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Resources tool kit
Essential Screenwriting Resources Handpickedby the ScriptReaderPro Team
Copyright © 2013 ScriptReaderPro
Resources Tool Kit
Copyright © 2013 ScriptReaderPro.
All Rights Reserved.
Copyright © 2013 ScriptReaderPro
welcome
In this guide we have collected together all of the very best resources
we use day in day out here at ScriptReaderPro.
Inside you’ll find lists of all the essential books, courses, podcasts, blogs etc. that
will help further your career as a screenwriter. There are much more out there on
the web of course, but these are our cream of the crop and unmissable resources.
So, without further ado…
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books
Given the huge amount of screenwriting books available, it can be a
daunting task trying to pick out the best ones...
The list below represents perhaps not the most well known books, such as Robert
McKee’s Story, but the ones we feel best explain things in a clear, practical, no BS
manner, (something Mr. McKee isn't particularly good at.)
Forget Craig Mazin’s rants about screenwriting books being a waste of time,
there’s a reason why both aspiring and professional screenwriters swear by many
of them -- because they’re useful!
your screenplay sucks! 100 ways to make it great by william akers
Both William Akers has had three feature films produced from his screenplays,
and this book is great for writers to really get to grips with the bare essentials of
the craft. His points on honing and editing your sentences are particularly helpful
if you’re one of the many writers who suffer from overwritingingus.
Click here
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the coffee break screenwriterby pilar alessandra
Pilar’s friendly but no-nonsense approach shines through in this really helpful
little book aimed at those with 9-5 jobs and / kids who have trouble finding the
time to sit down and write. Highly recommended.
Click here
the 21st century screenplayby linda aronson
Whether you want to write short films, features, adaptations, genre films,
ensemble films, blockbusters or art house movies, this book takes you all the way
from choosing the brilliant idea to plotting, writing and rewriting. Featuring a
range of insider survival tips on time-effective writing, creativity under pressure
and rising to the challenge of international competition,The 21st Century
Screenplay is essential reading for newcomer and veteran alike.
Click here
the sequence approachby paul joseph gulino
Just about the only book apart from our own that focuses solely on sequences.
Paul chooses a handful of diverse films, from Toy Story to The Graduate and
breaks them down into sequences, the method taught at USC. While we don’t
agree with all of the analysis, it’s a great companion to our own book and learning
how there’s more than just three acts to screenplay structure.
Click here
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writing screenplays that sellby michael hauge
While not a “fun” read in the vein of say, Save the Cat or My Story Can Beat Up
Your Story, this book contains a ton of great information, especially on character.
Now fully revised and updated for the modern screenwriter in a 20th anniversary
edition, this is a classic.
Click here
writing for emotional impactby karl iglesias
One of the biggest problems a spec screenplays can have is the reader feeling a
lack of emotion when reading it. Karl addresses this fact head on in this book and
shows you how to deliver an emotional impact on as many pages of your script as
possible.
Click here
inside storyby dara marks
If you’re struggling with theme, this is definitely the book for you. In it, Dara
reveals how the internal character development of the protagonist informs the
overall story and theme. Essential reading.
Click here
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the hollywood standardby christopher riley
Formatting can be a real pain in the ass, but this book by Warner Bros. script
processing department whizz, Christopher Riley, is our book of choice when it
comes to formatting decisions. While not perfect, it answers pretty much any
question you’re likely to have.
Click here
my story can beat up your story! by jeffrey alan schechter
Did you know that act 1 in a screenplay has 12 very specific plot points? This and
other powerful, story-telling techniques that Hollywood screenwriters have been
using for decades, are revealed in Jeffrey’s book. A hidden gem.
Click here
master screenplay sequencesby scriptreaderpro
This book reveals the hidden truth about screenplay structure, missing from
many books and courses -- sequences. It will teach you how films as diverse
as Wolf Creek and Bridesmaids are made up of more than just 3 acts but are
actually underpinned by 7 or 8 self contained sequences, or “mini-movies” each
with 3 acts and 6 major plot points of their own.
Click here
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save the cat & save the cat strikes back!by blake snyder
Both books are essential reading for the aspiring screenwriter. The original Save
the Cat is a modern classic and it’s follow-up, Save the Cat Strikes Back! is
equally as good. The ultimate insider’s guides on writing and selling screenplays,
by a late great show biz veteran.
Click here
We would also highly recommend reading more general books on the
film industry and theory such as:
Cinematic Storytelling by Jennifer Van Stijll, Down and Dirty Pictures by Peter
Biskind, Breakfast With Sharks by Michael Lent, On Writing, by Stephen King
and Adventures in the Screen Trade by William Goldman.
In other words, you need to pretty much immerse yourself in the world of
cinema, 24/7. Learn as much as you can through reading, not just screenwriting
books, but books about directing, editing, acting and producing as well. It all
helps!
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courses
There are many ways of becoming a professional screenwriter and, if
you’ve got the money, gaining a Screenwriting MFA can be a good one.
Many of today’s professional writers are graduates of screenwriting programs and
since the 1970’s they have become one of the primary entry routes into the
industry.
However, they are expensive. And gaining an MFA doesn't mean you're
guaranteed work. Far from it.
On the whole, though, we wholly recommend attending a screenwriting MFA, or
even a short writing course, as it is a great way of focussing the mind, learning to
hit deadlines and making connections.
Worldwide there are literally hundreds to choose from but, if you can, we’d
recommend attending one of these -- the six best screenwriting courses in the
world based on course structure, reputation, faculty, connections, location and
alumni.
university of southern californiamfa in writing for screen and television
Probably the best and most highly respected screenwriting MFA in the world.
This is an intensive two year program which concentrates on writing for narrative
film and television. The internship and mentorship opportunities are
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phenomenal, as a result of the university's close links to the film industry’s top
screenwriters, directors, production companies and studios.
Click here
university of california los angelesmfa in screenwriting
During UCLA’s screenwriting program you will learn all the key elements of
creating scripts for feature film and television, including story structure, plot,
scene development, characterization and dialogue. The goal is to prepare you to
turn your stories into screenplays. A series of writing assignments guides you
toward mastering the basics, which you use to conceptualize and begin work on
your own scripts.
Click here
american film institutemfa in screenwriting
The heart of this screenwriting program lies in the relationship between the
students and the faculty who serve as teachers and mentors, guiding and
supporting each writer’s development in an intimate workshop setting. In the
core screenwriting workshops, students grow as cinematic storytellers through
critique and analysis of their work by faculty and peers.
Click here
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new york universitymfa in dramatic writing
The faculty members with whom students meet in weekly workshops are all
professional writers. At times, when they feel it would be of benefit to student
work, they call on outside writers to act as consultants and critics. In each
student's last semester, when the graduate thesis project is completed, final
readings of the work are presented to the public and entertainment industry
representatives.
Click here
chapman universitymfa in screenwriting
This two year MFA in Screenwriting is an intensive program designed to help you
develop your individual creativity as you explore the intricacies of story structure
and character development. You’ll work one-on-one with an outstanding faculty
of Hollywood screenwriters who have countless years of experience in both film
and television, and many awards on their shelves. You’ll learn to write in a variety
of art forms -- short film and feature-length screenplay, episodic television and
mini-series.
Click here
columbia universitymfa in directing / writing for film and television
The course of study at this film school includes two years of creative workshops
and related courses, followed by one to three years of thesis and Research Arts
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work. Students are immersed in the principles and working methods of a variety
of genres and dramatic forms. Through multiple exercises and short film and
script projects (both short and feature length), you will be encouraged to explore
your understanding of the medium, with the ultimate goal of establishing your
personal voice.
Click here
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podcasts
It’s amazing how much you can learn listening to a 45 minute podcast
while walking the dog.
Here are our choice podcasts on the craft and business of screenwriting:
the q&a with jeff goldsmithFilm journalist, Jeff Goldsmith’s, podcast in which he conducts a lengthy
interview with a top screenwriter, asking them questions about how they got into
the business, their writing habit, writing process and much more. Unmissable.
Click here
on the pageHugely popular script consultant, Pilar Alessandra’s, informative and
entertaining weekly podcast in which she interviews a different guest each week
from the world of writing, directing, acting and producing.
Click here
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sam & jim go to hollywoodNow defunct, but the 40 odd episodes here are well worth a listen about two
regular 30-something guys packing up their successful careers in the restaurant
business and moving to LA to try and make it as screenwriters. Warning: Listen
on a low volume so as not to be occasionally deafened by Sam’s piercing laugh.
Click here
creative screenwriting magazineThe old version of Jeff Goldsmith’s current podcast, but the same deal -- fantastic
interviews with top screenwriters from around the world. No longer running, but
there are hundreds of great episodes still online to enjoy.
Click here
script notesJohn August and Craig Mazin talk shop about all areas on the profession of
screenwriting -- from the craft of writing, to legal questions, to Hollywood news.
Despite Craig’s often annoying “umbrage,” and John’s inability to make it
through a single episode without mentioning Big Fish, there’s too much good
stuff here to miss.
Click here
script castMaybe not the most focused podcast on this list, but certainly the funniest. Script
Doctor Eric and co-host Matt crack jokes and poke fun at one another in a highly
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entertaining one hour slot on screenwriting, with the occasional guest. Sadly
another podcast that’s no longer running.
Click here
selling your screenplayNew screenwriting podcast from produced screenwriter Ashley Scott Myers. The
show usually has a weekly guest and an emphasis on getting started in the
business -- getting an agent, manager and producer interested in your work.
Click here
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contests
Wondering whether to splash the cast to enter some screenplay
contests?
And if so, which ones? The big players with thousands of entrants, or the smaller
regional ones with relatively few? Which are worth all your time and effort?
Hopefully by the end of this section, you’ll come away with a greater idea of the
pros and cons of script contests and how best to approach them.
The Cons
It can get pretty pricey sending your script(s) to half a dozen or more
competitions at $50+ a pop. In order to avoid wasting your money, we
recommend not sending your script out to anyone, including script competitions,
until it has received at least a “Consider” from a reputable script consultancy.
Make sure you’re completely happy with it before sending it in, even if it means
spending a few extra bucks in order to sneak it in the late entry category.
If you’ve got the script(s) and you’ve got the cash, there is absolutely nothing
wrong with entering as many script contests as you can. It can only increase your
chances of success.
Then again, not all contests will do much to further your career if you win. Do
some research before you submit to determine what happens if you do place
highly.
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Do you get a meeting with a manager? Or just cash? Who has won before and
what did they get out of it? Asking these sort of questions could save you a lot of
money.
The Pros
These can be summed up in one word -- exposure. It is a well known fact that
screenplay contests can provide a great way for aspiring writers to finally gain
some recognition for their work.
Winning a competition is, of course, the desired outcome of entering, but even
placing in the top ten can gain a writer recognition, an agent, a manager etc.
Without doubt, the Nicholl Fellowship is the most highly coveted award out
there. Winners of this are pretty much guaranteed a major step up into the
industry. Conversely, it’s also one of the toughest to do well in and tends to favor
Drama as a genre.
The other alternative is to concentrate on the smaller league regional contests,
such as the Austin Film Festival screenplay contest. The advantage of these
contests is that they have far fewer entries and so a greater chance of placing well.
As with the bigger screenwriting contests, even placing in the top five or ten can
result in great exposure and representation.
Whether you concentrate on the small or big players doesn’t really matter. What
matters is that your screenplay is rocking when you send it in.
Here’s the skinny on our 10 favorite contests out there:
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Austin Film Festival Screenplay ContestThis contest continues to open doors by creating a networking system for new
writers to further their career within the industry. Industry professionals
recognize the Austin Film Festival as a widely respected and popular writing
competition, with representatives from agencies and production companies
participating in the judging process. Past judges include: Focus Features,
Lightstorm Entertainment, CAA and more.
Click here
bluecatThis competition holds a longstanding tradition of giving written notes to every
screenplay submitted. Each feature screenplay entered receives two analyses,
while each short receives one. BlueCat has one of the largest cash prizes in the
world for a short screenplay contest, with the winner being awarded $10,000.
The Grand Prize for the Best Feature Screenplay is $15,000.
Click here
cinestoryCinestory has an outstanding track record in launching screenwriter’s careers.
Top scripts are requested by companies such as Paradigm, The Lisa Callamaro
Agency, Energy Entertainment etc. Finalists prizes include cash prizes but,
probably more importantly, a one year fellowship and screenwriting retreats in
which Hollywood professionals mentor the writer’s screenplay and career.
Click here
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creative world awardsCWA is an international screenwriting contest known for having the writer’s
interest at heart when it comes to development and industry promotion. They’ve
built relationships with some of the industry’s most recognized companies, all of
which are aggressively looking for fresh, new material. Now going into its seventh
year, with several options and deals signed for past entrants, the contest has
firmly established itself worldwide as a leading source for discovering emerging
talent in the entertainment industry.
Click here
final draft big breakThis is an annual, international feature and television screenwriting contest
designed to launch the careers of aspiring writers. Big Break rewards
screenwriters with over $80,000 in cash and prizes, including a trip to Los
Angeles and A-list executive meetings. Winners and finalists alike have had their
screenplays optioned and produced and have secured high-profile representation
as well as lucrative writing deals.
Click here
nantucket film festival
Winners receive an all expenses paid, month-long stay at the exclusive
Screenwriter’s Colony on Nantucket; VIP week-long film festival pass to all
events; round-trip from New York to Nantucket to attend; accommodation; a
Showtime-sponsored reception in the winner’s honor; participation in a Mentor’s
Brunch with Screenwriters Tribute recipient and $5,000. Past screenplay jurors
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include Bobby and Peter Farrelly, Philip Seymour Hoffman, Lili Taylor, Tom
McCarthy and Stanley Tucci.
Click here
Nicholl fellowshipThe big daddy of all screenplay contests. Up to five writers each win $35,000
fellowships from the Academy of Motion Picture Arts and Sciences. Place highly
in this and be prepared to buy a new cell phone after your old one melts from all
the industry heat.
Click here
page awardsOver the past ten years the PAGE Awards screenwriting contest has become
widely recognized as one of the most important sources for new writing talent
within the Hollywood community and worldwide. Each year dozens of top
producers, agents, and development execs judge the contest and read the winning
screenplays. Many of the winning writers have landed script assignments,
secured representation, and signed option agreements on their work, and many
now have movies and television shows in production, on the air, and in theaters.
Click here
scriptapaloozaPast winners have won Emmys, been signed by agents, managers, had their
scripts optioned and made into movies. One of the best parts about placing highly
in this competition, however, is that Scriptapalooza will do something no other
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competition in the world does: promote, pitch, and push the semifinalists and
higher for a full year.
Click here
script pipelineBeyond cash prizes, finalists are given exposure to approximately 200 qualified
industry contacts, as well as consultations with Script Pipeline’s Director of
Development and Senior Consultant; personal introductions to managers,
producers, agents, directors, and others searching for new projects and writers;
an opportunity to send other material to Script Pipeline for internal review and a
reserved spot to the Secret Door Pitchfest as a recognized finalist.
Click here
slamdanceNow in its eighteenth year, Slamdance has a history of highlighting talented,
independent screenwriters and introducing them to the entertainment industry.
The competition consists of four categories -- Feature, Short, Horror and
Teleplay / Webisode. A great feature of the competition is that it also provides
coverage on every entrant’s script.
Click here
zoetropeFrancis Ford Coppola’s motion picture production company, Zoetrope, offers
$5,000 to the grand prize winner of its contest, plus excellent Hollywood
industry exposure. The winner and ten finalists will be considered for
representation by William Morris Endeavor, CAA, The Gersh Agency and more.
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Finalist’s scripts are also considered for film option and development by leading
production companies, including American Zoetrope, Samuel Goldwyn Films,
Fox Searchlight, Sony Pictures Classics and more.
Click here
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websites
Below you’ll find a list of the sites we find the most helpful, covering
every area of screenwriting.
We’ve kept this section of the tool kit to the essentials, as it’s all too easy to get
sucked into a worm hole on these site reading about screenwriting rather than
actually doing it.
screenwriting blogsjohn augustJohn August, writer of Go, Charlie’s Angels and Big Fish (lest we forget) has
created one of the best free sites for screenwriters on the web. Type in any
question about screenwriting you may have in the search bar and it’s probably
been answered on a blog post or podcast episode.
Click here
the bitter scriptreaderAs he says on his site: “The advice and rantings of a Hollywood scriptreader, tired
of seeing screenwriters make the same mistakes, saving the world from bad
screenwriting, one script at a time.”
Click here
Copyright © 2013 ScriptReaderPro
go into the storyGreat blog operated by The Black List, written by Hollywood screenwriter Scott
Myers. In his own words: “I’ve been an online instructor through UCLA
Extension Writer’s Program since 2002. This blog is largely in response to
students who wanted to continue our conversations about the creative process. I
offer it as a resource to them and any other aspiring writer, especially those
interested in screenwriting and the magic of movies.”
Click here
living the romantic comedyIf you’re writing a romantic comedy, you definitely need to check out this blog,
from a leading Hollywood script consultant, Billy Mernit. “The delights and
torments of romance (funny or not) as portrayed in the movies and experienced
in so-called real life, foibles of the writing craft, and other topics apropos.”
Click here
mystery man on filmIn his own words: “I first began on Trigger Street. I love writing script reviews.
Then Unk was my inspiration to blog. So blame him. To this day, I still love his
series on the The Transformational Character Arc. I’d put Go Into The Story on
that pedestal worthy of daily visits. People used to complain about me being a
prolific blogger. You’re a frickin’ machine!”
Click here
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scriptmagInformative Writer’s Store site, with guest blog posts by working Hollywood
screenwriters and consultants.
Click here
wordplayerPirates of the Caribbean writers, Ted Elliott and Terry Rossio, host a forum and
blog in which they and other Hollywood screenwriters answer all your questions
on every aspect of the craft of writing.
Click here
selling / pitchingthe black listThe infamous Black List began as a survey in 2005 when Franklin Leonard
surveyed almost 100 hundred film industry development executives about their
favorite scripts from that year that had not been made as feature films. Since then
the voter pool has grown to about 500 film executives, 60% of whom typically
respond and over 225 Black List screenplays have been made into feature films.
Now screenwriters are able (for a small fee) to upload their scripts to their
database, in which you can monitor the volume of interest it’s receiving, and the
response, from the industry executives reading it.
Click here
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inktipMore than 140 movies have been produced from scripts found on InkTip. That
being said, you’re more likely to have smaller management and indie companies
reading your scripts than the big studios or agencies. At $60 for six months,
though, you don’t have much to lose.
Click here
the great american pitchfestWhile the executives you pitch your screenplay to at this event are far more likely
to be lower level juniors than seniors, this is a great way to get your script out into
the world and read. What makes this pitchfest better than most is that there is no
sign up process; you simply meet with however many companies you want for
one price. They also make sure that the companies who attend are credible and
seriously looking for material and writers.
Click here
industry newsdeadline hollywoodAs a screenwriter it’s essential to have your finger on the pulse on what’s
happening in Hollywood. This site by Nikki Finke, helps you do just that with
daily updates on the film industry.
Click here
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done deal proThis site tracks the various script, book, treatment, and pitch sales and options
made in Hollywood each day as well as internationally. This is an invaluable tool
for aspiring screenwriters who want to know each week what material is being set
up and with whom, and to track the latest trends.
Click here
studio system newsFormerly Hollywood Wiretap, this is probably our favorite source of Hollywood
insider news.
Click here
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films
Is it just coincidence that many of the great screenwriters tend to have
a remarkable knowledge of cinema?
We’re constantly amazed at how many aspiring screenwriters seem to only take a
passing interest in film. Many of the classics have passed them by, as have many
of the most talked about films of the year. It’s a bit like Maria Sharapova
admitting she’s never heard of Steffi Graf.
An understanding of the films that have shaped cinema’s history is vital to
expanding a writer’s craft, so make sure you’re on top of the game by
familiarizing yourself with as many of the films in the lists below as possible.
Best Screenplay Oscar Winners
Best Picture Oscar Winners
Cannes Palme d’Or Winners
Sundance Grand Jury Prize Winners
New York Times Best 1000 Movies Ever Made
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Wikipedia Films Considered the Greatest Ever
IMDB Top 250 Movies of All Time
Empire The 500 Greatest Movies of All Time
The A List: 100 Essential Films - Jay Carr
1001 Movies You Must See Before You Die - Steven Jay Schneider
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online screenplays
Many professional writers advocate reading screenplays as being the
best way to learn how to write; and there's A LOT of truth to this.
Reading as many scripts as possible, in any genre, helps improve writing style,
dialogue, sense of scene structure and overall structure. They are an invaluable
tool in learning how to master the craft.
You should be reading at least one produced screenplay (or unproduced from The
Black List) a week. If you’re writing a Thriller, read as many Thriller screenplays
as you can. If you’re writing a Romantic Comedy, there’s no excuse for not having
read Annie Hall and When Harry Met Sally.
Read the classics. Read the modern gems. See the standard you need to aspire to.
The rhythms and conventions all start to sink in, and it’s guaranteed that
constant reading will improve your writing.
The best way to get hold of free screenplays is to ask someone you know who
works at an agency to pass them on to you. Failing that, these websites offer free
downloading of screenplays.
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being charlie kaufmanFor fans of Mr. Kaufman there are links here to various drafts of his screenplays
and TV scripts.
Click here
my pdf scriptsA bit unpredictable as the site seems to be off-line some of the time, but a great
resource when it is actually live. All the screenplays are nicely presented in PDFs,
rather than the amateurish looking transcripts you find on many other sites.
Click here
script-o-ramaOnce you’ve readjusted your eyes to the website’s black design and tiny typeface,
there’s actually a great library of screenplays here to read.
Click here
selling your screenplayAshley Scott Meyers has created a database of online screenplays ready to
download. Quality varies but there’s a good collection of nice PDFs in there as
well.
Click here
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simply scriptsHundreds of free, downloadable screenplays and transcripts of current, classic
and a few soon-to-be-released movies, television, unproduced and radio shows.
Click here
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screenwriting software
If you want to take this screenwriting thing seriously, you need
professional software.
Yes, it can be a bit pricey, but no one’s going to take a script seriously that’s
written on Word. (We get more than you’d think.) In our opinion it’s all a
question of personal preference which one you ultimately go for. As practically all
screenplays are whizzing around the net as PDFs anyway, it doesn’t really matter
which software you use, as long as it does the job and looks professional.
final draftCan be frustrating as hell to use at times, but seems to be the “industry standard,”
whatever that means. Comes in at a hefty $249.95 on the official website, so we’d
suggest snagging yourself a discount from somewhere else like Amazon or The
Writer’s Store.
Click here
movie magicA viable alternative used by many Hollywood professionals and regarded by
many as head and shoulders about Final Draft. Some writers seem to find it
easier and faster to type using this program than any other, but there’s really not
much between this and Final Draft.
Click here
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celtxIf you’re really determined not to spend a dime, then Celtx is probably a good
place to start. It has its drawbacks, of course, but does a pretty good job; and
there’s a paid version with a few extras and cloud based storage available. The
official website only offers a free trial but you can bag a free copy of the software
on sites like softonic.com
Click here
fade inAnother alternative is Fade In, available at $49. This is an up and coming
program that’s been receiving rave reviews from The Hollywood Reporter, Craig
Mazin, and MacWorld, among others. Well worth checking out if you’re on a
tight budget.
Click here
courier primeLastly, we thought we’d draw your attention to a new typeface developed for
screenwriters by Alan Dague-Greene and John August. Like many others we’ve
made the switch to Courier Prime as it gives the script a much nicer look than
Final Draft Courier.
Click here
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thank you
We just want to say thanks again for signing up! You guys are great
and we’re extremely honored to have you on board.
We hope you found this tool kit useful, but please remember -- it doesn’t matter
how much research you do, how many books you read or conferences you attend
-- nothing will accelerate your screenwriting career more than actually writing.
If you have any questions we’d love to hear from you. Please feel free to contact
us at [email protected].
And a big THANK YOU goes out to everyone who’s posted comments on our
posts, Liked our Facebook page and followed us on Twitter. Maybe you’d care to
join them?
Speak soon and keep writing!
Alex, David, Todd & the rest of the ScriptReaderPro Team
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