romanticism in english culture and literature by anna lazzari

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Romanticism in English Culture and Literature By Anna Lazzari

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Page 1: Romanticism in English Culture and Literature By Anna Lazzari

Romanticismin

English Culture and Literature

By Anna Lazzari

Page 2: Romanticism in English Culture and Literature By Anna Lazzari

Main points

• From the Augustan Age to Romanticism

• Historical framework

• The three moments

– Main writers

• Images

Page 3: Romanticism in English Culture and Literature By Anna Lazzari

Augustan Age vs Romanticism

• Influence of classicism

• Importance of reason and order

• Control of emotion and imagination

• Rational thinking and argumentation

• Society placed before the individual

• Re-discovery of the Middle Ages

• Importance of feelings and intuition

• Free imagination• Importance of

individualism• Interest in humble

and everyday life

Page 4: Romanticism in English Culture and Literature By Anna Lazzari

Augustan Age vs Romanticism

• Art seen as the aesthetic expression of social order

• Interest in real life• Rise of journalism• Rise of the novel• Satire • Use of sophisticated

and artificial language in poetry

• Art seen as the expression of the soul and celebration of the freedom of nature and individual experience

• Use of everyday language

• Observation of nature and everyday situations

Page 5: Romanticism in English Culture and Literature By Anna Lazzari

Augustan Age vs Romanticism

Castle Howard, Yorkshire1699-1712

Stourhead, WiltshireTemple of Apollo

1741-1780

Page 6: Romanticism in English Culture and Literature By Anna Lazzari

Romanticism - Keywords

Romantic: "literature depicting emotional matter in an imaginative form." (German poet Friedrich Schlegel)

Sublime: natural beauty that was not neat and well-ordered like a garden but complex, uncontrollable and impressive, leading to feelings of awe. (E. Burke, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, 1757)

Beauty: changes the viewer, brings the viewer in touch with God or some greater truth. Experiencing nature creates awe for God's creation.

Page 7: Romanticism in English Culture and Literature By Anna Lazzari

Historical Framework

18th Century Britain – Enormous changes

•From a farming country to an industrial one

•People from the countryside to towns and cities

•Around 1759: great increase in population

•Higher demand for food, clothes and work

•Worsening in the quality of life of the poor

Page 8: Romanticism in English Culture and Literature By Anna Lazzari

Historical Framework Industrial revolution

•1712: Thomas Newcomen builds the first

steam engine to pump water out of mines

•1733: The flying shuttle for looms

•1764: James Hargreaves invented the

spinning jenny (a type of loom)

• 1775: James Watt patented a more powerful steam engine

Page 9: Romanticism in English Culture and Literature By Anna Lazzari

Historical Framework

Improvements of transport •New waterways and roads built

New tools and machines

•1785: The automatic flour mill invented by Oliver Evans

•1786: The threshing machine invented by Andrew Meikle

•1811: Luddites riots

Page 10: Romanticism in English Culture and Literature By Anna Lazzari

Historical Framework

The Age of Revolutions

•1775-1783: American Independence War•1776: American Declaration of Independence•1789: French Revolution•1793: Britain at war against Revolutionary France•1796 on: Ascent of Napoleon to the power•1800-1815: Napoleonic Wars

Page 11: Romanticism in English Culture and Literature By Anna Lazzari

The three moments

• Pre-Romantics– Thomas Gray and William Blake

• First generation of Romantic poets– The Lake poets: Wordsworth, Coleridge and

Southey

• Second generation of Romantic poets– Byron, Shelley and Keats

Page 12: Romanticism in English Culture and Literature By Anna Lazzari

Pre-Romantics

Thomas Gray (1716 – 1771): poet, letter-writer, classical scholar and professor at Cambridge University

•1751: Elegy Written in a Country Churchyard

– Meditation upon death and remembrance after death

Page 13: Romanticism in English Culture and Literature By Anna Lazzari

Pre-Romantics

Famous quotes from the Elegy

•"The Paths of Glory"

•"Celestial fire"

•"Some mute inglorious Milton"

•"Far from the Madding Crowd"

•"The unlettered muse"

•"Kindred spirit"

Film by Stanley KubrickFilm by Stanley Kubrick

Novel by Thomas HardyNovel by Thomas Hardy

Page 14: Romanticism in English Culture and Literature By Anna Lazzari

Pre-Romantics

William Blake (1757 – 1827): poet, painter, and printmaker

1784

1790-93

1793

Page 15: Romanticism in English Culture and Literature By Anna Lazzari

Romanticism: Manifesto«Preface» to Lyrical Ballads, 1800

The principal object… which I proposed to myself in these Poems was to chose incidents and

situations from common life, and to relate or describe them… in a selection of language really

used by men; and, at the same time, to throw over them a certain colouring of imagination, whereby ordinary things should be presented to the mind in an unusual way…; …Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in

tranquillity.

Page 16: Romanticism in English Culture and Literature By Anna Lazzari

First generation – The Lake poets

William Wordsworth (1770 – 1850)

•1788 – Lyrical Ballads

•1807 – Poems (in two books)

•1810 – Guide to the Lakes

•1850 – The Prelude

Page 17: Romanticism in English Culture and Literature By Anna Lazzari

First generation – The Lake poets

Samuel Taylor Coleridge (1772 – 1834)

•1798 - Rime of the Ancient Mariner (in LB)

•1816 - Kubla Khan

•1817 – Biographia Literaria

Page 18: Romanticism in English Culture and Literature By Anna Lazzari

«Willing suspension of disbelief»”... It was agreed, that my endeavours should be directed to persons and characters supernatural, or at least romantic, yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith. Mr. Wordsworth on the other hand was to propose to himself as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us ...”

Page 19: Romanticism in English Culture and Literature By Anna Lazzari

Second generation - Politics

• George Gordon Byron (1788 – 1824)

• Percy Bysshe Shelley (1792 – 1822)

• John Keats (1795 – 1821)

Page 20: Romanticism in English Culture and Literature By Anna Lazzari

Images

William Turner (1775 – 1851)

Fishermen at Sea, 1796

Page 21: Romanticism in English Culture and Literature By Anna Lazzari

Images

Caspar David Friedrich (1774 – 1840)

Wanderer above the Sea of Fog1818

Cloister Graveyard in the Snow1817-19

Page 22: Romanticism in English Culture and Literature By Anna Lazzari

Images

John Constable (1776 – 1837)

Boat-building near Flatford Mill 1815

Salisbury Cathedral from the Bishop's Garden

1825

Page 23: Romanticism in English Culture and Literature By Anna Lazzari

Images

Blake, The Lovers' Whirlwind, 1824-27

Page 24: Romanticism in English Culture and Literature By Anna Lazzari

Images

Blake, Oberon and Titania, 1786 ca

Page 25: Romanticism in English Culture and Literature By Anna Lazzari

Images

Blake, Newton, 1795

Page 26: Romanticism in English Culture and Literature By Anna Lazzari

Images

Blake, The Ghost of a Flea, 1819-20

Page 27: Romanticism in English Culture and Literature By Anna Lazzari

Summary

• From the Augustan Age to Romanticism

• Historical framework

• The three moments

– Main writers

• Images