rediscoveringthetrinshanshachartcolor

8/6/2019 RediscoveringTheTrinshanshaChartColor

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Jagdish Raj Ratra is B.Com (hons) L.L.BFellow (F.I.I) worked in Insurance Sector(LIC Of India) for 38 years. He has beendedicated to serious study in astrology sincelast few decades. He retired in Feb 1996, hasspecial interest in Jaimini Astrology. HeResearches ona) Why there are 150 nadis in a sign andwhat is the span of each nadi b) What is their importance and itscontribution in natives age span?

Rediscovering TheTrishansha Chart

As Used In NadisByJagdish Raj Ratra, IndiaCopy Editor: Yenbeeyes, India

[In our concerted efforts to bring forthunrevealed secrets of predictive astrology weare encouraging our team members to submit

write ups to us, even if they happen to appear tobe seemingly contrary to the currently acceptednorms and meanings. This article is an effort inthat direction, as it not only exposes the unequaldivision of the nadi amshas but possibly thecorrect meaning of the trimshamsas as used innadis, though different from Varahamihir or inthe current translations of BPHS. We fullybelieve that this will lead to increased use of

Trimshamshas as the one before propounded inthe BPHS has a very limited use especially inthis current social context. Please note that theunequal nadiamshas as well as the sixteendivisions have a bearing on the 60 yearSamvastar cycle in which the natal andmundane predictions can vary. This ofcourse isunder investigation and would be progressivelypresented. SA Editor]

t any epoc, horoscope is theprojected map of our solar systemspread over a matrix of 12 houses

with 7 physical planets and two virtualplanets (Nodes). It is the birds eye view.For close study of the matrix, we needmagnified view of some special aspectscalled vargas. The rashi chart is the motherchart and 15 sub chart as prescribed by the

Sage Prsshar have the magnifying powersof 2, 3, 4, 7, 9, 10, 12, 16, 20, 24, 27, 30, 40,45,60.

A


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To understand the concept, comparison can be made between watching a cricketmatch at stadium and one at T.V. At stadium with naked eyes we can only see miniaturestature of players but can never know split second run out of player and also subtle swing ofball in the air. With help of close ups videos we can see, split second actions at T.V.

Rasi chart also can be compared with Balance sheet (of natives life) in its briefest

format. It is supported by large number of schedules giving threadbare details of each entryon assets & liability sides of Balance Sheet. Divisional charts are schedules to the motherchart (Rashi Chart). Sometimes attractive looking Balance Sheet turns out to be defunct ondeep study, while ordinary looking Balance Sheet is full of hidden Reserves. The Divisionalcharts clear the haze.

Degree-wise range & significance of each Sub-chart is as under: -

Sr.No. Name of chart Degree range Significance1. Rashi 30 Summary of life2. Hora 15 (30/2) material wealth3. Drekkan 10 (30/3) c0-borns4. Tooryansha 7:30 (30/4) fosterness5. Saptansha 4:17 (30/7) progeny6. Navansha 3:20 (30/9) Spouse7. Dashamansha 3:00 (30/10) Status & authority8. Dwadashansha 2:30 (30/12) Parents9. Shodashansha 1:5230 (30/16) Conveyance, comforts

10. Vishamansha 1:30 (30/20) Religious karam11. Chaturvinsha 1:15 (30/24) Academic career12. Bhansha 1:06:40 Strength13. Trishansha 1:00 (30/30) Benefic/malefic personality14. Khavedansha 0:45 (30/40) Shubha influences15. Akshavedansha 0:30 (30/45)

Miscellaneous matters16. Shashtiansha 0:30 (30/60)

Sage Prashar has made 4 groups of these Vargas. First of which is SHADVARGA meant formeasuring power and strength of planets and houses without which reliable predictionscannot be given. Shadvarga is basis of Shadbala (six tools of energy measure of planets) usedto select the method of age calculation of each native. We find the selective strength ofLagna, the Sun & the Moon to be used in longevity assessments Amsha Ayu, Pinda Ayuor Naisargik Ayu.

It is unfortunate that accurate casting of Hora and Trishansha have been lost in theantiquity. Any valid chart should have (i) 12 houses (ii) lagna (iii) and all planets. Anydeviation is against the basic teaching of Sage Prashar. In any Sub chart a planet can occupyonly one sign which may be its Exaltation sign, Moolatrikona sign, Own sign or Kendra

sign from Lagna Aroodha. These placements are called shubha vargas.

The Rishi postulates that any planet can get placement in any of the 16 charts. Theseplacements can be Shubha varga or otherwise. If it gets Shubha vargas in all charts of 4


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groups of 16 charts it obtains special status. If in Shada varga group a planet obtains 6 out of6 shubha vargas, status name is KUNDAL, in groups of 7 charts (Sapta varga) 7 shubhavarga out of 7 gets the name of MUKAT, in Dasha varga (group of 1- charts) 10 out of 10shubh varga gets the name of SHREEDHAM, in Shodasha varga (group of 16 charts) 16 outof 16 shubha varga gets name of SHREEVALABHA. Hence is it very logical to say that allplanets participate in all 16 charts.

In the modern times Format of HORA & TRISHANSHA are against the perceptionof Shri Prashar and are of corrupt format. In the corrupt format Hora do not have 12 houseswhere Aries, Taurus, Gemini, Virgo, Libra, Scorpio, Sagittarius, Capri, Aqua and Pisceshave no chance of becoming Lagan or represent a house while in Trishansha 5 planetsparticipate in 5 unit division of 30 degree. If the casting of these charts is faulty, the Shadbalais incorrect hence the predictions based on that Shadbala are faulty.

Late Dr. B.V.Raman knew about this corruption in 1960s. For reasons best known to

him he did not raise this issue but made a passing reference in his London lecture of 26th

Sep.1970, quoted hereinafter at page 8. Late Shri A.D.Pathak raised this issue vide his 2 articlespublished in Times of Astrology (Delhi) January and February 1995 issues and blamed ShriVaraha mihir for inserting fake Trishansha in the text influenced by Tajak Astrology. Helamented that Mihirs stature in his times was so high and dominant that nobody daredchallenge him rather later writers followed him blindly and meekly.

Shri Varahamihir was court astrologer of King Vikramaditya of Ujjain. He livedabout 2065 years earlier. The corrupt format of Trishansha divided 30 bhava into 5 parts. Forodd rashis 5, 5, 8, 7, 5 belongs to Mars, Saturn, Jupiter, Mercury & Venus. For evenrashis segments are 5, 7, 8, 5, 5 belongs to Venus, Mercury, Jupiter, Saturn, Mars. TheSun and the Moon are totally ignored. Varaha Trishansha deals with sexual violabilitycommitted by the female natives, while Prashars Trishansha deals with positive andnegative traits of a native as per Trishansha of the planet in which he is born. Shri Pathakanalysed trishansha results prescribed by Shri Varaha and found that out of 25 Trishansharesults 13 belonged to females as violators of chastity as if all males are beyond doubt. It is

better that Varahas Trishansha be called a barometer of females sex pleasures.

The pure format of D-30 (Trishansha) can be found in pre-Varaha literature. Insupport we present Verse No. 5750-51 book III of Chandra Kala Nadi which was writtenabout 200 to 300 years before Varaha:-

Rashi of 30, Hora is half of Rashi, Drekkan is 1/3rd, Navansha is 1/9th, Dwadashansha is1/12th and Trishansha is 1/30th part of Rashi.


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With extensive research over 15 years, we have developed a Trishansha chartdepicting each part of 1 degree (30 30 = 1) with following characteristics:-

i) A rashi is divided into 30 parts of one degree each.ii) Each degree is represented by a rashi in digits (1 to 12).iii) If the opening Trishansha under dual Rashi like Meena, Mithun, Kanya and

Dhanus is x sign their next rashi being moveable whose opening Trishansha shallbe x 2 sign thereafter follows fixed sign whose opening trishansha will be x + 2sign.

iv) Opening D-30 signs scheme is as under:-Dual Signs Moveable Signs Fixed Signs

Meena Mesha Vrishab9 7 11

Mithun Katak Simha

4 2 6Kanya Tula Vrishchak

10 8 12Dhanur Makar Kumbha

3 1 5(digits 1, 2, 3. Represent Mesha, vrishab etc.)

v) Opening D-30 of Meena + Mithun = 9 + 4 = 13 is same for Kanya + Dhanu. Thisarithmetic applies to Mesha + Katak = Thula + Makar; Vrishab + Simha =

Vrischak + Kumbhvi) Under Meena Rashi D-30 opens with Dhanu followed by Makar, Meena, Meshaetc. till all 30 degrees are posted with signs in regularity. Under Mesha Rashi D-30opens with Tula followed by Vrischak, Dhanu etc till all 30 degrees are posted withsigns in regularity.

Trishansha chart on next page is easy to understand and follow. For verification of ourchart we need

i) Pre Varaha literatureii) Such granthas should contain birth parameters Lagan Rashi of 30 degrees,

Drekkan limiting the lagan to zone of 10 degrees, Navansha narrowing it to3:20 and Trishansha pinning it down to single degree accuracy or Textsdealing with 150 nadis within specific Lagan.

iii) Alphabetical list of nadis (annexure No. 1)iv) Longitudes of each nadi under moveable, fixed and dual Lagans (annexure

No.2). These annexures had been published under our earlier article Mysteryabout number & longitude of each nadi

Chandra Kala Nadi is one such granthas in our possession which meets the above

criteria. We have found 19 to 20 Verses from this text which confirm the validity of the saidTrishansha chart. We have arranged laganas in groups of moveable, fixed and dual.


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TRISHANSHA CHARTDegree Mesha Vrishab Mithun Katak Simh Kanya Tula V.chak Dhanu Makar Kumbh Meena

1 7 11 4 2 6 10 8 12 3 1 5 92 8 12 5 3 7 11 9 1 4 2 6 103 9 1 6 4 8 12 10 2 5 3 7 114 10 2 7 5 9 1 11 3 6 4 8 125 11 3 8 6 10 2 12 4 7 5 9 16 12 4 9 7 11 3 1 5 8 6 10 27 1 5 10 8 12 4 2 6 9 7 11 38 2 6 11 9 1 5 3 7 10 8 12 49 3 7 12 10 2 6 4 8 11 9 1 510 4 8 1 11 3 7 5 9 12 10 2 611 5 9 2 12 4 8 6 10 1 11 3 7

12 6 10 3 1 5 9 7 11 2 12 4 813 7 11 4 2 6 10 8 12 3 1 5 914 8 12 5 3 7 11 9 1 4 2 6 1015 9 1 6 4 8 12 10 2 5 3 7 1116 10 2 7 5 9 1 11 3 6 4 8 1217 11 3 8 6 10 2 12 4 7 5 9 118 12 4 9 7 11 3 1 5 8 6 10 219 1 5 10 8 12 4 2 6 9 7 11 320 2 6 11 9 1 5 3 7 10 8 12 4

21 3 7 12 10 2 6 4 8 11 9 1 522 4 8 1 11 3 7 5 9 12 10 2 623 5 9 2 12 4 8 6 10 1 11 3 724 6 10 3 1 5 9 7 11 2 12 4 825 7 11 4 2 6 10 8 12 3 1 5 926 8 12 5 3 7 11 9 1 4 2 6 1027 9 1 6 4 8 12 10 2 5 3 7 1128 10 2 7 5 9 1 11 3 6 4 8 1229 11 3 8 6 10 2 12 4 7 5 9 1

30 12 4 9 7 11 3 1 5 8 6 10 2

Mesha Lagan(1) Verse No. 1548, Book No I (Chandra Kala Nadi)

Sama nadi is at serial No. 7 under moveable sign.; it has longitude of 1:15;01 to 1:20. Birthis under 2nd degree of Mesha lagan. Referring Trishansha chart under column Mesha against2 we find digit 8 (Vrishchak) belongs to Mars.


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(2) Verse No. 2208 & 2211, Book No. I (C.K.Nadi)

- 2208 2211Mangla Nadi serial No. 91 (Shri C.S.Patel list) under moveable sign it has longitude of17:46:41 to 18:00. The birth was under 18 th degree of Mesha Lagan. As per Trishanshachart under Mesh column against 18 degree we find digit 12 (Meena) which belongs toJupiter.

(3) Verse No. 2678 & 2679 (Book I (C.K.Nadi)

- 2678

2679Champaka nadi, serial No. 27, under moveable sign; it has longitude of 5:20:01 to

5:30. The birth was under 6th degree of Mesha Lagan. Under Mesha column against 6 entryis digit 12 (Meena) belongs to Trishansha of Jupiter.

Katak Lagan(4) Verse No. 1795 & 1789 (C.K.Nadi Book I)

1789

Under item No (iii) Nadi is same & Lagan at 6 degrees under column katak against 6 degreeentry is digit 7 (Tula) belonging to Venus.

(5) Verse No. 2913 (C.K.Nadi Book II) Katak Lagan - Pankajansha

Pankaj nadi is at serial No. 149, under moveable Lagan; its longitude is 29:20 to 29:30. Thebirth under 30th degree of Katak with Meena Navansha. Under column Katak against 30 wefind digit 7 (Tula) belonging to Venus whereas our test says it is Mars Trishansha. This

cannot be true. There appears to be printing mistake because line no. 2 & 3 containcharacteristics of Venus not of Mars. Only Venus Trishansha can be addicted to dance,music, fancy scents and decorative and precious clothes.


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Shadavarga Varga Prakash a book compiled by Shri Mukand Balabh printed by MotilalBanarsi Dass, Varanasi gives trishansha phala of Mars as (page 70)

For Venus trishansha it says (page 71)

(6) Verse No. 2926 (C.K.Nadi Book II)

It is just repeat of Verse No. 2913

Makar Lagan(7) Verse No. 1338 (C.K.Nadi Book I)

Kanta nadi is at serial No. 32. Under moveable sign its longitude is 6:15:01 to 6:30. Thebirth was under 7th degree of Makar lagan. Under Makar column against 7 we find digit 7(Tula) ruled by Venus.

(8) Verse No. 2719 (C.K.Nadi Book I)

Trailokya nadi is at serial No. 74 (of C.S.Patel list) and at 75 (of C.G.Rajan list). Undermoveable sign its longitude is 14:30; 01 to 14:40 & 14:40:01 to 15:00 respectively bothfalling under 15th degree. Under column Makar of Trishansha against 15 we find digit 3(Mithun) belonging to Mercury.

Vrishabha Lagan (Fixed Sign)

(9) Page 65 Astrological Magazine January 1982

Shri N.Sundara Rajan, B.A., M.A., F.A. in an article DHRUVA NADI ANDAYANANSHA quoted the following reading of Dhruva Nadi of Satyacharya as under:


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It means as follows in the year Prajapata in the month of katak (July) on 18th day in

the bright half of the Moon on Wednesday on the night of eleventh lunar day in the 4 thquarter of Jyeshta nakshatra, in yoga of Mahindra and Bhadrakya karan, in Trishansha ofMars & Hora of Mars (!!!) in satvik vela birth takes place after 51 Nadi and quarter (fromsunrise) equal to 21 nadis and 7th vinadi after sunset. Birth takes place in Taurus Lagan Virgo

navansha

Life readings tallies with a native born at night of 31.7.1811 at 2:27 a.m. at Madras,Wednesday. He works out the Niryan position of Lagan at 59:04:54 and ayanansha at2:13:41. Hence sayan Lagan 56:51:13, Taurus Lagan at 2651:13, Kanya Navansha covers26:41 to 30:00 of Lagan. Hora covers 16 to 30. Trishansha is stated to be Mars. The exact

degree of birth 1s

27 under column Taurus (Vrishaba) against 27 we find digit 1 (Mesha)governed by mars. In the same article Shri N.S.Rajan praises Dhruva Nadi of Satyacharyaand Sukra Nadi as excellent among nadis. An astounding reference is Hora of Mars while all

modern texts talk about Surya Hora and Chandra Hora, how it is Satyacharya (who livedabout eleven centuries before Christ as per late C.S.Patel in his book Nadi astrology at page39) grants Hora to Mars. We have, argued earlier about distortion of Hora Chart.

(10) Page 889 Astrological Magazine Dec. 1977

Late Dr. B.V.Raman, modern doyen of Astrology in his lecture on 26 th Sep. 1970 atAstrological Lodge-LONDON whose extract as second part was published in 1977 declaredthat Trishansha is 1/30 division of Rashi and gave many examples to bring home the point.

He quoted an extract from Sukra Nadi as:-

If the Lagan is Taurus and censor point (Nadi is Kumari Nadi), the native born inthe first part shall be third issue to his parents. He will be born in a big town on the banks ofa river in the house of his father, situate in a street running north south and house facing theEAST. The delivery shall be easy.

If the birth is in second part, it will be in a small place in a relatives house in a streetrunning East West and house facing south. He will be 4th issue to his parents, his elderbrother having died. In either case Trishansha shall be of Venus.

Kumari Nadi is at serial No. 105. For fixed lagan longitude of nadi is 8:53:21 to 9:00,The birth was under 9th degree of Vrishabha. Against 9 under column Vrishabha, the digitentry is 7 (Tula) ruled by Venus.

Dr. Raman made some wonderful comments on Nadi granthas. He classified Nadisinto 3 groups. (A) Those make predictions on Dwadashansha (B) Those give prediction on(1/30) Trishansha (C) those which predict on Nadi (1/150). Dwadashansha indicates verygeneral pattern of future, Trishansha indicates more specific pattern of future while

Nadiansha gives exact pattern of future. Dr. Raman avoiding naming of individual or groupwho defiled our shastras was bold enough to praise trishansha as complete predictive systemabout traits of native slightly less to Nadi system. He never concurred with 5 unit division


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of Trishansha and everything attached to such division. It is likely the interpretationsections on sub charts under BPHS were eliminated from text by interested parties.

Format of post Varaha trishansha and prediction based on them should be discarded.Any Lagan getting Shubha trishansha gives the native noble and handsome face, mind andadorable qualities and not sexual in discipline. We reproduce here the qualities of native

born in Trailokya Nadi in Budha Trishansha (Ver. No. 2719 Book II) & Verse No. 2725 31.

He will be good looking, intelligent, eloquent, be endowed with charming face andeyes, be fortunate, religious, be fond of Superior ascetics and will worship Gods andBrahmins. He will eat limited food, talk within limits, sleep for limited hours. He willconquer his senses, skillful in knowing others thoughts, be fond of ornaments, be evilperson to evils, unkind to unkind people. He will be skilful in law and philosophy etc.etc.The text is strewn with such instances of benefic trishansha.

Vrishchak Lagan(11) Verse No. 1939 (C.K.Nadi Book I)

Gadaa Nadi is at serial No. 86 under fixed Lagan; its longitude is 12:51 ;24 to 13:00. Laganat 13th degree of Vrishcak under column Vrishchak against 13, we find 12 (Meena) belongingto Jupiter.

(12) Verse No. 2349 (C.K.Nadi Bk I)

Sudha Nadi is at serial No. 72. Under fixed Lagan its longitude is 15:33:21 to 15:45 fallingunder 16th degree. Under column Vrishchak against 16 we find digit 3 (Mithun) belonging to

Mercury.

Dhanu Lagan (Dual Sign)(13) Verse No. 2657 & 2652 (C.K.Nadi Book III)

- 2657

- 2652


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Champaka nadi is at serial No. 27. Under dual sign its longitude is 20:30:01 to 20:37:20 i.e.21st degree. Under column Dhanu of trishansha chart against 21 we find digit 11 (kumbha)governed by Saturn.

Meena Lagan(14) Verse No. 2405, 06, 2413 (C.K.Nadi Book I)

Verse No. 2413 is repetition of VN 2406.

- 2405

- 2406

Vasudha is at serial No I. Under dual sign its longitude is 15:01 to 15:20 i.e. 16 th degree.

Under column Meena of trishansha chart against 16th

degree we get 12 (Meena) owned byJupiter.

(15) Verse No. 2787 & 88 (C.K.Nadi Book II)

- 2787

Suprabha Nadi is at serial No. 78. Under dual lagan its longitude is 0:40:01 to 0:45:00i.e. first degree. Under column Meena against first degree we find digit 9 (Dhanu) ownedby Jupiter.

We have proved the validity of New Trishansha with the help of Nadi longitudes

under 7 laganas Mesha, Vrishabha, Katak, Vrishchak, Dhanu and Meena for whichmaterial could be churned out of Chandrakala nadi. We regret we do not have DhruvaNadi of Satyacharya or Sukranadi in our possession for research and verification ofTrishansha under remaining 5 laganas. We request scholars to help dig out realTrishansha.

Much work needs to be done for HORA CHART as well. Dhana yoga, Shri yogasavailable in Mother chart should be got confirmed in a Hora Chart whose present formatis useless and illogical. Hora Chart, first Deputy of Mother Chart (Rashi Chart) amongst

15 sub charts should have been developed as a tool of measurement of economic power ofa native. Presently only ruins are available of a grand edifice.

Annexure I


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SANSKRIT ALPHABETICAL NAMES OF NADISWITH SERIALS GIVEN UNDER ANNEXURE IIAindra 108Ambuja 124

Amrutplavini 47

Avilaa 41

Balaa 83Bharataa 133

Bhupa 66

Braahmi 3Brahmi 111

Champakaa 27

Chirjivini 65

Chitraa 63

Chitrini 64

Damaka 28Dhanada 122Dhanakari 121

Dhananjaya 120

Dhruva 23

Durbhagaa 37

Durbhagaa 62

Durdharaa 36

Gaadhaa 86Gada 85

Gadaharaa 67

Gahvaraa 51Ghora 14

Haarini 117Harini 118Hasita 134

Jagati 21

Jarjhara 22

Jwalaa 84

Kaalaa 33

Kaalakota 4


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Kachchhapa 123Kadali 135Kala 130Kalashodbhava 141

Kalushaa 30

Kalushankura 73

Kamadhruk 49

Kamalaa 31Kamini 140Kandala 137

Kanta 32

Karalaa 48

Karavirani 50

Karikara 34Kokila 106

Kokila 138

Kshamaa 35Kumari 105

Kumbhini 15Kundaa 131

Kundini 52Kunjarakriti 107

Kutila 16

Maadhvi 12Maala 20

Maaya 10Madiraa 115Mahamari 75

Mahi 29Maitri 116

Managhnaa 61Mangala 91

Manjuswana 13Manoharaa 11Manshani 125Marut 119Mokshapavarga 94

Mudgaraa 25Mudrika 92Mukundaa 132

Musalaa 24

Naalaa 68

Nadi 71Naga 148


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Nalini 69Navanitaa 96Nigada 99

Nimanaa 58

Nirmadaa 56

Nirmala 70Nishachari 97Nivrutti 98Nutana 87

Paapaa 139Paatalini 147Pankajaa 149

Paraa 18Parameswari 150

Pasha 26

Payaswini 19

Prabhaa 17Prahavi 146Prita 112

Pritaa 59

Priyavardhini 60

Rakshajalaplava 113

Raudra 53Raudri 127

Saaraa 100

Sama 7Samaa 103Samada 102Sangaraa 143Sangitaa 101

Sankari 5Saumya 8Shatawari 145Shatyagnaa 144

Shitalaa 57Shiva 128Shivaa 82Shivadaa 81Shivakari 129

Shobanaa 80Shobha 79Shudhaa 93Shulini 126


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Smara 136Snigdhaa 44Sodaraa 45Somalata 90Somvalli 89Sudamritanshu 72Sudhakari 6Sukhadaa 77Sukhadaa 43Sumanohara 88Suprabha 78Suraa 9Surasundari 46Sushitlaa 76Swaahaa 109

Swaraa 110

Trailokyamohankari 74

Vaishnavi 2Valayaa 95Varuni 114

Vashirna 39

Vasudha 1

Vibhramaa 42

Vikataa 40Viraprasu 142

Vishakhya 54

Vishanashini 55

Vishwa 38Vishwambharaa 104

Annexure IISr.No. C.G.Rajan C.S.Patel Moveable Fixed Dual

(Start) 0:00':01" 30:00':00" 15:00':00"

1 Vasudha Vasudha (end) 0:30':00" 29:30':00" 15:20':00"

2 Vaishnavi Vaishnavi 0:40':00" 29:20':00" 15:30':00"

3 Braahmi Braahmi 0:45':00" 29:15':00" 15:33':20"

4 Kaalakota Kaalakota 1:00':00" 29:00':00" 15:45':00"

5 Sankari Sankari 1:06':40" 28:53':20" 16:00':00"

6 Sadaakari Sudhakari 1:15':00" 28:45':00" 16:15':00"7 Sama Sama 1:20':00" 28:40':00" 16:30':00"

8 Saumya Saumya 1:30':00" 28:30':00" 16:40':00"

9 Suraa Suraa 1:52':30" 28:17':30" 16:52':30"


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10 Maaya Maaya 2:00':00" 28:00':00" 17:00':00"

11 Manoharaa Manoharaa 2:13':20" 27:46':40" 17:08':34"

12 Maadhvi Maadhvi 2:15':00" 27:45':00" 17:15':00"

13 Manjuswana Manjuswana 2:30':00" 27:30':00" 17:20':00"

14 Ghora Ghora 2:40':00" 27:20':00" 17:30':00"

15 Kumbhini Kumbhini 3:00':00" 27:00':00" 17:46':40"

16 Kutilaa Kutila 3:20':00" 26:40':00" 18:00':00"

17 Prabhaa Prabhaa 3:30':00" 26:30':00" 18:30':00"

18 Paraa Paraa 3:45':00" 26:15':00" 18:40':00"

19 Payaswini Payaswini 4:00':00" 26:00':00" 18:45':00"

20 Maala Maala 4:17':08" 25:42':51" 18:53':20"

21 Jagati Jagati 4:26':40" 25:33':20" 19:00':00"

22 Jarjhara Jarjhara 4:30':00" 25:30':00" 19:20':00"

23 Druva Dhruva 4:40':00" 25:20':00" 19:30':00"

24 Musalaa Musalaa 5:00':00" 25:00':00" 20:00':00"

25 Mudgaraa Mudgaraa 5:15':00" 24:45':00" 20:15':00"

26 Pasaa Pasha 5:20':00" 24:40':00" 20:30':00"

27 Champakaa Champakaa 5:30':00" 24:30':00" 20:37':20"

28 Daamini Damaka 5:33':20" 24:26':40" 20:40':00"

29 Mahi Mahi 5:37':30" 24:22':30" 21:00':00"

30 Kalusha Kalushaa 6:00':00" 24:00':00" 21:06':40"

31 Kamalaa Kamalaa 6:15':00" 23:45':00" 21:15':00"

32 Kantha Kanta 6:30':00" 23:30':00" 21:20':00"

33 Kaalaa Kaalaa 6:40':00" 23:20':00" 21:25':45"

34 Karkaraa Karikara 6:45':08" 23:15':00" 21:30':00"35 Kshamaa Kshamaa 7:00':00" 23:00':00" 21:45':00"

36 Durdhuraa Durdharaa 7:20':00" 22:40':00" 22:00':00"

37 Durbhagaa Durbhagaa 7:30':00" 22:30':00" 22:13':20"

38 Viswa Vishwa 7:46':40" 22:13':20" 22:30':00"

39 Visirnaa Vashirna 8:00':00" 22:00':00" 22:40':00"

40 Vikataa Vikataa 8:15':00" 21:45':00" 23:00':00"

41 Aavilaa Avilaa 8:30':00" 21:30':00" 23:15':00"

42 Vidrumaa Vibhramaa 8:34':16" 21:25':45" 23:20':00"

43 Sukhadaa Sukhadaa 8:40':00" 21:20':00" 23:30':00"44 Snigdha Snigdhaa 8:45':00" 21:15':00" 23:45':00"

45 Sodaraa Sodaraa 8:53':20" 21:06':40" 24:00':00"

46 Sursundari Surasundari 9:00':00" 21:00':00" 24:22':30"

47 Suramrithplavini Amrutplavini 9:20':00" 20:40':00" 24:26':40"

48 Karalaa Karalaa 9:22':30" 20:37':20" 24:30':00"

49 Kamadhuk Kamadhruk 9:30':00" 20:30':00" 24:40':00"

50 Karaveerani Karavirani 9:45':00" 20:15':00" 24:45':00"

51 Gahvaraa Gahvaraa 10:00':00" 20:00':00" 25:00':00"

52 Kundini Kundini 10:30':00" 19:30':00" 25:20':00"53 Raudra Raudra 10:40':00" 19:20':00" 25:30':00"

54 Vishaa Vishakhya 11:00':00" 19:00':00" 25:33':20"

55 Vishavinashini Vishanashini 11:06':40" 18:53':20" 25:42':51"


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56 Nirmadaa Nirmadaa 11:15':00" 18:45':00" 26:00':00"

57 Seethalaa Shitalaa 11:20':00" 18:40':00" 26:15':00"

58 Nimnaa Nimanaa 11:30':00" 18:30':00" 26:30':00"

59 Prida(Preeta) Pritaa 12:00':00" 18:00':00" 26:40':00"

60 Priyavaasini Priyavardhini 12:13':20" 17:46':40" 27:00':00"

61 Managhna Managhnaa 12:30':00" 17:30':00" 27:20':00"

62 durbhagaa Durbhagaa 12:40':00" 17:20':00" 27:30':00"

63 Chitraa Chitraa 12:45':00" 17:15':00" 27:45':00"

64 Chitrini Chitrini 12:51':24" 17:08':34" 27:46':40"

65 Chirjeevani Chirjivini 13:00':00" 17:00':00" 28:17':30"

66 Virupa Bhupa 13:07':30" 16:52':30" 28:07':30"

67 Gadaharaa Gadaharaa 13:20':00" 16:40':00" 28:30':00"

68 Naalaa Naalaa 13:30':00" 16:30':00" 28:40':00"

69 Nalini Nalini 13:45':00" 16:15':00" 28:45':00"

70 Nirmala Nirmala 14:00':00" 16:00':00" 28:53':20"

71 Nadi (river) Nadi 14:15':00" 15:45':00" 29:00':00"

72 Sadaamritamsukala Sudamritanshu 14:26':40" 15:33':20" 29:15':00"

73 Chapalaa Kalushankura 14:30':00" 15:30':00" 29:20':00"

74 Saankuraa Trailokyamohankari 14:40':00" 15:20':00" 29:30':00"

75 Trailokyamohakari Mahamari 15:00':00" 15:00':00" 30:00':00"

76 Mahaamari Sushitlaa 15:20':00" 14:40':00" 0:30':00"

77 Suseethala Sukhadaa 15:30':00" 14:30':00" 0:40':00"

78 Sumatha Suprabha 15:33':20" 14:26':40" 0:45':00"

79 Suprabha Shobha 15:45':00" 14:15':00" 1:00':00"

80 Sobhaa Shobanaa 16:00':00" 14:00':00" 1:06':40"81 Sobhana Shivadaa 16:15':00" 13:45':00" 1:15':00"

82 Sivadaa Shivaa 16:30':00" 13:30':00" 1:20':00"

83 Siva Balaa 16:40':00" 13:20':00" 1:30':00"

84 Balaa Jwalaa 16:52':30" 13:07':30" 1:52':30"

85 Jwalaa Gada 17:00':00" 13:00':00" 2:00':00"

86 Gadaa Gaadhaa 17:08':34" 12:51':24" 2:13':20"

87 Gaadaa Nutana 17:15':00" 12:45':00" 2:15':00"

88 Nootana Sumanohara 17:20':00" 12:40':00" 2:30':00"

89 Sumanohara Somvalli 17:30':00" 12:30':00" 2:40':00"90 Somavalli Somalata 17:46':40" 12:13':20" 3:00':00"

91 Somlatha Mangala 18:00':00" 12:00':00" 3:20':00"

92 Mangla Mudrika 18:30':00" 11:30':00" 3:30':00"

93 Mudrika Shudhaa 18:40':00" 11:20':00" 3:45':00"

94 Sootha Mokshapavarga 18:45':00" 11:15':00" 4:00':00"

95 Mokshapvarga Valayaa 18:53':20" 11:06':40" 4:17':08"

96 Valayaa Navanitaa 19:00':00" 11:00':00" 4:26':40"

97 Navneeta Nishachari 19:20':00" 10:40':00" 4:30':00"

98 Nisakari Nivrutti 19:30':00" 10:30':00" 4:40':00"99 Nivrithi Nigada 20:00':00" 10:00':00" 5:00':00"

100 Nigadaa Saaraa 20:15':00" 9:45':00" 5:15':00"

101 Saaraa Sangitaa 20:30':00" 9:30':00" 5:20':00"


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102 Sangeeta Samada 20:37':20" 9:22':30" 5:30':00"

103 Sumantha Samaa 20:40':00" 9:20':00" 5:33':20"

104 Viswambhara Vishwambharaa 21:00':00" 9:00':00" 5:37':30"

105 Kumari Kumari 21:06':40" 8:53':20" 6:00':00"

106 Kokila Kokila 21:15':00" 8:45':00" 6:15':00"

107 Kunjarakrithi Kunjarakriti 21:20':00" 8:40':00" 6:30':00"

108 Aindiri Aindra 21:25':45" 8:34':16" 6:40':00"

109 Swaahaa Swaahaa 21:30':00" 8:30':00" 6:45':08"

110 Swaraa Swaraa 21:45':00" 8:15':00" 7:00':00"

111 Vahini Brahmi 22:00':00" 8:00':00" 7:20':00"

112 Preethi Prita 22:13':20" 7:46':40" 7:30':00"

113 Rakshajala Rakshajalaplava 22:30':00" 7:30':00" 7:46':40"

114 Plava Varuni 22:40':00" 7:20':00" 8:00':00"

115 Vaaruni Madiraa 23:00':00" 7:00':00" 8:15':00"

116 Madiraa Maitri 23:15':00" 6:45':08" 8:30':00"

117 Maitri Haarini 23:20':00" 6:40':00" 8:34':16"

118 Haarini Harini 23:30':00" 6:30':00" 8:40':00"

119 Harini Marut 23:45':00" 6:15':00" 8:45':00"

120 Maruth Dhananjaya 24:00':00" 6:00':00" 8:53':20"

121 Dhananjaya Dhanakari 24:22':30" 5:37':30" 9:00':00"

122 Dhanakari Dhanada 24:26':40" 5:33':20" 9:20':00"

123 Dhanada Kachchhapa 24:30':00" 5:30':00" 9:22':30"

124 Mricchaya Ambuja 24:40':00" 5:20':00" 9:30':00"

125 Ambuja Manshani 24:45':00" 5:15':00" 9:45':00"

126 Isaani Shulini 25:00':00" 5:00':00" 10:00':00"127 Thoolini Raudri 25:20':00" 4:40':00" 10:30':00"

128 Raudri Shiva 25:30':00" 4:30':00" 10:40':00"

129 Sivaa Shivakari 25:33':20" 4:26':40" 11:00':00"

130 Sivakari Kala 25:42':51" 4:17':08" 11:06':40"

131 Kalaa Kundaa 26:00':00" 4:00':00" 11:15':00"

132 Kunda Mukundaa 26:15':00" 3:45':00" 11:20':00"

133 Mukunda Bharataa 26:30':00" 3:30':00" 11:30':00"

134 Bharatha Hasita 26:40':00" 3:20':00" 12:00':00"

135 Pasitha Kadali 27:00':00" 3:00':00" 12:13':20"136 Kandini Smara 27:20':00" 2:40':00" 12:30':00"

137 Smaraa Kandala 27:30':00" 2:30':00" 12:40':00"

138 Kunthala Kokila 27:45':00" 2:15':00" 12:45':00"

139 Kokila Paapaa 27:46':40" 2:13':20" 12:51':24"

140 Paapaa Kamini 28:00':00" 2:00':00" 13:00':00"

141 Kaamini Kalashodbhava 28:17':30" 1:52':30" 13:07':30"

142 Kalasodbhava Viraprasu 28:30':00" 1:30':00" 13:20':00"

143 Viraprasoo Sangaraa 28:40':00" 1:20':00" 13:30':00"

144 Sankara Shatyagnaa 28:45':00" 1:15':00" 13:45':00"145 Sathayoghana Shatawari 28:53':20" 1:06':40" 14:00':00"

146 Sadaavari Prahavi 29:00':00" 1:00':00" 14:15':00"

147 Brahwi Paatalini 29:15':00" 0:45':00" 14:26':40"


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148 Paatalini Naga 29:20':00" 0:40':00" 14:30':00"

149 Pankajaa Pankajaa 29:30':00" 0:30':00" 14:40':00"

150 Parameswari Parameswari 30:00':00" 0:00':01" 15:00':00"

(-)Underline under serial number indicate mismatch of namessuggested by both researchers

ANNEXURE III

Extract from (ShadVarga Prakashah)


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rediscoveringthetrinshanshachartcolor

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