April 30, 2019

Lewis Center for the Arts awards over $123,000 for summer projects in the arts to 52 Princeton students

Photo caption: Princeton students (left to right) Runako Campbell, Gabriella Pollner, and Jhor van der Horst are recipients of funding through the Lewis Center for the Arts’ Alex Adam ’07 Award for 2019.Photo credits: (left to right) Noor Eemaan Jaffery; Liz Yu; courtesy Jhor van der Horst

(Princeton, NJ) The Lewis Center for the Arts at Princeton University announces more

than $123,000 in awards to support the summer projects and research of 52 Princeton

undergraduates, chosen from 80 applicants. Although all first, second, and third-year

student-artists are eligible to apply, for many recipients, the funding provides the

resources to conduct research, undertake training, and pursue other opportunities critical

to achieving their senior thesis project goals in the arts.

Three students — Runako Campbell, Gabriella Pollner, and Jhor van der Horst — have

been selected for the Alex Adam ’07 Award. Established in memory of Alexander Jay

Adam ’07 and made possible by a generous gift from his family, the award provides

$7,500 in support to each of three Princeton undergraduates who will spend a summer

pursuing a project that will result in the creation of new artistic work. While a student at

Princeton, Alex Adam pursued artistic interests in creative writing and theater. Joyce

Carol Oates, his creative writing professor, praised his work as “sharp-edged,

unexpectedly corrosive and very funny.” He was also an actor, and performed with the

Princeton Shakespeare Company, Theatre Intime, and the Program in Theater.

“The Alex Adam Award was created in loving memory of a wonderfully creative

student,” says Michael Cadden, Chair of the Lewis Center. “Thanks to his family’s

generosity, our young artists are able to pursue dream projects around the globe. Many

past recipients have begun to build significant careers in the arts.”

Sophomore Runako Campbell, who is working towards a certificate in dance, will gain

exposure to new movement styles, processes, and choreographers as she travels

throughout Europe this summer. Through recent courses in dance and in her major,

African American Studies, she has developed interests in the idea of embodied

knowledge and the ways identity can inform a movement practice. Undertaking a journey

of self-discovery, Campbell will begin in Hungary, to participate in Budapest

International Dance Week, training with instructors from Hofesh Shechter Company and

Les Ballets C de la B, among others. She will then attend the b12 Dance Festival in

Berlin, Germany, to participate in movement research with choreographers such as

Micaela Taylor, Olivia Ancona, Scott Jennings, and Shannon Gillen. Next, she will

attend the Inaugural Orsolina28 Forsythe/Pite Summer Program in Asti, Italy, to closely

study the movement practices and repertory of contemporary dance icons William

Forsythe and Crystal Pite. Then she will travel to Belgium to train at Anne Teresa De

Keersmaeker’s P.A.R.T.S. School and Sidi Larbi Cherkaoui’s Eastman Intensive. She

will close out the summer in New York City dancing with one of her biggest inspirations,

Kyle Abraham, at the A.I.M. summer program. Throughout these research experiences,

Campbell will utilize physical training, notes, video, interviews, and other methods to

assist her in crafting a personal movement language and artistic voice for her future dance

thesis and ultimately, a professional career in dance.

Through the lens of photography, junior Gabriella Pollner seeks to pursue research in the

fields of gender, sexuality, popular culture, and media studies. Merging a major in public

policy under the Woodrow Wilson School of International and Public Affairs with a

certificate in the Program in Visual Arts, she will use her current studies in these subjects

to delve deeper this summer into what she calls “today’s dichotomous America,” where

representations of the spectacular co-exist with and contradict one another. She aims to

create a documentation of experience: a cohesive, yet complex, account of beauty and

queerness. From June to July, Pollner will interview subjects and photograph traditional

and abstract portraits of people and monuments at World Pride in her native state of New

York. These photographs and narrative texts will serve as material for her senior thesis

project: the creation of an artist’s book that addresses queer identity politics through

ceremonies of pageantry, pride, and protest, and one that empowers all queer-centric

identities, including her own.

Junior Jhor van der Horst will trace the origins of his ideas and vocabularies as he seeks

to better use his multi-lingual, multi-disciplinary, and multi-cultural history to support

himself and his community. He plans to reconnect with people who have had a formative

impact on him in the past and forge new connections with communities that demonstrate

distinct practices of meaning-making. Van der Horst will spend several weeks traveling

to various communes with established art practices in the Netherlands, Germany,

Denmark, Italy, the U.K. and the U.S.; as well as temporary art communities, including

ImPulsTanz, Ponderosa, TicTac Art Center, Freiburg Contact Festival, Princeton

Summer Theatre, and the Edinburgh Fringe Festival. At the Fringe, van der Horst hopes

to present Halfway Home, a new play written by fellow Princeton student Zara Jayant and

produced at the Lewis Center earlier this month under his direction. These research

opportunities will equip van der Horst to create original materials for his separate theses

in the Programs in Dance, Theater, and Visual Arts. His dance thesis will bring into

conflict choreographic and improvisational strategies from various European traditions,

with the aim of finding an embodied ritual in the process; his theater thesis is a solo show

for which he adopts all creative roles in dedication to his teachers; and his visual arts

thesis will involve the creation of gathering spaces and investigation into practices of

hosting. In all of his interdisciplinary work, van der Horst strives to devise strategies that

cultivate conversation among eclectic esoteric practices.

Juniors Abby Spare and Kevin Zou have been selected for funding through the Mallach

Senior Thesis Fund. This award, established by Douglas J. Mallach ’91, supports the

realization of one or two proposed senior thesis projects that incorporate historical

research and create an alternative path to learning history.

In the efforts to better understand German history, identity, and culture as it relates to her

certificate in the Program in Theater, Spare will travel to Germany this summer. For her

senior thesis, Spare has proposed acting in a production of Mother Courage and Her

Children by German dramatist Bertolt Brecht. Her plans include meeting with current

German theater practitioners at the Berliner Ensemble, discussing the Bauhaus movement

with curators at Museum Tur Gestaltung Bauhaus, and observing contemporary cabaret

performances as she researches her way through the history of German theater from the

beginning of the Weimar Republic through the start of the Second World War.

For his proposed senior thesis in the Program in Creative Writing, Zou plans to finish the

manuscript of his novel, You Ridiculous People. The story follows the children of high-

level Chinese government officials in the aftermath of a national anti-corruption decree.

Zou traces the emotions and experiences of these teenagers stranded in American

boarding schools, who face extradition, orphanhood, and a general sense of being alone

in a world that isn’t their own, while the homes they are exiled from no longer seem

intelligible. To continue his research pertaining to extradition, corruption, and wealth in

China, Zou, a philosophy major, will travel to Beijing this summer and also visit places

and people with whom he has lost touch since leaving his homeland.

Juniors Bes Arnaout and Yunzi Shi have received grants from the E. Ennalls Berl 1912

and Charles Waggaman Berl 1917 Senior Thesis Award in Visual Arts, which was

established in 1999 by Marie Broadhead to provide support for research, travel or other

expenses of current juniors undertaking senior thesis work in the Program in Visual Arts.

Juniors Tessa Albertson, Liana Cohen, Alex Laurenzi, Estibaliz Matulewicz, Emily

McLean, Allison Spann, and Bhavani Srinivas, along with sophomores Paige Allen,

Tyler Ashman, Lindsay Emi, and Christopher Villani, and first-year students Daniel

Bauman, Stav Bejerano, and Brenda Theresa Hayes have received funding through The

Sam Hutton Fund for the Arts instituted by Thomas C. Hutton ’72 to support

undergraduate summer study, travel and thesis research in the Lewis Center.

Junior Diana Chen is the recipient of the Lucas Summer Fellowship, which is presented

annually to one or more visual arts concentrators for summer thesis work in any media.

Sophomore Jason Seavey has received support from the Mellor Fund for Undergraduate

Research, which underwrites course, travel, and/or research costs related to studies in the

creative and performing arts.

Junior Amelia Goldrup and sophomore Zhamoyani McMillan have been awarded grants

from the Mary Quaintance ’84 Fund for the Creative Arts established in her memory to

foster talents similar to those Quaintance developed in writing, film studies, and literature

in the creative arts programs at Princeton.

First-year student Dylan Fox received a travel stipend from the Timothy K. Vasen Award

for Summer Research, established in memory of Vasen, who directed plays and taught

classes in the Program in Theater from 1993 through 2015 and served as the Program’s

Director from 2012 until his untimely death in 2015. This fund supports summer travel

for students who are pursuing creative projects at the Lewis Center.

Juniors Thomas Hoopes and Janette Lu and sophomores Benjamin Freeman and Noa

Wollstein are beneficiaries of the Lawrence P. Wolfen ’87 Senior Thesis Award

established for travel or research costs, materials, equipment or other expenses of current

juniors for thesis work in the creative arts, especially the visual arts or graphic arts.

Junior Jenny Kim received support through the Carpenter Family Fund for Comparative

Literature and the Creative Arts, established by Katherine R.R. Carpenter ’79 for

collaborative projects between the Lewis Center and Department of Comparative

Literature.

In addition, 21 other students have received support through the Peter B. Lewis Summer

Fund, with grants ranging from $500 to $3,300.

To learn more about the Lewis Center for the Arts, the funding available to Princeton

students, and the more than 100 other performances, exhibitions, readings, screenings,

concerts, and lectures presented by the Lewis Center, most of them free, visit

arts.princeton.edu.

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