romantic opera
TRANSCRIPT
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Romantic Opera
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The Golden Age of Opera
Many of the biggest titles and composers in opera are from the Romantic era– 20 of the 25 most performed operas in the
world were Romantic era pieces (2012/13 season) according to operabase.com
Early Romantic Italian opera emphasized a beautiful melody for the soloist
Bel canto refers to this vocal emphasis
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Bel Canto
Literally means “beautiful singing” Orchestra provides simple harmonic
support Vocal lines are soaring and virtuosic This vocal emphasis created stars
– The prima donna or diva– Diva means “goddess”
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Giuseppe Verdi (1813-1901)
Studied in Milan, not accepted into Conservatory Family tragedy almost stopped his career Huge success at age 29 – Nabucco Wrote masterworks & served in Parliament Long lived and prolific composer
– Aida at age 57– Otello at age 73– Falstaff at age 79
Dies at age 87 a national hero
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Verdi’s Style
Similar to bel canto with added intensity Master of the memorable tune “La donne è mobile” was rehearsed in
secret because he knew it would be a hit Use of recitativo accompagnato to smooth
transition between recit and aria
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Rigoletto
Story centers on a cruel court jester, Rigoletto, and his tragically unsuccessful effort to protect his daughter Gilda from the womanizing duke he serves
“La donna è mobile,” the most famous aria from the opera, is sung by a tenor
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Listening Example
Title: La donna è mobile Composer:Giuseppe Verdi Genre: Opera
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Notes on La donna è mobile
Tenor aria Extremely memorable melody Simple, vamp style orchestral
accompaniment Simple, binary form
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German Opera
Prior to 19th century primarily Singspiel Singspiel were German comic operas
– Light themes– Spoken dialogue
Many earlier composers, including Mozart, strove to elevate Singspiel genre
Wagner’s innovations create a new style of German opera
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Richard Wagner (1813 – 1883)
Controversial figure to this day Inspired in youth by Beethoven and Mozart Opera director in small German towns Had success in Dresden with Rienzi Fled to Switzerland after failed revolution Deep in debt, he wrote music philosophy
and began composing epic scale operas
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Richard Wagner
King Ludwig II of Bavaria rescued Wagner financially and artistically– Paid debts and staged his operas– Eventually built theater for Wagner’s works
A yearly festival of Wagner’s operas is still performed at the Bayreuth Festival Theater
8 of his operas ranked in the 50 most-performed operas in the world (2012/13)
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Wagner’s Operatic Style
Called his works music dramas Gesamtkunstwerk (total art work) refers to
the bringing together all operatic elements to produce a powerful dramatic experience
He did away with separate numbers in favor of an endless melody
In absence of bel canto approach the orchestra becomes more important
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Leitmotifs
Short melodic ideas that represent a dramatic element in the story– Characters– Objects– Ideas
Leitmotifs help advance the drama musically Orchestra plays major role using leitmotifs
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Tristan und Isolde
Story based on a medieval German epic poem set in England
A love potion causes Tristan and Isolde to fall in love despite her betrothal to the king
Tristan’s sorrow over obstacles to their love causes him to allow himself to be wounded
Isolde arrives at his side as he dies, she sings of their eternal love and then dies
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Listening Example
Title: Liebestod Composer:Richard Wagner Genre: Opera
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Notes on Liebestod
Liebestod is combination of two words– Liebe = love, Tod = death
Use of leitmotifs to represent feelings– Love/death, ecstasy, desire, transcendent bliss– Leitmotifs are in vocal and instrumental parts
Wagner uses rising chromatic lines to build to an incredibly powerful climax
Sung by a soprano soloist
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Realistic Opera
An attempt to portray real life, especially life of the lower classes, on the opera stage
An outgrowth of the social realities, often unpleasant, of the industrial revolution
Realistic opera seeks to find beauty in the mundane, even gritty, aspects of life
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Verismo
“Verismo” means realism The later Italian version of realistic opera Similar treatment of gritty, seedy,
sometimes violent subject matter Puccini generally considered the most
prominent verist composer
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Giacomo Puccini (1858 – 1924)
Born to a musical family in N. Italy (Lucca) Struggled after graduation from Milan conservatory First major success at age 35 – Manon Lescault La Boheme is deemed his most popular opera A chain smoker, Puccini died of throat cancer At news of his death, a performance of La Boheme
was stopped and Chopin’s Funeral March played
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La Boheme
Verismo in the sense that the characters are impoverished artists, not due to violence
Features romance between Rodolfo, a poet, and Mimi, a seamstress with tuberculosis
Rodolfo’s jealousy ends the relationship They reunite just before Mimi’s death
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Puccini’s Style
Influenced by Wagner– Much less division into separate recits and arias– More expansive use of orchestra than Verdi– Use of leitmotifs
Puccini’s music more lyrical than Wagner He is expert in using different orchestral
colors to fit the mood of the scene
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Listening Example
Title: Che gelida manina Composer:Giacomo Puccini Genre: Opera
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Notes on Che gelida manina
Shift from recit to aria goes almost unnoticed– Begins with syllabic text setting– Grows in warmth, range, and intensity
Rich orchestral color as vocal intensity grows No showy virtuosity, just soaring melody Sung by a tenor soloist
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Listening Example
Title: Si, mi chiamano Mimi Composer:Giacomo Puccini Genre: Opera
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Notes on Si, mi chiamano Mimi
Similar in general style to Che gelida manina Very little distinction between recit and aria Rich orchestral color as vocal intensity grows Note the independence of the orchestra –
Wagnerian influence Sung by a soprano soloist