romanian traditional dances

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    Scoala Gimnaziala Caraula

    United Europeis in our e YES

    Comenius multilateral partnership

    2012 2014

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    TRADITIONAL

    ROMANIANDANCES

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    Romania possesses a rich and complex thesaurusof folklore. Romanian folk dances, well knownthrough their beauty and great diversity, are part of

    this thesaurus together with folk songs, anecdotes,legends and poetry; they appear in a great varietyof regional forms, and are known under the name ofhoras or dances

    Any "dance" is a combination of elements:formation, regional style; motifs, musical rhythm,choreography and the social occasion. A change inone or more of these elements can give anotherdance, sometimes too subtle for a visitor to

    understand Many Romanian dances are accompanied by loud

    shouts and calls known as Strigturiwhich arecalled rhythmically, but often across the musicalmelody and rhythm

    http://www.eliznik.org.uk/RomaniaMusic/strigaturi.htmhttp://www.eliznik.org.uk/RomaniaMusic/strigaturi.htm
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    OR

    DANCE

    Hora is the name for the large

    circle dance and is the mostwidespread dance in Romania,partly because any number ofparticipants of both men andwomen, of any ability or age,can join in. Hora is frequently

    performed as a ritual dance atweddings and funerals. Insouthern Romania andMoldavia Hora is theintroductory dance to thedance cycle, whereas in

    Transylvania and Maramure itis rarely performed at thevillage Hora.

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    The hold in Horahas the hands joined at shoulder height

    and held slightly forward. The formation is a closed circle,

    apart from in some parts of Banat and north Oltenia where

    it is danced in an open circle with a leader who can take

    the dance into a spiral. Mostly these dances progress to

    the right, often with a diagonal forward and back path.

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    BRASOVEANCA

    Brasoveancait is a pair dance, the pairs are

    dancing on a rhythm which is becoming more

    and more alert.

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    And, three steps forward and three back

    That's Brasoveanca which we dance

    Three steps forward and three back

    That's Brasoveanca which we dance

    The girl goes left than she passes right The girl goes left, that's Brasoveanca, hey! (Bis

    stanza)

    That is how the girl dances

    Also on the left and right!And forward and back,

    As we dance!

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    PERINITA

    "Perinita" (the little pillow) is a distinctive Romanian

    dance of the kiss.

    It is a hora dance, in which alternatively, men and

    women pick their partners from the circle of the

    dancers, for a short swirl, and a kiss upon the

    dance floor while kneeling in the middle of the hora,

    on a little pillow or on an embroidered handkerchief.

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    After the kissing, the last chosen will choose a

    new partner, while his former partner takes his

    place into the hora.

    This dance is performed on the night of the

    New Year and is the last hora on the wedding

    celebrations

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    SARBADANCE

    Like Hora, an open circle formation is the

    norm, apart from south Oltenia where it is

    generally danced in a closed circle.

    The dancers at each end are the leaders,

    with other dancers joining into the middle

    of line during the dance

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    CIULEANDRA

    Ciuleandra is aspecific type of

    Srba from

    north Oltenia

    and Muntenia. It is danced in

    small circles,

    which change

    places with

    other small

    circles in the

    dance area.

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    CALUSUL

    The Calus, ritual folk dance it hasbeen included in the intangibleheritage of UNESCO

    Performed in the Olt region ofsouthern Romania, the Cluritualdance also formed part of thecultural heritage of the Vlachs ofBulgaria and Serbia

    The Calus is only performed onPentecost, for the three days of thetraditional holiday;

    Its primordial meanings are lost intime, but folklorists and historiansbelieve that the dance was either afertility ritual or a ritual performed tocure off delirium caused bypossession by iele (fairies)

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    The Cluritual features a series of

    games, skits, songs and dances, and was

    enacted by all-male Cluaridancers to

    the accompaniment of two violins and an

    accordion. Young men used to be initiatedinto the ritual by a vataf (master) who had

    inherited the knowledge of descntece

    (magic charms) and the dance steps from

    his predecessor. Groups of Cluari

    dancers, sporting colourful hats,

    embroidered shirts and trousers adornedwith small jingling bells, perform complex

    dances, which combine stamping, clicking

    of the heels, leaping and swinging of the

    legs.

    The Calus is supposed to bring luck and

    keep away disease and evil spirits.

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    The dance includes the following elements.

    The starting figure of walking (plimbri), ora basic step, in a circle moving counter

    clockwise.More complex figures (micare) performedin place between walking steps.

    Figures are formed from combinations of

    elements, often have a beginning-middle-

    end structure.

    http://en.wikipedia.org/wiki/Basic_stephttp://en.wikipedia.org/wiki/Basic_step
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    Now days, the "calusari", often accompanied bya masked personage (the mute) carry clubs and

    are performing dances of great virtuosity. Theunexpected developments of the dance areaccompanied by "strigaturi" (humorous orsatirical verse chanted during the dance) andthe tunes sung by the groups of interpreters.

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    We hope that you liked our

    traditional dances.

    Now, many of these dances lost their firstsignificance , but there are still danced on

    the important events: marriage, birth or

    other events.