opportunity to do so from his apartment at first light as he can peer down the atrium to see into the showroom.
The car park is located on the south side of the building which has been designed to house over 300 spaces over eight storeys. This facility covers most of the site but ensures that it does not take any attention away from the adjacent showroom. This has been achieved by wrapping the entire building with a frosted glass channel system to make it look like one large showroom covers the entire area. During the day the building will glisten in the sunlight while in the evening it will glow with all its lights beaming from the inside.
south elevationwest elevation
east elevationnorth elevation
presentation poster
presentation model
RESIDENTIAL HOUSE
02 cover the gapWhilst on exchange in Stuttgart, Germany studying ‘20th Century Architecture’ we were asked to design a viable solution to the city’s urban densification to reduce any chance of urban sprawl. Existing planning regulations led to buildings being built within small gaps (up to three metres wide) between which were all deemed as unusable.
This small slice of land is where ‘Cover the Gap’ house is located. The ground level is not occupied but rather left for parking as the living spaces are built above like a floating canvas.
The facade’s irregular form contrasts its surrounding buildings to break free from Stuttgart’s traditional appearance. Thus showing how these unused spaces can be beneficial as any space can be altered architecturally.
level 1 level 2 level 3
The kitchen, dining and living spaces are located on level 3 which takes advantage of the structure’s form. This is so because it receives the most amount of natural light sitting under the double glazed glass roof that is covered with a canvas like material for privacy.
Accessing the building is made possible via an open hydraulic platform that is used to serve as a lift between each level. It also allows light to reach the back end of the house while also acting as a door or seal to each level.
This project ran for two days where a concept and design had to be conceived and interpreted into physical model. Working in and amongst a very tight schedule meant concept models were expected.
This mock-up shows the interesting form of the wrapped curtain wall and roof which would allow for interesting array of shadows casted by natural light. It also shows the scale of the limited 3.5 metre width of the site which was a great challenge to work with.
SCULPTURE AND TRAFFIC FLOW TOWER
03 highway sculpture
This project involves Wyndham City who has proposed for a highway sculpture to help visually improve its appearance and reflect upon its residents and visitors. The structure’s concept is based on movement in regards to ameliorating the municipal. Through the harnessing of technology it has come clear that it is in itself an essential catalyst for moving forward.
This sculpture is based upon the manipulation of scale and form which has been achieved with the aid of digital design technology. The design also serves a practical purpose as a traffic flow indicator. The tower to the south is strategically positioned with LEDs to inform drivers in both directions whether or not they are to expect heavy or light traffic.
Symbolically, the movement of change has been captured in the sculpture, frozen in time yet forever suggesting forward movement.
SITE PLAN
Grasshopper definition used to create the extruded boxes to assimilate the concept of movement and the curving S-plan form.grasshopper definition
The analysis image above demonstrates the structure’s skeleton and it’s possible construction components. The steel skeleton is self supporting as the curved S-form in plan allows the structure to stand alone as its centre of gravity is balanced symmetrically.
The section detail portrays a clearer illustration of how the skeleton is arranged and to which the light weight aluminium cladding is attached.
structure analysis
section detail
north elevation
west elevation
east elevation
south elevation
headpiece
04 faceted mindConstructing a headpiece in my first architecture studio was initially peculiar but I came to understand that architecture is not only about creating buildings but creating buildings for people. Therefore designing a headpiece was an interesting starting point; beginning with the scale of the body.
This project focused on interpreting a physical 3D model to a digital form which could then be manually fabricated.
The ‘Faceted Mind’ is versatile in regards to its multiple positions it can be worn. Due to time restrictions, changes were made to the design which are shown in the photograph and sketches.
This design was also selected to be featured in an academic piece titled, ‘Selective Jamming: Digital Architectural Design in Foundation Courses’ written by Stanislav Roudavski who published it in the International Journal of Architectural Computing in 2012.
initial sketch design
FABRICATION LAYOUT
model spine
DESIGN VARIATIONSmodel design 1 model design 2 model design 3
section 1
section 2
section 3
section 4
right elevation front elevation left elevation plan rear elevation
The intended headpiece design was to follow the natural curve of the head and bust however this was altered due to the time frame of the project. The final design of the project curves around the head still capturing the different shadows and casting different shades of the model and the mind.
To ease the unfolding of the 3D model, the entire piece was divided into four sections which were then further divided and colour coded to remove any confusion during assembly.
final model design
HAND DRAWINGS COMPREHENDING CONSTRUCTION STAGES pleysier perkins, mount martha beach house 2
05 COMPREHENDING CONSTRUCTION
Designing buildings is not only about creating spaces but simultaneously comprehending how it can be engineered to stand for at least the next 50+ years.
These set of drawings are organised in a flip-book design with each page showing two different construction stages. It illustrates how the ‘behind the scenes’ of a structure is an important role of what makes it a great building.
A design philosophy that always comes into play is that an architect is not the only person involved in producing a building but rather an entire group of people who work together as a team to erect such a great feat of engineering.
drawings refer to allocated section
These freehand drawings are those of the flip-book looking at the vertical sections of the allocated building portion. Laid upon each other, one can flip through the drawings and see the building grow and become the final build from ground up.
construction photographs building interior building exterior
This sketch demonstrates two final stages of the construction process: internal living and services fixings, and the final finishes.
Understanding how buildings stand has in a way change my method of design. The knowledge I have been exposed to has not limited my design capabilities but rather pushed my creativity and thinking further. For example creating interesting forms and detailing them make me think of the possible ways it can be constructed to appear aesthetically pleasing.
Not only do I now appreciate buildings for its form but rather respect them and stand in awe of their constructibility.
05 PAINTINGS Apart from creating structures I enjoy portraying people in a very minimalistic manner through painting.
The first time I put a brush to a canvas, I found it was a great way of keeping a sense of the individual’s personality alive. The monochromatic tone used captures the attention of the audience to the painted characters’ expression allowing them to create a story of their own.
05 PHOTOGRAPHY These photographs capture and freeze moments in time in a subjectively artistic manner. With the opportunity to view architecture and life through a lens it has opened my eyes to how architects may have intended their audiences to view their creations. Through photography I have realised that I now understand the smaller things in architecture and truly appreciate the fine details and learning from them.
YIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIM
YIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIM
YIMYIM
YIMYIM
YIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIMYIMYIM
YIMYIM
YIMYIM YIMYIMYIMYIM YIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIM
YIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIMYIM
YIM
YIMYIM
YIMsamantha